Completeness

Complete may refer to:

Logic

Mathematics

Complete (The Veronicas album)

Complete is a compilation album by Australian band The Veronicas which was released in Japan on 18 March 2009 by Pony Canyon, and Latin America on 11 August 2009.

Information

The compilation album is a two-disc album that contains all the songs from their debut album The Secret Life of... and Hook Me Up and also includes 3 bonus tracks.

Track lisiting

This is the tracklisting for the 2 disc album:

Disc one: The Secret Life of...

Complete (complexity)

In computational complexity theory, a computational problem is complete for a complexity class if it is, in a technical sense, among the "hardest" (or "most expressive") problems in the complexity class.

More formally, a problem p is called hard for a complexity class C under a given type of reduction, if there exists a reduction (of the given type) from any problem in C to p. If a problem is both hard for the class and a member of the class, it is complete for that class (for that type of reduction).

A problem that is complete for a class C is said to be C-complete, and the class of all problems complete for C is denoted C-complete. The first complete class to be defined and the most well-known is NP-complete, a class that contains many difficult-to-solve problems that arise in practice. Similarly, a problem hard for a class C is called C-hard, e.g. NP-hard.

Normally it is assumed that the reduction in question does not have higher computational complexity than the class itself. Therefore it may be said that if a C-complete problem has a "computationally easy" solution, then all problems in "C" have an "easy" solution.

Wait (Beatles song)

"Wait" is a song recorded by the Beatles, from their 1965 album Rubber Soul. The songwriting credit is Lennon–McCartney, and the song is usually said to be a joint effort between the two, although in the 1997 book, Many Years from Now, McCartney recalls it as entirely his. This is supported by a 1970 interview with John Lennon by Ray Connolly. John could not remember writing it. "That must be one of Paul's," he said. The middle eight section is similar to Autumn Leaves (1945 song) (one example being the line "I know that you" matches "old winter's song" from Autumn Leaves).

Origin and recording

The song was originally recorded for Help! in June 1965 but did not make the final pressing. When Rubber Soul fell one song short for a Christmas release, "Wait" was brought back. Overdubs were added to the initial recording so it would blend in better with the other, more recent songs on Rubber Soul.

The lyrics, describing the singer's anxieties about his relationship with his girlfriend while he is away, are thematically similar to several other Lennon–McCartney songs, such as "When I Get Home" and "Things We Said Today," written during the period of 1964 and 1965. The vocals on the verse are shared between Lennon and McCartney, and McCartney sings the two middle eight sections. Instrumentally, the most memorable feature of "Wait" is George Harrison's tone pedal guitar.

Wait (Wang Chung song)

"Wait" is a single by Wang Chung, released as the fourth and final single from their 1984 album, Points on the Curve. The single reached #87 on the UK Singles Chart. Aside from the early singles released as Huang Chung, "Wait" was the only single by Wang Chung that failed to chart on the U.S. Billboard Hot 100. However, it peaked at #17 on the U.S. Billboard Hot Dance Club Play chart.

No music video was shot for "Wait".

Wait is also the only Wang Chung song to appear on two different non-compilation albums. Wait originally appeared on Points on the Curve, but was used again in the To Live and Die in L.A. soundtrack when director William Friedkin liked the song so much, he wanted to incorporate it into his 1985 thriller, To Live and Die in L.A. "Wait" appears during the end credits of the film.

Track listing

Charts

Hurry Up, We're Dreaming

Hurry Up, We're Dreaming is the sixth studio album by French electronic band M83. The double album was released on 18 October 2011 by Naïve Records in France and Mute Records in the United States. The album was produced by Justin Meldal-Johnsen, mixed by Tony Hoffer and has received generally positive reviews. In addition, it debuted at number fifteen on the US Billboard 200 with first-week sales of 21,000 copies, becoming M83's highest-charting album to date. The album was nominated for Best Alternative Music Album at the 2013 Grammy Awards.

The album was recognized as one of The 100 Best Albums of the Decade So Far by Pitchfork Media in August 2014.

Production

Background and recording

Prior to recording Hurry Up, We're Dreaming, Anthony Gonzalez had moved from his native France to Los Angeles. Describing the move in an interview, Gonzalez said: "Having spent 29 years of my life in France, I moved to California a year and a half before the making of this album and I was excited and inspired by so many different things: by the landscape, by the way of life, by live shows, by movies, by the road trips I took alone... I was feeling alive again and this is, I feel, something that you can hear on the album" Gonzalez's tour with The Killers, Depeche Mode and Kings of Leon, in addition to his road trips to Joshua Tree National Park also heavily influenced the album. Gonzalez cited the ambitiousness of albums such as Mellon Collie and the Infinite Sadness as the reason he made Hurry Up, We're Dreaming a double album. In addition, he described the two discs as brother and sister, with each track having a sibling on the other disc. The album was recorded in Los Angeles at Sunset Studio and The Sound Factory. Because of budget constraints and union issues, the string and brass players who contributed to the album were not paid and were credited with pseudonyms.