- published: 25 May 2013
- views: 104947
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Performer & Album Info - 1:26:30
Keyboard Reduction at: http://youtu.be/UgmpBHAwFLk
Contrapunctus 1 - 0:30
Contrapunctus 2 - 3:38
Contrapunctus 3 - 6:29
Contrapunctus 4 - 9:08
Contrapunctus 5 - 12:37
Contrapunctus 6 - 15:18
Contrapunctus 7 - 19:38
Contrapunctus 8 - 22:58
Contrapunctus 9 - 28:11
Contrapunctus 10 - 30:42
Contrapunctus 11 - 34:15
Contrapunctus 12 - 39:42
Contrapunctus 13 - 44:03
Contrapunctus 14 - 48:07
Contrapunctus 15 - 53:31
Contrapunctus 16 (rectus) - 1:01:29
Contrapunctus 16 (invertus) - 1:04:09
Contrapunctus 17 (rectus) - 1:06:16
Contrapunctus 17 (invertus) - 1:08:29
Contrapunctus 18 (rectus) - 1:10:30
Contrapunctus 18 (invertus) - 1:12:39
Contrapunctus 19 - 1:14:30
Chorale: Von deinenThron tret ich hiermit - 1:23:12
- published: 22 Jun 2013
- views: 268897
Cantata BWV 66 "Erfreut euch, ihr Herzen" (Rejoice, all ye spirits), performed by the J. S. Bach Foundation of St Gallen under Rudolf Lutz. Further information on the Bach Foundation at www.bachstiftung.ch. The DVD with the complete cantata, introductory workshop and reflection lecture (in German) is available at: http://www.bachstiftung.ch/en/shop/items/j-s-bach-kantate-bwv-66.
Kantate BWV 66 ("Erfreut euch, ihr Herzen"), aufgeführt durch die J. S. Bach-Stiftung St. Gallen. Musikalischer Leiter: Rudolf Lutz. Weitere Informationen zur Bachstiftung unter www.bachstiftung.ch. Die DVD mit der gesamten Kantate und Einführungsworkshop sowie Reflexion ist hier erhältlich: http://www.bachstiftung.ch/de/shop/items/j-s-bach-kantate-bwv-66/ oder in Deutschland unter http://www.jpc.de/s/jsb
- published: 19 Apr 2014
- views: 78784
Bach
Keyboard Concerto n.4 in A BWV 1055
I. Allegro
II. Larghetto 5:03
III. Allegro ma non tanto 10:30
Keyboard Concerto n.3 in D BWV 1054
I. [Allegro] 15:30
II. Adagio e piano sempre 23:00
III. Allegro 28:48
Keyboard Concerto n.7 in g minor BWV 1058
I. [Allegro] 32:15
II. Andante 35:54
III. Allegro assai 42:17
Encore:
Liszt Consolation n.3 in D flat 47:31
Andrea Bacchetti, piano & conductor
Enrico Casazza, Maestro Concertatore
Teatro Olimpico Orchestra
25 May 2013
Teatro Olimpico
Vicenza, Italy
- published: 07 Oct 2013
- views: 129016
1. BWV 525 — Organ Sonata No.1 in E-flat major - The Chapel of New College Oxford
2. BWV 526 — Organ Sonata No.2 in C minor - Cathedral at Ratzeburg Germany
3. BWV 527 — Organ Sonata No.3 in D minor - The Chapel of Knox Grammar School Sydney Australia
4. BWV 528 — Organ Sonata No.4 in E minor - DTTO
5. BWV 529 — Organ Sonata No.5 in C major - DTTO
6. BWV 530 — Organ Sonata No.6 in G major - Cathedral at Ratzeburg Germany
Picture in video: OXFORD
- published: 14 Apr 2014
- views: 132137
The Amsterdam Baroque Orchestra & Choir
Conductor - Ton Koopman
Soprano - Lisa Larsson
Alto - Elisabeth von Magnus
Tenor - Lothar Odinius
Bass - Klaus Mertens
Herz und Mund und Tat und Leben (Heart and Mouth and Deed and Life), BWV 147:
1. Chorus: Herz und Mund und Tat und Leben (1. of BWV 147)
2. Aria: Schäme dich, o Seele nicht (3.)
3. Aria: Hilf, Jesu, hilf, dass ich auch dich bekenne (7.)
4. Aria: Bereite dir, Jesu, noch heute die Bahn (5.)
5. Aria: Laß mich der Rufer Stimme hören (9.)
6. Chorale: Dein Wort laß mich bekennen
- published: 16 Jan 2012
- views: 706976
Download the audio files (mp3, aif, wav, flac): https://kimikoishizaka.bandcamp.com/album/j-s-bach-open-goldberg-variations-bwv-988-piano
Kimiko Ishizaka on Facebook: https://www.facebook.com/Kimiko.Ishizaka.Pianist
"Counterpoint passes back and forth between the hands in a conversational and judiciously balanced manner, while a strong lyrical inlpulse informs the cross-handed variations' rapid, bravura passages (Vars 5 and 19, for example). Ishizaka's restrained and concentrated way with slow minor-key variations (Vars 15,21 and 25) lets the music's agonising harmonic tension speak softly for itself."
- Jed Distler, Gramophone Magazine
"She has the fleet fingers to speed through the virtuoso variations with compelling clarity and the sensitivity to probe the dramatic potential of the slower, more profound numbers, pleasurably aided by her consistently lovely tone."
- Robert Schulslaper, Issue 36:1 (Sept/Oct 2012), Fanfare Magazine
"The sound quality of the recording is top notch"
"In fact, the album's an audiophile gem."
- Reviewed by Christopher Lim in The Business Times, July 20, 2012.
J.S. Bach's "Goldberg Variations", BWV 988, recorded by Kimiko Ishizaka on a Bösendorfer grand piano, with score following provided by the iPad app from MuseScore. For more information on this project, see http://www.opengoldbergvariations.org
#0:00 Aria
#5:00 Variation 1
#6:57 Variation 2
#9:03 Variation 3
#11:00 Variation 4
#12:10 Variation 5
#13:44 Variation 6
#15:22 Variation 7
#17:35 Variation 8
#19:31 Variation 9
#21:38 Variation 10
#23:24 Variation 11
#25:33 Variation 12
#27:49 Variation 13
#32:04 Variation 14
#34:20 Variation 15
#38:54 Variation 16 "Ouverture"
#42:03 Variation 17
#43:47 Variation 18
#45:37 Variation 19
#47:03 Variation 20
#49:08 Variation 21
#53:02 Variation 22
#54:36 Variation 23
#56:55 Variation 24
#59:41 Variation 25 ("Black Pearl" - slideshow)
#1:09:01 Variation 26
#1:11:03 Variation 27
#1:12:55 Variation 28
#1:15:20 Variation 29
#1:17:30 Variation 30 "Quodlibet"
#1:19:32 Aria da Capo
Die Goldberg-Variationen | 哥德堡变奏曲 | ゴルトベルク変奏曲 | 골트베르크 변주곡 | Вариации Гольдберга
- published: 28 Nov 2014
- views: 423411
St Matthew Passion - Matthäus-Passion BWV 244 | (Complete) (Full Concert) (J. S. Bach)
The St Matthew Passion, (also frequently St Matthew's Passion) BWV 244, (German: Matthäus-Passion), is a sacred oratorio from the Passions written by Johann Sebastian Bach in 1727 for solo voices, double choir and double orchestra, with libretto by Picander (Christian Friedrich Henrici). It sets chapters 26 and 27 of the Gospel of Matthew (in the German translation of Martin Luther) to music, with interspersed chorales and arias. It is widely regarded as one of the masterpieces of classical sacred music. The original Latin title Passio Domini Nostri J.C. Secundum Evangelistam Matthaeum translates to "The Passion of our Lord J[esus] C[hrist] according to the Evangelist Matthew."
Although Bach wrote four (or five) settings of the Passions only two have survived; the other is the St John Passion. The St Matthew Passion was probably first performed on Good Friday (11 April) 1727[1] in the Thomaskirche in Leipzig, where Bach was the Kantor of the School and Directoris Chori musici of Leipzig. He revised it by 1736, performing it again on 30 March 1736, this time including two organs in the instrumentation. He further revised and performed it again on 24 March 1742. Possibly due to the second organ being under repair, he switched the continuo instrument to harpsichord in Coro II, reinforced the continuo group in Coro II with a viola da gamba, and inserted a ripieno soprano in both movements 1 and 29. There is evidence of a further revision in 1743--1746, when the score as we know it originated, but no performance.
