Paweł Strzelecki

Sir Paweł Edmund Strzelecki (also known as Paul Edmund de Strzelecki) KCB CMG FRGS F.R.S. (Polish pronunciation: [ˈpavɛw ˈɛdmunt stʂɛˈlɛt͡skʲi]; 24 June 1797 – 6 October 1873) was a Polish explorer and geologist who in 1845 also became a British subject.

Early years

Strzelecki was born in Głuszyna (then part of South Prussia, today part of Nowe Miasto, Poznań), Greater Poland, in 1797, the third child of Franciszek Strzelecki, a Polish nobleman (Szlachta) leasing land, and his wife, Anna Raczyńska. In Australia, Strzelecki was called a Count, though there is no proof that he actually approved or used such a title himself.

Henry

Henry may refer to:

People

Henry (given name)

Henry (surname)

Royalty

See also List of rulers named Henry.

Portuguese royalty

King-Cardinal Henry, King of Portugal
Henry, Count of Portugal, aka Henry of Burgundy, Count of Portugal (father of Portugal's first king)
Prince Henry the Navigator, Infante of Portugal
Infante Henrique, Duke of Coimbra (born 1949), the sixth in line to Portuguese throne

King-Cardinal Henry, King of Portugal

Henry, Count of Portugal, aka Henry of Burgundy, Count of Portugal (father of Portugal's first king)

Prince Henry the Navigator, Infante of Portugal

Infante Henrique, Duke of Coimbra (born 1949), the sixth in line to Portuguese throne

King of Germany

Henry the Fowler (876–936), first king of Germany

Henry the Fowler (876–936), first king of Germany

King of Scots (in name, at least)

Henry Stuart, Lord Darnley (1545/6–1567), consort of Mary, queen of Scots
Henry Benedict Stuart, the 'Cardinal Duke of York', brother of Bonnie Prince Charlie, who was hailed by Jacobites as Henry IX

Elvis Presley

Elvis Aaron Presley (January 8, 1935 – August 16, 1977) was an American singer and actor. Regarded as one of the most significant cultural icons of the 20th century, he is often referred to as "the King of Rock and Roll", or simply, "the King".

Presley was born in Tupelo, Mississippi, as a twinless twin, and when he was 13 years old, he and his family relocated to Memphis, Tennessee. His music career began there in 1954, when he recorded a song with producer Sam Phillips at Sun Records. Accompanied by guitarist Scotty Moore and bassist Bill Black, Presley was an early popularizer of rockabilly, an uptempo, backbeat-driven fusion of country music and rhythm and blues. RCA Victor acquired his contract in a deal arranged by Colonel Tom Parker, who managed the singer for more than two decades. Presley's first RCA single, "Heartbreak Hotel", was released in January 1956 and became a number-one hit in the United States. He was regarded as the leading figure of rock and roll after a series of successful network television appearances and chart-topping records. His energized interpretations of songs and sexually provocative performance style, combined with a singularly potent mix of influences across color lines that coincided with the dawn of the Civil Rights Movement, made him enormously popular—and controversial.

Scotty Moore

Winfield Scott "Scotty" Moore III (born December 27, 1931) is an American guitarist and recording engineer. He is best known for his backing of Elvis Presley in the first part of his career, between 1954 and the beginning of Elvis's Hollywood years. He was ranked 29th in Rolling Stone magazine's list of 100 Greatest Guitarists of All Time in 2011. He was inducted into the Rock and Roll Hall of Fame in 2000 and the Memphis Music Hall of Fame in 2015.

Biography

Scotty Moore was born near Gadsden, Tennessee. He learned to play the guitar from family and friends at eight years of age. Although underage when he enlisted, Moore served in the United States Navy between 1948 and 1952.

Moore's early background was in jazz and country music. A fan of guitarist Chet Atkins, Moore led a group called the "Starlite Wranglers" before Sam Phillips at Sun Records put him together with then teenage Elvis Presley. Phillips believed that Moore's lead guitar and Bill Black's double bass were all that was needed to augment Presley's rhythm guitar and lead vocals on their recordings. In 1954 Moore and Black accompanied Elvis on what would become the first legendary Presley hit, the Sun Studios session cut of "That's All Right (Mama)", a recording regarded as a seminal event in rock and roll history. Elvis, Black and Moore then formed the Blue Moon Boys.

