- published: 09 Aug 2010
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A music supervisor is a person who combines music and visual media. According to The Guild of Music Supervisors, a music supervisor is “a qualified professional who oversees all music related aspects of film, television, advertising, video games and other existing or emerging visual mediaplatforms as required.” In the musical theatre industry, a music supervisor is often responsible for managing a team of music directors working on any number of musical productions.
A music supervisor is somebody with a broad and encyclopedic music expertise and a sophisticated knowledge of music licensing and negotiation. Typically, a music supervisor proposes previously recorded songs to the director or producer of a film, advertisement, television show, trailer, promo, video game, or any other form of visual media. A music supervisor will usually act as a liaison between the creative and business ends of the process. Once a song is approved, they approach the rights holders of that song to seek permission to license (usually creating master recording licenses and synchronization licenses) and to work out the financial details of the song’s use. In many instances, the artist or songwriter of the recorded song is given the opportunity to accept or decline the synchronization of their song. This position is most active within media-based industries, including live events, television, film, advertising, theatre, and video gaming. Music supervisors may work within production companies, film studios, networks, music supervision companies, or do freelance work.
Quentin Jerome Tarantino (/ˌtærənˈtiːnoʊ/; born March 27, 1963) is an American filmmaker and actor. His films are characterized by non-linear storylines, satirical subject matter, an aestheticization of violence, utilization of ensemble casts, references to pop culture, their soundtracks, and features of neo-noir film.
Tarantino grew up as a devoted film fan and worked at Video Archives, a video rental store, while training to act. His career began in the late 1980s, when he wrote and directed My Best Friend's Birthday, the screenplay of which formed the basis for True Romance. In the early 1990s, he began his career as an independent filmmaker with the release of Reservoir Dogs in 1992; regarded as a classic and cult hit, it was called the "Greatest Independent Film of All Time" by Empire. Its popularity was boosted by his second film, Pulp Fiction (1994), a black comedy crime film that was a major success both among critics and audiences. Judged the greatest film from 1983–2008 by Entertainment Weekly, many critics and scholars have named it one of the most significant works of modern cinema. For his next effort, Tarantino paid homage to the blaxploitation films of the 1970s with Jackie Brown (1997), an adaptation of the novel Rum Punch.
Julie Michaels On Music Supervisors Day to Day
Joel High On What a Music Supervisor Does
Variety Artisans: “Does Anybody Know What a Music Supervisor Does?”
Variety Artisans: How Do You Learn To Be a Music Supervisor?
Joel Sill On Becoming A Music Supervisor
An Interview With Breaking Bad & Walking Dead Music Supervisor Thomas Golubić
Keynote: Mary Ramos, music supervisor to Quentin Tarantino - Midem 2016
The Walking Dead Music Supervisor Thomas Golubic on Q Score!
Where Music Supervisor Carrie Hughes Finds Music - ASCAP EXPO
Play Your Beats For A Music Supervisor Live! (URGENT)
Actors: Joel Silver (producer), Joel Silver (actor), Eric Matthies (producer), Hugo Weaving (actor), Carrie-Anne Moss (actress), Laurence Fishburne (actor), Woo-ping Yuen (actor), Laurence Fishburne (actor), Don Davis (actor), Hugo Weaving (actor), Lorenzo di Bonaventura (actor), Keanu Reeves (actor), Keanu Reeves (actor), Josh Oreck (director), Adam Locke-Norton (composer),
Plot: An "extras-only" DVD, packed with documentaries and behind-the-scenes footage from the filming of the ground-breaking 1999 movie "The Matrix". Includes a rare interview with the elusive writer/directors, the Wachowski Brothers; insights from the cast and crew into the production process; and a preview of things to come: a series of anime films and two sequels.
Keywords: action-violence, actor, actor-playing-himself, actress, alternative-reality, archive-footage, behind-the-scenes, choreography, fan-culture, fightIn this clip from www.artistshousemusic.org - Julia Michels is an independent music supervisor. She describes the responsibilities and work involved in a film project for a music supervisor.