Die Matthäus-Passion, BWV 244, ist eine oratorische Passion von Johann Sebastian Bach. Der Bericht vom Leiden und Sterben Jesu Christi nach dem Evangelium nach Matthäus bildet das Rückgrat. Ergänzt wird er um eingestreute Passionschoräle und erbauliche Dichtungen von Picander in freien Chören und Arien. Die Matthäus-Passion und die Johannes-Passion sind die beiden einzigen vollständig erhaltenen authentischen Passionswerke von Bach. Mit etwa 200 Minuten Aufführungsdauer und einer Besetzung von Solisten, zwei Chören und zwei Orchestern ist die Matthäus-Passion Bachs umfangreichstes und am stärksten besetztes Werk und stellt einen Höhepunkt protestantischer Kirchenmusik dar. Die Uraufführung fand am 11. April 1727 in der Thomaskirche in Leipzig statt. Nach Bachs Tod geriet das Werk in Vergessenheit. Die Wiederaufführung in einer gekürzten Version unter Felix Mendelssohn Bartholdy im Jahr 1829 leitete die Bach-Renaissance ein.
Passio secundum Matthaeum est longissimum oratorium a Iohanne Sebastiano Bach (BWV 244) compositum.
Texus musica est apud Evangelium secundum Matthaeum quod Ultima Cena et Crucifixio Iesu tractantur.
Pasión según san Mateo, Matthäus-Passion (J. S. Bach), Pasja według św. Mateusza, Матеус пасион, Passió segons sant Mateu, Matoušovy pašije, Κατά Ματθαίον Πάθη (Μπαχ), Matthäuspassion (Bach), Matthäus-Passion, Matteus-passio (Bach), Passione secondo Matteo, マタイ受難曲, 마태오 수난곡 (바흐), Passio secundum Matthaeum (Bach), Matthäus-Passion (J.S. Bach), Matteuspasjonen (Bach), Matteuspasjonen av Bach, Страсти по Матфею (Бах), Matteuspassionen,
1727
- published: 06 Apr 2013
- views: 572111
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62:30J.S. Bach Violin Concertos BWV 1041,1042,1043,1064
J.S. Bach Violin Concertos BWV 1041,1042,1043,1064 -
4:15J. S. Bach, Prelude BWV 998 by Tatyana Ryzhkova
J. S. Bach, Prelude BWV 998 by Tatyana Ryzhkova -
86:50BWV 1080 - Art of the Fugue (Full Score)
BWV 1080 - Art of the Fugue (Full Score)BWV 1080 - Art of the Fugue (Full Score)
Performer & Album Info - 1:26:30 Keyboard Reduction at: http://youtu.be/UgmpBHAwFLk Contrapunctus 1 - 0:30 Contrapunctus 2 - 3:38 Contrapunctus 3 - 6:29 Contrapunctus 4 - 9:08 Contrapunctus 5 - 12:37 Contrapunctus 6 - 15:18 Contrapunctus 7 - 19:38 Contrapunctus 8 - 22:58 Contrapunctus 9 - 28:11 Contrapunctus 10 - 30:42 Contrapunctus 11 - 34:15 Contrapunctus 12 - 39:42 Contrapunctus 13 - 44:03 Contrapunctus 14 - 48:07 Contrapunctus 15 - 53:31 Contrapunctus 16 (rectus) - 1:01:29 Contrapunctus 16 (invertus) - 1:04:09 Contrapunctus 17 (rectus) - 1:06:16 Contrapunctus 17 (invertus) - 1:08:29 Contrapunctus 18 (rectus) - 1:10:30 Contrapunctus 18 (invertus) - 1:12:39 Contrapunctus 19 - 1:14:30 Chorale: Von deinenThron tret ich hiermit - 1:23:12 -
31:51J.S. Bach - Cantata BWV 66 - Erfreut euch, ihr Herzen (J. S. Bach Foundation)
J.S. Bach - Cantata BWV 66 - Erfreut euch, ihr Herzen (J. S. Bach Foundation)J.S. Bach - Cantata BWV 66 - Erfreut euch, ihr Herzen (J. S. Bach Foundation)
Cantata BWV 66 "Erfreut euch, ihr Herzen" (Rejoice, all ye spirits), performed by the J. S. Bach Foundation of St Gallen under Rudolf Lutz. Further information on the Bach Foundation at www.bachstiftung.ch. The DVD with the complete cantata, introductory workshop and reflection lecture (in German) is available at: http://www.bachstiftung.ch/en/shop/items/j-s-bach-kantate-bwv-66. Kantate BWV 66 ("Erfreut euch, ihr Herzen"), aufgeführt durch die J. S. Bach-Stiftung St. Gallen. Musikalischer Leiter: Rudolf Lutz. Weitere Informationen zur Bachstiftung unter www.bachstiftung.ch. Die DVD mit der gesamten Kantate und Einführungsworkshop sowie Reflexion ist hier erhältlich: http://www.bachstiftung.ch/de/shop/items/j-s-bach-kantate-bwv-66/ oder in Deutschland unter http://www.jpc.de/s/jsb -
54:03Andrea Bacchetti plays Bach Piano Concertos BWV 1055, 1054 & 1058
Andrea Bacchetti plays Bach Piano Concertos BWV 1055, 1054 & 1058Andrea Bacchetti plays Bach Piano Concertos BWV 1055, 1054 & 1058
Bach Keyboard Concerto n.4 in A BWV 1055 I. Allegro II. Larghetto 5:03 III. Allegro ma non tanto 10:30 Keyboard Concerto n.3 in D BWV 1054 I. [Allegro] 15:30 II. Adagio e piano sempre 23:00 III. Allegro 28:48 Keyboard Concerto n.7 in g minor BWV 1058 I. [Allegro] 32:15 II. Andante 35:54 III. Allegro assai 42:17 Encore: Liszt Consolation n.3 in D flat 47:31 Andrea Bacchetti, piano & conductor Enrico Casazza, Maestro Concertatore Teatro Olimpico Orchestra 25 May 2013 Teatro Olimpico Vicenza, Italy -
75:34J.S.Bach Trio Sonatas for Organ BWV 525-530, Peter Hurford
J.S.Bach Trio Sonatas for Organ BWV 525-530, Peter HurfordJ.S.Bach Trio Sonatas for Organ BWV 525-530, Peter Hurford
1. BWV 525 — Organ Sonata No.1 in E-flat major - The Chapel of New College Oxford 2. BWV 526 — Organ Sonata No.2 in C minor - Cathedral at Ratzeburg Germany 3. BWV 527 — Organ Sonata No.3 in D minor - The Chapel of Knox Grammar School Sydney Australia 4. BWV 528 — Organ Sonata No.4 in E minor - DTTO 5. BWV 529 — Organ Sonata No.5 in C major - DTTO 6. BWV 530 — Organ Sonata No.6 in G major - Cathedral at Ratzeburg Germany Picture in video: OXFORD -
9:48BWV 543- Prelude & Fugue in A Minor (Scrolling)
BWV 543- Prelude & Fugue in A Minor (Scrolling) -
31:59J. S. Bach - Kantate "Herz und Mund und Tat und Leben", BWV 147 (Ton Koopman)
J. S. Bach - Kantate "Herz und Mund und Tat und Leben", BWV 147 (Ton Koopman)J. S. Bach - Kantate "Herz und Mund und Tat und Leben", BWV 147 (Ton Koopman)
The Amsterdam Baroque Orchestra & Choir Conductor - Ton Koopman Soprano - Lisa Larsson Alto - Elisabeth von Magnus Tenor - Lothar Odinius Bass - Klaus Mertens Herz und Mund und Tat und Leben (Heart and Mouth and Deed and Life), BWV 147: 1. Chorus: Herz und Mund und Tat und Leben (1. of BWV 147) 2. Aria: Schäme dich, o Seele nicht (3.) 3. Aria: Hilf, Jesu, hilf, dass ich auch dich bekenne (7.) 4. Aria: Bereite dir, Jesu, noch heute die Bahn (5.) 5. Aria: Laß mich der Rufer Stimme hören (9.) 6. Chorale: Dein Wort laß mich bekennen -
82:23Goldberg Variations Complete (J.S. Bach BWV 988), with score, Kimiko Ishizaka piano
Goldberg Variations Complete (J.S. Bach BWV 988), with score, Kimiko Ishizaka pianoGoldberg Variations Complete (J.S. Bach BWV 988), with score, Kimiko Ishizaka piano
