- published: 29 Apr 2016
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Daya or Compassion is a fundamental teaching of the Sikh religion and teachings can be found on DAYA. The other four qualities in the arsenal are: Truth (Sat), Contentment (Santokh), Humility (Nimrata) and Love (Pyar). These five qualities are essential to a Sikh and it is their duty to meditate and recite the Gurbani so that these virtues become a part of their mind.
The importance of Daya can be seen from the following Shabads from Guru Granth Sahib:
This concept says to not ignore tragedies that take place in the world but to face them head-on and do whatever is possible within ones means. As a Sikh you must feel the pain and suffering of other people involved in any tragedy.
Daya (usually spelt daia in Punjabi), from Sanskrit "Day" meaning to sympathize with, to have pity on, stands for compassion, sympathy. It means ‘suffering in the suffering of all others’. It is deeper and more positive in sentiment than sympathy. Daya, cognitively, observes alien pain; affectively, it gets touched by it and moves with affectional responses for the sufferer; and cognitively it moves one to act mercifully, pityingly, with kindness and forgiveness. One imbued with daya “chooses to die himself rather than cause other people to die,” says Guru Nanak (GG, 356).
Peter Pan is a character created by Scottish novelist and playwright J. M. Barrie. A mischievous boy who can fly and who never ages, Peter Pan spends his never-ending childhood adventuring on the small island of Neverland as the leader of his gang the Lost Boys, interacting with mermaids, Indians, fairies, pirates, and occasionally ordinary children from the world outside of Neverland. In addition to two distinct works by Barrie, the character has been featured in a variety of media and merchandise, both adapting and expanding on Barrie's works.
Peter Pan first appeared in a section of The Little White Bird, a 1902 novel written by Barrie for adults.
The character's best-known adventure debuted on 27 December 1904, in the stage play Peter Pan, or The Boy Who Wouldn't Grow Up. The play was adapted and expanded somewhat as a novel, published in 1911 as Peter and Wendy (later as Peter Pan and Wendy, and still later as Peter Pan).
Following the highly successful debut of the 1904 play, Barrie's publishers, Hodder and Stoughton, extracted chapters 13–18 of The Little White Bird and republished them in 1906 under the title Peter Pan in Kensington Gardens, with the addition of illustrations by Arthur Rackham.
Actors: Dibyendu Bhattacharya (actor), Sidharth Srinivasan (producer), Sidharth Srinivasan (director), Sidharth Srinivasan (writer), Sidharth Srinivasan (writer), Manav Kaushik (actor), Avtar Sahani (actor), Geeta Bisht (actress), Sameera Jain (editor), Rintu Thomas (miscellaneous crew), N.K. Pant (actor), Divya Bhardwaj (producer), Saba Joshi (actress), Joana Stella Kompa (composer), Ayushi Aggarwal (costume designer),
Plot: Amid the epic landscape of the Mahabharata, as the rural outskirts of Delhi transform into an urban sprawl, an intimate tussle between custom and commerce, tradition and modernity, will result in carnage... Bhanu Kumar, a lower caste watchman, stands guard at his master Lakhmichand Ahlawat's silica mine, protecting it even after it has shut down. No one is allowed to enter the premises, nor even engage him in conversation while he is on sentry duty. He is a statue-like figure, watching over an abandoned property in the middle of nowhere. A creature of habit, Bhanu reflects powerlessness so complete, it can only make the world stand still. Exploited and abused by his employer, Bhanu survives the shame by disguising it as duty. Bhanu's wife, Saroj, watches in silent disgust as her innocent husband stands sentinel over his master's empty property, even when she knows it includes her in its compass. Then one day, Bhanu's monotonous world is turned on its head... The morning brings an elderly man to the premises - a businessman by the name of Dharambir Dahiya. He also happens to be Lakhmichand Ahlawat's prospective son-in-law. Dharambir is an affluent man and, ironically, older than Ahlawat. He is to marry Ahlawat's wayward daughter, known to have transgressed community norms with a socially "inferior" boy. In return for saving his honour (i.e. marrying his daughter), Ahlawat will "gift" Dharambir the silica mine property as dowry. The following night brings a young runaway couple fearing for their lives and begging Bhanu for sanctuary in the mine. Apparently, the couple are prime targets for honour killing. They claim that a contract killer is after them.... Bhanu cannot possibly make the connection. He initially refuses the couple shelter. But prodded by a dormant humanity, he relents and ignores duty. The disused gate of the Royal Silica Mine opens, exposing a bloody world of lust, fear, and violence in the name of ownership, caste and honour...
Genres: Drama, Mystery, Thriller,Actors: Jed Rowen (actor), Ramzi Abed (actor), Elissa Dowling (actress), Ramzi Abed (writer), Eric Spudic (actor), Ramzi Abed (director), Ramzi Abed (producer), Paul Bunnell (actor), Josh Eisenstadt (actor), Adam Meir (actor), Bianca Allaine Barnett (actress), Kevin Sean Michaels (actor), Casey Wickson (actor), Eric Fleming (actor), Eric Fleming (producer),
Plot: In the city of Los Angeles, millions of lives intersect everyday, but each individual is still isolated from the whole. A number of strange incidents occur to four men and four women, just as their own lives begin to spiral out of control. Surrounded by con artists, frauds, drug addicts, and homeless people, a story starts to form in a screenwriter's head. Little does he know, his characters seem to have come to life as well. Things takes a surprise turn, as these LA residents find themselves locked into a mystery together. While relating to quantum mechanics, our own spiral galaxy, and the struggle of human existence, an urban love story grows out of the vine of disconnection.
