Coming Home (Lemar song)

"Coming Home" is the second single taken from British R&B singer Lemar's first compilation album The Hits. The single was released via digital download on 16 May 2010 and also featured a remix by Roll Deep.

Background

"Coming Home" was recorded especially for Lemar's The Hits album. It was written by Lemar in collaboration with Alonzo Mario Stevenson, Eric Stamile and Tony Reyes.

Music video

The music video for "Coming Home" was shot during the week beginning 17 March 2010 and was directed by Rage, who also shot the video for Lemar's previous single "The Way Love Goes". It premiered exclusively on The Sun web site on 12 April 2010.

Track listing

References

900 South (UTA station)

900 South is a light rail station in Downtown Salt Lake City, Utah, in the United States, served by all three lines of Utah Transit Authority's TRAX light rail system. The Blue Line provides service from Downtown Salt Lake City to Draper. The Red Line provides service from the University of Utah to the Daybreak Community of South Jordan. The Green Line provides service from the Salt Lake City International Airport to West Valley City (via Downtown Salt Lake City). The station opened on 19 September 2005 and is operated by the Utah Transit Authority. 900 South is notable for being the first infill station constructed along an existing line of the TRAX system.

Description

The station is located at 900 South 200 West. The island platform, capable of serving up to four-car trains, is located in the median of 200 West between 800 South and 900 South. Unlike many TRAX stations, 900 South does not have a Park and Ride lot. This station is operated by Utah Transit Authority.

Remix (book)

Remix: Making Art and Commerce Thrive in the Hybrid Economy is Lawrence Lessig's fifth book. It is available as a free download under a Creative Commons license. It details a hypothesis about the societal effect of the Internet, and how this will affect production and consumption of popular culture.

Summary

In Remix Lawrence Lessig, a Harvard law professor and a respected voice in what he deems the "copyright wars", describes the disjuncture between the availability and relative simplicity of remix technologies and copyright law. Lessig insists that copyright law as it stands now is antiquated for digital media since every "time you use a creative work in a digital context, the technology is making a copy" (98). Thus, amateur use and appropriation of digital technology is under unprecedented control that previously extended only to professional use.

Lessig insists that knowledge and manipulation of multi-media technologies is the current generation's form of "literacy"- what reading and writing was to the previous. It is the vernacular of today. The children growing up in a world where these technologies permeate their daily life are unable to comprehend why "remixing" is illegal. Lessig insists that amateur appropriation in the digital age cannot be stopped but only 'criminalized'. Thus most corrosive outcome of this tension is that generations of children are growing up doing what they know is "illegal" and that notion has societal implications that extend far beyond copyright wars. The book is now available as a free download under one of the Creative Commons' licenses.

Remix'5

Remix'5 is a Candan Erçetin album. It was remixes of Melek. There's also a song from "Les Choristes" movie, 'Sevdim Anladım'.

Track listing

Dirty (disambiguation)

Dirty may refer to:

Places

Film

Music

Artists and labels

Albums

Songs

Computing and technology

See also

Dirrty

"Dirrty" is a song by American singer Christina Aguilera featuring rapper Redman, taken from Aguilera's fourth studio album Stripped (2002). The song was written by Aguilera, Redman, Jasper Cameron, Balewa Muhammad, and Dana Stinson and was produced by Stinson under his production name Rockwilder and Aguilera. It is a hip hop and R&B track which talks about sexual activities.

Aguilera wanted to release a seriously "down and dirty" song to eliminate her bubblegum pop singer image since her career began in 1999. Thus, RCA Records sent "Dirrty" to US mainstream stations in mid-September and released the song as a CD single via retailers from October to November 2002 as the lead single from Stripped to announce her new public image. A music video for "Dirrty" was directed by David LaChapelle and was released on September 30, 2002, depicting various sexual fetishes.

"Dirrty" received mixed reviews from music critics, who were ambivalent towards its composition. The song was nominated a Grammy Award for Best Pop Collaboration with Vocals in 2003. "Dirrty" peaked at number 48 on the US Billboard Hot 100, becoming Aguilera's first single to chart outside the top twenty of the Hot 100. However, the single was an international success, peaking within the top ten charts of multiple countries including Canada, Germany, Hungary, Netherlands, Australia and the United Kingdom. Its music video generated controversy for its sexual content and was banned from Thai television stations.

Dirty (Sonic Youth album)

Dirty is the seventh studio album by American alternative rock band Sonic Youth. It was released on July 21, 1992 by record label DGC. The band recorded and produced the album with Butch Vig in early 1992 at The Magic Shop studios. The sound on Dirty was inspired by the grunge scene of the time, and was described as avant-rock. Some songs on the album mark the first appearance of three guitars in Sonic Youth songs. The album was remastered and released on quadruple vinyl and double CD in 2003.

The album spawned four singles. The first single was "100%", but it was not the crossover hit the label anticipated. Geffen Record executive Mark Kates admitted the single "was not a great radio song", however, the single did chart well. The next was "Youth Against Fascism", which did not chart well. The last two were "Sugar Kane" and "Drunken Butterfly", released in 1993. "Sugar Kane" did better commercially than "Youth Against Fascism". The album sold exceptionally well, reaching No. 6 in the UK Albums Chart (their highest charting album in the UK) and No. 83 in the US.