-
The Poison Tree - Never Know Me
published: 16 Jan 2011
-
Giving tree
published: 13 Sep 2014
-
Moby - Falling Rain and Light (Glory Remix)
This year I released Everything Was Beautiful and Nothing Hurt and now I've done 25 remixes of songs on the album.
This is The Glory remix of Falling Rain and Light. This remix started with me playing a few really simple chords on the piano in my living room, and then slowly building the rest of the remix from there.
Everything Was Beautiful and Nothing Hurt is available to buy/stream/download here: http://moby.la/ewbanhYo
published: 14 Dec 2018
-
Moby Dick à la DANG!
my favorite band doing their dangdest
published: 20 Nov 2010
-
Andrey Moraru / Eros Biox - "The Giving Tree" - Hand balance
Created for a special event in Santa Barbara, CA and filmed in 2015, this act has a special meaning to me because of it's message. My friend Eros was looking to create a story-based piece, dedicated to celebrating Nature, and wanted to collaborate. This is what we came up with.
Music: Moby
published: 14 May 2018
-
Tony Allen, One Tree (Drum Solo), Brooklyn, NY 6-17-10 (HD)
A quick clip of Tony Allen giving some to the drummer (who just so happens to be himself) at the BAM Rhythm & Blues Festival at MetroTech in Brooklyn, NY 6-17-10.
The solo comes from the song "One Tree" (thanks, Bakashie!)
So funky.
published: 18 Jun 2010
-
Moby-Dick-Chapter0100_00
Moby-Dick, by Herman Melville.
CHAPTER 100. Leg and Arm.
The Pequod, of Nantucket, Meets the Samuel Enderby, of London.
"Ship, ahoy! Hast seen the White Whale?"
So cried Ahab, once more hailing a ship showing English colours, bearing
down under the stern. Trumpet to mouth, the old man was standing in his
hoisted quarter-boat, his ivory leg plainly revealed to the stranger
captain, who was carelessly reclining in his own boat's bow. He was
a darkly-tanned, burly, good-natured, fine-looking man, of sixty or
thereabouts, dressed in a spacious roundabout, that hung round him in
festoons of blue pilot-cloth; and one empty arm of this jacket streamed
behind him like the broidered arm of a hussar's surcoat.
"Hast seen the White Whale!"
"See you this?" and withdrawing it from the folds that...
published: 21 Jan 2013
-
William Blake "A Poison Tree" Poem animation
Heres a virtual movie of the great William Blake Engraver,Visionary and Poet reading his poem "A Poison Tree"
A Poison Tree is a poem written in 1794 by the poet William Blake as a part of his collection of poems, Songs of Experience. Although it is one of Blake's less known poems, it is full of meaning and is sometimes considered to be one of his finest poems.
A Poison Tree" In "A Poison Tree," by William Blake the tree is used as an extended metaphor, which helps explain a truth of human nature. This poem teaches how anger can be dispelled by goodwill or nurtured to become a deadly poison.The opening stanza sets up everything for the entire poem, from the ending of anger with the "friend," to the continuing anger with the "foe." In the opening stanza the speaker states, "My wrath did g...
published: 19 Apr 2012
-
It isn't the ring that matters
Love is greater than money.
published: 11 Jan 2019
-
Michael Bibi - Hanging Tree (Original Mix)
Buy the track:https://www.beatport.com/track/hanging-tree-original-mix/11211476
Relase date: 16-11-2018
Spotify:https://open.spotify.com/album/7fRYtXde1JlJ0jUJyluhqp?highlight=spotify:track:1Psoa6OhucUNNehMUth3iz
For copyright issues please contact me via email, and I will remove the video immediately!
published: 16 Nov 2018
10:34
Moby - Falling Rain and Light (Glory Remix)
This year I released Everything Was Beautiful and Nothing Hurt and now I've done 25 remixes of songs on the album.
This is The Glory remix of Falling Rain and...
This year I released Everything Was Beautiful and Nothing Hurt and now I've done 25 remixes of songs on the album.
