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Tracks:
1.
Take The A Train (Strayhorn) (May 12,
1945),
Solos: Ran
Nance 00:00
2. It
Don’t Mean A
Thing (If It Ain’t Got That
Swing) (
Ellington) (April 21, 1945), vocals:
Ray Nance,
Taft Jordan. Solos: Ray Nance (violin), Taft Jordan (trumpet),
Joe Nanton (trombone),
Al Sears (tenor sax) 02:52
3.
Creole Love Call (Ellington –
Miley –
Jackson) (April 7, 1945), vocals:
Kay Davis. Solos: Joe Nanton (trombone), Ray Nance (trumpet),
Harry Carney (clarinet) 07:17
4.
Caravan (Ellington – Tizol) (May 12, 1945), solos:
Juan Tizol (trombone),
Jimmy Hamilton (clarinet), Ray Nance (violin),
Harold Baker (trumpet),
Lawrence Brown (trombone) 12:14
5.
In A Sentimental Mood (Ellington –
Kurtz) (May 14, 1945), solos:
Otto Hardwicke (alto sax), Ellington (piano), Harry Carney (
Baritone sax), Lawrence Brown (trombone),
Rex Stewart (trumpet) 16:03
6. Don’t Get
Around Much
Anymore (
Never No Lament) (ellington –
Russell) (May 4,
1940), solos: Ellington (piano),
Lawrence brown (trombone),
Johnny Hodges (alto sax),
Cootie Williams (trumpet) 18:59
7.
I Got It Bad (
And That Ain’t
Good) (Ellington –
Webster) (June 26,
1941), vocal:
Ivie Anderson, solos:
Johnny Hudges (alto sax) 22:16
8.
Perdido (Tizol) (May 19, 1945), solos: Ray Nance (trumpet), Taft Jordan (trumpet) 25:32
9.
Sophisticated Lady (Ellington –
Parish) (
February 14, 1940), solos: Harry Carney (baritone sax), Johnny Hodges (alto sax), Ellington (piano), Lawrence Brown (trombone) 30:57
10.
Black and Tan Fantasy (Ellington – Miley) (May 5, 1945), solos: Otto Hardwicke (alto sax), Ray Nance (trumpet), Ellington (piano), Joe Nanton (trombone) 33:44
11.
Come Sunday (Ellington) (April 28, 1945), solos:
Claude Jones (trombone), Ray Nance (violin), Johnny Hodges (alto sax) 38:49
12.
Mood Indigo (Ellington – Bigard) (
November 8, 1943), solos:
Wallace Jones (trumpet), Harry Carney (clarinet), Ellington (piano) 44:19
13.
Frankie And Johnny (traditional) (May 26, 1945), solos: Ellington (piano),
Junior Raglin (bass), Joe Nanton (trombone), Ray Nance (violin) 49:21
14.
Solitude (Ellington – De
Lange) (May 14, 19451) Ellington’s piano solo 56:30
15. I’m
Beginning To
See The Light (Ellington –
Hodges – James) (
December 1,
1944), vocal:
Joya Sherrill 59:55
16.
Prelude to a Kiss (Ellington –
Gordon) (May 12, 1945), solos: Harry Carney (baritone sax), Ray Nance (violin), Ellington (piano) 1:03:08
17. Just
Squeeze me (
Subtle Slought) (Ellington) (April 7, 1945), solos: Johnny Hodges (alto sax), Rex Stewart (trumpet bits) 1:05:53
18.
Rockin’ in Rhythm (Ellington –
Carney) (November 8, 1943), solos: Ellington (piano), Lawrence Brown (trombone), Harry Carney (clarinet), Joe Nanton (trombone) 1:10:03
19.
Things Ain’t What They
Used To Be (Ellington –
Hodges) (
November 9, 1943), solos: Johnny Hodges (alto sax), Taft Jordan (trumpet), Lawrence Brown (trombone) 1:14:12
Edward Kennedy "Duke" Ellington (April 29, 1899 – May 24,
1974) was an
American composer, pianist and bandleader of jazz orchestras. He led his orchestra from 1923 until his death, his career spanning over 50 years.
Born in
Washington, D.C., Ellington was based in
New York City from the mid-1920s onward, and gained a national profile through his orchestra's appearances at the
Cotton Club in
Harlem. In the 1930s, his orchestra toured in
Europe. Though widely considered to have been a pivotal figure in the history of jazz, Ellington embraced the phrase "beyond category" as a liberating principle, and referred to his music as part of the more general category of
American Music, rather than to a musical genre such as jazz.
- published: 30 Oct 2015
- views: 6510