Keywords: addiction, angel, arabic, avant-garde, chaos-theory, crucifix, cult-film, deception, dream, drugsActors: Slamet Rahardjo (actor), Didi Petet (actor), Christine Hakim (actress), Christine Hakim (producer), Thoersi Argeswara (composer), Makoto Ueda (producer), Nan Triveni Achnas (director), Nan Triveni Achnas (writer), Dian Sastrowardoyo (actress), Mang Udel (actor), Shanty Harmayn (producer), Sentot Sahid (editor), Rayya Makarim (writer), Harris Lasmana (producer), Dewi Sawitri (actress),
Genres: Drama,Actors: George Ardisson (actor), Raf Baldassarre (actor), Andrea Checchi (actor), Jean-Jacques Delbo (actor), Enzo Doria (actor), Franco Giacobini (actor), Folco Lulli (actor), Cameron Mitchell (actor), Franco Ressel (actor), Ellen Kessler (actress), Mario Bava (writer), Oreste Biancoli (writer), Piero Pierotti (writer), Les Baxter (composer), Roberto Nicolosi (composer),
Plot: In the 9th Century, two Viking children, separated since their early childhood with one raised by the British and the other by Vikings, meet after nearly 20 years as rivals as war breaks out between Britian and the Vikings for control of England.
Keywords: 9th-century, ancient-world, archer, archery, arrow, barbarian, battle, beach, belief-in-gods, bladeActors: Emmanuil Geller (actor), Mukhtar Maniyev (actor), Givi Tokhadze (actor), Movsoum Sanani (actor), Aladdin Abbasov (actor), Dimitri Kipiani (actor), Dzheikhun Mirzayev (actor), Melik Dadashev (actor), Leila Bedirbeili (actress), Eli Gurbanov (actor), Afrasiyab Mamedov (actor), Mammadsadiq Nuriyev (actor), Aliaga Agayev (actor), Mamed Alili (actor), Ismayil Dagistanli (actor),
Genres: ,Look at this little nigga, man
Ay T.I. is that really you man?
Yeah shawty, what's happenin'?
Ay man can you give me a ride home, man?
Man, it's 2:30 in the muthafuckin' mornin', what the fuck you doin' out here?
Out here trappin' tryna get rid of this bomb and purp, man
Man you can come with me on one condition
What's that bruh?
Let me convince you to put that bomb down
I knew it T.I.
What?
You wasn't really on that dope boy shit
I tell you what shawty, get in man
I'll show you how to tote that tool
Make that double
Better be cool, you don't want no trouble
Keep it leanin' to the left
My gat stay cocked
I'm always super clean when you see me on the block
Keep my money in a knot with a rubberband on it
Blow to marijuana, know I got it if you want it
See me standin' on the corner, slangin' that crack
You know how it is to be the man in trap
I'm the dopeman nigga the dopeman nigga the dope the dope dope the dopeman nigga
I'm the dopeman nigga the dopeman nigga the dope the dopeman the dopeman nigga
I'm the dopeman nigga the dopeman nigga the dope the dope dope the dopeman nigga
I'm the dopeman nigga the dopeman nigga (From a ki' to a G, it's all about money)
Look, bet all you see is tats, money, grills, and chains
But if you scratch the surface you can feel the pain
Names change but the situation still the same
The bills need payin' nigga simple and plain
Take a young'n who's aspirin' to get him some change
Won't nobody hire him so he get in the game
Went and bought a 50 slab, divide it up into ten
Sold 'em all, double down, did it again
By then you got enough to buy a quarter ounce
You sellin' dimes to forty fiends buy it and bounce
Throw some money to your momma keep some food in the house
Cop the outfit and the Jordans on the day they came out
Betta get ya self a pistol know the jackers is out
Flip another seven grams, oh you hustlin' now
Time to get yourself a half, make sure it's some glass
A hundred bags sell it fast stack a G now you officially
(I betcha think you pretty good at it now, huh?)
Now once you flipped a couple o's know the game get gravy
Take twelve fifty go git ya two and a baby
Yeah sixty three grams if you whip that right
you should get back five or six that night Stack that money and repeat that twice
Buy you somethin' to ride in, ya gotta be tight
Next time you buy somethin' take twenty-five hundred
Get four and a half it come back in nine don't it
Now stay low key when the money keep comin'
Keep some niggas on ya team to show these suckas they don't want it
By then your connect will clearly see you on ya grind
Shit you come to get a nine and he front you what you buyin'
As long as you bring back your money on time
And if you snort blow, do it on your own time
At this rate you'll be at a brick in no time
They say the want some weight, tell them niggas stand in line
(Stay with me now shawty, here comes the fun part)
Now the robbers plottin' on ya and your name stay buzzin'
You caught a sale case down in Macon with your cousin
Your connect ain't worried, you and him cool
He know you'll never tell what you and him do
A mob of a hundred just a few of them true
You heard a worker snictchin' on you and it's true
Everybody know you sell that shit
The feds come and get ya, shit we heard you
Tote that tool, make that double
Better be cool, you don't want no trouble
Keep it leanin' to the left, my gat stay cocked
I'm always super clean when you see me on the block
Keep my money in a knot with a rubberband on it
Blow that marijuana know I got it if you want it
See me standin' on the corner slangin' that crack
You know how it is to be the man in trap