Villette can refer to:

Villette or La Villette is the name or part of the name of several places in Europe:

Marcus Miller (born William Henry Marcus Miller Jr., June 14, 1959, Brooklyn, New York) is an American jazz composer, producer, and multi-instrumentalist. Miller is best known as a bassist, working with trumpeter Miles Davis, pianist Herbie Hancock, singer Luther Vandross, and saxophonist David Sanborn, as well as maintaining a prolific solo career. Miller is classically trained as a clarinetist and also plays keyboards, saxophone and guitar.

Miller was born in 1959 and raised in a musical family that includes his father, William Miller (a church organist and choir director) and jazz pianist Wynton Kelly. By 13, Marcus was proficient on clarinet, piano and bass guitar, and already writing songs. Two years later he was working regularly in New York City, eventually playing bass and writing music for jazz flautist Bobbi Humphrey and keyboardist Lonnie Liston Smith. Miller soon became a first call session musician, gracing well over 500 albums, a short list of which includes Michael Jackson, Herbie Hancock, Mariah Carey, Wayne Shorter, McCoy Tyner, Frank Sinatra, Dr. John, Aretha Franklin, Elton John, Grover Washington Jr., Donald Fagen, Bill Withers, Chaka Khan, LL Cool J, Me'shell Ndegé Ocello and Flavio Sala.

Bernard Tschumi (born January 25, 1944 Lausanne, Switzerland) is an architect, writer, and educator, commonly associated with deconstructivism. Son of the well known architect Jean Tschumi, born of French and Swiss parentage, he works and lives in New York and Paris. He studied in Paris and at ETH in Zurich, where he received his degree in architecture in 1969. Tschumi has taught at Portsmouth Polytechnic in Portsmouth, UK, the Architectural Association in London, the Institute for Architecture and Urban Studies in New York, Princeton University, the Cooper Union in New York and Columbia University where he was Dean of the Graduate School of Architecture, Planning and Preservation from 1988 to 2003. Tschumi is a permanent U.S. resident.

Throughout his career as an architect, theorist, and academic, Bernard Tschumi's work has reevaluated architecture's role in the practice of personal and political freedom. Since the 1970s, Tschumi has argued that there is no fixed relationship between architectural form and the events that take place within it. The ethical and political imperatives that inform his work emphasize the establishment of a proactive architecture which non-hierarchically engages balances of power through programmatic and spatial devices. In Tschumi's theory, architecture's role is not to express an extant social structure, but to function as a tool for questioning that structure and revising it.

Miles Dewey Davis III (May 26, 1926 – September 28, 1991) was an American jazz musician, trumpeter, bandleader, and composer. Widely considered one of the most influential musicians of the 20th century, Miles Davis was, with his musical groups, at the forefront of several major developments in jazz music, including bebop, cool jazz, hard bop, modal jazz, and jazz fusion.

Miles Dewey Davis was born on May 26, 1926, to an affluent African American family in Alton, Illinois. His father, Dr. Miles Henry Davis, was a dentist. In 1927 the family moved to East St. Louis, Illinois. They also owned a substantial ranch in northern Arkansas, where Davis learned to ride horses as a boy.

Davis' mother, Cleota Mae (Henry) Davis, wanted her son to learn the piano; she was a capable blues pianist but kept this fact hidden from her son. His musical studies began at 13, when his father gave him a trumpet and arranged lessons with local musician Elwood Buchanan. Davis later suggested that his father's instrument choice was made largely to irk his wife, who disliked the trumpet's sound. Against the fashion of the time, Buchanan stressed the importance of playing without vibrato; he was reported to have slapped Davis' knuckles every time he started using heavy vibrato. Davis would carry his clear signature tone throughout his career. He once remarked on its importance to him, saying, "I prefer a round sound with no attitude in it, like a round voice with not too much tremolo and not too much bass. Just right in the middle. If I can’t get that sound I can’t play anything."Clark Terry was another important early influence.^{[citation needed]}

Eulaulah Donyll Hathaway (born December 16, 1968) best known as Lalah Hathaway referred to as the First Daughter of Soul, is a contemporary R&B and jazz singer. She is the daughter of soul singer Donny Hathaway and a classically trained vocalist. In 1990, Lalah Hathaway released a self-titled album. The album's first single was "Heaven Knows", produced by Derek Bramble. The follow-up single was "Baby Don't Cry" produced by Angela Winbush.

In 1991, Hathaway released her extended play, Night & Day in Japan. A Moment was released in 1994, debuting at #34 on the Top R&B albums chart. The lead single "Let Me Love You" charted on the Hot R&B charts at #37. In 1999, Lalah Hathaway collaborated with Joe Sample and released her third album The Song Lives On. After a five year hiatus, Hathaway returned with her fourth album Outrun the Sky. The single "Forever, For Always, For Love" peaked #1 on the Hot Adult R&B Airplay.

In 2007, Hathaway signed to Stax Records and in 2008 released her fifth album Self Portrait. It was released on June 3, 2008 in the United States, debuted at #63 on the Billboard's Hot 200 and reached the top ten on the Top R&B albums chart, making this album, Hathaway's most successful album to date. She received a Best Female R&B Vocal Performance Grammy Award nomination for "That Was Then".