Remix (disambiguation)

A remix is an alternative version of a recorded work.

Remix may also refer to:

In music:

In other media:

In technology

See also

"@" (album)

"@" is a studio album by John Zorn and Thurston Moore. It is the first collaborative album by the duo and was recorded in New York City in February, 2013 and released by Tzadik Records in September 2013. The album consists of improvised music by Zorn and Moore that was recorded in the studio in real time with no edits or overdubs.

Reception

Allmusic said "@ finds two of New York City's longest-running fringe dwellers churning out sheets of collaborative sounds that conjoin their respective and distinct states of constant freak-out... These seven improvisations sound inspired without feeling at all heavy-handed or urgent. More so, @ succeeds with the type of conversational playing that could only be achieved by two masters so deep into their craft that it probably feels a lot like breathing to them by now".

Track listing

All compositions by John Zorn and Thurston Moore

?! (album)

?! is the third studio album by Italian rapper Caparezza, and his first release not to use the former stage name MikiMix.

Reception

Reviewing the album for Allmusic, Jason Birchmeier wrote, "The Italian rapper drops his rhymes with just as much fluency and dexterity as his American peers throughout the album. [...] Caparezza's mastery of the Italian dialect [makes] this album so stunning."

Track listing

References

Album (Land of the Lost)

"Album" is the seventh episode of the first season of the 1974 American television series Land of the Lost. Written by Dick Morgan and directed by Bob Lally, it first aired in the United States on October 19, 1974 on NBC. The episode guest stars Erica Hagen.

Plot

Will awakens in the early morning to a high-pitched whirring sound which fills the jungle, but eventually it goes away. Rick has Holly build a trap to catch whatever has been breaking into their stores, and Will goes to weed the garden. While outside, he again hears the sound and follows it to the Lost City. Within, he enters a chamber with a very crude-looking attempt to simulate a matrix table but filled with colored stones instead of crystals. On the ground is a pulsating blue crystal that attracts his attention. Picking it up, he sees his mother (Erica Hagen) materialize in a cloud of mist. Afterwards, he returns to High Bluff but doesn't speak of his encounter.

The next day Holly's trap has not worked, and Will again hears the sound. Holly hears it briefly as well, but dismisses it. Will returns to the Lost City and again witnesses his mother while holding a blue stone. His mother calls for him, but he is interrupted by Holly, who sees nothing until she touches the blue crystal as well. Holding it together, they are both beckoned by their mother to "come home," but then she quickly adds, "Too late. Come tomorrow. Don't tell." Will explains to Holly that he wants to tell Rick about his discovery but for some reason he is unable to. Holly replies that she will tell their father if he does not and Will sincerely hopes that she can. Will theorizes that they were looking through a time doorway that is open to a period when she was still alive. When Holly asks why her image is not very clear, her brother suggests that it might be because they do not remember her very well.

Monica (Saunders Lewis)

Monica is a novel by Saunders Lewis, written in the Welsh language and originally published in 1930. Lewis is better known for poetry and plays, and this was his first novel.

Plot summary

The central character is a woman whose life is centred on sexual relationships. Because of its treatment of topics such as prostitution and sexually transmitted diseases, it caused great controversy in Wales, all the more so because Lewis was the son of a well-known Presbyterian minister.

Monica (radar)

Monica was a range-only tail warning radar for bombers, introduced by the RAF in June 1942. Officially known as ARI 5664, it operated at the boundary between VHF and UHF frequencies of around 300 MHz. It was developed at the Bomber Support Development Unit in Worcestershire.

Unfortunately for the RAF, the Germans quickly developed a passive radar receiver, Flensburg (FuG 227), which was used by Luftwaffe nightfighters from spring 1944 onward to home in on bombers using Monica. On the morning of 13 July 1944, a Junkers Ju 88G-1 nightfighter equipped with Flensburg mistakenly landed at RAF Woodbridge. After examining the Flensburg equipment, the RAF ordered Monica withdrawn from all Bomber Command aircraft.

Monica was also used by the U.S. Army Air Corps as the AN/APS-13, where - known as Archie - it was used as the radar altimeter for the Little Boy atomic bomb dropped on Hiroshima.

See also

Notes

References

Remix (book)

Remix: Making Art and Commerce Thrive in the Hybrid Economy is Lawrence Lessig's fifth book. It is available as a free download under a Creative Commons license. It details a hypothesis about the societal effect of the Internet, and how this will affect production and consumption of popular culture.

Summary

In Remix Lawrence Lessig, a Harvard law professor and a respected voice in what he deems the "copyright wars", describes the disjuncture between the availability and relative simplicity of remix technologies and copyright law. Lessig insists that copyright law as it stands now is antiquated for digital media since every "time you use a creative work in a digital context, the technology is making a copy" (98). Thus, amateur use and appropriation of digital technology is under unprecedented control that previously extended only to professional use.

Lessig insists that knowledge and manipulation of multi-media technologies is the current generation's form of "literacy"- what reading and writing was to the previous. It is the vernacular of today. The children growing up in a world where these technologies permeate their daily life are unable to comprehend why "remixing" is illegal. Lessig insists that amateur appropriation in the digital age cannot be stopped but only 'criminalized'. Thus most corrosive outcome of this tension is that generations of children are growing up doing what they know is "illegal" and that notion has societal implications that extend far beyond copyright wars. The book is now available as a free download under one of the Creative Commons' licenses.