Download the audio files (mp3, aif, wav, flac): https://kimikoishizaka.bandcamp.com/album/j-s-bach-open-goldberg-variations-bwv-988-piano Kimiko Ishizaka on Facebook: https://www.facebook.com/Kimiko.Ishizaka.Pianist "Counterpoint passes back and forth between the hands in a conversational and judiciously balanced manner, while a strong lyrical inlpulse informs the cross-handed variations' rapid, bravura passages (Vars 5 and 19, for example). Ishizaka's restrained and concentrated way with slow minor-key variations (Vars 15,21 and 25) lets the music's agonising harmonic tension speak softly for itself." - Jed Distler, Gramophone Magazine "She has the fleet fingers to speed through the virtuoso variations with compelling clarity and the sensitivity to probe the dramatic potential of the slower, more profound numbers, pleasurably aided by her consistently lovely tone." - Robert Schulslaper, Issue 36:1 (Sept/Oct 2012), Fanfare Magazine "The sound quality of the recording is top notch" "In fact, the album's an audiophile gem." - Reviewed by Christopher Lim in The Business Times, July 20, 2012. J.S. Bach's "Goldberg Variations", BWV 988, recorded by Kimiko Ishizaka on a Bösendorfer grand piano, with score following provided by the iPad app from MuseScore. For more information on this project, see http://www.opengoldbergvariations.org #0:00 Aria #5:00 Variation 1 #6:57 Variation 2 #9:03 Variation 3 #11:00 Variation 4 #12:10 Variation 5 #13:44 Variation 6 #15:22 Variation 7 #17:35 Variation 8 #19:31 Variation 9 #21:38 Variation 10 #23:24 Variation 11 #25:33 Variation 12 #27:49 Variation 13 #32:04 Variation 14 #34:20 Variation 15 #38:54 Variation 16 "Ouverture" #42:03 Variation 17 #43:47 Variation 18 #45:37 Variation 19 #47:03 Variation 20 #49:08 Variation 21 #53:02 Variation 22 #54:36 Variation 23 #56:55 Variation 24 #59:41 Variation 25 ("Black Pearl" - slideshow) #1:09:01 Variation 26 #1:11:03 Variation 27 #1:12:55 Variation 28 #1:15:20 Variation 29 #1:17:30 Variation 30 "Quodlibet" #1:19:32 Aria da Capo Die Goldberg-Variationen | 哥德堡变奏曲 | ゴルトベルク変奏曲 | 골트베르크 변주곡 | Вариации Гольдберга -
175:06St Matthew Passion - Matthäus-Passion BWV 244 | (Complete) (Full Concert) (J. S. Bach)
St Matthew Passion - Matthäus-Passion BWV 244 | (Complete) (Full Concert) (J. S. Bach)St Matthew Passion - Matthäus-Passion BWV 244 | (Complete) (Full Concert) (J. S. Bach)
St Matthew Passion - Matthäus-Passion BWV 244 | (Complete) (Full Concert) (J. S. Bach) The St Matthew Passion, (also frequently St Matthew's Passion) BWV 244, (German: Matthäus-Passion), is a sacred oratorio from the Passions written by Johann Sebastian Bach in 1727 for solo voices, double choir and double orchestra, with libretto by Picander (Christian Friedrich Henrici). It sets chapters 26 and 27 of the Gospel of Matthew (in the German translation of Martin Luther) to music, with interspersed chorales and arias. It is widely regarded as one of the masterpieces of classical sacred music. The original Latin title Passio Domini Nostri J.C. Secundum Evangelistam Matthaeum translates to "The Passion of our Lord J[esus] C[hrist] according to the Evangelist Matthew." Although Bach wrote four (or five) settings of the Passions only two have survived; the other is the St John Passion. The St Matthew Passion was probably first performed on Good Friday (11 April) 1727[1] in the Thomaskirche in Leipzig, where Bach was the Kantor of the School and Directoris Chori musici of Leipzig. He revised it by 1736, performing it again on 30 March 1736, this time including two organs in the instrumentation. He further revised and performed it again on 24 March 1742. Possibly due to the second organ being under repair, he switched the continuo instrument to harpsichord in Coro II, reinforced the continuo group in Coro II with a viola da gamba, and inserted a ripieno soprano in both movements 1 and 29. There is evidence of a further revision in 1743--1746, when the score as we know it originated, but no performance. Die Matthäus-Passion, BWV 244, ist eine oratorische Passion von Johann Sebastian Bach. Der Bericht vom Leiden und Sterben Jesu Christi nach dem Evangelium nach Matthäus bildet das Rückgrat. Ergänzt wird er um eingestreute Passionschoräle und erbauliche Dichtungen von Picander in freien Chören und Arien. Die Matthäus-Passion und die Johannes-Passion sind die beiden einzigen vollständig erhaltenen authentischen Passionswerke von Bach. Mit etwa 200 Minuten Aufführungsdauer und einer Besetzung von Solisten, zwei Chören und zwei Orchestern ist die Matthäus-Passion Bachs umfangreichstes und am stärksten besetztes Werk und stellt einen Höhepunkt protestantischer Kirchenmusik dar. Die Uraufführung fand am 11. April 1727 in der Thomaskirche in Leipzig statt. Nach Bachs Tod geriet das Werk in Vergessenheit. Die Wiederaufführung in einer gekürzten Version unter Felix Mendelssohn Bartholdy im Jahr 1829 leitete die Bach-Renaissance ein. Passio secundum Matthaeum est longissimum oratorium a Iohanne Sebastiano Bach (BWV 244) compositum. Texus musica est apud Evangelium secundum Matthaeum quod Ultima Cena et Crucifixio Iesu tractantur. Pasión según san Mateo, Matthäus-Passion (J. S. Bach), Pasja według św. Mateusza, Матеус пасион, Passió segons sant Mateu, Matoušovy pašije, Κατά Ματθαίον Πάθη (Μπαχ), Matthäuspassion (Bach), Matthäus-Passion, Matteus-passio (Bach), Passione secondo Matteo, マタイ受難曲, 마태오 수난곡 (바흐), Passio secundum Matthaeum (Bach), Matthäus-Passion (J.S. Bach), Matteuspasjonen (Bach), Matteuspasjonen av Bach, Страсти по Матфею (Бах), Matteuspassionen, 1727
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BWV 1080 - Art of the Fugue (Full Score)
Performer & Album Info - 1:26:30 Keyboard Reduction at: http://youtu.be/UgmpBHAwFLk Contrapunctus 1 - 0:30 Contrapunctus 2 - 3:38 Contrapunctus 3 - 6:29 Contrapunctus 4 - 9:08 Contrapunctus 5 - 12:37 Contrapunctus 6 - 15:18 Contrapunctus 7 - 19:38 Contrapunctus 8 - 22:58 Contrapunctus 9 - 28:11 Contrapunctus 10 - 30:42 Contrapunctus 11 - 34:15 Contrapunctus 12 - 39:42 Contrapunctus 13 - 44:03 Contrapunctus 14 - 48:07 Contrapunctus 15 - 53:31 Contrapunctus 16 (rectus) - 1:01:29 Contrapunctus 16 (invertus) - 1:04:09 Contrapunctus 17 (rectus) - 1:06:16 Contrapunctus 17 (invertus) - 1:08:29 Contrapunctus 18 (rectus) - 1:10:30 Contrapunctus 18 (invertus) - 1:12:39 Contrapunctus 19 - 1:14:30 Chorale: Von deinenThron tret ich hiermit - 1:23:12 -
J.S. Bach - Cantata BWV 66 - Erfreut euch, ihr Herzen (J. S. Bach Foundation)
Cantata BWV 66 "Erfreut euch, ihr Herzen" (Rejoice, all ye spirits), performed by the J. S. Bach Foundation of St Gallen under Rudolf Lutz. Further information on the Bach Foundation at www.bachstiftung.ch. The DVD with the complete cantata, introductory workshop and reflection lecture (in German) is available at: http://www.bachstiftung.ch/en/shop/items/j-s-bach-kantate-bwv-66. Kantate BWV 66 ("Erfreut euch, ihr Herzen"), aufgeführt durch die J. S. Bach-Stiftung St. Gallen. Musikalischer Leiter: Rudolf Lutz. Weitere Informationen zur Bachstiftung unter www.bachstiftung.ch. Die DVD mit der gesamten Kantate und Einführungsworkshop sowie Reflexion ist hier erhältlich: http://www.bachstiftung.ch/de/shop/items/j-s-bach-kantate-bwv-66/ oder in Deutschland unter http://www.jpc.de/s/jsb -
Andrea Bacchetti plays Bach Piano Concertos BWV 1055, 1054 & 1058
Bach Keyboard Concerto n.4 in A BWV 1055 I. Allegro II. Larghetto 5:03 III. Allegro ma non tanto 10:30 Keyboard Concerto n.3 in D BWV 1054 I. [Allegro] 15:30 II. Adagio e piano sempre 23:00 III. Allegro 28:48 Keyboard Concerto n.7 in g minor BWV 1058 I. [Allegro] 32:15 II. Andante 35:54 III. Allegro assai 42:17 Encore: Liszt Consolation n.3 in D flat 47:31 Andrea Bacchetti, piano & conductor Enrico Casazza, Maestro Concertatore Teatro Olimpico Orchestra 25 May 2013 Teatro Olimpico Vicenza, Italy -
J.S.Bach Trio Sonatas for Organ BWV 525-530, Peter Hurford
