Tru is a 1989 play by Jay Presson Allen, adapted from the words and works of Truman Capote.
Adapted from the words and works of Truman Capote, Tru is set in the writer's New York City apartment at 870 United Nations Plaza the week before Christmas 1975. An excerpt from Capote's infamous unfinished roman a clef, Answered Prayers, recently has been published in Esquire. Having recognized thinly veiled versions of themselves, Manhattan socialites such as Babe Paley and Slim Keith turn their backs on the man they once considered a close confidant. Alone and lonely, Capote — soothing himself with pills, vodka, cocaine, and chocolate truffles — muses about his checkered life and career in what is essentially a two-act monodrama.
There is one anachronism in the script. At one point Capote, talking about suicide, states he has stashed enough pills to stage his own Jonestown Massacre. The Jonestown Massacre did not occur until 1978, three years after the period portrayed in Tru.
TRU (an abbreviation of The Real Untouchables) was an American hip hop group from Richmond to New Orleans, active from 1992 to 2005. The group originally consisted of rappers on the New Orleans-founded record label, No Limit Records. The members are brothers Master P, C-Murder, and Silkk the Shocker.
The group originally consisted of Master P, C-Murder, Silkk the Shocker. King George, Big Ed the Assassin, Cali G, Sonya C, Chilee Powdah and Milkman, before being shortened to just Master P, C-Murder and Silkk the Shocker. The group's first two releases, 1993's Who's Da Killer? and 1992's Understanding the Criminal Mind, were released independently through In-a-minute Records. In 1995, the group was shortened to include just the three Miller brothers and the trio released their third album True on No Limit Records, which was just getting started. It was followed by Tru 2 da Game in 1997 and Da Crime Family in 1999. However by 2003 No Limit had fell on hard times and was shut down. TRU returned in 2004 on Koch Records, released their sixth and final album, The Truth.
Street is the fifth studio album by German singer Nina Hagen released on July 23, 1991 by Mercury Records. The album is produced by Zeus B. Held with songs written mostly by Hagen. It features songs in both, English and German. Hagen also worked with Anthony Kiedis and John Frusciante of Red Hot Chili Peppers or with English dance music producer Adamski, with whom she later recorded the song "Get Your Body". After toning down her image with the release of her 1989 album Nina Hagen, she kept on making more downtempo songs, this time, with elements of hip hop. Three singles from the album were released, "In My World", "Berlin" and "Blumen Für Die Damen". Street also contains a cover version of the hit song "Good Vibrations" by The Beach Boys.
The cover of the album features Hagen wearing three different outfits designed by Jean Paul Gaultier and Vivienne Westwood, with her name written in a Walt Disney-logo-resembling font.
Mirrorwriting is the debut studio album by British singer-songwriter Jamie Woon. It was released in Europe on 18 April 2011 through Polydor Records. The album started to receive hype after Woon ended fourth on BBC's Sound of 2011 poll. It was preceded by the lead single, "Night Air" on 22 October 2010.
Paul Clarke of BBC Music gave the album a positive review by saying: "Things would probably be quite different for Woon had he’d got his act together sooner. In 2007, his fragile cover of an old folk spiritual placed him pretty much alone at the crossroads between rural blues and urban electronica, a 20-something Robert Johnson from London who’d sold his soul to dubstep instead of the Devil. Today, though, he shares this space with The xx and James Blake; and overshadowed by The xx’s Mercury Prize victory and Blake’s own debut album of earlier in 2011, Woon’s music could now be in danger of sounding wearily familiar rather than darkly mysterious".
Eighth Street was a station on the demolished IRT Sixth Avenue Line. It had two tracks and two side platforms. It was served by trains from the IRT Sixth Avenue Line. It closed on December 4, 1938. The next southbound stop was Bleecker Street. The next northbound stop was 14th Street.
Version may refer to:
Version 2.0 is the second studio album by American rock band Garbage, released on May 4, 1998 by Mushroom Records. The album was recorded primarily at Smart Studios from March 1997 to February 1998. Despite a slow start, Version 2.0 went on to equal its predecessor, becoming platinum-certified in many territories. By 2008, it had sold 1.7 million copies in the United States. Garbage embarked on an 18-month-long world tour, and released a string of hit singles backed with innovative music videos.