Bob Moore

Bob Loyce Moore (born November 30, 1932) is an American session musician, orchestra leader, and bassist who was a member of the Nashville A-Team during the 1950s and 60s.

Biography

Bob Moore was born in Nashville, Tennessee, and developed his musical skills as a boy. By age 15 he was playing double bass on a tent show tour with a Grand Ole Opry musical group, and at 18, he accepted a position touring with Little Jimmy Dickens. At age 23, his abilities brought an offer to play on the famed Red Foley ABC-TV show, Ozark Jubilee. Playing with the show's band in Springfield, Missouri on Saturdays and traveling to Nashville during the week proved to be exhausting, however, and after two years, he returned to Nashville.

Moore was 12 years old when he met Owen Bradley, who was playing trombone in Nashville radio station WSM-AM's staff band. In 1950, Bradley hired Moore to perform on a direct-to-disk transcription which was recorded via cable from the stage of the Ryman Theatre. Soon thereafter, Bradley became the head of Nashville's division of Decca Records, and brought Moore in as a session musician. Moore went on to perform on over 17,000 documented (Federation of Musicians Local 257) recording sessions and was a key member of the Nashville A-Team, a core group of first call studio musicians, that began to coalesce in the early 1950s.

2:51

Long Tall Texan - The Flemming Fold - (Henry Strzelecki)

Long Tall Texan - The Flemming Fold - (Henry Strzelecki)

Long Tall Texan - The Flemming Fold - (Henry Strzelecki)
The Flemming Fold is a family music group consisting of husband and wife, Troy and Sandra, and their two daughters. The bassist is 7 yrs old and the mandolinist is 9 yrs old! www.flemmingfold.com This was filmed in the basement on January 2nd, 2011. Long Tall Texan was original written by Henry Strzelecki in 1959.
4:44

DOKUMAN_Epitafium_Henryk Henri Strzelecki

DOKUMAN_Epitafium_Henryk Henri Strzelecki

DOKUMAN_Epitafium_Henryk Henri Strzelecki
W wieku 87 lat zmarł Henryk Henri Strzelecki. Żołnierz 2. Korpusu Polskiego we Włoszech, dowódca działa w 13 Pułku Artylerii Ciężkiej. Brał udział w Bitwie o Bolonię. W 1963 założył firmę odzieżową Henri Lloyd. Był znanym działaczem polonijnym. Cześć Jego pamięci!
3:01

Day 109!! "Long Tall Texan," by Henry Strzelecki.

Day 109!! "Long Tall Texan," by Henry Strzelecki.

Day 109!! "Long Tall Texan," by Henry Strzelecki.
Watch out for that Texas Law-Man! #songaday challenge.
2:31

Long Tall Texan - The Flemming Fold (Henry Strzelecki)

Long Tall Texan - The Flemming Fold (Henry Strzelecki)

Long Tall Texan - The Flemming Fold (Henry Strzelecki)
The Flemming Fold is a family music group consisting of husband and wife, Troy and Sandra, and their two daughters. The bassist is 7 yrs old and the mandolinist is 8 yrs old! www.flemmingfold.com This was filmed at the Wright County Fair on August 6th, 2010. Long Tall Texan was original written by Henry Strzelecki in 1959.
31:08

Jerry Reed - Explores Guitar Country (Remastered)

Jerry Reed - Explores Guitar Country (Remastered)

Jerry Reed - Explores Guitar Country (Remastered)
Banjo – Larry McNeely, Sonny Osborne (track 5) Bass – Henry Strzelecki (tracks: guitar: 3) (8, 11) Bass: Junior Huskey (tracks: 1, 2, 4, 7, 9, 10, 12), Bobby Dyson (tracks: 5, bass guitar - track 6) Bongos – Jimmy Isbell, Ralph Gallant (track 5) Drums – Ralph Gallant, Jerry Carrigan (tracks: 2, 9, 10, 12), Jimmy Isbell (track 1, 7, 4), Guitar – Jerry Reed, James Capps, Pete Wade, Ray Edenton (tracks: 2, 9, 10, 12), Wayne Moss Organ – Beggie Cruser, Larry Butler US Copyright Act of 1976 17 U.S.C. § 107 allows for the use of work that is used for comment, criticism, or education and is non-profit in nature.
1:06:45

