- published: 04 Apr 2013
- views: 7939
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"Wavelength is a 45-minute film that made the reputation of Canadian experimental filmmaker and artist Michael Snow. Considered a landmark of avant-garde cinema, it was filmed over one week in December 1966 and edited in 1967, and is an example of what film theorist P. Adams Sitney describes as "structural film", calling Snow "the dean of structural filmmakers." Wavelength is often listed as one of the greatest underground, art house and Canadian films ever made. It was named #85 in the 2001 Village Voice critics' list of the 100 Best Films of the 20th Century. The film has been designated and preserved as a masterwork by the Audio-Visual Preservation Trust of Canada.[6] In a 1969 review of the film published in Artforum, Manny Farber describes Wavelength as "a pure, tough 45 minutes that may become The Birth of a Nation in Underground films, is a straightforward document of a room in which a dozen businesses have lived and gone bankrupt. For all of the film's sophistication (and it is overpowering for its time-space-sound inventions) it is a singularly unpadded, uncomplicated, deadly realistic way to film three walls, a ceiling and a floor... it is probably the most rigorously composed movie in existence."
Disclaimer: I DO NOT OWN THIS MATERIAL. This is purely for academic purposes, and I do not intend on any financial gain as a result of posting this.
by : Michael Snow
durée : 00:45 mn
1967
Le film, réalisé sur plusieurs jours avec une caméra Bolex de location, consiste en un zoom avant très lent sur une durée de trois-quarts d'heure environ. Il s'ouvre sur un plan large de l'atelier-loft de l'artiste à New York et se resserre, par petites avancés progressives, sur un espace situé entre deux fenêtres au centre de l'image. Une photographie de vagues accrochée au mur à cet endroit finit par remplir totalement le cadre, faisant ainsi disparaître tout l'espace qui vient d'être traversé. Durant ce temps, différents évènements épars ont lieu dans la pièce : des hommes installent une étagère sous le conseil d'une femme, deux jeunes femmes viennent prendre le café en écoutant Strawberry Fields à la radio, un homme rentre et s'effondre au sol, une jeune femme entre la pièce, voit le cadavre hors champ et appelle un dénommé Richard lui demandant de venir. Ces petits évènements sont éloignées dans le temps, mais durant les autres moments différents éléments interviennent perturbant la continuité : des gélatines de couleur sont tenues devant l'objectif, la lumière change (le film ayant été tourné dans un ordre différent de sa narration)passant parfois du jour à la nuit sans transition, et les tonalités de l'image changent (Snow ayant utilisé volontairement plusieurs marques et types de pellicule). La bande son, naturaliste au commencement du film, est remplacé (après la fermeture d'une des fenêtres par un personnage) par une longueur d'onde allant du plus grave au plus aigu. Ce son peut rendre le film éprouvant à regarder en entier.
Le film, considéré comme révolutionnaire à une époque où le cinéma expérimental privilégiait les montages hachures et découpés, voir les pelluciles peintes (comme les films de Stan Brakhage), le long zoom et la simplicité de la réalisation lui ont fait gagner le grand prix du festival de cinéma expérimental de Knokke-le-Zoute en 1967.
Source texte : http://fr.wikipedia.org/wiki/Wavelength
- published: 12 Apr 2012
- views: 226
Michael Snow - (2003) WVLNT (Wavelength For Those Who Don't Have the Time)
Short version of Michael Snow's film Wavelenght (1967)
I do not own the copyright, I only upload it to share his work.
- published: 16 Aug 2011
- views: 16090
"Wavelength can be aligned with the tactic of unusually prolonged, redundant or repetitive attention that effectively blurred the boundaries between heightened acuity and absolute ignoring on the part of the viewer." p14
λ is a condensed version of Michael Snow's WVLNT (2003), which itself is a condensed version of Michael Snow's Wavelength (1967).
People complained about the time (45mins) the original film took, so Snow cut the film into 3 equal sections of 15mins and merged them together, so each track was visible amongst the others.
I cut WVLNT into 10 equal 1min 30sec sections and superimposed them on top of one another "creating the effect of rooms telescoped within the room." p15
The audio track is a sped up version of that from WVLNT, with the sine-wave's pitch starting from 50Hz and increasing to 12,000Hz, the same frequencies as Wavelength, but over a much shorter duration.
This is intended to be useful for avant-garde film/artists' moving image courses saving time in seminars.
"The zoom is a kind of scale marking our experience of time as one of both loss and accumulation." p21
"Like Zeno's arrow, Wavelength's zoom can work as a metaphor for any number of things: perceptual processes, chronological measurement, directional movement, light of sight, teleological history, or narrative of any kind. At the time of its making and ever since, Wavelength has functioned as a kind of allegorical structure par excellence, situated within any number of scientific, philosophical, sociological and popular culture narratives. in 1967 Snow wrote that Wavelength had originated as a summation of 'everything that I've thought about, everything', but wryly concluded that in fact 'it doesn't really mean anything' p22
All quotes from Elizabeth Legge 'Wavelength - Michael Snow' Afterall Books, London 2009
- published: 19 Feb 2013
- views: 43
Michaels Snow is a reference to two very different kinds of seminal events in my life. The first has to with art experience. I saw Michael Snows Wavelength in 1967. In the film a camera zooms slowly—from the end of a room to a photograph of waves on the wall at the opposite end. The zoom is accompanied by a sine wave as it gradually progresses from its lowest note to its highest and passes through color filters, film stocks, positive and reverse exposure. I have never seen the film again but it has always remained with me—thus I know it was/is a seminal art experience.
The second has to do with sadness and loss, relational in proportion to the people I love. When I made this film I thought it was about snow, now I know it is about the winters of my heart.
