- published: 24 May 2016
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Boogie is a repetitive, swung note or shuffle rhythm,"groove" or pattern used in blues which was originally played on the piano in boogie-woogie music. The characteristic rhythm and feel of the boogie was then adapted to guitar, double bass, and other instruments. The earliest recorded boogie-woogie song was in 1916. By the 1930s, Swing bands such as Glenn Miller, Tommy Dorsey, and Louis Jordan all had boogie hits. By the 1950s, boogie became incorporated into the emerging rockabilly and rock and roll styles. In the late 1980s and the early 1990s country bands released country boogies. Today, the term "boogie" usually refers to dancing to pop, disco, or rock music.
The boogie was originally played on the piano in boogie-woogie music and adapted to guitar. Boogie-woogie is a "style of blues piano playing characterized by an up-tempo rhythm, a repeated melodic pattern in the bass, and a series of improvised variations in the treble."[citation needed] Boogie woogie developed from a piano style that developed in the rough barrelhouse bars in the Southern states, where a piano player performed for the hard-drinking patrons. Wayne Schmidt remarks that with boogie-woogie songs, the "bass line isn't just a time keeper or 'fill' for the right hand"; instead, the bassline has equal importance to the right hand's melodic line. He argues that many boogie-woogie basslines use a "rising/falling sequence of notes" called walking bass line.
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Title: Boogie
BOOGIE
Due note e il ritornello era gia` nella pelle di quei due
il corpo di lei mandava vampate africane, lui sembrava un
coccodrillo...
i saxes spingevano a fondo come ciclisti gregari in fuga
e la canzone andava avanti sempre piu` affondata nell'aria...
quei due continuavano, da lei saliva afrore di coloniali
che giungevano a lui come da una di quelle drogherie di una volta
che tenevano la porta aperta davanti alla primavera...
qualcuno nei paraggi incominciava a starnutire,
il ventilatore ronzava immenso dal soffitto esausto,
i saxes, ipnotizzati... dai movimenti di lei si spandevano
rumori di gomma e di vernice, da lui di cuoio...
le luci saettavano sul volto pechinese della cassiera
che fumava al mentolo, altri starnutivano senza malizia
e la canzone andave elegante, l'orchestra era partita, decollava...
i musicisti, un tutt'uno col soffitto e il pavimento,
solo il batterista nell'ombra guardava con sguardi cattivi...
quei due danzavano bravi, una nuova cassiera sostituiva la prima,
questa qui aveva occhi da lupa e masticava caramelle alescane,
quella musica continuava, era una canzone che diceva e non diceva,
l'orchestra si dondolava come un palmizio davanti a un mare
venerato...
quei due sapevano a memoria dove volevano arrivare...
un quinto personaggio esito`
prima di sternutire,
poi si rifugio` nel nulla...
era un mondo adulto,