David Allan Coe - Human Emotions / Spectrum VII

David Allan Coe - Human Emotions / Spectrum VII

David Allan Coe - Human Emotions / Spectrum VII
© 1995 Bear Family Records © 1978, 1979 Columbia Human Emotions personnel Backing Vocals – Billy Sherrill, Janie Fricke, Pam Rose, The Nashville Edition Bass – Alan Hicks, Henry Strzelecki, Ron Bledsoe Drums – Jerry Carrigan, Jimmy Isbell, Kenny Malone Guitar – Jimmy Capps, Phil Baugh, Reggie Young, Tommy Allsup, Wesley Taylor Percussion – Farrell Morris Piano – Hargus Robbins Producer – Billy Sherrill Steel Guitar – Dale Seigfreid, Lloyd Green, Pete Drake Happy Side 1 When You Lay With Me (In A Field Of Stone) 2 If This Is Just A Game 3 You Can Count On Me 4 Mississippi River Queen 5 Tomorrow Is Another Day Su-i-cide 6 Human Emotions (She Finally Crossed Over) 7 Love's Cheatin' Line 8 Whiskey And Women 9 Jack Daniel's, If You Please 10 Suicide Spectrum VII Backing Vocals – Barbara South, Linda Hargrove, Pam Rose Bass – Alan Hicks Drums, Congas – Skeet Petty Lead Guitar – Wesley Taylor Producer – Billy Sherrill Rhythm Guitar, Maracas, Lead Vocals – David Allan Coe Steel Guitar – Dale Seigfreid Land Side 1 Rollin' With The Punches 2 On My Feet Again 3 Fall In Love With You 4 What Can I Do 5 Sudden Death Ocean Side 6 Fairyatle Morning 7 Seven Mile Bridge 8 Now's The Time (To Fall In Love) 9 Love Is Just A Porpoise (Playing In The Tropical Sub) US Copyright Act of 1976 17 U.S.C. § 107 allows for the use of work that is used for comment, criticism, or education and is non-profit in nature. Please see the provision below... Notwithstanding the provisions of sections 17 U.S.C. § 106 and 17 U.S.C. § 106A, the fair use of a copyrighted work, including such use by reproduction in copies or phonorecords or by any other means specified by that section, for purposes such as criticism, comment, news reporting, teaching (including multiple copies for classroom use), scholarship, or research, is not an infringement of copyright. In determining whether the use made of a work in any particular case is a fair use the factors to be considered shall include: the purpose and character of the use, including whether such use is of a commercial nature or is for nonprofit educational purposes; the nature of the copyrighted work; the amount and substantiality of the portion used in relation to the copyrighted work as a whole; and the effect of the use upon the potential market for or value of the copyrighted work. The fact that a work is unpublished shall not itself bar a finding of fair use if such finding is made upon consideration of all the above factors.
9:45

ELVIS PRESLEY - FARTHER ALONE 4 TAKES

ELVIS PRESLEY - FARTHER ALONE 4 TAKES

ELVIS PRESLEY - FARTHER ALONE 4 TAKES
PS listen with headphones for the best sound TCB Farther Along (Takes 1,2,3 - 05-27-1966) take 4 rehearsal Recorded At – RCA Studio B, Nashville Backing Vocals – Dolores Edgin, The Imperials*, June Page, Millie Kirkham, The Jordanaires Bass – Bob Moore, Henry Strzelecki Bass, Harmonica, Guitar – Charlie McCoy Drum – D.J. Fontana Drums, Tympani – Murray "Buddy" Harman* Engineer – Al Pachucki, Jim Malloy Guitar – Chip Young, Harold Bradley, Scotty Moore Piano – Floyd Cramer Piano, Organ – David Briggs (2), Henry Slaughter Producer – Felton Jarvis Saxophone – Homer "Boots" Randolph*, Rufus Long Steel Guitar – Pete Drake Trumpet – Ray Stevens Recording Session Studio: RCA Studio B, Tennessee Engineers May 25-28 : Jim Malloy May 28 : Al Pachucki
2:18