This is The Glory remix of Falling Rain and Light. This remix started with me playing a few really simple chords on the piano in my living room, and then slowly building the rest of the remix from there.
Everything Was Beautiful and Nothing Hurt is available to buy/stream/download here: http://moby.la/ewbanhYo
https://wn.com/Moby_Falling_Rain_And_Light_(Glory_Remix)
This year I released Everything Was Beautiful and Nothing Hurt and now I've done 25 remixes of songs on the album.
This is The Glory remix of Falling Rain and Light. This remix started with me playing a few really simple chords on the piano in my living room, and then slowly building the rest of the remix from there.
Everything Was Beautiful and Nothing Hurt is available to buy/stream/download here: http://moby.la/ewbanhYo
- published: 14 Dec 2018
- views: 11846
2:21
Moby Dick à la DANG!
my favorite band doing their dangdest
my favorite band doing their dangdest
https://wn.com/Moby_Dick_À_La_Dang
my favorite band doing their dangdest
- published: 20 Nov 2010
- views: 26
5:04
Andrey Moraru / Eros Biox - "The Giving Tree" - Hand balance
Created for a special event in Santa Barbara, CA and filmed in 2015, this act has a special meaning to me because of it's message. My friend Eros was looking t...
Created for a special event in Santa Barbara, CA and filmed in 2015, this act has a special meaning to me because of it's message. My friend Eros was looking to create a story-based piece, dedicated to celebrating Nature, and wanted to collaborate. This is what we came up with.
Music: Moby
https://wn.com/Andrey_Moraru_Eros_Biox_The_Giving_Tree_Hand_Balance
Created for a special event in Santa Barbara, CA and filmed in 2015, this act has a special meaning to me because of it's message. My friend Eros was looking to create a story-based piece, dedicated to celebrating Nature, and wanted to collaborate. This is what we came up with.
Music: Moby
- published: 14 May 2018
- views: 550
1:39
Tony Allen, One Tree (Drum Solo), Brooklyn, NY 6-17-10 (HD)
A quick clip of Tony Allen giving some to the drummer (who just so happens to be himself) at the BAM Rhythm & Blues Festival at MetroTech in Brooklyn, NY 6-17-1...
A quick clip of Tony Allen giving some to the drummer (who just so happens to be himself) at the BAM Rhythm & Blues Festival at MetroTech in Brooklyn, NY 6-17-10.
The solo comes from the song "One Tree" (thanks, Bakashie!)
So funky.
https://wn.com/Tony_Allen,_One_Tree_(Drum_Solo),_Brooklyn,_NY_6_17_10_(Hd)
A quick clip of Tony Allen giving some to the drummer (who just so happens to be himself) at the BAM Rhythm & Blues Festival at MetroTech in Brooklyn, NY 6-17-10.
The solo comes from the song "One Tree" (thanks, Bakashie!)
So funky.
- published: 18 Jun 2010
- views: 15656
9:58
Moby-Dick-Chapter0100_00
Moby-Dick, by Herman Melville.
CHAPTER 100. Leg and Arm.
The Pequod, of Nantucket, Meets the Samuel Enderby, of London.
"Ship, ahoy! Hast seen the White Wha...
Moby-Dick, by Herman Melville.
CHAPTER 100. Leg and Arm.
The Pequod, of Nantucket, Meets the Samuel Enderby, of London.
"Ship, ahoy! Hast seen the White Whale?"
So cried Ahab, once more hailing a ship showing English colours, bearing
down under the stern. Trumpet to mouth, the old man was standing in his
hoisted quarter-boat, his ivory leg plainly revealed to the stranger
captain, who was carelessly reclining in his own boat's bow. He was
a darkly-tanned, burly, good-natured, fine-looking man, of sixty or
thereabouts, dressed in a spacious roundabout, that hung round him in
festoons of blue pilot-cloth; and one empty arm of this jacket streamed
behind him like the broidered arm of a hussar's surcoat.
"Hast seen the White Whale!"
"See you this?" and withdrawing it from the folds that had hidden it,
he held up a white arm of sperm whale bone, terminating in a wooden head
like a mallet.
