"Push" is the first single from Pharoahe Monch's 2007 album Desire. The single was released September 11, 2006 as a 12" vinyl, but was later released as a CD single and a digital download. Produced by Pharoahe Monch, the song features an upbeat sound and a prominent use of horns played by Tower of Power. It features encouraging raps provided by Pharoahe Monch as well as background vocals sung by MeLa Machinko and Showtyme. The song contains an interpolation from Joe Zawinul's "Country Preacher." Its music video, directed by Paul Minor, features Monch rapping during the New York City blackout of 1977. The song is also featured in the NBA series 2007 video game NBA Street Homecourt.
The song failed to chart, yet it received generally positive critical attention. According to Dave Maher of Pitchfork Media, "the song is an effective throwback to 70s funk" despite the fact that it "could be two or three times longer." John Murphy of musicOMH.com labels "Push" a "typically articulate and intense number," while hailing its overlooked "dark, dramatic" lyrics.Spin also hails "Push" citing Monch's powerful vocals and lyrics.
Push (Nancy Lu) is a fictional character who appears in the Marvel Comics's MC2 series Spider-Girl.
Nancy Lu was originally a member of a rival basketball team playing against May "Mayday" Parker's team. May (secretly Spider-Girl) was shocked when her team lost, as it seemed weird things were happening during the game. The ball seemed to move on its own during crucial plays. May's spider-sense kept buzzing whenever she got near Nancy, and curious to know more, she followed Nancy as Spider-Girl. While following Nancy, she observed the girl moving objects without touching them. Spider-Girl confronted Nancy, who admitted that she was a mutant with low-level telekinetic powers. Spider-Girl informed Nancy that she hoped that Nancy wasn't using her powers for her own personal gain. Nancy felt bad, and quit her basketball team. Spider-Girl realized that she was guilty of cheating as well, as she had used her spider-like powers during games, and quit her team too.
In computer science, a stack is an abstract data type that serves as a collection of elements, with two principal operations: push, which adds an element to the collection, and pop, which removes the most recently added element that was not yet removed. The order in which elements come off a stack gives rise to its alternative name, LIFO (for last in, first out). Additionally, a peek operation may give access to the top without modifying the stack.
The name "stack" for this type of structure comes from the analogy to a set of physical items stacked on top of each other, which makes it easy to take an item of the top of the stack, while getting to an item deeper in the stack may require taking off multiple other items first.
Considered as a linear data structure, or more abstractly a sequential collection, the push and pop operations occur only at one end of the structure, referred to as the top of the stack. This makes it possible to implement a stack as a singly linked list and a pointer to the top element.
Backë is a village in the former municipality of Potom in Berat County, Albania. At the 2015 local government reform it became part of the municipality Skrapar.
Back is the name of a studio album by country music singer Lynn Anderson, released in 1983.
This album was Anderson's first in three years. She had since been in brief retirement to start a family with her second (and now ex-husband), Harold "Spook Stream", and raise her other children. Thus, Anderson left her old record company (Columbia) in 1980. In 1983, Anderson decided to record again and release a comeback album, as the title "Back" implied. The album brought Anderson back into the country market, along with a few more hits under her belt.
Three singles were released from this album, all in 1983. The first, "You Can't Lose What You Never Had", just missed the Country Top 40 at No. 42. The next single, "What I've Learned From Loving You", peaked at No. 18 on the Billboard country charts. The third and final single, "You're Welcome to Tonight", was a duet with 1980s country star Gary Morris and the album's most successful single. The single reached the Top 10 on the Billboard country charts in early 1984, peaking at No. 9. The album reached No. 61 on the "Top Country Albums" chart in 1983.
American football positions have slowly evolved over the history of American football. From its origins in early rugby football to the modern game, the names and roles of various positions have changed greatly, some positions no longer exist, and others have been created to fill new roles.
Being variants of 19th century rugby football,American and Canadian football position nomenclature has its origin there. Early rugby did no more than distinguish in tactics between the great bulk of the players who played as forwards and the relative few who played back defensively as "tends", as in goaltenders. After a while, the attacking or at least counterattacking possibilities of playing close behind the scrimmage (which later came to be called "scrummage") came to be recognized, and some players stationed themselves between the forwards and tends as "half-tends". It being seen that the players outside scrimmage (the "pack", i.e. the forwards) were not limited to a defensive role, the tends and half-tends were renamed "back" and "half back" positions.
Blood is the third studio album by American progressive rock band OSI, released by InsideOut Music on April 27, 2009 in Europe and May 19, 2009 in North America.
Guitarist Jim Matheos and keyboardist and vocalist Kevin Moore started work on the album in 2008, collaborating by email. Matheos would send Moore a song idea which Moore would edit and send back to Matheos. Mike Portnoy of Dream Theater, who performed drums on Office of Strategic Influence and Free, was replaced by Porcupine Tree drummer Gavin Harrison on Blood. Matheos played bass guitar on the album, having hired guest musicians to perform bass duties on the first two OSI albums. Mikael Åkerfeldt of Opeth and Tim Bowness of No-Man wrote lyrics and performed vocals on one track each.
Critical reception of Blood was generally positive. The more atmospheric and ambient tracks were praised; the more metal-oriented tracks received mixed reactions. Moore's lyrics and Harrison's drumming, in particular, were met with acclaim.