In this clip from www.artistshousemusic.org - Joel C. High, a music supervisor based in Los Angeles, CA, describes for an audience at Loyola University, New Orleans the role and responsibilities of a music supervisor in the film industry. He discusses in detail how a music supervisor goes about securing the right music for the film at a price that is within the film's budget, how someone in his job gets paid, and what skills it takes to excel.
http://bit.ly/VarietySubscribe They help create some of the most indelible moments in movies, but even their parents don't always understand what they do. Five top music supervisors explain why their job is more intricate than being "the DJ of the movie
In this clip from www.artistshousemusic.com - Joel Sill, an independent music supervisor and publisher, gives advice to anyone wanting to become a music supervisor. Sill suggests starting at a film studio. Even though there aren't a lot of them, they offer the broadest range of information. Music supervisors must know about all the aspects of the music business, such as record companies, record producers, and publishing.
The Ohio University School of Media Arts & Studies hosts award-winning music supervisor Thomas Golubić for an exclusive onstage interview about his work on shows such as Breaking Bad and The Walking Dead on Monday April 14th from 11am to 1pm at Baker University Center Theater. Learn more about the school at http://mediaschool.ohio.edu
Award-winning music supervisor Mary Ramos has helped create the musical identity for over 100 films for the past 20 years. In this exclusive interview, she will talk about the international sync market, the practicalities of licensing, as well as her own latest projects and share her vision on the business today and what are the creative and commercial considerations involved in programming the music for Tarantino’s movies. Keynote Speaker: • Mary Ramos, Music Supervisor of Quentin Tarantino, Saturday Music (USA) Interviewer: • Emmanuel Legrand, US Editor, Music Week (USA)
Music supervisor Thomas Golubic sits down and chats with Q score host Jonathan McHugh. Golubic tells McHugh about his experience music supervising hit TV show Breaking Bad. Golubic talks to McHugh about his music collective, The Arbiters as well as his future projects. Thomas Golubic is a Los Angeles-based music supervisor, DJ and Grammy-nominated record producer. He started off as DJ for LA radio station KCRW and has now music supervision TV series such as Breaking Bad, The Walking Dead, The Killing, and most recently Ray Donovan. Jonathan McHugh has spent over two decades working in film, TV and music. Mchugh's background ranges from record and film company marketing and promotion, producing music themed film and TV shows, to years of music supervision and soundtrack production. McHugh...
Music supervisor Carrie Hughes stopped by the Playback Stage at the 2013 ASCAP "I Create Music" EXPO to tell us about her work and where she finds music for her projects. ASCAP's hundreds of thousands of songwriter, composer, and music publisher members all have one thing in common: they are driven to create. ASCAP's YouTube content is intended to explore the art and craft of music in all of its facets -- from its creation and development to its use and enjoyment around the world. Any content we feature is intended to educate, highlight, support, and celebrate our members and their music, and to help inspire and nurture other music creators in their own evolution as artists. If you are a music creator and want to join ASCAP, go to: http://www.ascap.com/join.
When Anirudh’s sublime music , Arjun Kanungo and Srinidhi’s scintillating voices and Vignesh ShivN’s soothing lyrics are merged together we get the mesmerizing ‘ Sirikkadhey’ . The music video directed by Prabhu Radhakrishnan with swanky visuals add to the grandeur of the song making it one of a kind. This is not to be missed! Song Name - Sirikkadhey Movie - Remo Singer - Arjun Kanungo & Srinidhi Venkatesh Music - Anirudh Ravichander Lyrics - Vignesh Shivn Music Video Directed By - Prabhu Radhakrishnan Director - Bhagyaraj Kannan Starring - Sivakarthikeyan, Keerthi Suresh Producer - R D Raja Studio - 24am Studios Private Limited Acoustic Guitars - Keba Jeramiah Piano Synth, Rhythm & Electronic programming - Anirudh Ravichander Additional Rhythm - Shashank Vijay Music Advisor - Anantha...
