Theravada Buddhist Chant By Ven. Olande - Ananda Thera
Ven. Olande
Ananda Thera sings
Theravada Buddhist chant during the
Festival of sacred
Chant and Singing.
The year
2003 marked the
10th anniversary of the installation and consecration of the
Buddha Statue at
Buddha Jayanti Park. To highlight the values of compassion,
peace and tolerance symbolized by the statue,
Tibet House organised a three-day Festival of
Sacred Chanting and Singing from October 6 to 8. On the morning of the first day, people gathered to hear
His Holiness the Dalai Lama’s discourse on
The Four Seals of Buddhist
Doctrine. This was followed by short performances by eighteen groups and individuals representing the spiritual traditions of five continents. During the evenings, as the moon grew larger and the air cooler, audiences in the
Rose Garden of
India International Centre enjoyed longer performances by these musicians.
There was great variety and range in the chanting and singing. While the Theravada Buddhist chant by Ven. Olande Ananda Thera was calm and peaceful, the performance of African songs by the
Alafia Drumsong &
Worldbeat Ensemble was lively and far from quiet.
Christian Gregorian chants were performed by sisters from the
Benedictine Monastic Community at St. Lioba in
The Netherlands.
Vietnamese Buddhists led by Ven.
Thick Nhu Dien and group performed their tradition of
Buddhist chant. Several musicians offered solo performances: Kongar- ol-Ondar, a high-energy throat singer from the
Russian Republic of
Tuva;
Karen Therese from the
USA, whose clear voice carried the tradition of
Native American chanting; and
Vidya Rao from
Delhi, whose delicate singing of a Buddhist sutra was heard in Sanskrit.
There were other artists from Delhi too, including the
Baha’i Choir from the
Lotus Temple,
Bhai Ajit Singh and Jatha, who chanted in the Sikh tradition, Samani
Malli Pragya and group who sang hymns from the Arhat-Vandana
Jain scriptures, and
Prof. Vachaspati
Upadhyaya’s group, who rendered Vedic chants.
Shovana Narayan and her troupe of Kathak Festival of Sacred Chanting and Singing dancers offered the
Shiva Mantram. Although Zoroastrianism has a large repertoire of songs, it has no tradition of chanting, but an innovative
Parsi group from
Mumbai led by Dr. Homi
Dhalla created their own chants based on their sacred literature.
There were many performers from overseas.
Tosi Poleri from
Italy/
Ecuador played a “cross-cultural” medley of contemporary songs with a strong
South American flavour, some of them accompanied by the pan pipes played throughout the
Andes Mountains. Dr. Mordehai Wosk from
Canada,
Ruth Wieder-Magan and her group from
Israel performed sacred
Hebrew chant and hymns of
Yom Kippur, the holiest day of the
Jewish calendar, and also a very innovative programme based on the esoteric aspects of the
Hebrew alphabet.
The Buddhism of
Tibet was, of course, also represented. The Tehor Khampa
Ladies Choir from
Dharamsala offered the
Mani Chant, a melodious version of the most popular mantra amongst the
Tibetan people.
The monks from
Gyüto Monastery articulated the
Meditation on
Emptiness.
On the final evening one experienced Delhi’s own acclaimed Qawwali singing by
Ghulam Farid Nizami, Chand Nizami and group. Their rousing and joyous blend of singing, drumming and clapping of hands was a fitting conclusion to the Festival, and the enthusiastic drumming by the small son Nizami brought a smile to the faces of everyone who watched and listened. Every evening following dinner, spontaneous music (and even some dancing) burst forth from guitars, flutes, drums and voices from many lands singing in harmony.
Source : www.tibethouse.in
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