Skeeter Davis - You, You, You

Skeeter Davis - You, You, You

Skeeter Davis - You, You, You
Skeeter Davis - You, You, You (july 1963) Arranged by Anita Kerr /Conducted by Chet Atkins Produced by Anita Kerr & Chet Atkins James Wilson - guitar Ray Edenton, Velma Smith - rh.guitar Pete Drake - steel Henry Strzelecki, Bob Moore - bass Buddy Harman - drums Floyd Cramer - piano/organ Anita Kerr - harpsochord Vocals: The Anita Kerr Singers (Dorothy Dillard, Anita Kerr, Louis Nunley, William Wright) YOU, YOU, YOU (Lotar Olias - Robert Mellin)1958 You you you I'm in love with you you you I could be so true true true to someone like you Do do do what you ought to do do do Take me in your arms please do let me cling to you you you We were meant for each other sure as heavens above We were meant for each other to have to hold and to love You you you there's no one like you you you You could make my dreams come true if you say you love me too [ guitar ] We were meant for each other to have to hold and to love You you you I'm in love with you you you Won't you say you love me too I'm in love with you
8:02

ELVIS PRESLEY - HOW GREAT THOU ART 4 TAKES

ELVIS PRESLEY - HOW GREAT THOU ART 4 TAKES

ELVIS PRESLEY - HOW GREAT THOU ART 4 TAKES
PS listen with headphones for the best sound TCB How Great Thou Art (Takes 1-4, - 05-25-1966) Recorded At – RCA Studio B, Nashville Backing Vocals – Dolores Edgin, The Imperials*, June Page, Millie Kirkham, The Jordanaires Bass – Bob Moore, Henry Strzelecki Bass, Harmonica, Guitar – Charlie McCoy Drum – D.J. Fontana Drums, Tympani – Murray "Buddy" Harman* Engineer – Al Pachucki, Jim Malloy Guitar – Chip Young, Harold Bradley, Scotty Moore Piano – Floyd Cramer Piano, Organ – David Briggs (2), Henry Slaughter Producer – Felton Jarvis Saxophone – Homer "Boots" Randolph*, Rufus Long Steel Guitar – Pete Drake Trumpet – Ray Stevens Recording Session Studio: RCA Studio B, Tennessee Engineers May 25-28 : Jim Malloy May 28 : Al Pachucki
2:33

Mickey And The Motions - Long Tall Texan (Jerry Woodard Cover)

Mickey And The Motions - Long Tall Texan (Jerry Woodard Cover)

Mickey And The Motions - Long Tall Texan (Jerry Woodard Cover)
From '' I Do / Long Tall Texan '' Label: Gemini Records ‎-- 15225/15226 Format: Vinyl, 7" Country: US Released: 1965 Tracklist A1 I Do (N. Lamareux, R. McDonald) B1 Long Tall Texan ------------------------ ' Long Tall Texan ' is a song written by Henry Strzelecki and it was originally recorded by Jerry Woodard in 1960. There are many cover versions including those by The Beachboys, Lyle Lovett and Bob Luman.
24:26