1. BWV 525 — Organ Sonata No.1 in E-flat major - The Chapel of New College Oxford 2. BWV 526 — Organ Sonata No.2 in C minor - Cathedral at Ratzeburg Germany 3. BWV 527 — Organ Sonata No.3 in D minor - The Chapel of Knox Grammar School Sydney Australia 4. BWV 528 — Organ Sonata No.4 in E minor - DTTO 5. BWV 529 — Organ Sonata No.5 in C major - DTTO 6. BWV 530 — Organ Sonata No.6 in G major - Cathedral at Ratzeburg Germany Picture in video: OXFORD -
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J. S. Bach - Kantate "Herz und Mund und Tat und Leben", BWV 147 (Ton Koopman)
The Amsterdam Baroque Orchestra & Choir Conductor - Ton Koopman Soprano - Lisa Larsson Alto - Elisabeth von Magnus Tenor - Lothar Odinius Bass - Klaus Mertens Herz und Mund und Tat und Leben (Heart and Mouth and Deed and Life), BWV 147: 1. Chorus: Herz und Mund und Tat und Leben (1. of BWV 147) 2. Aria: Schäme dich, o Seele nicht (3.) 3. Aria: Hilf, Jesu, hilf, dass ich auch dich bekenne (7.) 4. Aria: Bereite dir, Jesu, noch heute die Bahn (5.) 5. Aria: Laß mich der Rufer Stimme hören (9.) 6. Chorale: Dein Wort laß mich bekennen -
Goldberg Variations Complete (J.S. Bach BWV 988), with score, Kimiko Ishizaka piano
Download the audio files (mp3, aif, wav, flac): https://kimikoishizaka.bandcamp.com/album/j-s-bach-open-goldberg-variations-bwv-988-piano Kimiko Ishizaka on Facebook: https://www.facebook.com/Kimiko.Ishizaka.Pianist "Counterpoint passes back and forth between the hands in a conversational and judiciously balanced manner, while a strong lyrical inlpulse informs the cross-handed variations' rapid, bravura passages (Vars 5 and 19, for example). Ishizaka's restrained and concentrated way with slow minor-key variations (Vars 15,21 and 25) lets the music's agonising harmonic tension speak softly for itself." - Jed Distler, Gramophone Magazine "She has the fleet fingers to speed through the virtuoso variations with compelling clarity and the sensitivity to probe the dramatic potential of the sl... -
St Matthew Passion - Matthäus-Passion BWV 244 | (Complete) (Full Concert) (J. S. Bach)
St Matthew Passion - Matthäus-Passion BWV 244 | (Complete) (Full Concert) (J. S. Bach) The St Matthew Passion, (also frequently St Matthew's Passion) BWV 244, (German: Matthäus-Passion), is a sacred oratorio from the Passions written by Johann Sebastian Bach in 1727 for solo voices, double choir and double orchestra, with libretto by Picander (Christian Friedrich Henrici). It sets chapters 26 and 27 of the Gospel of Matthew (in the German translation of Martin Luther) to music, with interspersed chorales and arias. It is widely regarded as one of the masterpieces of classical sacred music. The original Latin title Passio Domini Nostri J.C. Secundum Evangelistam Matthaeum translates to "The Passion of our Lord J[esus] C[hrist] according to the Evangelist Matthew." Although Bach wrote four...
J.S. Bach Violin Concertos BWV 1041,1042,1043,1064
- Order: Reorder
- Duration: 62:30
- Updated: 25 May 2013
- views: 104947
J.S. Bach Violin Concertos BWV 1041, 1042, 1043, 1064,
BWV 1041 in A minor 0:00
BWV 1042 in E major 13:25
BWV 1043 in D minor for 2 violins 30:15
BWV 1064 i...
J.S. Bach Violin Concertos BWV 1041, 1042, 1043, 1064,
BWV 1041 in A minor 0:00
BWV 1042 in E major 13:25
BWV 1043 in D minor for 2 violins 30:15
BWV 1064 in D major for 3 violins 45:25
wn.com/J.S. Bach Violin Concertos Bwv 1041,1042,1043,1064
J. S. Bach, Prelude BWV 998 by Tatyana Ryzhkova
- Order: Reorder
- Duration: 4:15
- Updated: 08 Aug 2015
- views: 127941
Tatyana Ryzhkova performes Prelude BWV 998 by Johann Sebastian Bach
Guitar is made by Michel Brück. Thank you for supporting Tatyana Ryzhkova on: http://www.pa...
Tatyana Ryzhkova performes Prelude BWV 998 by Johann Sebastian Bach
Guitar is made by Michel Brück. Thank you for supporting Tatyana Ryzhkova on: http://www.patreon.com/tatyana
wn.com/J. S. Bach, Prelude Bwv 998 By Tatyana Ryzhkova
BWV 1080 - Art of the Fugue (Full Score)
- Order: Reorder
- Duration: 86:50
- Updated: 22 Jun 2013
- views: 268897
Performer & Album Info - 1:26:30
Keyboard Reduction at: http://youtu.be/UgmpBHAwFLk
Contrapunctus 1 - 0:30
Contrapunctus 2 - 3:38
Contrapunctus 3 - 6:29
Contrap...
Performer & Album Info - 1:26:30
Keyboard Reduction at: http://youtu.be/UgmpBHAwFLk
Contrapunctus 1 - 0:30
Contrapunctus 2 - 3:38
Contrapunctus 3 - 6:29
Contrapunctus 4 - 9:08
Contrapunctus 5 - 12:37
Contrapunctus 6 - 15:18
Contrapunctus 7 - 19:38
Contrapunctus 8 - 22:58
Contrapunctus 9 - 28:11
Contrapunctus 10 - 30:42
Contrapunctus 11 - 34:15
Contrapunctus 12 - 39:42
Contrapunctus 13 - 44:03
Contrapunctus 14 - 48:07
Contrapunctus 15 - 53:31
Contrapunctus 16 (rectus) - 1:01:29
Contrapunctus 16 (invertus) - 1:04:09
Contrapunctus 17 (rectus) - 1:06:16
Contrapunctus 17 (invertus) - 1:08:29
Contrapunctus 18 (rectus) - 1:10:30
Contrapunctus 18 (invertus) - 1:12:39
Contrapunctus 19 - 1:14:30
Chorale: Von deinenThron tret ich hiermit - 1:23:12
wn.com/Bwv 1080 Art Of The Fugue (Full Score)
Performer & Album Info - 1:26:30
Keyboard Reduction at: http://youtu.be/UgmpBHAwFLk
Contrapunctus 1 - 0:30
Contrapunctus 2 - 3:38
Contrapunctus 3 - 6:29
Contrapunctus 4 - 9:08
Contrapunctus 5 - 12:37
Contrapunctus 6 - 15:18
Contrapunctus 7 - 19:38
Contrapunctus 8 - 22:58
Contrapunctus 9 - 28:11
Contrapunctus 10 - 30:42
Contrapunctus 11 - 34:15
Contrapunctus 12 - 39:42
Contrapunctus 13 - 44:03
Contrapunctus 14 - 48:07
Contrapunctus 15 - 53:31
Contrapunctus 16 (rectus) - 1:01:29
Contrapunctus 16 (invertus) - 1:04:09
Contrapunctus 17 (rectus) - 1:06:16
Contrapunctus 17 (invertus) - 1:08:29
Contrapunctus 18 (rectus) - 1:10:30
Contrapunctus 18 (invertus) - 1:12:39
Contrapunctus 19 - 1:14:30
Chorale: Von deinenThron tret ich hiermit - 1:23:12
- published: 22 Jun 2013
- views: 268897
J.S. Bach - Cantata BWV 66 - Erfreut euch, ihr Herzen (J. S. Bach Foundation)
- Order: Reorder
- Duration: 31:51
- Updated: 19 Apr 2014
- views: 78784
Cantata BWV 66 "Erfreut euch, ihr Herzen" (Rejoice, all ye spirits), performed by the J. S. Bach Foundation of St Gallen under Rudolf Lutz. Further information ...
Cantata BWV 66 "Erfreut euch, ihr Herzen" (Rejoice, all ye spirits), performed by the J. S. Bach Foundation of St Gallen under Rudolf Lutz. Further information on the Bach Foundation at www.bachstiftung.ch. The DVD with the complete cantata, introductory workshop and reflection lecture (in German) is available at: http://www.bachstiftung.ch/en/shop/items/j-s-bach-kantate-bwv-66.
Kantate BWV 66 ("Erfreut euch, ihr Herzen"), aufgeführt durch die J. S. Bach-Stiftung St. Gallen. Musikalischer Leiter: Rudolf Lutz. Weitere Informationen zur Bachstiftung unter www.bachstiftung.ch. Die DVD mit der gesamten Kantate und Einführungsworkshop sowie Reflexion ist hier erhältlich: http://www.bachstiftung.ch/de/shop/items/j-s-bach-kantate-bwv-66/ oder in Deutschland unter http://www.jpc.de/s/jsb
wn.com/J.S. Bach Cantata Bwv 66 Erfreut Euch, Ihr Herzen (J. S. Bach Foundation)
Cantata BWV 66 "Erfreut euch, ihr Herzen" (Rejoice, all ye spirits), performed by the J. S. Bach Foundation of St Gallen under Rudolf Lutz. Further information on the Bach Foundation at www.bachstiftung.ch. The DVD with the complete cantata, introductory workshop and reflection lecture (in German) is available at: http://www.bachstiftung.ch/en/shop/items/j-s-bach-kantate-bwv-66.
