In philosophy, desire has been identified as a philosophical problem since Antiquity. In Plato's The Republic, Socrates argues that individual desires must be postponed in the name of the higher ideal.
Within the teachings of Buddhism, craving is thought to be the cause of all suffering. By eliminating craving, a person can attain ultimate happiness, or Nirvana. While on the path to liberation, a practitioner is advised to "generate desire" for skillful ends.
In Aristotle's De Anima the soul is seen to be involved in motion, because animals desire things and in their desire, they acquire locomotion. Aristotle argued that desire is implicated in animal interactions and the propensity of animals to motion. But Aristotle acknowledges that desire cannot account for all purposive movement towards a goal. He brackets the problem by positing that perhaps reason, in conjunction with desire and by way of the imagination, makes it possible for one to apprehend an object of desire, to see it as desirable. In this way reason and desire work together to determine what is a good object of desire. This resonates with desire in the chariots of Plato's Phaedrus, for in the Phaedrus the soul is guided by two horses, a dark horse of passion and a white horse of reason. Here passion and reason, as in Aristotle, are also together. Socrates does not suggest the dark horse be done away with, since its passions make possible a movement towards the objects of desire, but he qualifies desire and places it in a relation to reason so that the object of desire can be discerned correctly, so that we may have the right desire. Aristotle distinguishes desire into appetition and volition.
Desire (often stylized as Iyanya vs. Desire) is the second studio album by Nigerian recording artist Iyanya, released by Made Men Music Group on February 6, 2013. The album's production was handled by Tee Y Mix, D'Tunes, Mr. Chido and GospelOnDeBeatz.
The 19 track album features guest appearances from M.I, Wizkid, D'banj, Emma Nyra, Tiwa Savage, Flavour N'abania, May D, Tekno, and Yung L. The album was supported by six singles—"Kukere", "Kukere Remix", "Flavour", "Jombolo", "Ur Waist" and "Sexy Mama".
The meaning behind Desire stems from the concept of one having an alter ego. In a nutshell, Iyanya compares and contrasts his dualistic personalities, saying: "Desire was just an R & B guy with a great voice who took time to write music and talk about his feelings but just a few people appreciate Desire. Desire never made so much money. Desire always begged for shows, hustles for everything but Iyanya is global. Iyanya is accepted by all." Iyanya started working on Iyanya vs. Desire after wrapping up his debut album, My Story. He got inspired to record the hit single, "Kukere", during a visit to his hometown, Calabar. During the same visit, Iyanya realized that the Etighi dance didn't have a unique song to it; to change that and popularize the dance crave, he teamed up with producer D'Tunes and recorded "Kukere".
Désiré (29 December 1823 – September 1873) was a French baritone, who is particularly remembered for creating many comic roles in the works of the French operetta composer Jacques Offenbach. Désiré was a stage name; the artist's real name was Amable Courtecuisse, but for most of his life he was generally known as Désiré.
He was born in Lille, or a nearby village, and studied bassoon, singing, and declamation at the Lille Conservatory. His first appearances were at small theatres in Belgium and northern France beginning in 1845.
In 1847, he arrived at the Théâtre Montmartre in Paris where he met Hervé. He asked Hervé to provide him with a musical sketch (drawn from Cervantes' novel Don Quixote), in which the tall and thin Hervé as the Don was pitted against the short and plump Désiré as Sancho Pança. The sketch inspired what was later dubbed the first French operetta, Hervé's Don Quichotte et Sancho Pança, which premiered in 1848 at Adolphe Adam's Théâtre National at the Cirque Olympique, but with Joseph Kelm, instead of Désiré, as Sancho Pança.
Rudy may refer to:
Crime of the Century is the third album by the English progressive rock band Supertramp, released in September 1974. Crime of the Century was Supertramp's commercial breakthrough in both the US and UK, aided by the UK hit "Dreamer" and the U.S. hit "Bloody Well Right". It was a UK Top 10 album and a U.S. Top 40 album, eventually being certified Gold in the U.S. in 1977 after the release of Even in the Quietest Moments.... The album was Supertramp's first to feature drummer Bob Siebenberg (at the time credited as Bob C. Benberg), woodwinds player John Anthony Helliwell, bassist Dougie Thomson, and co-producer Ken Scott.
The album's dedication reads "To Sam", which is a nickname for Stanley August Miesegaes, the Dutch millionaire who supported the band financially from 1969–72.
After the failure of their first two albums and an unsuccessful tour, the band broke up, and Rick Davies and Roger Hodgson recruited new members, drummer Bob C. Benberg, woodwinds player John Helliwell, and bassist Dougie Thomson. This new line-up were sent by their record label, A&M, in particular A&R man Dave Margereson (who would become their manager for the next ten years) to a seventeenth-century farm in Somerset in order to rehearse together and prepare the album.
Il est entré au bar du port.
Aucun signe particulier,
Et l'instant d'après il en sort
Et le bar commence à brÃ'ler.
Il n'y a pas un seul témoin.
Personne ne se souvient de rien.
L'enquête dure depuis des années.
Tout se trouve dans le dossier D.
On le signale à Monterrey
Où un marin du Titanic
Lui abandonne son béret.
Il part sur le bateau tragique.
Il est parmi les survivants,
Disparaît au premier tournant.
L'enquête n'a pas avancé.
Tout se trouve dans le dossier D.
Juste au moment de l'incendie
On le voit à San Francisco.
Un shérif le photographie
Mais il a raté la photo.
On le voit maigre et basané.
C'est léger pour l'identifier.
On continue à piétiner.
Tout se trouve dans le dossier D.
Un rescapé de Mathausen
Affirme connaître sa voix.
Il est déformé par la haine.
Son témoignage ne compte pas.
On l'a entendu récemment
A la radio, mais pas en allemand.
On a pu l'enregistrer.
Tout se trouve dans le dossier D.
Il fait partie du commando
Qui a fait sauter le BÅ“ing
Sur l'aéroport de Tokyo.
On compte 400 victimes.
Dix personnes ont pu se sauver.
Il est dans les miraculés.
On l'a vu partout où la mort
Avait décidé de frapper :
A Pompéi, à Pearl Harbor,
Au pied de la montagne Pelée.
Il y a un côté amateur
Chez ce prophète de malheur.
C'est un maniaque et c'est un fou.
C'est un assassin, un pyromane,
Un être monstrueux qui joue
Avec les hommes avec les âmes.
Dernier exploit du criminel,
Après on peut tirer l'échelle.
Sur cinq colonnes on va titrer :
'On a volé le dossier D.'