The drop is a unit of measure of volume, the amount dispensed as one drop from a dropper or drip chamber. It is often used in giving quantities of liquid drugs to patients, and occasionally in cooking.
The volume of a drop is not well-defined: it depends on the device and technique used to produce the drop, on the strength of the gravitational field, and on the density and the surface tension of the liquid.
There are several exact definitions of a "drop":
A drop in popular music, especially electronic music styles, is a point in a music track where a switch of rhythm or bass line occurs and usually follows a recognizable build section and break.
The term "drop" comes from the composer or producer "dropping in" the primary rhythmic and foundational elements previously hinted at into the mix more or less at once. Related terms, typically describing certain types of drops, include "beat-up" (so named because it is a point where the producer brings up the foundational kick drum beat after having faded it down during a break or buildup) and "climax" (typically describing a single particularly striking drop heard late in the track).
Many genres of EDM can have more than one drop during a track, especially if the song is built on a "dance-pop" verse/chorus with vocals; a drop of some kind is typically heard somewhere during each chorus as the high point of that verse/chorus cycle. Most genres, however, tend to emphasize a single drop as the beginning of the high point, or climax, of the entire track; in vocal subgenres this is typically the last repetition of the chorus, while in nonvocal genres it typically occurs in the last quarter of the track.
An overhand (or overcut or drop) is a semi-circular and vertical punch thrown with the rear hand. It is usually employed when the opponent is bobbing or slipping. The strategic utility of the drop relying on body weight can deliver a great deal of power.
Left overhand in long range
Left overhand in long range
Right overhand in long range
Right overhand in long range
Left overhand in long range and counterpunch
Left overhand in long range and counterpunch
"Dogs" (originally composed as "You've Got to Be Crazy") is a song by English progressive rock band Pink Floyd, released on the album Animals in 1977. This song was one of several to be considered for the band's "best of" album Echoes: The Best of Pink Floyd.
The music was written in 1974 by David Gilmour and Roger Waters, with lyrics by Waters, and originally titled "You've Got to Be Crazy". Waters modified the lyrics in some parts, transposed the key to suit both Gilmour's and his vocals, and retitled it "Dogs". The version on Animals is 17 minutes long.
The main theme features what were, for Pink Floyd, rather unusual chords. In the final version's key of D minor, the chords are D minor ninth, E♭maj7sus2/B♭, A sus2sus4, and A♭sus2(♯11). All these chords contain the tonic of the song, D—even as a tritone, as is the case in the fourth chord.
The song fades in with an acoustic guitar in D tuning strumming the chords with a lively, syncopated rhythm, with a droning Farfisa organ playing chord tones (A, B♭, A, and A♭, respectively). After the first sixteen-bar progression, Gilmour begins the vocal. For the third repetition, bass guitar, Hammond organ, drums and lead guitar (playing a subtle drone of D) enter. After this repetition comes the first of several guitar solos, played by Gilmour on a Fender Telecaster rather than his usual Fender Stratocaster. Next is another verse of lyrics, followed by a keyboard solo. Finally, after six repetitions of the main theme, the tempo is cut in half, dramatically slower, a new chord progression is introduced, resolving gradually to the relative major, F, with two lead guitars loudly playing a slow harmonized melody, and a quieter third guitar adding decorative string bends, with heavy use of reverb and echo.
Blood (Hangul: 블러드; RR: Beulleodeu) is a 2015 South Korean television series starring Ahn Jae-hyun, Ji Jin-hee, Ku Hye-sun and Son Soo-hyun. It aired on KBS2 from February 16 to April 21, 2015 on Mondays and Tuesdays at 22:00 for 20 episodes.
Park Ji-sang is a doctor specializing in hepato-pancreato-biliary surgery at Taemin Cancer Hospital, the best hospital in the country. He is also a vampire. Despite seeming cold and unfeeling, Ji-sang masks his soft heart and inner pain and yearns for closeness with people. He believes very strongly in the sanctity of human life, and suppresses his thirst for blood to treat terminally ill patients and save lives.
Among his colleagues is Yoo Ri-ta, a hotshot physician who entered medical school at the age of 17 and is also the niece of the chaebol group chairman who owns the hospital. Ri-ta is highly capable but snooty and prideful, yet Ji-sang finds himself falling for her. He also gets drawn into a conflict between good and evil as he encounters Lee Jae-wook, a two-faced hospital chief who gains everyone's trust with his gentle demeanor, but inwardly harbors a dangerous ambition for power and a talent for cruelty.
Tony Shillitoe is an Australian fantasy writer.
His first novel Guardians was published in 1992 by Pan Macmillan. It was the first part of the Andrakis trilogy, soon followed by Kingmaker and Dragonlords in 1993. The trilogy was partially rewritten for the 2006 edition.
In 1995 Shillitoe published a teenage fantasy, The Last Wizard, which was shortlisted in the inaugural Aurealis Awards for Best Fantasy Novel. Several short stories and a play monologue were published in various anthologies between 1996–1998.
In 1999, Shillitoe published his first young adult novel, Joy Ride with Wakefield Press. Set in Adelaide in the mid-1990s, and inspired by a real news story in which two boys stole a bus and drove it up the South Eastern Freeway. The novel was popularly received by teenagers and young adults, but despised by most older readers, and did not receive positive publicity. It has been used in schools, and also in correctional institutions as a text for rehabilitating young males.
Blood (2011) is a novel by Australian author Tony Birch. It was shortlisted for the 2012 Miles Franklin Literary Award.
The novel follows a family in crisis, breaking down under the weight of family violence, drugs, lost opportunities and general neglect.
'Then the boy, me and the boy
we walked for miles through stormy weather
hand in hand, we roamed the land
and held the gleaming heart together.'
Kate Rusby, 'The Bitter Boy'
Conrad Walters in the The Sydney Morning Herald found the novel to build to a compelling last third but was let down a little by a hurried ending. Ed Wright in The Australian considered it an "absorbing and endearing tale of children in adversity".