Kantate BWV 66 ("Erfreut euch, ihr Herzen"), aufgeführt durch die J. S. Bach-Stiftung St. Gallen. Musikalischer Leiter: Rudolf Lutz. Weitere Informationen zur Bachstiftung unter www.bachstiftung.ch. Die DVD mit der gesamten Kantate und Einführungsworkshop sowie Reflexion ist hier erhältlich: http://www.bachstiftung.ch/de/shop/items/j-s-bach-kantate-bwv-66/ oder in Deutschland unter http://www.jpc.de/s/jsb
- published: 19 Apr 2014
- views: 78784
Andrea Bacchetti plays Bach Piano Concertos BWV 1055, 1054 & 1058
- Order: Reorder
- Duration: 54:03
- Updated: 07 Oct 2013
- views: 129016
Bach
Keyboard Concerto n.4 in A BWV 1055
I. Allegro
II. Larghetto 5:03
III. Allegro ma non tanto 10:30
Keyboard Concerto n.3 in D BWV 1054
I. [Allegro]...
Bach
Keyboard Concerto n.4 in A BWV 1055
I. Allegro
II. Larghetto 5:03
III. Allegro ma non tanto 10:30
Keyboard Concerto n.3 in D BWV 1054
I. [Allegro] 15:30
II. Adagio e piano sempre 23:00
III. Allegro 28:48
Keyboard Concerto n.7 in g minor BWV 1058
I. [Allegro] 32:15
II. Andante 35:54
III. Allegro assai 42:17
Encore:
Liszt Consolation n.3 in D flat 47:31
Andrea Bacchetti, piano & conductor
Enrico Casazza, Maestro Concertatore
Teatro Olimpico Orchestra
25 May 2013
Teatro Olimpico
Vicenza, Italy
wn.com/Andrea Bacchetti Plays Bach Piano Concertos Bwv 1055, 1054 1058
Bach
Keyboard Concerto n.4 in A BWV 1055
I. Allegro
II. Larghetto 5:03
III. Allegro ma non tanto 10:30
Keyboard Concerto n.3 in D BWV 1054
I. [Allegro] 15:30
II. Adagio e piano sempre 23:00
III. Allegro 28:48
Keyboard Concerto n.7 in g minor BWV 1058
I. [Allegro] 32:15
II. Andante 35:54
III. Allegro assai 42:17
Encore:
Liszt Consolation n.3 in D flat 47:31
Andrea Bacchetti, piano & conductor
Enrico Casazza, Maestro Concertatore
Teatro Olimpico Orchestra
25 May 2013
Teatro Olimpico
Vicenza, Italy
- published: 07 Oct 2013
- views: 129016
J.S.Bach Trio Sonatas for Organ BWV 525-530, Peter Hurford
- Order: Reorder
- Duration: 75:34
- Updated: 14 Apr 2014
- views: 132137
1. BWV 525 — Organ Sonata No.1 in E-flat major - The Chapel of New College Oxford
2. BWV 526 — Organ Sonata No.2 in C minor - Cathedral at Ratzeburg Germany
3. ...
1. BWV 525 — Organ Sonata No.1 in E-flat major - The Chapel of New College Oxford
2. BWV 526 — Organ Sonata No.2 in C minor - Cathedral at Ratzeburg Germany
3. BWV 527 — Organ Sonata No.3 in D minor - The Chapel of Knox Grammar School Sydney Australia
4. BWV 528 — Organ Sonata No.4 in E minor - DTTO
5. BWV 529 — Organ Sonata No.5 in C major - DTTO
6. BWV 530 — Organ Sonata No.6 in G major - Cathedral at Ratzeburg Germany
Picture in video: OXFORD
wn.com/J.S.Bach Trio Sonatas For Organ Bwv 525 530, Peter Hurford
1. BWV 525 — Organ Sonata No.1 in E-flat major - The Chapel of New College Oxford
2. BWV 526 — Organ Sonata No.2 in C minor - Cathedral at Ratzeburg Germany
3. BWV 527 — Organ Sonata No.3 in D minor - The Chapel of Knox Grammar School Sydney Australia
4. BWV 528 — Organ Sonata No.4 in E minor - DTTO
5. BWV 529 — Organ Sonata No.5 in C major - DTTO
6. BWV 530 — Organ Sonata No.6 in G major - Cathedral at Ratzeburg Germany
Picture in video: OXFORD
- published: 14 Apr 2014
- views: 132137
BWV 543- Prelude & Fugue in A Minor (Scrolling)
- Order: Reorder
- Duration: 9:48
- Updated: 21 Apr 2015
- views: 39337
J. S. Bach - Kantate "Herz und Mund und Tat und Leben", BWV 147 (Ton Koopman)
- Order: Reorder
- Duration: 31:59
- Updated: 16 Jan 2012
- views: 706976
The Amsterdam Baroque Orchestra & Choir
Conductor - Ton Koopman
Soprano - Lisa Larsson
Alto - Elisabeth von Magnus
Tenor - Lothar Odinius
Bass - Klaus Mertens
...
The Amsterdam Baroque Orchestra & Choir
Conductor - Ton Koopman
Soprano - Lisa Larsson
Alto - Elisabeth von Magnus
Tenor - Lothar Odinius
Bass - Klaus Mertens
Herz und Mund und Tat und Leben (Heart and Mouth and Deed and Life), BWV 147:
1. Chorus: Herz und Mund und Tat und Leben (1. of BWV 147)
2. Aria: Schäme dich, o Seele nicht (3.)
3. Aria: Hilf, Jesu, hilf, dass ich auch dich bekenne (7.)
4. Aria: Bereite dir, Jesu, noch heute die Bahn (5.)
5. Aria: Laß mich der Rufer Stimme hören (9.)
6. Chorale: Dein Wort laß mich bekennen
wn.com/J. S. Bach Kantate Herz Und Mund Und Tat Und Leben , Bwv 147 (Ton Koopman)
The Amsterdam Baroque Orchestra & Choir
Conductor - Ton Koopman
Soprano - Lisa Larsson
Alto - Elisabeth von Magnus
Tenor - Lothar Odinius
Bass - Klaus Mertens
Herz und Mund und Tat und Leben (Heart and Mouth and Deed and Life), BWV 147:
1. Chorus: Herz und Mund und Tat und Leben (1. of BWV 147)
2. Aria: Schäme dich, o Seele nicht (3.)
3. Aria: Hilf, Jesu, hilf, dass ich auch dich bekenne (7.)
4. Aria: Bereite dir, Jesu, noch heute die Bahn (5.)
5. Aria: Laß mich der Rufer Stimme hören (9.)
6. Chorale: Dein Wort laß mich bekennen
- published: 16 Jan 2012
- views: 706976
Goldberg Variations Complete (J.S. Bach BWV 988), with score, Kimiko Ishizaka piano
- Order: Reorder
- Duration: 82:23
- Updated: 28 Nov 2014
- views: 423411
Download the audio files (mp3, aif, wav, flac): https://kimikoishizaka.bandcamp.com/album/j-s-bach-open-goldberg-variations-bwv-988-piano
Kimiko Ishizaka on Fac...
Download the audio files (mp3, aif, wav, flac): https://kimikoishizaka.bandcamp.com/album/j-s-bach-open-goldberg-variations-bwv-988-piano
Kimiko Ishizaka on Facebook: https://www.facebook.com/Kimiko.Ishizaka.Pianist
"Counterpoint passes back and forth between the hands in a conversational and judiciously balanced manner, while a strong lyrical inlpulse informs the cross-handed variations' rapid, bravura passages (Vars 5 and 19, for example). Ishizaka's restrained and concentrated way with slow minor-key variations (Vars 15,21 and 25) lets the music's agonising harmonic tension speak softly for itself."
- Jed Distler, Gramophone Magazine
"She has the fleet fingers to speed through the virtuoso variations with compelling clarity and the sensitivity to probe the dramatic potential of the slower, more profound numbers, pleasurably aided by her consistently lovely tone."
- Robert Schulslaper, Issue 36:1 (Sept/Oct 2012), Fanfare Magazine
"The sound quality of the recording is top notch"
"In fact, the album's an audiophile gem."
- Reviewed by Christopher Lim in The Business Times, July 20, 2012.