"Man my boat!" cried Ahab, impetuously, and tossing about the oars near
him--"Stand by to lower!"
In less than a minute, without quitting his little craft, he and his
crew were dropped to the water, and were soon alongside of the stranger.
But here a curious difficulty presented itself. In the excitement of the
moment, Ahab had forgotten that since the loss of his leg he had never
once stepped on board of any vessel at sea but his own, and then it was
always by an ingenious and very handy mechanical contrivance peculiar to
the Pequod, and a thing not to be rigged and shipped in any other
vessel at a moment's warning. Now, it is no very easy matter
for anybody--except those who are almost hourly used to it, like
whalemen--to clamber up a ship's side from a boat on the open sea; for
the great swells now lift the boat high up towards the bulwarks, and
then instantaneously drop it half way down to the kelson. So, deprived
of one leg, and the strange ship of course being altogether unsupplied
with the kindly invention, Ahab now found himself abjectly reduced to a
clumsy landsman again; hopelessly eyeing the uncertain changeful height
he could hardly hope to attain.
It has before been hinted, perhaps, that every little untoward
circumstance that befell him, and which indirectly sprang from his
luckless mishap, almost invariably irritated or exasperated Ahab. And
in the present instance, all this was heightened by the sight of the
two officers of the strange ship, leaning over the side, by the
perpendicular ladder of nailed cleets there, and swinging towards him a
pair of tastefully-ornamented man-ropes; for at first they did not seem
to bethink them that a one-legged man must be too much of a cripple to
use their sea bannisters. But this awkwardness only lasted a minute,
because the strange captain, observing at a glance how affairs stood,
cried out, "I see, I see!--avast heaving there! Jump, boys, and swing
over the cutting-tackle."
As good luck would have it, they had had a whale alongside a day or two
previous, and the great tackles were still aloft, and the massive curved
blubber-hook, now clean and dry, was still attached to the end. This
was quickly lowered to Ahab, who at once comprehending it all, slid his
solitary thigh into the curve of the hook (it was like sitting in the
fluke of an anchor, or the crotch of an apple tree), and then giving the
word, held himself fast, and at the same time also helped to hoist his
own weight, by pulling hand-over-hand upon one of the running parts of
the tackle. Soon he was carefully swung inside the high bulwarks, and
gently landed upon the capstan head. With his ivory arm frankly thrust
forth in welcome, the other captain advanced, and Ahab, putting out his
ivory leg, and crossing the ivory arm (like two sword-fish blades)
cried out in his walrus way, "Aye, aye, hearty! let us shake bones
together!--an arm and a leg!--an arm that never can shrink, d'ye
see; and a leg that never can run. Where did'st thou see the White
Whale?--how long ago?"
"The White Whale," said the Englishman, pointing his ivory arm towards
the East, and taking a rueful sight along it, as if it had been a
telescope; "there I saw him, on the Line, last season."
"And he took that arm off, did he?" asked Ahab, now sliding down from
the capstan, and resting on the Englishman's shoulder, as he did so.
"Aye, he was the cause of it, at least; and that leg, too?"
"Spin me the yarn," said Ahab; "how was it?"
"It was the first time in my life that I ever cruised on the Line,"
began the Englishman. "I was ignorant of the White Whale at that time.
Well, one day we lowered for a pod of four or five whales, and my boat
fastened to one of them; a regular circus horse he was, too, that went
milling and milling round so, that my boat's crew could only trim dish,
by sitting all their sterns on the outer gunwale. Presently up breaches
from the bottom of the sea a bouncing great whale, with a milky-white
head and hump, all crows' feet and wrinkles."
"It was he, it was he!" cried Ahab, suddenly letting out his suspended
br
https://wn.com/Moby_Dick_Chapter0100_00
Moby-Dick, by Herman Melville.
CHAPTER 100. Leg and Arm.
The Pequod, of Nantucket, Meets the Samuel Enderby, of London.
"Ship, ahoy! Hast seen the White Whale?"