Horror music licensing for tv and film music supervisors. Seeking music placements. Visit http://stibiumscoring.com to browse our horror music library. "Abyss" Composed By Stibium Scoring Related tags: horror film music download horror movie music horror film score horror music bands horror music instrument horror film music mp3 horror music videos horror music mp3 horror music download horror music radio horror films music how to become a music supervisor music supervisor directory music supervisor jobs music supervisor internships music supervisor salary music supervisor career music supervisor list
The premiere episode of FULFORDS WORLD. I sit down with Mike Turner, music supervisor for Pee Wee's Big Holiday and other cool projects. Follow Mike on Twitter - @MPTMUSIC
www.MusicMegaPanel.com I announce the panelists for the July 19th panel in Hollywood. Click SHOW MORE for complete details. Tuesday evening July 19th, the Music In Film panel discussion will be held at the Musicians Institute in Hollywood, CA. The panelists are : Jojo Villanueva, Music Supervisor STRAIGHT OUTTA COMPTON VACATION KEANU John Houlihan, Music Supervisor DEADPOOL TRAINING DAY JOHN WICK AUSTIN POWERS Amanda Kreig Thomas, Music Supervisor GIRL FLU GRACE STIRS UP SUCCESS Mike Turner, Music Supervisor PEE WEE'S BIG HOLIDAY Leah Harrison, Music Coordinator CREED CENTRAL INTELLIGENCE In-person tickets and audio recordings of the event are available at www.musicmegapanel.com Please email me at MusicLicensingPodcast@gmail.com for more information.
Anastasia Brown is the bridge between Nashville writer/artists and Los Angeles/New York film, tv, commercial, and video game production companies. This Thursday she's hosting a first time ever event on Who Knew; music supers from film, tv, ad agencies, video game, and film trailers will listen to artists pitch them songs live during the show. Writers, artists and bands in attendance will also be able to pitch to the supers online during the 24 hours following the event. You can learn more about Anastasia and the monthly event Who Knew at the following links: @AnastasiaBrown, FB Anastasia Brown Nashville, Instagram Anastasia Brown Nashville, @WhoKnewNash, Tickets at http://bit.ly/1GFVTMy.
P J Bloom does not have his own Wikipedia page. Yet. It’s bound to happen, and soon. In his career as a Music Supervisor, he has worked on such shows as CSI:Miami, Nip/Tuck, the United States of Tara, and has even consulted with Disneyland for their music driven rides and attractions. In 2012 alone he placed No. 80 on Billboard Magazine’s annual Power 100 List, was presented with the prestigious TJ Martell Humanitarian Award and was named Music Supervisor of the Year by the American Association of Independent Music (A2IM). P J is probably best known for his groundbreaking work on the musical phenomenon “Glee”. His involvement with the first hugely successful television Musical has changed the landscape for what can be achieved with music in drama. Instead of just setting moods, or pu...
The complete video from our Advertising Music Supervisor panel which took place on February 26th 2015 at the Musicians Institute. Click "Show More" for a compete list of panelists David Hayman - The Super Group (Smirnoff, Mazda, Kraft) Michael Ladman - McCann Erickson (Microsoft, Mastercard) Tom Hutch - Apollo Studios (Samsung, Bud Light) Aaron Mercer - Wool And Tusk (T-Mobile, Oreo) Chip Herter - Sync Or Swim (Best Buy, Coca Cola) Please subscribe to our channel for immediate and complete updates. Thanks for watching!
On the third episode of Q score, Jonathan McHugh caught us up to speed on the big winners of Sundance Film Festival, the Golden Globes, the Grammys and Director Guild Awards. It was a busy couple of weeks in the industry. Afterwards Q sat down Music Supervisor Greg Cahn to discuss his double life of being a reality TV Music supervisor and running a band. They discuss Greg's experience clearing songs for TV, working with composer team Extreme Music, and the fulfillment of writing to picture with his band Mind The Gap. Greg Cahn got his start in 2008 as the music coordinator for Battleground Earth: Ludacris vs. Tommy Lee and since then his career as taken off. Greg has gone to music supervise Eddie Griffin: Going for Broke, Gene Simmons: Family Jewels and most recently R&B; Divas...
Music supervisor Joel C. High discusses his career experiences as a film music supervisor, including the process of starting his own company. Joel goes into detail about the licensing and creative issues that a music supervisor deals with daily, how to work with directors and navigate the politics of a big-budget production, and how to use your professional contacts and reputation to build a lasting career in the music industry.