J.S. Bach's "Goldberg Variations", BWV 988, recorded by Kimiko Ishizaka on a Bösendorfer grand piano, with score following provided by the iPad app from MuseScore. For more information on this project, see http://www.opengoldbergvariations.org
#0:00 Aria
#5:00 Variation 1
#6:57 Variation 2
#9:03 Variation 3
#11:00 Variation 4
#12:10 Variation 5
#13:44 Variation 6
#15:22 Variation 7
#17:35 Variation 8
#19:31 Variation 9
#21:38 Variation 10
#23:24 Variation 11
#25:33 Variation 12
#27:49 Variation 13
#32:04 Variation 14
#34:20 Variation 15
#38:54 Variation 16 "Ouverture"
#42:03 Variation 17
#43:47 Variation 18
#45:37 Variation 19
#47:03 Variation 20
#49:08 Variation 21
#53:02 Variation 22
#54:36 Variation 23
#56:55 Variation 24
#59:41 Variation 25 ("Black Pearl" - slideshow)
#1:09:01 Variation 26
#1:11:03 Variation 27
#1:12:55 Variation 28
#1:15:20 Variation 29
#1:17:30 Variation 30 "Quodlibet"
#1:19:32 Aria da Capo
Die Goldberg-Variationen | 哥德堡变奏曲 | ゴルトベルク変奏曲 | 골트베르크 변주곡 | Вариации Гольдберга
wn.com/Goldberg Variations Complete (J.S. Bach Bwv 988), With Score, Kimiko Ishizaka Piano
Download the audio files (mp3, aif, wav, flac): https://kimikoishizaka.bandcamp.com/album/j-s-bach-open-goldberg-variations-bwv-988-piano
Kimiko Ishizaka on Facebook: https://www.facebook.com/Kimiko.Ishizaka.Pianist
"Counterpoint passes back and forth between the hands in a conversational and judiciously balanced manner, while a strong lyrical inlpulse informs the cross-handed variations' rapid, bravura passages (Vars 5 and 19, for example). Ishizaka's restrained and concentrated way with slow minor-key variations (Vars 15,21 and 25) lets the music's agonising harmonic tension speak softly for itself."
- Jed Distler, Gramophone Magazine
"She has the fleet fingers to speed through the virtuoso variations with compelling clarity and the sensitivity to probe the dramatic potential of the slower, more profound numbers, pleasurably aided by her consistently lovely tone."
- Robert Schulslaper, Issue 36:1 (Sept/Oct 2012), Fanfare Magazine
"The sound quality of the recording is top notch"
"In fact, the album's an audiophile gem."
- Reviewed by Christopher Lim in The Business Times, July 20, 2012.
J.S. Bach's "Goldberg Variations", BWV 988, recorded by Kimiko Ishizaka on a Bösendorfer grand piano, with score following provided by the iPad app from MuseScore. For more information on this project, see http://www.opengoldbergvariations.org
#0:00 Aria
#5:00 Variation 1
#6:57 Variation 2
#9:03 Variation 3
#11:00 Variation 4
#12:10 Variation 5
#13:44 Variation 6
#15:22 Variation 7
#17:35 Variation 8
#19:31 Variation 9
#21:38 Variation 10
#23:24 Variation 11
#25:33 Variation 12
#27:49 Variation 13
#32:04 Variation 14
#34:20 Variation 15
#38:54 Variation 16 "Ouverture"
#42:03 Variation 17
#43:47 Variation 18
#45:37 Variation 19
#47:03 Variation 20
#49:08 Variation 21
#53:02 Variation 22
#54:36 Variation 23
#56:55 Variation 24
#59:41 Variation 25 ("Black Pearl" - slideshow)
#1:09:01 Variation 26
#1:11:03 Variation 27
#1:12:55 Variation 28
#1:15:20 Variation 29
#1:17:30 Variation 30 "Quodlibet"
#1:19:32 Aria da Capo
Die Goldberg-Variationen | 哥德堡变奏曲 | ゴルトベルク変奏曲 | 골트베르크 변주곡 | Вариации Гольдберга
- published: 28 Nov 2014
- views: 423411
St Matthew Passion - Matthäus-Passion BWV 244 | (Complete) (Full Concert) (J. S. Bach)
- Order: Reorder
- Duration: 175:06
- Updated: 06 Apr 2013
- views: 572111
St Matthew Passion - Matthäus-Passion BWV 244 | (Complete) (Full Concert) (J. S. Bach)
The St Matthew Passion, (also frequently St Matthew's Passion) BWV 244,...
St Matthew Passion - Matthäus-Passion BWV 244 | (Complete) (Full Concert) (J. S. Bach)
The St Matthew Passion, (also frequently St Matthew's Passion) BWV 244, (German: Matthäus-Passion), is a sacred oratorio from the Passions written by Johann Sebastian Bach in 1727 for solo voices, double choir and double orchestra, with libretto by Picander (Christian Friedrich Henrici). It sets chapters 26 and 27 of the Gospel of Matthew (in the German translation of Martin Luther) to music, with interspersed chorales and arias. It is widely regarded as one of the masterpieces of classical sacred music. The original Latin title Passio Domini Nostri J.C. Secundum Evangelistam Matthaeum translates to "The Passion of our Lord J[esus] C[hrist] according to the Evangelist Matthew."
Although Bach wrote four (or five) settings of the Passions only two have survived; the other is the St John Passion. The St Matthew Passion was probably first performed on Good Friday (11 April) 1727[1] in the Thomaskirche in Leipzig, where Bach was the Kantor of the School and Directoris Chori musici of Leipzig. He revised it by 1736, performing it again on 30 March 1736, this time including two organs in the instrumentation. He further revised and performed it again on 24 March 1742. Possibly due to the second organ being under repair, he switched the continuo instrument to harpsichord in Coro II, reinforced the continuo group in Coro II with a viola da gamba, and inserted a ripieno soprano in both movements 1 and 29. There is evidence of a further revision in 1743--1746, when the score as we know it originated, but no performance.
Die Matthäus-Passion, BWV 244, ist eine oratorische Passion von Johann Sebastian Bach. Der Bericht vom Leiden und Sterben Jesu Christi nach dem Evangelium nach Matthäus bildet das Rückgrat. Ergänzt wird er um eingestreute Passionschoräle und erbauliche Dichtungen von Picander in freien Chören und Arien. Die Matthäus-Passion und die Johannes-Passion sind die beiden einzigen vollständig erhaltenen authentischen Passionswerke von Bach. Mit etwa 200 Minuten Aufführungsdauer und einer Besetzung von Solisten, zwei Chören und zwei Orchestern ist die Matthäus-Passion Bachs umfangreichstes und am stärksten besetztes Werk und stellt einen Höhepunkt protestantischer Kirchenmusik dar. Die Uraufführung fand am 11. April 1727 in der Thomaskirche in Leipzig statt. Nach Bachs Tod geriet das Werk in Vergessenheit. Die Wiederaufführung in einer gekürzten Version unter Felix Mendelssohn Bartholdy im Jahr 1829 leitete die Bach-Renaissance ein.
Passio secundum Matthaeum est longissimum oratorium a Iohanne Sebastiano Bach (BWV 244) compositum.
Texus musica est apud Evangelium secundum Matthaeum quod Ultima Cena et Crucifixio Iesu tractantur.
Pasión según san Mateo, Matthäus-Passion (J. S. Bach), Pasja według św. Mateusza, Матеус пасион, Passió segons sant Mateu, Matoušovy pašije, Κατά Ματθαίον Πάθη (Μπαχ), Matthäuspassion (Bach), Matthäus-Passion, Matteus-passio (Bach), Passione secondo Matteo, マタイ受難曲, 마태오 수난곡 (바흐), Passio secundum Matthaeum (Bach), Matthäus-Passion (J.S. Bach), Matteuspasjonen (Bach), Matteuspasjonen av Bach, Страсти по Матфею (Бах), Matteuspassionen,
1727
wn.com/St Matthew Passion Matthäus Passion Bwv 244 | (Complete) (Full Concert) (J. S. Bach)
St Matthew Passion - Matthäus-Passion BWV 244 | (Complete) (Full Concert) (J. S. Bach)
The St Matthew Passion, (also frequently St Matthew's Passion) BWV 244, (German: Matthäus-Passion), is a sacred oratorio from the Passions written by Johann Sebastian Bach in 1727 for solo voices, double choir and double orchestra, with libretto by Picander (Christian Friedrich Henrici). It sets chapters 26 and 27 of the Gospel of Matthew (in the German translation of Martin Luther) to music, with interspersed chorales and arias. It is widely regarded as one of the masterpieces of classical sacred music. The original Latin title Passio Domini Nostri J.C. Secundum Evangelistam Matthaeum translates to "The Passion of our Lord J[esus] C[hrist] according to the Evangelist Matthew."
Although Bach wrote four (or five) settings of the Passions only two have survived; the other is the St John Passion. The St Matthew Passion was probably first performed on Good Friday (11 April) 1727[1] in the Thomaskirche in Leipzig, where Bach was the Kantor of the School and Directoris Chori musici of Leipzig. He revised it by 1736, performing it again on 30 March 1736, this time including two organs in the instrumentation. He further revised and performed it again on 24 March 1742. Possibly due to the second organ being under repair, he switched the continuo instrument to harpsichord in Coro II, reinforced the continuo group in Coro II with a viola da gamba, and inserted a ripieno soprano in both movements 1 and 29. There is evidence of a further revision in 1743--1746, when the score as we know it originated, but no performance.
