- published: 05 May 2015
- views: 8633
Vengeance is mine is a biblical quotation from:
It may also refer to:
Shohei Imamura (今村 昌平, Imamura Shōhei, 15 September 1926 – 30 May 2006) was a Japanese film director. Imamura is the only Japanese director to win two Palme d'Or awards.
Imamura was born to a comfortably upper-middle-class doctor's family in Tokyo in 1926. For a short time after 1945, when Japan was in a devastated condition following the war, Imamura participated in the black market selling cigarettes and liquor. Reflecting this period of his life, Imamura's interests as a filmmaker were usually focused on the lower strata of Japanese society. He studied Western history at Waseda University, but spent more time participating in theatrical and political activities. He cited a viewing of Akira Kurosawa's Rashomon in 1950 as an early inspiration, and said he saw it as an indication of the new freedom of expression possible in Japan in the post-war era.
Upon graduation from Waseda in 1951, Imamura began his film career working as an assistant to Yasujirō Ozu at Shochiku Studios on the films Early Summer (1951), The Flavor of Green Tea over Rice (1952) and Tokyo Story (1953). Imamura, however, was uncomfortable with the way Ozu portrayed Japanese society. While Imamura's films were to have a quite different style from Ozu's, Imamura, like Ozu, was to focus on what he saw as particularly Japanese elements of society in his films. "I've always wanted to ask questions about the Japanese, because it's the only people I'm qualified to describe," he said. He expressed surprise that his films were appreciated overseas.
John Riley may refer to:
Megjelenés éve: 1979 Rendező: Kôsei Saitô Szereplők: Shin'ichi Chiba, Jun Etô, Moeko Ezawa, Ryô Hayami, Noriko Honma Ország: Japan Hossz: 139 perc Tartalom: Hadgyakorlat közben. Készítők: rendező: José Giovanni író: José Giovanni forgatókönyvíró: José Giovanni producer: Christian Fechner ügyvezető producer : René Malo zeneszerző: Ennio Morricone. színes, magyarul beszélő, kanadai filmdráma, 90 perc, 2002 rendező: Rodney Gibbons forgatókönyvíró: Roger Aylward zeneszerző: James Gelfand operatőr: Eric Cayla vágó: Vidal Béique..
Fukushū suru wa ware ni ari (aka Vengeance is Mine, La vendetta è mia). Directed by Shohei Imamura, with Ken Ogata; Mayumi Ogawa; Rentaro Mikuni; Mitsuko Baisho; Nijiko Kiyokawa; Chocho Miyako; Moeko Ezawa; Torahiko Hamada; Shohei Hino; Yoshi Kato; Choichiro Kawarazaki; Kazuo Kitamura; Toshie Negishi DVD: http://www.dvd-store.it/DVD/DVD-Video/ID-22348/Fukushu-suruwa-wareniari-La-vendetta-e-mia-V-M-18-anni.aspx Chronological exploits of Iwao Enokizu, a murderous thief on the lam. Un giapponese di mezza età, truffatore, mitomane e sessulmente disturbato, viene arrestato e condannato a morte dopo aver compiuto una serie di omicidi. http://www.rarovideo.com http://www.minervapictures.com
Edited/Monté par William Prigent Un film de Noboru Tanaka (Japon, 1972) aka Excitement Class : Love Techniques, Kanno Kyoshitsu : Ai no Technique, 官能教室 愛のテクニック avec Mari Tanaka, Ryoji Nakamura, Nobutaka Masutomi, Moeko Ezawa... Musique: Christophe Marc (Born To Be Mine)
Directed by Kôsei Saitô Writing credits (in alphabetical order) Ryo Hanmura novel Toshio Kamata writer Cast (in credits order) Sonny Chiba ... Lt. Yoshiaki Iba rest of cast listed alphabetically: Jun Etô ... Nobuhiko Ken Moeko Ezawa ... Widow Yui Ryô Hayami ... Kazumichi Morishita Noriko Honma ... Old Woman Koji Iizuka ... Shokichi Masashi Ishibashi ... Hosokawa Fujitaka Toshitaka Itô ... Seaman Harumi Takashima Haruki Kadokawa ... Sanada Masayuki Takuzô Kadono ... Seaman Toshishige Suga Hiroshi Kamayatsu ... Mokichi Nemoto Goro Kataoka ... Tategawa Katsuzo Tadashi Kato ... Sgt. Hideo Shimizu Hiroshi Katsuno ... Track Coach Kenzô Kawarasaki ... Koji Kano Shin Kishida ... Naoe Bungo Asao Koike ... Koizumi Yukinaga Shinkoma Kokontei ... Kenji H...
Taking a look at the packaging while reviewing Takashi Miike's The Happiness of the Katakuris on Blu-ray, released by Arrow Video. This set also includes the DVD version of the film as well. A pioneer of a man convinces his family to take advantage of news of a road soon to be built through an area of the country that can be had for next to nothing. He, his aging, but wise father and family bravely move out to this new space and open a bed and breakfast. They make the place everything anyone could want, as they have so much time to work on it, since no one is making reservations to stay there. Eventually, the customers come...but each one dies while in their room and the family is trying to get rid of the evidence a.s.a.p so as not to ruin their reputation before they even get up and run...
színes, magyarul beszélő, amerikai thriller, 120 perc, 1993 rendező: Richard Kletter író: John Riley forgatókönyvíró: Richard Kletter, John Riley operatőr: Bing . színes, magyarul beszélő, amerikai thriller, 120 perc, 1993 rendező: Richard Kletter író: John Riley forgatókönyvíró: Richard Kletter, John Riley operatőr: Bing . Megjelenés éve: 1979 Rendező: Kôsei Saitô Szereplők: Shin'ichi Chiba, Jun Etô, Moeko Ezawa, Ryô Hayami, Noriko Honma Ország: Japan Hossz: 139 perc .