So cried Ahab, once more hailing a ship showing English colours, bearing
down under the stern. Trumpet to mouth, the old man was standing in his
hoisted quarter-boat, his ivory leg plainly revealed to the stranger
captain, who was carelessly reclining in his own boat's bow. He was
a darkly-tanned, burly, good-natured, fine-looking man, of sixty or
thereabouts, dressed in a spacious roundabout, that hung round him in
festoons of blue pilot-cloth; and one empty arm of this jacket streamed
behind him like the broidered arm of a hussar's surcoat.
"Hast seen the White Whale!"
"See you this?" and withdrawing it from the folds that had hidden it,
he held up a white arm of sperm whale bone, terminating in a wooden head
like a mallet.
"Man my boat!" cried Ahab, impetuously, and tossing about the oars near
him--"Stand by to lower!"
In less than a minute, without quitting his little craft, he and his
crew were dropped to the water, and were soon alongside of the stranger.
But here a curious difficulty presented itself. In the excitement of the
moment, Ahab had forgotten that since the loss of his leg he had never
once stepped on board of any vessel at sea but his own, and then it was
always by an ingenious and very handy mechanical contrivance peculiar to
the Pequod, and a thing not to be rigged and shipped in any other
vessel at a moment's warning. Now, it is no very easy matter
for anybody--except those who are almost hourly used to it, like
whalemen--to clamber up a ship's side from a boat on the open sea; for
the great swells now lift the boat high up towards the bulwarks, and
then instantaneously drop it half way down to the kelson. So, deprived
of one leg, and the strange ship of course being altogether unsupplied
with the kindly invention, Ahab now found himself abjectly reduced to a
clumsy landsman again; hopelessly eyeing the uncertain changeful height
he could hardly hope to attain.
It has before been hinted, perhaps, that every little untoward
circumstance that befell him, and which indirectly sprang from his
luckless mishap, almost invariably irritated or exasperated Ahab. And
in the present instance, all this was heightened by the sight of the
two officers of the strange ship, leaning over the side, by the
perpendicular ladder of nailed cleets there, and swinging towards him a
pair of tastefully-ornamented man-ropes; for at first they did not seem
to bethink them that a one-legged man must be too much of a cripple to
use their sea bannisters. But this awkwardness only lasted a minute,
because the strange captain, observing at a glance how affairs stood,
cried out, "I see, I see!--avast heaving there! Jump, boys, and swing
over the cutting-tackle."
As good luck would have it, they had had a whale alongside a day or two
previous, and the great tackles were still aloft, and the massive curved
blubber-hook, now clean and dry, was still attached to the end. This
was quickly lowered to Ahab, who at once comprehending it all, slid his
solitary thigh into the curve of the hook (it was like sitting in the
fluke of an anchor, or the crotch of an apple tree), and then giving the
word, held himself fast, and at the same time also helped to hoist his
own weight, by pulling hand-over-hand upon one of the running parts of
the tackle. Soon he was carefully swung inside the high bulwarks, and
gently landed upon the capstan head. With his ivory arm frankly thrust
forth in welcome, the other captain advanced, and Ahab, putting out his
ivory leg, and crossing the ivory arm (like two sword-fish blades)
cried out in his walrus way, "Aye, aye, hearty! let us shake bones
together!--an arm and a leg!--an arm that never can shrink, d'ye
see; and a leg that never can run. Where did'st thou see the White
Whale?--how long ago?"
"The White Whale," said the Englishman, pointing his ivory arm towards
the East, and taking a rueful sight along it, as if it had been a
telescope; "there I saw him, on the Line, last season."
"And he took that arm off, did he?" asked Ahab, now sliding down from
the capstan, and resting on the Englishman's shoulder, as he did so.
"Aye, he was the cause of it, at least; and that leg, too?"
"Spin me the yarn," said Ahab; "how was it?"
"It was the first time in my life that I ever cruised on the Line,"
began the Englishman. "I was ignorant of the White Whale at that time.