Elvis Presley - Elvis for everyone (LP) - 1965

Elvis Presley - Elvis for everyone (LP) - 1965

Elvis Presley - Elvis for everyone (LP) - 1965
Elvis Presley - Elvis for everyone, RCA Victor LSP-3450 (1965). 1. Your cheatin' heart (H. Williams). 2. Summer kisses, winter tears (B. Weisman - F. Wise - J. Loyd). 3. Finders keepers, losers weepers (D. Jones - O. Jones). 4. In my way (F. Wise - B. Weisman), from Jerry Wald's "Wild In the country" - A 20th Century-Fox film. 5. Tomorrow Night (S. Coslow - W. Grosz). 6. Memphis, Tennessee (C. Berry). 7. For the millionth and the last time (R. Bennett - S. Tepper). 8. Forget me never (F. Wise - B. Weisman), from Jerry Wald's "Wild In the country" - A 20th Century-Fox film. 9. Sound advice (B. Giant - B. Baum - F. Kaye), from the Mirisch Company presentation ''Follow that dream'' - a UA release. 10. Santa Lucia (traditional - arr: E. Presley), from the Metro-Goldwyn-Mayer motion-picture "Viva Las Vegas". 11. I met her today (D. Robertson - H. Blair). 12. When it rains, it really pours (W. R. Emerson). Recording dates and personnel: 1. Your cheatin' heart: Recorded on February 1, 1958 at Radio Recorders, Hollywood, California. Elvis Presley (vocal, acoustic guitar), The Jordanaires (backing vocals): Gordon Stoker, Neal Matthews, Hoyt Hawkins, Hugh Jarrett. Scotty Moore (electric guitar), Tiny Timbrell (electric guitar), Bill Black (bass), D. J. Fontana (drums), Dudley Brooks (piano). 2. Summer kisses, winter tears: Recorded on August 8, 1960 at Radio Recorders, Hollywood, California. Elvis Presley (vocal), The Jordanaires (backing vocals): Gordon Stoker, Neal Matthews, Hoyt Hawkins, Hugh Jarrett. Howard Roberts (electric guitar), Tiny Timbrell (acoustic guitar), Dudley Brooks (piano), Jimmie Haskell (accordion), Myer Rubin (double bass), Bernie Mattinson (drums). 3. Finders keepers, losers weepers: Recorded on May 26 at RCA Studio B, Nashville, Tennessee. Elvis Presley (vocal), The Jordanaires (backing vocals): Gordon Stoker, Neal Matthews, Hoyt Hawkins, Hugh Jarrett. Scotty Moore (electric guitar), Jerry Kennedy (electric guitar), Harold Bradley (electric guitar), Floyd Cramer (piano), Bob Moore (bass), Buddy Harman/D.J. Fontana (drums), Boots Randolph (sax). 4. In my way: Recorded on November 7, 1960 at Radio Recorders, Hollywood, California. Elvis Presley (vocal), Tiny Timbrell (acoustic guitar). 5. Tomorrow Night: Recorded on September 10, 1954, at Sun Records Studio, Memphis, Tennessee, with Elvis Presley (vocal, acoustic guitar) and Scotty Moore (electric guitar). The new backing track was recorded on March 18, 1965 at RCA Victor Recording Studio, Nashville, Tennessee, with Anita Kerr Singers (backing vocals), Chet Atkins (electric guitar), Grady Martin (electric guitar), Henry Strzelecki (bass), Buddy Harman (drums) and Charlie McCoy (harmonica). 6. Memphis, Tennessee: Recorded on January 12, 1964 at RCA Studio B, Nashville, Tennessee. Elvis Presley (vocal, acoustic guitar), Scotty Moore (electric guitar), Grady Martin (electric guitar), Harold Bradley (electric guitar), Bob Moore (bass), Buddy Harman/D.J. Fontana (drums). 7. For the millionth and the last time: Recorded on October 15, 1961 at RCA Victor Studio, Nashville, Tennessee. Elvis Presley (vocal), The Jordanaires (backing vocals): Gordon Stoker, Neal Matthews, Hoyt Hawkins, Hugh Jarrett. Jerry Kennedy (acoustic guitar), Scotty Moore (electric guitar), Bob Moore (bass), Buddy Harman/D.J. Fontana (drums), Gordon Stoker (accordion). 8. Forget me never: Recorded on November 7, 1960 at Radio Recorders, Hollywood, California. Elvis Presley (vocal), Tiny Timbrell (acoustic guitar). 9. Sound advice: Recorded on July 2, 1961 at RCA Victor Studio, Nashville, Tennessee. Elvis Presley (vocal), Hank Garland (acoustic guitar), Neal Matthews (acoustic guitar), Scotty Moore (electric guitar), Bob Moore (bass), Buddy Harman/D.J. Fontana (drums). 10. Santa Lucia: Recorded on July 10, 1963 at Radio Recorders, Hollywood, California. Elvis Presley (vocal), The Jordanaires (backing vocals): Gordon Stoker, Neal Matthews, Hoyt Hawkins, Hugh Jarrett. Billy Strange (acoustic guitar), Scotty Moore (acoustic guitar), Tiny Timbrell (mandolin), Bob Moore (bass). 11. I met her today: Recorded on October 16, 1961 at RCA Victor Studio, Nashville, Tennessee. Elvis Presley (vocal), The Jordanaires (backing vocals): Gordon Stoker, Neal Matthews, Hoyt Hawkins, Hugh Jarrett. Floyd Cramer (piano), Jerry Kennedy (acoustic guitar), Scotty Moore (electric guitar), Bob Moore (bass), Buddy Harman/D.J. Fontana (drums). 12. When it rains, it really pours: Recorded on February 24, 1957 at Radio Recorders, Hollywood, California. Elvis Presley (vocal), Scotty Moore (electric guitar), Bill Black (bass), D.J. Fontana (drums), Dudley Brooks (piano). © All images and music are copyrighted to their respective owners. This video is for entertainment only, non profit.
42:21