Die Matthäus-Passion, BWV 244, ist eine oratorische Passion von Johann Sebastian Bach. Der Bericht vom Leiden und Sterben Jesu Christi nach dem Evangelium nach Matthäus bildet das Rückgrat. Ergänzt wird er um eingestreute Passionschoräle und erbauliche Dichtungen von Picander in freien Chören und Arien. Die Matthäus-Passion und die Johannes-Passion sind die beiden einzigen vollständig erhaltenen authentischen Passionswerke von Bach. Mit etwa 200 Minuten Aufführungsdauer und einer Besetzung von Solisten, zwei Chören und zwei Orchestern ist die Matthäus-Passion Bachs umfangreichstes und am stärksten besetztes Werk und stellt einen Höhepunkt protestantischer Kirchenmusik dar. Die Uraufführung fand am 11. April 1727 in der Thomaskirche in Leipzig statt. Nach Bachs Tod geriet das Werk in Vergessenheit. Die Wiederaufführung in einer gekürzten Version unter Felix Mendelssohn Bartholdy im Jahr 1829 leitete die Bach-Renaissance ein.
Passio secundum Matthaeum est longissimum oratorium a Iohanne Sebastiano Bach (BWV 244) compositum.
Texus musica est apud Evangelium secundum Matthaeum quod Ultima Cena et Crucifixio Iesu tractantur.
Pasión según san Mateo, Matthäus-Passion (J. S. Bach), Pasja według św. Mateusza, Матеус пасион, Passió segons sant Mateu, Matoušovy pašije, Κατά Ματθαίον Πάθη (Μπαχ), Matthäuspassion (Bach), Matthäus-Passion, Matteus-passio (Bach), Passione secondo Matteo, マタイ受難曲, 마태오 수난곡 (바흐), Passio secundum Matthaeum (Bach), Matthäus-Passion (J.S. Bach), Matteuspasjonen (Bach), Matteuspasjonen av Bach, Страсти по Матфею (Бах), Matteuspassionen,
1727
- published: 06 Apr 2013
- views: 572111
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62:30
J.S. Bach Violin Concertos BWV 1041,1042,1043,1064
J.S. Bach Violin Concertos BWV 1041, 1042, 1043, 1064,
BWV 1041 in A minor 0:00
BWV 1042...
published: 25 May 2013
J.S. Bach Violin Concertos BWV 1041,1042,1043,1064
J.S. Bach Violin Concertos BWV 1041,1042,1043,1064
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- published: 25 May 2013
- views: 104947
4:15
J. S. Bach, Prelude BWV 998 by Tatyana Ryzhkova
Tatyana Ryzhkova performes Prelude BWV 998 by Johann Sebastian Bach
Guitar is made by Mic...
published: 08 Aug 2015
J. S. Bach, Prelude BWV 998 by Tatyana Ryzhkova
J. S. Bach, Prelude BWV 998 by Tatyana Ryzhkova
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- published: 08 Aug 2015
- views: 127941
86:50
BWV 1080 - Art of the Fugue (Full Score)
Performer & Album Info - 1:26:30
Keyboard Reduction at: http://youtu.be/UgmpBHAwFLk
Contra...
published: 22 Jun 2013
BWV 1080 - Art of the Fugue (Full Score)
BWV 1080 - Art of the Fugue (Full Score)
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- published: 22 Jun 2013
- views: 268897
31:51
J.S. Bach - Cantata BWV 66 - Erfreut euch, ihr Herzen (J. S. Bach Foundation)
Cantata BWV 66 "Erfreut euch, ihr Herzen" (Rejoice, all ye spirits), performed by the J. S...
published: 19 Apr 2014
J.S. Bach - Cantata BWV 66 - Erfreut euch, ihr Herzen (J. S. Bach Foundation)
J.S. Bach - Cantata BWV 66 - Erfreut euch, ihr Herzen (J. S. Bach Foundation)
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- published: 19 Apr 2014
- views: 78784
54:03
Andrea Bacchetti plays Bach Piano Concertos BWV 1055, 1054 & 1058
Bach
Keyboard Concerto n.4 in A BWV 1055
I. Allegro
II. Larghetto 5:03
III. Allegro m...
published: 07 Oct 2013
Andrea Bacchetti plays Bach Piano Concertos BWV 1055, 1054 & 1058
Andrea Bacchetti plays Bach Piano Concertos BWV 1055, 1054 & 1058
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- published: 07 Oct 2013
- views: 129016
75:34
J.S.Bach Trio Sonatas for Organ BWV 525-530, Peter Hurford
1. BWV 525 — Organ Sonata No.1 in E-flat major - The Chapel of New College Oxford
2. BWV 5...
published: 14 Apr 2014
J.S.Bach Trio Sonatas for Organ BWV 525-530, Peter Hurford
J.S.Bach Trio Sonatas for Organ BWV 525-530, Peter Hurford
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- published: 14 Apr 2014
- views: 132137
9:48
BWV 543- Prelude & Fugue in A Minor (Scrolling)
Performer & Album Info - 9:31
1. Prelude - 0:16
2. Fugue - 3:14
published: 21 Apr 2015
BWV 543- Prelude & Fugue in A Minor (Scrolling)
31:59
J. S. Bach - Kantate "Herz und Mund und Tat und Leben", BWV 147 (Ton Koopman)
The Amsterdam Baroque Orchestra & Choir
Conductor - Ton Koopman
Soprano - Lisa Larsson
Alt...
published: 16 Jan 2012
J. S. Bach - Kantate "Herz und Mund und Tat und Leben", BWV 147 (Ton Koopman)
J. S. Bach - Kantate "Herz und Mund und Tat und Leben", BWV 147 (Ton Koopman)
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- published: 16 Jan 2012
- views: 706976
82:23
Goldberg Variations Complete (J.S. Bach BWV 988), with score, Kimiko Ishizaka piano
Download the audio files (mp3, aif, wav, flac): https://kimikoishizaka.bandcamp.com/album/...
published: 28 Nov 2014
Goldberg Variations Complete (J.S. Bach BWV 988), with score, Kimiko Ishizaka piano
Goldberg Variations Complete (J.S. Bach BWV 988), with score, Kimiko Ishizaka piano
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- published: 28 Nov 2014
- views: 423411
175:06
St Matthew Passion - Matthäus-Passion BWV 244 | (Complete) (Full Concert) (J. S. Bach)
St Matthew Passion - Matthäus-Passion BWV 244 | (Complete) (Full Concert) (J. S. Bach)
T...
published: 06 Apr 2013
St Matthew Passion - Matthäus-Passion BWV 244 | (Complete) (Full Concert) (J. S. Bach)
St Matthew Passion - Matthäus-Passion BWV 244 | (Complete) (Full Concert) (J. S. Bach)
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- published: 06 Apr 2013
- views: 572111
J.S. Bach Violin Concertos BWV 1041,1042,1043,1064...
J. S. Bach, Prelude BWV 998 by Tatyana Ryzhkova...
BWV 1080 - Art of the Fugue (Full Score)...
J.S. Bach - Cantata BWV 66 - Erfreut euch, ihr Her...
Andrea Bacchetti plays Bach Piano Concertos BWV 10...
J.S.Bach Trio Sonatas for Organ BWV 525-530, Peter...
BWV 543- Prelude & Fugue in A Minor (Scrolling)...
J. S. Bach - Kantate "Herz und Mund und Tat und Le...
Goldberg Variations Complete (J.S. Bach BWV 988), ...
St Matthew Passion - Matthäus-Passion BWV 244 | (C...