Well, one day we lowered for a pod of four or five whales, and my boat
fastened to one of them; a regular circus horse he was, too, that went
milling and milling round so, that my boat's crew could only trim dish,
by sitting all their sterns on the outer gunwale. Presently up breaches
from the bottom of the sea a bouncing great whale, with a milky-white
head and hump, all crows' feet and wrinkles."
"It was he, it was he!" cried Ahab, suddenly letting out his suspended
br
- published: 21 Jan 2013
- views: 60
0:56
William Blake "A Poison Tree" Poem animation
Heres a virtual movie of the great William Blake Engraver,Visionary and Poet reading his poem "A Poison Tree"
A Poison Tree is a poem written in 1794 by the po...
Heres a virtual movie of the great William Blake Engraver,Visionary and Poet reading his poem "A Poison Tree"
A Poison Tree is a poem written in 1794 by the poet William Blake as a part of his collection of poems, Songs of Experience. Although it is one of Blake's less known poems, it is full of meaning and is sometimes considered to be one of his finest poems.
A Poison Tree" In "A Poison Tree," by William Blake the tree is used as an extended metaphor, which helps explain a truth of human nature. This poem teaches how anger can be dispelled by goodwill or nurtured to become a deadly poison.The opening stanza sets up everything for the entire poem, from the ending of anger with the "friend," to the continuing anger with the "foe." In the opening stanza the speaker states, "My wrath did grow." The speaker later describes the living nature of the wrath as one which, "grew both day and night," and, "bore an apple bright." This comparison by metaphor of wrath to a tree illustrates the speaker's idea that, like the slow and steady growth of a tree, anger and wrath gradually accumulate and form something just as mighty and deadly as a poisoned tree.
To understand the metaphorical sense of the poem, one must first examine the title, "A Poison Tree," which alerts the reader that some type of metaphor will dominate the poem. In the second stanza, Blake develops the metaphor, by describing the growing and nurturing of a tree; a tree that represents the feeding of hate and vanity explored by the speaker. The speaker goes further to say, "And I sunned it with smiles" describing not only false intentions, but the processing of "sunning", giving nutrients to a plant so that it may not only grow and live, but flourish.
The religious context of the poem is also evident in two metaphorical allusions made by the speaker towards the end of the poem. The deadly fruit borne of the tree is an apple, while the scene of death and treachery occurs in the speaker's garden. The apple is a product of hate, the ironic "fruits of one's labor," and a biblical metaphor for sin. The garden, which could be viewed as a place of life and prosperity, is simply the stage for the sinful act, as it was in the Bible. Like the story of Adam and Eve in the Book of Genesis, man gives in to the weakness of sin and falls.
Blake's poetry, while easy to understand and simplistic, usually implies a moral motif on an almost basic level. The powerful figurative language in "A Poison Tree" is so apparent that it brings forth an apparent message as well. The poem is not a celebration of wrath; rather it is Blake's cry against it. Through this, Blake warns the reader of the dangers of repression and of rejoicing in the sorrow of our foes.
William Blake wrote this poem to convey a simple message. "A Poison Tree" may be one of Blake's simpler poems, but is just as effective of getting its message across.
In this simple but powerful poem, William Blake describes how a feeling of anger soon disappears if there is good will and friendship.
Kind Regards
Jim Clark
All rights are reserved on this video recording copyright Jim Clark 2012
A Poison Tree........
I was angry with my friend;
I told my wrath, my wrath did end.
I was angry with my foe:
I told it not, my wrath did grow.
And I waterd it in fears,
Night & morning with my tears:
And I sunned it with smiles,
And with soft deceitful wiles.
And it grew both day and night.
Till it bore an apple bright.
And my foe beheld it shine,
And he knew that it was mine.
And into my garden stole,
When the night had veild the pole;
In the morning glad I see;
My foe outstretchd beneath the tree.
https://wn.com/William_Blake_A_Poison_Tree_Poem_Animation
Heres a virtual movie of the great William Blake Engraver,Visionary and Poet reading his poem "A Poison Tree"
A Poison Tree is a poem written in 1794 by the poet William Blake as a part of his collection of poems, Songs of Experience. Although it is one of Blake's less known poems, it is full of meaning and is sometimes considered to be one of his finest poems.
