Short Poetry Collection 004 - FULL Audio Book - (this poem collection contains many poems)
Short Poetry Collection 004 - FULL
Audio Book - (this poem collection contains many poems)
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Poetry (from the
Greek poiesis — ποίησις — with a broad meaning of a "making", seen also in such terms as "hemopoiesis"; more narrowly, the making of poetry) is a form of literary art which uses aesthetic and rhythmic[
1][2][3] qualities of language—such as phonaesthetics, sound symbolism, and metre—to evoke meanings in addition to, or in place of, the prosaic ostensible meaning.
Poetry has a long history, dating back to the Sumerian
Epic of Gilgamesh.
Early poems evolved from folk songs such as the
Chinese Shijing, or from a need to retell oral epics, as with the Sanskrit Vedas, Zoroastrian Gathas, and the
Homeric epics, the Iliad and the
Odyssey.
Ancient attempts to define poetry, such as
Aristotle's Poetics, focused on the uses of speech in rhetoric, drama, song and comedy.
Later attempts concentrated on features such as repetition, verse form and rhyme, and emphasized the aesthetics which distinguish poetry from more objectively-informative, prosaic forms of writing. From the mid-20th century, poetry has sometimes been more generally regarded as a fundamental creative act employing language.
Poetry uses forms and conventions to suggest differential interpretation to words, or to evoke emotive responses. Devices such as assonance, alliteration, onomatopoeia and rhythm are sometimes used to achieve musical or incantatory effects. The use of ambiguity, symbolism, irony and other stylistic elements of poetic diction often leaves a poem open to multiple interpretations. Similarly, metaphor, simile and metonymy[4] create a resonance between otherwise disparate images—a layering of meanings, forming connections previously not perceived.
Kindred forms of resonance may exist, between individual verses, in their patterns of rhyme or rhythm.
Some poetry types are specific to particular cultures and genres and respond to characteristics of the language in which the poet writes. Readers accustomed to identifying poetry with
Dante,
Goethe,
Mickiewicz and
Rumi may think of it as written in lines based on rhyme and regular meter; there are, however, traditions, such as
Biblical poetry, that use other means to create rhythm and euphony. Much modern poetry reflects a critique of poetic tradition,[5] playing with and testing, among other things, the principle of euphony itself, sometimes altogether forgoing rhyme or set rhythm.[
6][7] In today's increasingly globalized world, poets often adapt forms, styles and techniques from diverse cultures and languages.
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Poetry as an art form may predate literacy.[8]
Epic poetry, from the
Indian Vedas (1700--1200 BC) and
Zoroaster's Gathas to the Odyssey (800--675 BC), appears to have been composed in poetic form to aid memorization and oral transmission, in prehistoric and ancient societies.[9] Other forms of poetry developed directly from folk songs. The earliest entries in the ancient compilation Shijing, were initially lyrics, preceding later entries intended to be read.[10]
The oldest surviving epic poem is the Epic of Gilgamesh, from the
3rd millennium BC in
Sumer (in
Mesopotamia, now
Iraq), which was written in cuneiform script on clay tablets and, later, papyrus.[11] Other ancient epic poetry includes the Greek epics Iliad and Odyssey, the
Old Iranian books the Gathic
Avesta and Yasna, the
Roman national epic,
Virgil's Aeneid, and the
Indian epics Ramayana and
Mahabharata.
The efforts of ancient thinkers to determine what makes poetry distinctive as a form, and what distinguishes good poetry from bad, resulted in "poetics"—the study of the aesthetics of poetry.[12] Some ancient poetic traditions; such as, contextually,
Classical Chinese poetry in the case of the Shijing (
Classic of Poetry), which records the development of poetic canons with ritual and aesthetic importance.[13] More recently, thinkers have struggled to find a definition that could encompass formal differences as great as those between
Chaucer's
Canterbury Tales and
Matsuo Bashō's
Oku no Hosomichi, as well as differences in context spanning Tanakh religious poetry, love poetry, and rap
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