Wet Lust: 21 Strippers 1974 - Description: On tour with a troupe of nasty ecdysiasts, we’re treated to an onslaught of spastic masturbation, violent street theater, lesbo stage romps, uncontrollable sobbing & profuse vomiting, repentant finger dismembering, one bloody sword rampage, and a very long bedroom scene involving three couples, some spirited fucking, and a toddler who goes from playing in the floor to crawling on the bed and sitting himself right down in the middle of all the moans, groans, and hormones. The showstopper comes when a stripper goes backstage during her act, gets a quick screw from a stagehand, then rushes back out and spreads her legs over the front row patrons who get a whiff of and a gander at her tenderized cream pie! Directed by: Tatsumi Kumashiro Stars: Yûko K...
"Legendary Japanese director Shohei Imamura (The Eel) helms this chilling tale of horror and revenge based on actual events about a seemingly harmless young man who blossomed into a cold-blooded, remorseless murderer. On the run from the police over the course of a 78-day killing spree, Iwao Enokizu (Ken Ogata) reflects on his life via flashback and reveals how he came to have such disdain for human life."
9月26日公開。小西真奈美主演、緒方明監督作品『のんちゃんのり弁』。 なんも考えずに生きてきた31歳子持ち女子。人生かけた再出発― きっかけは、お弁当?!
[Intro:]
Who Got Tha Clout?
Don't act surprised cuz it's that bitch from the South.
Pumpin' out the N-O.
You don't want no clout.
Who Got Tha Clout?
Don't act surprised cuz it's that bitch from the South.
[1st Verse: Mia X]
Who's 'bout to come?
Who they cleared the way for?
Who all them niggas respect?
Who got them hoes scared to flex?
Well here's a track that gets wrecked.
Who's got the industry hexed?
Well now, it's mama, full of marijuana.
Headline nigga, whatcha' whatcha' want, huh?
You can see them niggas writin' rhymes,
but don't need none, want some.
Hoes run from these here,
who gon still be the boss bitch next year?
Who ain't gotta brag cuz the realness is there?
Who be havin' muthafuckas bucked everywhere?
When you think the biggest mama,
who be on yo' fuckin' mind?
When you hear 'bout it, 'bout it,
who you waitin' for to rhyme?
Whose time is now?
Who you can't doubt?
Who's got clout?
Say my name loud.
[Bridge One x4: Mia X]
[Records Scratching]
Mia...X... When Mystikal hits the door.
[Verse Two: Mystikal]
You better hold yo' breath,
cuz I'ma leave this bitch SMOKIN', like ganja.
Not only will I run 'ya, BITCH I'LL RUN BEHIND 'YA.
I, stay sharper than yo' barbershop barber,
it's my honor, to rock it wit' the biggest mama.
I ROLLS, like hoes jaws go off from, RAW,
it's me the meat claws off.
Oh, you supposed to be balla?
It take tall props to call shots, that's bigger than bald spots,
y'all workin' off small pox.
You know, like I know, leave yo' fuckin' jaws locked,
stop worryin' 'bout niggas thats out to leave, work what
y'all got.
Believe none of what you hear, and some of what you
saw, Mystikal, Mia X, who the fuck you think it's for?
Look we ain't yo' standard his and hers rap duo,
we cut the fuckin' fool, who try somethin' TRU.
Been bustin' ass since days of old school,
I refuse to leave this bitch without my props and the jewels.
[Bridge Two:]
When Mystikal Hits The Door,
How ya' daughter got popped
[x7]
When Mystikal Hits The Door, When Mystikal Hits The Door
[Verse Three: Both]
[Mia X]
Mama comes through this bitch, like Hurricane
Bessy, messy hoes know, chill wit that ass like
a mill.
[Mystikal] I know they knew this ain't no damn Jack and Jill,
we run this fuckin' hill, got this bitch locked down,
so tight, zipped up, shit sealed!
[Mia] Still, I gotta keep my pocketbook filled...
[Mys] And you WILL, just gotta keep my wallet on til'.
Build our nine together, watch what kinda car we build.
Nigga better find some silence fo' yo'self, stop walkin' on
STEEL.
[Mia] For real, you know we actin' plum donkey, black prince
of the South and mama Mia tag teamin' boku funky...
[Mys] Stankin' like Monkey Shit!
[Mia] On the side of Limberger...
[Mys] On top of fart rocks...
[Mia] Washed down with skunk piss.
[Mys] I don't think they heard us,
stop trippin' cuz you playin' wit' yo'self,
bitch we rappin' for the world, just say that shit to yourself.
[Mia] Intentions of wealth, who you see?
That nigga wit' the braids, and that squeaky voiced bitch,
lyrics hurtin' yo' head for days, nigga. Representin' the
South, fuck all that asshole and nasty, you gonna
gimme my clout.
[Outro:]
I represent...
Who got the clout?...