A Poison Tree" In "A Poison Tree," by William Blake the tree is used as an extended metaphor, which helps explain a truth of human nature. This poem teaches how anger can be dispelled by goodwill or nurtured to become a deadly poison.The opening stanza sets up everything for the entire poem, from the ending of anger with the "friend," to the continuing anger with the "foe." In the opening stanza the speaker states, "My wrath did grow." The speaker later describes the living nature of the wrath as one which, "grew both day and night," and, "bore an apple bright." This comparison by metaphor of wrath to a tree illustrates the speaker's idea that, like the slow and steady growth of a tree, anger and wrath gradually accumulate and form something just as mighty and deadly as a poisoned tree.
To understand the metaphorical sense of the poem, one must first examine the title, "A Poison Tree," which alerts the reader that some type of metaphor will dominate the poem. In the second stanza, Blake develops the metaphor, by describing the growing and nurturing of a tree; a tree that represents the feeding of hate and vanity explored by the speaker. The speaker goes further to say, "And I sunned it with smiles" describing not only false intentions, but the processing of "sunning", giving nutrients to a plant so that it may not only grow and live, but flourish.
The religious context of the poem is also evident in two metaphorical allusions made by the speaker towards the end of the poem. The deadly fruit borne of the tree is an apple, while the scene of death and treachery occurs in the speaker's garden. The apple is a product of hate, the ironic "fruits of one's labor," and a biblical metaphor for sin. The garden, which could be viewed as a place of life and prosperity, is simply the stage for the sinful act, as it was in the Bible. Like the story of Adam and Eve in the Book of Genesis, man gives in to the weakness of sin and falls.
Blake's poetry, while easy to understand and simplistic, usually implies a moral motif on an almost basic level. The powerful figurative language in "A Poison Tree" is so apparent that it brings forth an apparent message as well. The poem is not a celebration of wrath; rather it is Blake's cry against it. Through this, Blake warns the reader of the dangers of repression and of rejoicing in the sorrow of our foes.
William Blake wrote this poem to convey a simple message. "A Poison Tree" may be one of Blake's simpler poems, but is just as effective of getting its message across.
In this simple but powerful poem, William Blake describes how a feeling of anger soon disappears if there is good will and friendship.
Kind Regards
Jim Clark
All rights are reserved on this video recording copyright Jim Clark 2012
A Poison Tree........
I was angry with my friend;
I told my wrath, my wrath did end.
I was angry with my foe:
I told it not, my wrath did grow.
And I waterd it in fears,
Night & morning with my tears:
And I sunned it with smiles,
And with soft deceitful wiles.
And it grew both day and night.
Till it bore an apple bright.
And my foe beheld it shine,
And he knew that it was mine.
And into my garden stole,
When the night had veild the pole;
In the morning glad I see;
My foe outstretchd beneath the tree.
- published: 19 Apr 2012
- views: 46863
6:15
Michael Bibi - Hanging Tree (Original Mix)
Buy the track:https://www.beatport.com/track/hanging-tree-original-mix/11211476
Relase date: 16-11-2018
Spotify:https://open.spotify.com/album/7fRYtXde1JlJ0jUJy...
Buy the track:https://www.beatport.com/track/hanging-tree-original-mix/11211476
Relase date: 16-11-2018
Spotify:https://open.spotify.com/album/7fRYtXde1JlJ0jUJyluhqp?highlight=spotify:track:1Psoa6OhucUNNehMUth3iz
For copyright issues please contact me via email, and I will remove the video immediately!
https://wn.com/Michael_Bibi_Hanging_Tree_(Original_Mix)
Buy the track:https://www.beatport.com/track/hanging-tree-original-mix/11211476
Relase date: 16-11-2018
Spotify:https://open.spotify.com/album/7fRYtXde1JlJ0jUJyluhqp?highlight=spotify:track:1Psoa6OhucUNNehMUth3iz
For copyright issues please contact me via email, and I will remove the video immediately!
- published: 16 Nov 2018
- views: 14544311