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"Remix (I Like The)" is a song by American pop group New Kids on the Block from their sixth studio album, 10. The song was released as the album's lead single on January 28, 2013. "Remix (I Like The)" was written by Lars Halvor Jensen, Johannes Jørgensen, and Lemar, and it was produced by Deekay. The song features Donnie Wahlberg and Joey McIntyre on lead vocals.
"Remix (I Like The)" did not enter the Billboard Hot 100 in the United States, becoming their first lead single to fail charting since "Be My Girl" (1986). Instead, the song peaked at number 38 on the Adult Pop Songs chart.
PopCrush gave the song 3.5 stars out of five. In her review Jessica Sager wrote, "The song sounds like an adult contemporary answer to The Wanted mixed with Bruno Mars‘ ‘Locked Out of Heaven.’ It has a danceable beat like many of the British bad boys’ tracks, but is stripped down and raw enough to pass for Mars’ latest radio smash as well." Carl Williott of Idolator commended the song's chorus, but criticized its "liberal use of Auto-Tune" and compared Donnie Wahlberg's vocals to Chad Kroeger.
Remix: Making Art and Commerce Thrive in the Hybrid Economy is Lawrence Lessig's fifth book. It is available as a free download under a Creative Commons license. It details a hypothesis about the societal effect of the Internet, and how this will affect production and consumption of popular culture.
In Remix Lawrence Lessig, a Harvard law professor and a respected voice in what he deems the "copyright wars", describes the disjuncture between the availability and relative simplicity of remix technologies and copyright law. Lessig insists that copyright law as it stands now is antiquated for digital media since every "time you use a creative work in a digital context, the technology is making a copy" (98). Thus, amateur use and appropriation of digital technology is under unprecedented control that previously extended only to professional use.
Lessig insists that knowledge and manipulation of multi-media technologies is the current generation's form of "literacy"- what reading and writing was to the previous. It is the vernacular of today. The children growing up in a world where these technologies permeate their daily life are unable to comprehend why "remixing" is illegal. Lessig insists that amateur appropriation in the digital age cannot be stopped but only 'criminalized'. Thus most corrosive outcome of this tension is that generations of children are growing up doing what they know is "illegal" and that notion has societal implications that extend far beyond copyright wars. The book is now available as a free download under one of the Creative Commons' licenses.
A COM file is a type of simple executable file. On the Digital Equipment operating systems of the 1970s, .COM
was used as a filename extension for text files containing commands to be issued to the operating system (similar to a batch file). With the introduction of CP/M (a microcomputer operating system), the type of files commonly associated with COM extension changed to that of executable files. This convention was later carried over to MS-DOS. Even when complemented by the more general .exe file format for executables, the compact COM files remain viable and frequently used in MS-DOS.
The .COM
file name extension has no relation to the .com (for "commercial") top-level Internet domain name. However, this similarity in name has been exploited by malicious computer virus writers.
The COM format is the original binary executable format used in CP/M and MS-DOS. It is very simple; it has no header (with the exception of CP/M 3 files), and contains no standard metadata, only code and data. This simplicity exacts a price: the binary has a maximum size of 65,280 (FF00h) bytes (256 bytes short of 64 KB) and stores all its code and data in one segment.
FiveThirtyEight, sometimes referred to as 538, is a website that focuses on opinion poll analysis, politics, economics, and sports blogging. The website, which takes its name from the number of electors in the United States electoral college, was founded on March 7, 2008, as a polling aggregation website with a blog created by analyst Nate Silver. In August 2010 the blog became a licensed feature of The New York Times online. It was renamed FiveThirtyEight: Nate Silver's Political Calculus. In July 2013, ESPN announced that it would become the owner of the FiveThirtyEight brand and site, and Silver was appointed as editor-in-chief. The ESPN-owned FiveThirtyEight began publication on March 17, 2014. In the ESPN era, the FiveThirtyEight blog has covered a broad spectrum of subjects including politics, sports, science, economics, and popular culture.
During the U.S. presidential primaries and general election of 2008, the site compiled polling data through a unique methodology derived from Silver's experience in baseball sabermetrics to "balance out the polls with comparative demographic data." He weighted "each poll based on the pollster's historical track record, sample size, and recentness of the poll".
Component Object Model (COM) is a binary-interface standard for software components introduced by Microsoft in 1993. It is used to enable inter-process communication and dynamic object creation in a large range of programming languages. COM is the basis for several other Microsoft technologies and frameworks, including OLE, OLE Automation, ActiveX, COM+, DCOM, the Windows shell, DirectX, UMDF and Windows Runtime.
The essence of COM is a language-neutral way of implementing objects that can be used in environments different from the one in which they were created, even across machine boundaries. For well-authored components, COM allows reuse of objects with no knowledge of their internal implementation, as it forces component implementers to provide well-defined interfaces that are separated from the implementation. The different allocation semantics of languages are accommodated by making objects responsible for their own creation and destruction through reference-counting. Casting between different interfaces of an object is achieved through the QueryInterface
method. The preferred method of inheritance within COM is the creation of sub-objects to which method calls are delegated.
Nicole Monserrat Natalino Torres (born March 5, 1989) is a Chilean singer and model from the band Kudai, she left the band in 2006, and in 2008 made a comeback with her solo music career.
Nicole Natalino started by doing voices for commercials and her musical debut was at the age of 10. Even though she was a very shy girl, her mother convinced her attend the casting for CIAO. The casting for the group CIAO was held in Chile by their later manager Pablo Vega. Nicole was chosen, along with another girl and two boys (Pablo Holman and Tomas Manzi), by Pablo Vega and together they began their musical career. CIAO sang Italian songs translated to Spanish for children. Together Nicole Natalino, Pablo Holman, Tomas Manzi, and Barbara Sepulveda achieved a successful musical career. Due to their success as CIAO and their age, years later they became Kudai; still under Pablo Vega's management. Together they chose the groups new name, Kudai which they took from the word in mapudungun kudau that means "hard-working young man". In 2004 they met Guz (Gustavo Pinochet) and along with Guz the group wrote their first album as teens and Kudai titled "Vuelo".
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"Remix (I Like The)" is a song by American pop group New Kids on the Block from their sixth studio album, 10. The song was released as the album's lead single on January 28, 2013. "Remix (I Like The)" was written by Lars Halvor Jensen, Johannes Jørgensen, and Lemar, and it was produced by Deekay. The song features Donnie Wahlberg and Joey McIntyre on lead vocals.
"Remix (I Like The)" did not enter the Billboard Hot 100 in the United States, becoming their first lead single to fail charting since "Be My Girl" (1986). Instead, the song peaked at number 38 on the Adult Pop Songs chart.
PopCrush gave the song 3.5 stars out of five. In her review Jessica Sager wrote, "The song sounds like an adult contemporary answer to The Wanted mixed with Bruno Mars‘ ‘Locked Out of Heaven.’ It has a danceable beat like many of the British bad boys’ tracks, but is stripped down and raw enough to pass for Mars’ latest radio smash as well." Carl Williott of Idolator commended the song's chorus, but criticized its "liberal use of Auto-Tune" and compared Donnie Wahlberg's vocals to Chad Kroeger.