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Lyrics list:lyrics
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Sunshine
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Hey Lil Mah-muh
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Bounce With Me (featuring XSCAPE)
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We Bout That (eat The Cake) (ft. Lil Wayne & Dj Khaled)
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Umma Do Me (freestyle)
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Thank You (featuring Jagged Edge And Fundisha)
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I Ain't Playing
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Like This
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Hydrolics
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New York New York (freestyle)
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Sunshine
Yeah, that's my sunshine right there, ha ha
(You, you got)
(You, you got)
I get girls all around the word
But I ain't got one that got all that, all that
(You, you, got)
Sumtin' that'll make me come home
Tell my girl that I love her but I'm never coming back, ha
(You, you, got)
What we call that sunshine, sunshine
Get a, get it one time, make me hook
(You, you, got)
What we call that sunshine, sunshine
When he be walking wit' his girl
A nigga gotta look, gotta look
(You, you, got)
What you hear me talkin' 'bout
You just ain't gon find out
Walkin' round in somebody's club
Now she's sayin' her house
But when she hit the scene
Shawty, do it so mean
And everybody round is affected by the being
Man, I'm talkin' real hot even if you get a shot
Everythin' else you got, will totally be forgot
You can see it in her face, you can see it in her shape
Nigga's see it and immediately go pull out a key
Way before they get the sex, go start spendin' checks
Broke ones send her flowers, rich nigga's sendin' jets
Man the behind on her, shawty got a mind on her
Independent wit' it, baby girl got a grind on her
All that'll make you fall, all that'll make you ball
Run up in the mall, damn near try to buy it all
So if you got a wife, and some kids at home
Might as well go head and make [unverified]
I get girls all around the word
But I ain't got one that got all that, all that
(You, you, got)
Sumtin' that'll make me come home
Tell my girl that I love her but I'm never coming back, ha
(You, you, got)
What we call that sunshine, sunshine
Get a, get it one time, make me hook
(You, you, got)
What we call that sunshine, sunshine
When he be walking wit' his girl
A nigga gotta look, gotta look
(You, you, got)
To me it ain't nothin' like gotta have every night
Shawty, keep it real tight, make it feel real right
Just what I be lookin' for, leave me feenin' wantin' more
In the dictionary, she body by the word, 'Woah'
I just love ya style, drive a nigga wild
Brighten up my day, you make me wanna smile
I just wanna fell your touch, to me girl you're so much
Knew that you would shine from the first time that we crushed
The room was so dark, back had a mean arch
Through me apart and from the start, took a nigga's heart
Girl, I think you the best and I probably need a rest
'Cause I ain't stopped since I seen you and you said, yes
I never told you this, but the juiciness of your lips
Got me crazy that's why I love to kiss
You, it's true, got your boy in a twist
photo: Via YouTube
MH370: Photos of possible passenger belongings released
Edit ITV 20 Jun 2016
....
photo: AP / Rich Pedroncelli
Trump Blasts GOP Delegate Revolt Talk
Edit Newsweek 19 Jun 2016
As their presumptive nominee continues an unrelenting string of bluster and gaffe, Republicans against Donald Trump continue to search for a way to block him from becoming the party’s standard-bearer. Last month, the #neverTrump campaign focused on finding an independent presidential candidate who would either thwart any chance at a Trump presidency or maybe even win in November ... Try Newsweek. Subscription offers ... ....
photo: Creative Commons / Nathania Johnson
Why Hillary Clinton eats a hot pepper every single day
Edit NZ Herald 19 Jun 2016
Say what you will about the trustworthiness of Hillary Clinton. The candidate who could make history as the first female U.S. president has been nothing but transparent about the fact that she's a hothead."Sriracha, Tabasco, tomatillo... ....
photo: AP / Richard Shotwell
'Star Trek' actor Anton Yelchin dies in car crash at age 27
Edit Austin American Statesman 19 Jun 2016
Anton Yelchin, a charismatic and rising actor best known for playing Chekov in the new "Star Trek" films, has died at the age of 27. He was killed in a fatal traffic collision early Sunday morning, his publicist, Jennifer Allen confirmed ... ....
photo: US National Park Service / K Fink
Woman rescues 5-year-old son from mountain lion's jaws
Edit Business Insider 19 Jun 2016
DENVER (AP) - Summoned by the sound of screams, a Colorado woman raced to her front yard to find a terrifying sight. A mountain lion was hunched over her 5-year-old son, biting him. The woman charged the animal, yanked away one of its paws and discovered her son's whole head was in its mouth. She didn't back down. "She was able to pry the cat's jaws open," Pitkin County Sheriff's Deputy Michael Buglione said. "She's a hero." ... ....
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Police Body-Worn Video Cameras are a Quantifiable Success (techUK)
Edit Public Technologies 17 Jun 2016
The first scientific research into the effects of deploying body-worn video (BWV) cameras has attempted to determine their effectiveness in reducing the prevalence of police use-of-force and/or citizens' complaints against the police' ... 72% of imposed sanctions were formal charges, compared to 81% when BWV evidence was used ... For Operation Hyperion in 2014, Hampshire Constabulary issued BWV to every officer on the Isle of Wight....
This year’s American Bach Soloists Festival & Academy goes to Italy
Edit The Examiner 12 Jun 2016
As was the case last year, the seventh annual Festival & Academy of the American Bach Soloists (ABS) will take place at the beginning of August ... The title of this year’s Festival is An Italian Journey, and it will provide the theme for three of the five concert programs ... In addition there will be the usual performances of Johann Sebastian Bach’s BWV 232 setting of the Mass text in B minor on the two Festival Sundays ... and 8 p.m ... ....
Alumni gather in New York (University of Manitoba)
Edit Public Technologies 10 Jun 2016
(Source. University of Manitoba) June 10, 2016 -. U of M alumni gathered for a reception in New York City on June 9. Hosted by alumna Susan Brownstone-Brock and her husband, Thomas Brock, in their apartment overlooking Central Park and the Metropolitan Museum of Modern Art, the event featured a stunning performance by prominent violinist and Desautels Faculty of Music student Gregory Lewis ... 2 in A minor, BWV 1003, by J.S. Bach ... (noodl....
Mozart thrives under the delightful nuances of Jan Lisiecki and James Conlon
Edit The Examiner 09 Jun 2016
482 piano concerto in E-flat major ... Readers of this site may recall that, at that time, Lisiecki was accused of offering little more than technical display “often hammered out with an intensity that bordered on brutality,” whether he was playing the Opus 10 études of Frédéric Chopin or Johann Sebastian Bach’s BWV 825 partita in B-flat major. Last night there was no sign of that brutality ... The next wait really ought not to be so long. ....
01-06-2016: Bach to the Future – a cutting edge listening experience (24 & 25 June) (Hong Kong Philharmonic Orchestra)
Edit Public Technologies 09 Jun 2016
(Source. Hong Kong Philharmonic Orchestra). FOR IMMEDIATE RELEASE. Media Contact. Deborah Hennig. Director of Marketing. Tel. (852) 2721 9035. Email. deborah.hennig@hkphil.org. Becky Lee. Media Relations Manager. Tel. (852) 2721 1585. Email. becky.lee@hkphil.org. Download ... The concert combines works by Baroque composers Rebel, Purcell and Bach with 20th-century masters Arvo Pärt and György Ligeti ... Wind-up Metronomes Wanted! ... Ticket prices ... 5, BWV 1056....
Chief Constable's Formal report - Northern Ireland Policing Board 9th June 2016 (PSNI - Police Service of Northern Ireland)
Edit Public Technologies 09 Jun 2016
(Source. PSNI - Police Service of Northern Ireland). Chief Constable's Formal report - Northern Ireland Policing Board 9th June 2016. INTRODUCTION. I would like to take this opportunity to welcome the appointment of Claire Sugden as Justice Minister. The Deputy Chief Constable and I have already met with her to discuss the current challenges and opportunities within policing ... FINANCE UPDATE. 2016-17 ... THREAT ... Body worn video (BWV) update....
Alexey Stadler gives an engaging account of Shostakovich’s first cello concerto
Edit The Examiner 03 Jun 2016
Last night in Davies Symphony Hall, the young Russian cellist Alexey Stadler made his debut with the San Francisco Symphony (SFS) under the baton of visiting conductor Vladimir Ashkenazy ... Stadler used the occasion to present a more sober side of his rhetoric, playing the Sarabande movement from Johann Sebastian Bach’s BWV 1008 solo cello suite in D minor ... Fortunately, Ashkenazy is not one of those conductors ... ....
José Enrique Ayarra and Ian Parkes offer an organ and French horn concert on the occasion of St. Ferdinand’s Day (Abengoa SA)
Edit Public Technologies 30 May 2016
(Source. Abengoa SA). José Enrique Ayarra and Ian Parkes offer an organ and French horn concert on the occasion of St. Ferdinand's Day. May 27, 2016 The concert mass will be held on Monday May 30 at 19.30 at the church of the Hospital de los Venerables. Admission to the event is free while seating space is available. Seville, May 27 2015 ... Grenzig in 1991 for the Church of the Hospital de los Venerables Sacerdotes ... Coral 'Vater unser..' (BWV....
2016 Trinity Alps Chamber Music Festival announces complete concert schedule
Edit The Examiner 29 May 2016
The dates and venues have been announced for the sixth season of the Trinity Alps Chamber Music Festival (TACMF) ... They may come for the music and then enjoy the many natural attractions of the environment ... There will be only one selection by Johann Sebastian Bach, his BWV 1052 harpsichord concerto in D minor; but there will also be a performance of one of Georg Philipp Telemann’s two G major flute concertos, from TWV 51 ... ....
British cops will have 59,000 body-worn cameras by end of 2016
Edit The Register 25 May 2016
And forces are considering cloudy storage options. Police forces are rapidly adopting body worn video (BWV) cameras with as many as 59,000 expected to be in use by the end of 2016/17 – according to chair of the police BWV user group Stephen Goodier ... ....
Johann Sebastian Bach | Athens | May 30
Edit Kathimerini 21 May 2016
The Camerata Orchestra performs Johann Sebastian Bach’s Orchestral ......
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