Waylon Jennings - Lonesome On'ry And Mean (Remastered plus 3 previously unreleased bonus tracks)

Waylon Jennings - Lonesome On'ry And Mean (Remastered plus 3 previously unreleased bonus tracks)

Waylon Jennings - Lonesome On'ry And Mean (Remastered plus 3 previously unreleased bonus tracks)
Originally issued 1973, re-released remastered & expanded 2003. 1. Lonesome, On'ry And Mean 2. Freedom To Stay 3. Lay It Down 4. Gone To Denver 5. Good Time Charlie's Got The Blues 6. You Can Have Her 7. Pretend I Never Happened 8. San Francisco Mabel Joy 9. Sandy Sends Her Best 10. Me And Bobby McGee 11. Laid Back Country Picker 12. The Last One To Leave Seattle 13. Big, Big Love Credited, but not on album. Pete Drake Roy Huskey, Norbert Putman Other info Henry Strzelecki credited on piano and Billy Sanford on organ for some reason. Track 4 (22 April 1970) Guitar: Fred Carter, Chip Young, Charlie McCoy, Bass guitar: Bobby Dyson Drums: Buddy Harman or Jerry Carrigan Piano: David Briggs or Hargus Robbins. Producer: Danny Davis) Track 1, 2 & 12 (18 December 1972) Guitar: Billy Reynolds, Chip Young Steel: Ralph Mooney Bass guitar: Lee Miller Harmonica: Charlie McCoy and/or Don Brooks Drums: Richard Albright. Producer: Waylon Jennings) Horns: ? Track 3, 9 (12 January 1972) Guitar: James Capps, Billy Sanford Bass guitar: Henry Strzelecki Drums: Ralph Gallant. Producer: Ronny Light Steel: Ralph Mooney Track 6 & 10 (9 March 1972) Guitars: Fred Carter, Dave Kirby, Billy Reynolds, and/or Buck Wilkin Steel: Ralph Mooney Bass guitar: Bobby Dyson Bass on track 6 maybe: Don Smith Drums: Ralph Gallant Piano: Hargus Robbins Viola – Gary Van Osdale, Marvin D. Chantry Violin – Brenton Banks, George Binkley III, Lennie Haight, Sheldon Kurland Strings Arranged By– Glen Spreen Cello – Byron T. Bach, David Vanderkooi Producer: Ronny Light Track 7 (16 May 1972) Guitar: Billy Reynolds, Randy Scruggs Steel: Ralph Mooney Bass guitar: Henry Strzelecki Drums: William Ackerman Producer: Ronny Light Track 5, 8 & 11 (14 December 1972) The Waylors- Guitar: Billy Reynolds, Larry Whitmore Steel, dobro: Ralph Mooney Harmonica: Don Brooks Bass: Lee Miller Drums: Richard Abright. Producer: Waylon Jennings [vocal chorus overdubbed 20 and 27 December] Track 13 (11 January 1972) Guitar: James Capps, Dale Sellers Steel: Ralph Mooney Bass guitar: Henry Strzelecki Drums: Ralph Gallant. Producer: Ronny Light By the spring of 1972, Jennings was burned out. Suffering from hepatitis that he contracted while playing an Indian reservation in New Mexico, he took stock of where he was at in his life and career and seriously considered retiring. Although Jennings had enjoyed a respectable run on the country charts, he felt hemmed in creatively and fumed when RCA told him where and how to record. In the audio version of his autobiography Waylon, he reflected: "Lyin' there, I started to thinkin' about what I'd won after ten years of bangin' around the honky tonks: my health was shot; I was close to a quarter of a million dollars in debt, and getting deeper in the hole whether I played shows or not; the I.R.S. was on my tail; and I was paying alimony to three wives. If I went on the road I lost money, if I stayed home I lost more. As for record sales, I never got ahead of...the packaging fees, and the overseas split, and the studio costs...You couldn't figure who owed what or why." © 1973 RCA US Copyright Act of 1976 17 U.S.C. § 107 allows for the use of work that is used for comment, criticism, or education and is non-profit in nature.
2:27

George Jones - Why Baby Why ('77)

George Jones - Why Baby Why ('77)

