- published: 20 Jul 2015
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The Dark Side of the Moon is the eighth studio album by the English progressive rock band Pink Floyd, released on 1 March 1973. It built on ideas explored in the band's earlier recordings and live shows, but lacks the extended instrumental excursions that characterised their work following the departure in 1968 of founder member, principal composer, and lyricist, Syd Barrett. The themes on The Dark Side of the Moon include conflict, greed, the passage of time, and mental illness, the latter partly inspired by Barrett's deteriorating mental state.
Developed during live performances, an early version of the suite was premiered several months before studio recording began; new material was recorded in two sessions in 1972 and 1973 at Abbey Road Studios in London. The group used some of the most advanced recording techniques of the time, including multitrack recording and tape loops. Analogue synthesizers were given prominence in several tracks, and a series of recorded interviews with the band's road crew and others provided the philosophical quotations used throughout. Engineer Alan Parsons was responsible for some of the album's most notable sonic aspects and the recruitment of non-lexical singer Clare Torry. The album's iconic sleeve, designed by Storm Thorgerson, features a prism dispersing light into color and represents the band's stage lighting, the record's lyrical themes, and keyboardist Richard Wright's request for a "simple and bold" design.
Breathe In may refer to:
Breathe may refer to:
The atmosphere of Earth is the layer of gases surrounding the planet Earth that is retained by Earth's gravity. The atmosphere protects life on Earth by absorbing ultraviolet solar radiation, warming the surface through heat retention (greenhouse effect), and reducing temperature extremes between day and night (the diurnal temperature variation).
The common name air (English pronunciation: /ɛər/) is given to the atmospheric gases used in breathing and photosynthesis. By volume, dry air contains 78.09% nitrogen, 20.95% oxygen, 0.93% argon, 0.039% carbon dioxide, and small amounts of other gases. Air also contains a variable amount of water vapor, on average around 1% at sea level, and 0.4% over the entire atmosphere. Air content and atmospheric pressure vary at different layers, and air suitable for the survival of terrestrial plants and terrestrial animals is found only in Earth's troposphere and artificial atmospheres.
The atmosphere has a mass of about 5.15×1018 kg, three quarters of which is within about 11 km (6.8 mi; 36,000 ft) of the surface. The atmosphere becomes thinner and thinner with increasing altitude, with no definite boundary between the atmosphere and outer space. The Kármán line, at 100 km (62 mi), or 1.57% of Earth's radius, is often used as the border between the atmosphere and outer space. Atmospheric effects become noticeable during atmospheric reentry of spacecraft at an altitude of around 120 km (75 mi). Several layers can be distinguished in the atmosphere, based on characteristics such as temperature and composition.
A joint or articulation (or articular surface) is the location at which bones connect. They are constructed to allow movement (except for skull, sacral, sternal, and pelvic bones) and provide mechanical support, and are classified structurally and functionally.
Joints are mainly classified structurally and functionally. Structural classification is determined by how the bones connect to each other, while functional classification is determined by the degree of movement between the articulating bones. In practice, there is significant overlap between the two types of classifications.
Terms ending in the suffix -sis are singular and refer to just one joint, while -ses is the suffix for pluralization.
An articulate facet is generally seen as a small joint, especially used when speaking of the joints of the ribs.
Structural classification names and divides joints according to the type of binding tissue that connects the bones to each other. There are three structural classifications of joints:
Verse One: Erick Sermon
I make a million buck
every six months and y'all
hating my game, saying my name, they call
me the E, wrong things
knowing Im fly without wings
while some of y'all have to pull strings.
In this era I maintain the freak upon the beats
master basslines of Raphael Saadiq
Lyrical mastermind, a genius so dont snooze
no missions impossible, ask Tom Cruise
I keep a joint lit, when I have to spit
I rough paragraph, laugh when I'm busting yo' ass, who want it?
Come and see me, like 112
and I'll rock that bell with Fox and L
E-Dub, Mr Excitement, right
The poltergeist of rap so come to the light.
Yes, the recipient of this award goes to Moi,
the best qualified superstar.
Chorus: EPMD
Erick: My squad stays on point like
Den en den den de den, It's the joint
Parish: Yeah my squad stay on point like,
Erick: Den en den den de den, Its the joint.
Both: New York I'm in your area, (Over here)
DC I'm in your area, (Over here)
New Jerse I'm in your area, (Over here)
EPMD, its a world premier
Verse Two: Parrish Smith
Its the joint, stay on point
Plus I'm feelin it
niggas killin shit tryin to duplicat the manuscript
thats impossible, pray like the gospel
over coming set backs, and jumping over obstacles
Like Evil Kenevil, on point like a needle
EPMDs' like the Beatles, back with another sequal
to hip hop, check one two and you don't stop
rap with mainstream R&B; and pop
now the worlds shocked
the E-doubles back with Mic-Doc
Like it or not we bout to turn it up another notch
My speeds put it down for my seeds
Raw breeds, acres with the deeds, its the joint.
Chorus: (first part the same)
Both: VA I'm in your area, (Over here)
DA I'm in your area, (Over here)
Chi Town I'm in your area, (Over here)
EPMD, its a world premier
Verse Three: EPMD
E: My styles digable, so I'm phat like that
I got a benz too, and its black like that
I got millions of chips, and they stack like that
A five year spread, and now we back like that
How dare they, niggas sittin in they room with Brandy
way pissed off thikin how the can't stand me
He rhyme Shawn for his Penn, talking
not lookin, shoocken, a dead man walking
P: You know me, from rippin shows wit my homie
the one and only, Ginuwine like Pony
You want a ride? Call me up when your lonely
I'm Parish Smith and shit, Greaat like Tony
I'm hittin hittin
E: Where from?
P: From brentwood to San Quentin
I'ma keep rhyming, still representing
E: Fro who?
P: For my niggas up north and in the ?Courts?
and for the emcees taking no shorts, in this blood sport
Chorus: (first part the same)
Both: Detroit I'm in your area, (Over here)
Cali I'm in your area, (Over here)
Philly I'm in your area, (Over here)
EPMD, its a world premier