Arnold de Lantins

Arnold de Lantins (fl. 1420s – before 2 July 1432) was a Netherlandish composer of the late medieval and early Renaissance eras. He is one of a few composers who shows aspects of both medieval and Renaissance style, and was a contemporary of Dufay during Dufay's sojourn in Italy.

Very little is known about his life, except for a few years in the 1420s to around 1430. It is presumed that he was from Flanders or adjacent areas. In the early 1420s he was probably in the service of the Malatesta family in either Rimini or Pesaro, since Dufay mentioned him in the text of a rondeau which was written between 1420 and 1424. Lantins was in Venice in 1428 and Rome in 1431, in the latter city as a singer in the papal chapel choir, along with Dufay. He was only in Rome six months; after that he disappears from history. Rome was entering a period of turmoil related to the Conciliar movement after the death, in February 1431, of Pope Martin V; many musicians left at that time or shortly after, and Lantins may have been one of them.

Guillaume Du Fay

Guillaume Du Fay (French: [dy fa(j)i]; also Dufay, Du Fayt; 5 August, c. 1397 – 27 November 1474) was a Franco-Flemish composer of the early Renaissance. The central figure in the Burgundian School, he was regarded by his contemporaries as the leading composer in Europe in the mid-15th century.

Life

Early life

From the evidence of his will, he was probably born in Beersel, in the vicinity of Brussels, the illegitimate child of an unknown priest and a woman named Marie Du Fayt. She moved with her son to Cambrai early in his life, staying with a relative who was a canon of the cathedral there. His musical gifts were noticed by the cathedral authorities, who evidently gave him a thorough training in music; he studied with Rogier de Hesdin during the summer of 1409, and he was listed as a choirboy in the cathedral from 1409-12. During those years he studied with Nicolas Malin, and the authorities must have been impressed with the boy's gifts because they gave him his own copy of Villedieu’s Doctrinale in 1411, a highly unusual event for one so young. In June 1414, aged around 16, he had already been given a benefice as chaplain at St. Géry, immediately adjacent to Cambrai. Later that year, on the evidence of music composed, and a later relationship with the Malatesta court, members of which he met on the trip, he probably went to the Council of Konstanz. He likely stayed there until 1418, at which time he returned to Cambrai.

Le Miroir

Le Miroir (literally the mirror in French) may refer to:

See also

Ensemble

Art

Math and Science

Technology

Amadis de Gaula

Amadis de Gaula (original Old Spanish and Galician-Portuguese spelling; Spanish: Amadís de Gaula, IPA: [amaˈðiz ðe ˈɣaula]; Portuguese: Amadis de Gaula, IPA: [ɐmɐˈdiʒ dɨ ˈɡawlɐ]; "Amadis of Gaul") is a landmark work among the chivalric romances which were in vogue in sixteenth-century Spain, although its first version, much revised before printing, was written at the onset of the 14th century.

The earliest surviving edition of the known text, by Garci Rodríguez de Montalvo (not Ordóñez de Montalvo), was published in Zaragoza in 1508, although almost certainly there were earlier printed editions, now lost. It was published in four books in Castilian, but its origins are unclear: The narrative originates in the late post-Arthurian genre and had certainly been read as early as the 14th century by the chancellor Pero López de Ayala as well as his contemporary Pero Ferrús.

Montalvo himself confesses to have amended the first three volumes, and to be the author of the fourth. Additionally, in the Portuguese Chronicle by Gomes Eannes de Azurara (1454), Amadis is attributed to Vasco de Lobeira, who was knighted after the Battle of Aljubarrota (1385). However, although other sources claim that the work was, in fact, a copy of one João de Lobeira, not troubadour Vasco de Lobeira, and that it was a translation into Castilian Spanish of an earlier work, probably from the beginning of the 14th century, no primitive version in the original Portuguese is known. The inspiration for the "Amadis de Gaula" appears to be the blocked marriage of Infanta Constanza of Aragon with Henry of Castile in 1260 (See Juan Manuel's Libro de las Armas of 1335), as blocked was also Oriana's marriage to Amadis. A more recent, minority opinion attributes "Amadis" to Henry of Castile and León, due to evidence linking his biography with the events in "Amadis". Henry of Castile died in 1305.