Mecca And The Soul Brother is the critically acclaimed 1992 debut album from the Mount Vernon duo, Pete Rock & CL Smooth. The album contains their best known song, "They Reminisce Over You (T.R.O.Y.)." Mecca And The Soul Brother has been widely acclaimed as one of the greatest hip hop albums of all time. The album was mostly produced by Pete Rock and Executive Produced by DJ Eddie F of Heavy D & The Boyz (co-group member with Trouble T-Roy).
Mecca And The Soul Brother followed on the heels of the duo's EP; All Souled Out, released in 1991. Despite being a critical success, it had little commercial success in comparison to other noteworthy releases of 1992, such as Dr. Dre's The Chronic. The first single, "They Reminisce Over You (T.R.O.Y.)", a dedication to their deceased friend; Trouble T Roy (a dance member of Heavy D. & The Boyz), has gone on to become not only their signature hit, but also one of hip hop's most highly regarded songs.
Other topics on the album range from life in the ghetto ("Ghettos of the Mind"), the teachings of the Nation of Islam ("Anger in the Nation"), bootlegging ("Straighten It Out"), and love ("Lots of Lovin'").
The Basement is a television play (later a stage play) by Harold Pinter. It was written first as a screenplay for a film, then revised for television and broadcast on 20 February 1967.
The Basement is based on "The Compartment" (1965), an unpublished 27-page screenplay (circulated only in typescript) that Pinter wrote in 1963–65 "for a film never made, planned as part of a triple-bill, Project I promoted by Grove Press, New York, with Samuel Beckett's Film [1965] and Eugène Ionesco's The Hard-Boiled Egg" (Baker and Ross 112). Of the three works planned for this trilogy of films, "only Film would be produced, being released in 1965" (112).
According to Pinter's official authorised biographer Michael Billington, also cited by Baker and Ross (112), "Pinter's contribution The Compartment lay dormant until he rewrote it for television as The Basement" (Billington 191).
The "exterior" and "interior" of "a basement flat" in various seasons and at various times of day and night (Two Plays and a Film Script 91–112).
From the Basement is a podcast turned television programme created by music producer and engineer Nigel Godrich and producer Dilly Gent that features live performances from various musicians, without a host or audience.
In September 2006, it was announced that Godrich, along with producer Dilly Gent, producer James Chads and John Woollcombe, were shooting the music series From the Basement, filmed from London’s Maida Vale Studios.
The series was to focus on intimate, live performances by musicians without a host or an audience. Godrich told Pitchfork Media in an interview, "We’ve got a lot of people that I’d like to see on the show [that] we’re talking to. [But] I don’t want to mention their names. Obviously, I’m really interested to capture some really iconic, bigger names– really the whole point is to get people who are having their moment, to try and get a definitive record of what they’re doing."
Godrich first conceived From the Basement as a means of authentically documenting music being made. Drawing further inspiration from British television music series The Old Grey Whistle Test, Godrich came upon the idea of a television program. Despite early reports, "From the Basement" would not appear on British television, because of not taking on corporate sponsors.
Richard Melville Hall (born September 11, 1965), better known by his stage name Moby, is an American singer-songwriter, musician, DJ and photographer. He is well known for his electronic music, vegan lifestyle, and support of animal rights. Moby has sold over 20 million albums worldwide.AllMusic considers him "one of the most important dance music figures of the early 1990s, helping bring the music to a mainstream audience both in the UK and in America".
Moby gained attention in the early 1990s with his electronic dance music work, which experimented in the techno and breakbeat hardcore genres. With his fifth studio album, the electronica and house music-influenced Play, he gained international success. Originally released in mid-1999, the album sold 6,000 copies in its first week, and it re-entered the charts in early 2000 and became an unexpected hit, producing eight singles and selling over 10 million copies worldwide. Moby followed the album in 2002 with 18, which was also successful, selling over 5 million copies worldwide and receiving mostly positive reviews, though some criticized it for being too similar to Play.
The Moby programming language is an experiment in computer programming, design and implementation.The Moby project started out as a testbed for the design of ML2000.
Moby is primarily a collaboration between Kathleen Fisher and John Reppy. Much of the work on Moby was done while John Reppy was an MTS at Bell Labs in the Computing Sciences Research Center.
Moby or MOBY may refer to:
As a nickname or stage name:
MOBY:
Other uses:
The Basement
We don't talk about it
We never wanted you to go
It's so sad to think that we can't hang in your basement anymore
The hurt it stays inside us
Cause our feelings we don't show
But we'll miss the days when we were flying underneath the floor
Ya know, we're gonna miss you now that you're gone
As we're livin', we just don't think about our friends movin' on
But we're gonna miss you now that you're gone
And if you need fun, you know we'll be here when you come back home
So come back home, yeah
Well I know that movin' on is part of stayin'
At where you need to be
But we just don't wanna let go
Of all those drunken memories
And now when we get together
Things just won't be the same
No we won't make it through one geeked-up night
Without mentioning your name
Ah, cause we're gonna miss you now that you're gone
As we're livin', we just don't think about our friends movin' on
But we're gonna miss you now that you're gone
And if you need fun, you know we'll drink more than one when you come back home
So come back home, yeah
Come back home
And why do things change
Why can't they stay the same?
Do we have to face the pain
of not feeling that good again?
Ah, cause we're gonna miss you now that you're gone
As we're livin', we don't have time to think of our friends movin' on
But we're gonna miss you now that you're gone
And if you need fun, you know we'll be here when you come back home
So come back home, yeah
Come back home
We don't talk about it
We never wanted you to go