- published: 14 Jan 2015
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In Greek mythology, Deimos (Ancient Greek: Δεῖμος, pronounced [dêːmos], meaning "dread") was the personification of terror.
He was the son of Ares and Aphrodite. He is the twin brother of Phobos and the goddess Enyo who accompanied Ares into battle, as well as his father's attendants, Trembling, Fear, Dread and Panic. Deimos is more of a personification and an abstraction of the sheer terror that is brought by war and he never appeared as an actual character in any story in Greek Mythology. His Roman equivalent was Formido or Metus.
Asaph Hall, who discovered the moons of Mars, named one Deimos, and the other Phobos.
On the modern monument to the battle of Thermopylae, Leonidas' shield has a representation of Deimos.
In the God of War video game series, Deimos is the name of the brother of the series protagonist Kratos. This is not the same Deimos in Greek mythology; instead, he is the son of Zeus and Callisto. He and his brothers helped carry Ajax off the battlefield during the Trojan War when he was injured.
The term "mythology" can refer either to the study of myths (e.g., comparative mythology), or to a body or collection of myths (a mythos, e.g., Inca mythology). In folkloristics, a myth is a sacred narrative usually explaining how the world or humankind came to be in its present form, although, in a very broad sense, the word can refer to any traditional story. Myths typically involve supernatural characters and are endorsed by rulers or priests. They may arise as overelaborated accounts of historical events, as allegory for or personification of natural phenomena, or as an explanation of ritual. They are transmitted to convey religious or idealized experience, to establish behavioral models, and to teach.
Early rival classifications of Greek mythos by Euhemerus, Plato's Phaedrus, and Sallustius were developed by the neoplatonists and revived by Renaissance mythographers as in the Theologia mythologica (1532). Nineteenth-century comparative mythology reinterpreted myth as evolution toward science (E. B. Tylor), "disease of language" (Max Müller), or misinterpretation of magical ritual (James Frazer). Later interpretations rejected opposition between myth and science, such as Jungian archetypes, Joseph Campbell's "metaphor of spiritual potentiality", or Lévi-Strauss's fixed mental architecture. Tension between Campbell's comparative search for monomyth or Ur-myth and anthropological mythologists' skepticism of universal origin has marked the 20th century. Further, modern mythopoeia such as fantasy novels, manga, and urban legend, with many competing artificial mythoi acknowledged as fiction, supports the idea of myth as ongoing social practice.