- published: 27 May 2011
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A remix is an alternative version of a recorded song, made from an original version. Sometimes this term is also used for alterations of media or recreation other than song (film, literature, beverages etc.).
A remixer uses audio mixing to compose an alternate master recording of a song, adding or subtracting elements, or simply changing the equalization, dynamics, pitch, tempo, playing time, or almost any other aspect of the various musical components. Some remixes involve substantial changes to the arrangement of a recorded work, but many are harmonic, such as creating a "vocal up" version of a song that emphasizes the lead singer's voice. Contemporary remixes are often produced in a Digital Audio Workstation (DAW), which allow producers to reorganize tracks and apply various effects.
Songs are remixed for a variety of reasons:
Remixes should not be confused with edits, which usually involve shortening a final stereo master for marketing or broadcasting purposes. Another distinction should be made between a remix and a cover. A remix song recombines audio pieces from a recording to create an altered version of the song. A cover is a recording of a song that was previously recorded by someone else.
A soundtrack can be recorded music accompanying and synchronized to the images of a motion picture, book, television program or video game; a commercially released soundtrack album of music as featured in the soundtrack of a film or TV show; or the physical area of a film that contains the synchronized recorded sound.
In movie industry terminology usage, a sound track is an audio recording created or used in film production or post-production. Initially the dialogue, sound effects, and music in a film each has its own separate track (dialogue track, sound effects track, and music track), and these are mixed together to make what is called the composite track, which is heard in the film. A dubbing track is often later created when films are dubbed into another language. This is also known as a M & E track (music and effects) containing all sound elements minus dialogue which is then supplied by the foreign distributor in the native language of its territory.
The contraction soundtrack came into public consciousness with the advent of so-called "soundtrack albums" in the early 1950s. First conceived by movie companies as a promotional gimmick for new films, these commercially available recordings were labeled and advertised as "music from the original motion picture soundtrack." This phrase was soon shortened to just "original motion picture soundtrack." More accurately, such recordings are made from a film's music track, because they usually consist of the isolated music from a film, not the composite (sound) track with dialogue and sound effects.
Aishwarya Rai, known also as Aishwarya Rai Bachchan after her marriage (Tulu pronunciation [əjɕʋərjaː rəj]; born 1 November 1973) is an Indian film actress. She worked as a model before starting her acting career, and ultimately won the Miss World pageant in 1994. Rai has featured in films in various languages including Hindi, English, Tamil, Telugu, and Bengali.
Often cited by the media as the "most beautiful woman in the world", Rai made her acting debut with Mani Ratnam's Tamil film Iruvar (1997), and had her first commercial success in Jeans (1998). She found success in Bollywood with Sanjay Leela Bhansali's Hum Dil De Chuke Sanam (1999) and Devdas (2002) and eventually won two Filmfare Awards in the Best Actress category.
After a series of unsuccessful films during 2003–2005, she appeared in the blockbuster action thriller Dhoom 2 (2006) and subsequently featured in such films as Guru (2007), Jodhaa Akbar (2008), and Enthiran (2010). She gained critical acclaim for her performances in offbeat, independent films such as Chokher Bali (2003), Raincoat (2004), and Provoked (2007). Rai has thus established herself as one of the leading contemporary actresses of Indian cinema.
Aaisi Najar Se Dekha Usne Jalim Ne Chowk Par
Humne Kaleja Rakh Diya Chalu Ki Nok Par
Wah Wah, Kamal Ho Gaya, Woh Raita Fail Gaya
Dhin Tanak Dina ...
Mera Chain Bain Sab Ujda, Jaalim Nazar Hata Le
Barbaad Ho Rahe Hai Ji
Tere Apne Shaher Wale
Mera Chain Bain Sab Ujda, Jaalim Nazar Hata Le
Meri Angdai Na Toote Tu Aaja
Kajra Re Kajra Re Tere Kare Kare Naina
Ho Kajra Re Kajra Re Tere Kare Kare Naina
Ho Mere Naina Mere Naina Mere Naina Judwa Mere Naina
Kajra Re Kajra Re Tere Kare Kare Naina
Surmain Se Likhe Tere Wade, Aankhon Ki Jabani Aate Hain
Mere Rumalo Pe Lab Tere, Bandh Ke Nishani Jaate Hain
(Ho Teri Baaton Main Kimam Ki Khusbu Hain
Ho Tera Aana Bhi Garmiyon Ki Lu Hain)
Aaja Tute Na Tute Na Aangdai
Ho Meri Angdai Na Tute Tuu Aaja
Kajra Re Kajra Re Kajra Re Tere Kare Kare Naina
Ho Kajra Re Kajra Re Tere Kare Kare Naina
Ho Mere Naina Mere Naina Mere Nain Main Chupke Rehna
Ho Kajra Re Kajra Re Tere Kare Kare Naina
Aankhein Bhi Kamal Karti Hain
Personal Se Sawal Karti Hain
Palko Ko Uthati Bhi Nahi Hain
Parde Ka Khayal Karti Hain
(Ho Mera Gum To Kisise Bhi Chupta Nahi
Dard Hota Hain Dard Jab Chubhta Nahi)
Aaja Tute Na Tute Na Meri Aangdai
Ho Meri Angdai Na Tute Tu Aaja
Kajra Re Kajra Re Tere Kare Kare Naina
Ho Kajra Re Kajra Re Tere Kare Kare Naina
Ho Tere Naina Tere Naina Humein Daste Hain Tere Naina
Ho Kajra Re Kajra Re Mere Kare Kare Naina
Ho Tujhse Milna Purani Dilli Main
Chod Aaye Nishani Dilli Main
Pal Nimani Dari Betalab
Teri Meri Kahani Dilli Main
Kali Kamali Wale Ko Yaad Karte
Tere Kale Kale Naino Ki Kasam Khate Hain
Tere Kale Kale Naino Ke Banaye Hain Ruh
Tere Kale Kale Naino Ko Duwaye Hain Ruh
Meri Jaan Udas Hain Hothon Pe Pyaas Hain
Aaja Re Aaja Re Aaja Re
Ho Teri Baaton Main Kimam Ki Khusbu Hain
Ho Tera Aana Bhigarmiyon Ki Lu Hain
Ho Meri Angdai Na Tute Tu Aaja
Ho Kajra Re Kajra Re Tere Kare Kare Naina
Ho Tere Naina Tere Naina Tere Naina Judwaa Tere Naina
Ho Tere Naina Tere Naina Tere Naina Main Chupke Rehna
Ho Kajra Re Kajra Re Tere Kare Kare Naina
Kare Kare
Naina
Kajra Re Kajra Re Mere Kare Kare Naina