With the album, Garbage aimed to improve and expand on the style of their 1995 self-titled debut rather than reinvent their sound. Lead singer Shirley Manson wrote dark, introspective lyrics, which she felt complemented the songs' melodies. Version 2.0 received generally positive reviews from music critics, and was included by several publications in their year-end lists of 1998's best albums. In 1999, Version 2.0 was nominated for Grammy Awards for Album of the Year and Best Rock Album. The album's third single "Special" was further nominated the following year for Best Rock Song and for Best Rock Performance by a Duo or Group.
Intro:
[Tash]
Likwit Crew baby
We bout to take this one ghetto, ghetto
Universal universe
The solar system, the solar system
This is goin' out to
The Detroit homies
The Cleveland homies
The Sacramento homies
The Oakland homies
The Florida homies
The Atlanta homies
New York homies
Jersey homies
Texas homies
Arkansas homies
World wide
Verse 1:
[Tash]
I got a lot off friends
But how many Tru Homies
The kinda if I go to jail,
they on they way for me
The kinda if I go to jail,
they on they way for me
Don't get around no trick
And try to act if you don't know me
Homie, this is likwit family,
we all in together
If that bitch will eat a pussy
Tell that bitch she was your brother
You share and share a light,
that's how we do with one and other
You just met that bitch tonight
And now you actin' like you love her
Fuck you, you a whore
I gotta keep it real
I shook a Nigga quick,
end up with J and Phil
J is from the backtown
Phil is from the ville
These my diamond motherfuckers
And my Niggas shoot to kill
Even if we clock a meal
So money ain't the issue
If you in some bullshit
I'm in that shit with you
Can't let no bullets hit you
If you die I won't forget you
Likwit takin' over 99 it's official
We hit you were it hurt,
until your mind don't work
Run 'em over on my turf
Drives a Nigga berserk
So their ain't no way about to Walhalla
And you surround her
All I gotta do is lie to somebody,
and getting pounded
We run triple foul
Killa-Cal with the style
(?), bow wow, right now
Cause this is how we do it
If you know me, homie show me
I am my brothers keeper,
that's what my daddy told me
Chorus:
[Xzibit]
We're about 45 deep, where we all go to
The uncontainable, ungradible Likwit crew
We only roll with a chosen few, true homeboys
Only separate the real Niggas from the decoys
Killafornia B-Boys, I got ya back automatically
They wanna get through you, they gotta go through me
About 45 deep, where we all go to
The uncontainable, ungradible Likwit crew
Verse 2:
[Phil Da Agony of Barbershop MC's]
Phil Da Ag, Xzibit and Tash, the true homies
The bottom set it off,
my Likwit crew will set it for me
The type that always got the itchy fingers on the triggers
Yo my Niggas go ahead, Tash (?)
X shown in for all of my best friends
The cash that I was walkin' turned me hop into the Benz
My friends say when I die,
they carry me before they bury me
?My friends, that be fuckin the French women that marry's me?
My (?) who give a fuck if I stopped breathin'
Better relax Nigga and start bleedin', y'all my (?)
I could pass out, black out or be out on the concrete
The urgency technique,
you have learned to see at the street
Phil the Agony on defeat
Likwit fleet is rollin' deep
Rollin' well with laser beams on they heat
If I get kidnapped, tied up, beaten and strapped
My kids'll still kick in the ransom to get me back
Chorus
Verse 3:
[Xzibit]
Never ever rat on your friends
We make moves like identical twins
I'm talkin' dirt, bitches and ends
All around the map to sett 'em choppin' Los Angeles
Took the route, I hold it down,
while other Niggas abandon us
The city of lost angels
We work the angles like a crime syndicate
?Flash Bentley on the benedict?
Screamin' Likwit, hit you automatic
We could benefit
You ain't are listed in the rage
You just an immigrant
But rhyme just together is tougher than leather
Niggas die for whatever
I clear the whole street
When I let my sweater
And let it rain with the baretta
Provoke insanity, when you talkin' with my family
Front line, first stream, Alkaholik réime
Carried away or get cut from the team
Me and my brothers stick together, cause that's all we got
And I'ma have my Niggas back till my caps pop
Chorus
Outro:
[Tash]
Uh, It's all love
It's all love
(?)
Now let me shout it out to;
all the Chicago homies
The Northern Ohio homies
Seattle, D.C, Virginia L,
I now y'all homies get it right
Tru Homies