Franz Xaver Scharwenka - Piano Concerto No. 2 (1881)
I.
Allegro - 00:00
II.
Adagio - 20:25
III.
Allegro Non Troppo - 30:53
Franz Xaver Scharwenka was born in Samter,
Prussia (
Polish:
Szamotuły; until 1793 and since
1919 part of
Poland) in 1850. Although he began learning to play the piano by ear when he was 3, Scharwenka did not start formal music studies until he was 15, when his family moved to
Berlin and he enrolled at the
Akademie der Tonkunst. Under
Theodor Kullak, his pianistic skills developed rapidly, and he made his debut at the Singakademie in
1869. He taught at the academy until entering military service in 1873. Upon his discharge in 1874, Scharwenka began touring as a concert pianist. Praised for the beauty of his tone, he was a renowned interpreter of the music of
Frédéric Chopin.
In 1881 Scharwenka organized a successful annual series of chamber and solo concerts at the Singakademie in conjunction with
Gustav Holländer and
Heinrich Grünfeld. That October he founded his own music school in Berlin. In 1886 he conducted the first in a series of orchestral concerts devoted to the music of
Hector Berlioz,
Franz Liszt and
Ludwig van Beethoven while continuing to tour extensively and play his works in collaboration with other artists such as the conductor
Hans Richter and the violinist
Joseph Joachim. This triple role as pianist, composer and educator would occupy Scharwenka for the rest of his career.
In 1891, Scharwenka made his first tour of
America.
Deciding to emigrate, he opened a
New York branch of his Scharwenka
Music School. In 1893 the Berlin Scharwenka
Conservatory was united with the Klindworth Conservatory, and in 1898 he returned there as
Director, from New York. In
1914, with W. Petzet, he opened a
School of
Music with a piano teachers' seminary attached. Among pianists who received some instruction from him were
José Vianna da Motta,
Fridtjof Backer-Grøndahl and
Selmar Janson. His Methodik des Klavierspiels was published in
Leipzig in 1907.
In addition to his activities as a pianist, composer and founder of a music school, he also organized a series of concerts, focusing mainly on works by prominent composers of the century, including
Beethoven,
Berlioz and
Liszt.
Sometime in the very eary
1900s he conducted the
Mendelssohn G
Minor Concerto, at which the composer and pianist
Marthe Servine made her debut. Scharwenka made several recordings for
Columbia Records in 1910
and 1913, including works of his own, as well as
Chopin, Mendelssohn, Weber and Liszt: his account of
Chopin's Fantaisie-Impromptu (Op. posth. 66) is admired. There are Welte-Mignon piano rolls, including the Chopin A-flat
Waltz, Op 42, and the
F minor Fantaisie (Op. 49), his performance of which was famous. He recorded his "Polish
Dance No. 1" in
E-flat minor, Op. 3, No. 1 on
Ampico reproducing piano roll in
1921. He died in
Berlin, Germany, in 1924.