- published: 04 Sep 2014
- views: 716222
A farmer is a person engaged in agriculture, who raises living organisms for food or raw materials, generally including livestock husbandry and growing crops, such as produce and grain. A farmer might own the farmed land or might work as a labourer on land owned by others, but in advanced economies, a farmer is usually a farm owner, while employees of the farm are farm workers, farmhands, etc.
The term farmer usually applies to people who do some combination of raising field crops, orchards, vineyards, poultry, or other livestock. Their products might be sold either to a market, in a farmers' market, or directly from a farm. In a subsistence economy, farm products might to some extent be either consumed by the farmer's family or pooled by the community.
More distinct terms are commonly used to denote farmers who raise specific domesticated animals. For example, those who raise grazing livestock, such as cattle, sheep, goats, and horses, are known as ranchers (U.S.), graziers (Australia & U.K.), or simply stockmen. Sheep, goat, and cattle farmers might also be referred to respectively as shepherds, goatherds, and cowherds. The term dairy farmer is applied to those engaged primarily in milk production, whether from cattle, goats, sheep, or other milk producing animals. A poultry farmer is one who concentrates on raising chickens, turkeys, ducks, or geese, for either meat, egg, or feather production, or commonly, all three. A person who raises a variety of vegetables for market may be called a truck farmer or market gardener. Dirt farmer is an American colloquial term for a practical farmer, or one who farms his own land.
Paul Harvey Aurandt (September 4, 1918 – February 28, 2009), better known as Paul Harvey, was an American radio broadcaster for the ABC Radio Networks. He broadcast News and Comment on weekday mornings and mid-days, and at noon on Saturdays, as well as his famous The Rest of the Story segments. His listening audience was estimated, at its peak, at 24 million people a week.Paul Harvey News was carried on 1,200 radio stations, 400 Armed Forces Network stations and 300 newspapers. His broadcasts and newspaper columns have been reprinted in the Congressional Record more than those of any other commentator.
The most noticeable features of Harvey's folksy delivery were his dramatic pauses and quirky intonations.
His success with sponsors stemmed from the seamlessness with which he segued from his monologue into reading commercial messages. He explained his relationship with them, saying "I am fiercely loyal to those willing to put their money where my mouth is."
The son of a policeman, Harvey made radio receivers as a young boy. He attended Tulsa Central High School where a teacher, Isabelle Ronan, was "impressed by his voice." On her recommendation, he started working at KVOO in Tulsa in 1933, when he was 14. His first job was helping clean up. Eventually he was allowed to fill in on the air, reading commercials and the news.
(Right now)
I'm bout to show you how it's done, you can
(Shut down)
Yo, my uzi weights a ton, you can
(Beat down)
And you can pump it in your system till it
(Blow out)
Whatever dog, no doubt, I'm bout to
(Smack up)
Anybody who front like he
(Hardcore)
Don't he know I stay raw? This is
(LL)
Competetion, they fell because I
(Do this)
Bringing drama and truth cuz I don't
(Play that)
And I be reepin up cash since
(Way back)
Put your honey on my lap and make her
(Heat up)
Got her beggin me to beat it up
(Raw dog)
Throw your wacky on the floor, straight
(Kill that)
Have her garglin nuts until I
(Spill that)
You better play like En Vogue and
(Hold on)
You wanna battle? Set it off baby
(Come on)
Come one, Come on, Come on
(F) because my flavor's the best
(A) I get my hustle off all day
(R) Reck my block, knee all far
(M) I gotta hold it down wit my man
(E) Big up to my nigga E Love
(R) Keep the ill rims on the car
(S) I repped it, what more can I say, son
Farmers (What)
Farmers (What)
(Murder)
Little niggas gettin money on the
(Hot block)
He got the chrome shit spinnin up on
(Linden)
Look at the ice and leather, the way it
(Blendin)
Pass the spit hot Linden from here to
(Mary)
You think you hot, Cool Jane? Ever
(Here it)
And when it comes to this I'm not a
(Soldier)
I'm a General crack King
(I told ya)
I proved I'm the greatest rapper, nigga
(What now)
Tell your man step up, then watch he
(Go down)
Game one, do or die like
(Bedside)
Nobody even comin close, nigga
(Why try)
From the Bronx to Shaolin to
(Uptown)
Like Buckshot said nigga
(Duck down)
You better play like En Vogue and
(Hold on)
You know I'm goin out nigga
(Come on)
Come on, Come one, Come on
Na-na-na
Na-na-na-na-na-na-na-na
(No doubt)
I'll take your block and air it out, stay
(Ice out)
Me and my man, Little Sharp in the
(Double R)
Whole block, lined up wit all the
(Hot cars)
Nigga, never be afraid you gotta
(Get paid)
No matter what I do, I keep it
(Sexy)
Me and my team spendin cream on the
(Club scene)
On Performance Boulevard out in
(Killa Queens)
This joint knocked in the tunnel bout
(One o'clock)
They like them raw, not the watered down
(Hip Hop)
The broad money and alah zay it
(Don't Stop)
Niggas stumblin and fallin off a
(Head Ride)
When I'm goin to Bedshaw
(Remember me)
I'm the greast Em Cee there could
(Ever be)
You better call Def Jam, and tell 'em
(Hold on)
Cuz another major label told me
(Come on)