George Jones - Why Baby Why ('77)
© 1977, 1987 Epic Upright bass: Probably Henry Strzelecki Steel guitar: Pete Drake Fiddle: Buddy Spicher Tic tac: Billy Sanford or Chip Young Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use. Under Attribution-ShareAlike 3.0 Unported, i am free to 1) Share — copy and redistribute the material in any medium or format 2) Adapt — remix, transform, and build upon the material for any purpose, even commercially. The licensor cannot revoke these freedoms as long as you follow the license terms.
5:03

ELVIS PRESLEY - IN THE GARDEN 3 TAKES

ELVIS PRESLEY - IN THE GARDEN 3 TAKES

ELVIS PRESLEY - IN THE GARDEN 3 TAKES
PS listen with headphones for the best sound TCB In The Garden (Takes 1,2 3, - 05-27-1966) Recorded At – RCA Studio B, Nashville Backing Vocals – Dolores Edgin, The Imperials*, June Page, Millie Kirkham, The Jordanaires Bass – Bob Moore, Henry Strzelecki Bass, Harmonica, Guitar – Charlie McCoy Drum – D.J. Fontana Drums, Tympani – Murray "Buddy" Harman* Engineer – Al Pachucki, Jim Malloy Guitar – Chip Young, Harold Bradley, Scotty Moore Piano – Floyd Cramer Piano, Organ – David Briggs (2), Henry Slaughter Producer – Felton Jarvis Saxophone – Homer "Boots" Randolph*, Rufus Long Steel Guitar – Pete Drake Trumpet – Ray Stevens Recording Session Studio: RCA Studio B, Tennessee Engineers May 25-28 : Jim Malloy May 28 : Al Pachucki
2:45

Johnny Paycheck - The Happy Hour

Johnny Paycheck - The Happy Hour

Johnny Paycheck - The Happy Hour
Bass guitar: Henry Strzelecki or Mike Leech Steel guitar: Weldon Myrick Engineer, studio owner and likely guitars: Chip Young Producer: SS II LTD. Recorded at Youngun Sound, 1983 US Copyright Act of 1976 17 U.S.C. § 107 allows for the use of work that is used for comment, criticism, or education and is non-profit in nature.
3:36

The Browns - Whispering Hope (1961).

The Browns - Whispering Hope (1961).

The Browns - Whispering Hope (1961).
(Written by Alice Hawthorne). Issued ONLY on LP "The Browns Sing Songs From The little Brown Church Hymnal" (1962). Recorded 28 July 1961 [18:45-21:45] RCA Victor Studio, 1610 Hawkins St., Nashville 3, TN - Jim Ed Brown (Vcl Solo/gt), Maxine Brown (vcl), Bonnie Brown (vcl) + Velma Smith [gt], Henry Strzelecki [bass], Farris Coursey [drums], Floyd Cramer [piano], Grady Martin [vibes], Anita Kerr [organ]. Producer: Chet Atkins ... Born James Edward Brown in Sparkman ARKANSAS (1934 - 2015)...Jim Ed started playing guitar for Square Dances whilst still at school and singing on local Radio with Maxine...The first break came when he entered a talent contest in Little Rock...He didn't win but he got invited to became a regular on Radio Station KLRA's Barnyard Frolic Programme...Maxine joined Jim on the show and in 1954 they were signed to the Louisiana Hayride in the Studios of which they made their First Recording...and the rest is history......Jim Ed, Maxine & Bonnie were active from 1955 to 1967 and occasionally in the 80's...... In 2006 they performed "The Old Lamplighter" & "The Three Bells" for the PBS Special "Country Pop Legends"...Jim Ed Recorded Solo from 1965 to 1976 and Duets w/Helen Cornelius from 1976 to 1981... Jim Ed Performed until 2015. JIM ED BROWN (Born James Edward Brown in Sparkman,ARKANSAS (1934 - 2015). MAXINE BROWN (Born in Campti,LOUISIANA 27 April 1932) BONNIE BROWN (Born Bonnie Jean Brown in Sparkman,ARKANSAS (1938 - 2016). The Browns were Inducted into the "Country Music Hall of Fame" in 2015
6:34

ELVIS PRESLEY - SO HIGH 4 TAKES

ELVIS PRESLEY - SO HIGH 4 TAKES

ELVIS PRESLEY - SO HIGH 4 TAKES
PS listen with headphones for the best sound TCB So High (take 1) So High (takes 2, 3 and 4 the master ) Recorded At – RCA Studio B, Nashville Backing Vocals – Dolores Edgin, The Imperials*, June Page, Millie Kirkham, The Jordanaires Bass – Bob Moore, Henry Strzelecki Bass, Harmonica, Guitar – Charlie McCoy Drum – D.J. Fontana Drums, Tympani – Murray "Buddy" Harman* Engineer – Al Pachucki, Jim Malloy Guitar – Chip Young, Harold Bradley, Scotty Moore Piano – Floyd Cramer Piano, Organ – David Briggs (2), Henry Slaughter Producer – Felton Jarvis Saxophone – Homer "Boots" Randolph*, Rufus Long Steel Guitar – Pete Drake Trumpet – Ray Stevens Recording Session Studio: RCA Studio B, Tennessee Engineers May 25-28 : Jim Malloy May 28 : Al Pachucki
2:46

Sherri King 　Then Give Him Back to Me

Sherri King 　Then Give Him Back to Me

Sherri King 　Then Give Him Back to Me
Pickers Rhythm & Electric Guitar Pete Wade Billy Sanford Steve Gibson Reggie Young etc Bass & Tictac Henry Strzelecki Bob Moore Tommy Allsup Steel Pete Drake Buddy Emmons Drums Buddy Harmon Fiddle　Johnny Gimble Piano　Sherri king“Pig”Robbins 　　 Harmonica　Terry Mcmillan Columbia Record Studio-A
28:40

Waylon Jennings - Good Hearted Woman

Waylon Jennings - Good Hearted Woman

Waylon Jennings - Good Hearted Woman
Billy Sanford, Dale Sellers, Fred Carter, Dave Kirby, Chip Young, Bobby Thompson (Track 2) - guitar Dave Kirby - rhythm guitar (track 5) Bobby Dyson (track 8 & 10), Henry Strzelecki - bass guitar Bass guitar, leader: Norbert Putman (Track 4) Steel/dobro, steel- Ralph Mooney, Curly Chalker (10) Drums - Buddy Harman (Track 5, 7), Kenneth Buttrey (Track 1, 3, 4, 6, 9), John Huffman (10), Willie Ackerman (8), Jim Isbell (Track 2) Hargus "Pig" Robbins, Jim Pierce - piano Andy McMahon - organ Charlie McCoy - harmonica/vibes Vocals: Waylon & Dolores Edgin, Ginger Holladay, June Page, Temple Riser Engineer – Al Pachucki, Bill Vandervort, Leslie Ladd, Tom Pick Producer – Danny Davis (tracks: 4, 10), Ronny Light, Producer – Chet Atkins Recording Technician – Milton Henderson, Ray Butts, Roy Shockley 1 Good Hearted Woman Waylon Jennings, Willie Nelson 2 The Same Old Lover Man (Producer - Ronny Light) Gordon Lightfoot 3 One Of My Bad Habits Harlan Howard 4 Willie And Laura Mae Jones Tony Joe White 5 It Should Be Easier Now Willie Nelson 6 Do No Good Woman Waylon Jennings 7 Unsatisfied Shirl Milete 8 I Knew You'd Be Leavin' Billy Reynolds 9 Sweet Dream Woman Al Gorgoni, Chip Taylor 10 To Beat The Devil Kris Kristofferson Not the best vinyl recording because some noob ripped it and encoded to 64KPBS with a sample rate of 22050 kHz, but you'll love the album if you don't already. US Copyright Act of 1976 17 U.S.C. § 107 allows for the use of work that is used for comment, criticism, or education and is non-profit in nature.
2:53

Gary Burton - Alone And Forsaken

Gary Burton - Alone And Forsaken

Gary Burton - Alone And Forsaken
Personnel：Gary Burton (vib,p,org), Steve Marcus (ts,ss), Buddy Spicher (fiddle),Buddy Emmons (st-g), Sonny Osborne (banjo), Chet Atkins, Jimmy Colvard, Ray Edenton (g), Charlie McCoy (hca), Bobby Osborne (mandolin), Henry Strzelecki, Steve Swallow (b), Kenneth Buttrey, Roy Haynes (ds) Album：" Gary Burton / Tennessee Firebird " Recorded： Nashville, September 19-21, 1966

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Strzelecki, Henry Filmography

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1985, role: composer

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