For more information about Susan Shaw go to:
www.slshaw.info
www.susanandkurt.blogspot.com
For more information about Conrad Cummings go to:
www.conradcummings.com
©2009 Susan Shaw
- published: 03 Apr 2009
- views: 2838
Wavelength (1967 film)
Wavelength is a 45-minute film that made the reputation of Canadian experimental filmmaker and artist Michael Snow. Considered a landmark of avant-garde cinema, it was filmed over one week in December 1966 and edited in 1967, and is an example of what film theorist P. Adams Sitney describes as "structural film", calling Snow "the dean of structural filmmakers."Wavelength is often listed as one of the greatest underground, art house and Canadian films ever made. It was named #85 in the 2001 Village Voice critics' list of the 100 Best Films of the 20th Century. The film has been designated and preserved as a masterwork by the Audio-Visual Preservation Trust of Canada. In a 1969 review of the film published in Artforum, Manny Farber describes Wavelength as "a pure, tough 45 minutes that may become The Birth of a Nation in Underground films, is a straightforward document of a room in which a dozen businesses have lived and gone bankrupt. For all of the film's sophistication (and it is overpowering for its time-space-sound inventions) it is a singularly unpadded, uncomplicated, deadly realistic way to film three walls, a ceiling and a floor... it is probably the most rigorously composed movie in existence."
This page contains text from Wikipedia, the Free Encyclopedia -
https://wn.com/Wavelength_(1967_film)
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
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42:57Wavelength (1967) Experimental Film
Wavelength (1967) Experimental FilmWavelength (1967) Experimental Film
"Wavelength is a 45-minute film that made the reputation of Canadian experimental filmmaker and artist Michael Snow. Considered a landmark of avant-garde cinema, it was filmed over one week in December 1966 and edited in 1967, and is an example of what film theorist P. Adams Sitney describes as "structural film", calling Snow "the dean of structural filmmakers." Wavelength is often listed as one of the greatest underground, art house and Canadian films ever made. It was named #85 in the 2001 Village Voice critics' list of the 100 Best Films of the 20th Century. The film has been designated and preserved as a masterwork by the Audio-Visual Preservation Trust of Canada.[6] In a 1969 review of the film published in Artforum, Manny Farber describes Wavelength as "a pure, tough 45 minutes that may become The Birth of a Nation in Underground films, is a straightforward document of a room in which a dozen businesses have lived and gone bankrupt. For all of the film's sophistication (and it is overpowering for its time-space-sound inventions) it is a singularly unpadded, uncomplicated, deadly realistic way to film three walls, a ceiling and a floor... it is probably the most rigorously composed movie in existence." Disclaimer: I DO NOT OWN THIS MATERIAL. This is purely for academic purposes, and I do not intend on any financial gain as a result of posting this. -
42:57Wavelength (Michael Snow, 1967)
Wavelength (Michael Snow, 1967)Wavelength (Michael Snow, 1967)
http://www.imdb.com/title/tt0127354/ -
0:52Wavelength (1967) Review
Wavelength (1967) ReviewWavelength (1967) Review
-
42:49Wavelength
WavelengthWavelength
by : Michael Snow durée : 00:45 mn 1967 Le film, réalisé sur plusieurs jours avec une caméra Bolex de location, consiste en un zoom avant très lent sur une durée de trois-quarts d'heure environ. Il s'ouvre sur un plan large de l'atelier-loft de l'artiste à New York et se resserre, par petites avancés progressives, sur un espace situé entre deux fenêtres au centre de l'image. Une photographie de vagues accrochée au mur à cet endroit finit par remplir totalement le cadre, faisant ainsi disparaître tout l'espace qui vient d'être traversé. Durant ce temps, différents évènements épars ont lieu dans la pièce : des hommes installent une étagère sous le conseil d'une femme, deux jeunes femmes viennent prendre le café en écoutant Strawberry Fields à la radio, un homme rentre et s'effondre au sol, une jeune femme entre la pièce, voit le cadavre hors champ et appelle un dénommé Richard lui demandant de venir. Ces petits évènements sont éloignées dans le temps, mais durant les autres moments différents éléments interviennent perturbant la continuité : des gélatines de couleur sont tenues devant l'objectif, la lumière change (le film ayant été tourné dans un ordre différent de sa narration)passant parfois du jour à la nuit sans transition, et les tonalités de l'image changent (Snow ayant utilisé volontairement plusieurs marques et types de pellicule). La bande son, naturaliste au commencement du film, est remplacé (après la fermeture d'une des fenêtres par un personnage) par une longueur d'onde allant du plus grave au plus aigu. Ce son peut rendre le film éprouvant à regarder en entier. Le film, considéré comme révolutionnaire à une époque où le cinéma expérimental privilégiait les montages hachures et découpés, voir les pelluciles peintes (comme les films de Stan Brakhage), le long zoom et la simplicité de la réalisation lui ont fait gagner le grand prix du festival de cinéma expérimental de Knokke-le-Zoute en 1967. Source texte : http://fr.wikipedia.org/wiki/Wavelength -
9:56wavelength (1967)
wavelength (1967)wavelength (1967)
michael snow - wavelength(1967) -
3:48Wavelength (Death Scene clip), Michael Snow, 1967
Wavelength (Death Scene clip), Michael Snow, 1967Wavelength (Death Scene clip), Michael Snow, 1967
Full version HERE: http://www.youtube.com/watch?v=aBOzOVLxbCE -
4:44Wavelength (1967) by Michael Snow, "Take a Bow" by Muse
Wavelength (1967) by Michael Snow, "Take a Bow" by MuseWavelength (1967) by Michael Snow, "Take a Bow" by Muse
Mashup -
15:14Michael Snow - (2003) WVLNT (Wavelength For Those Who Don't Have the Time)
Michael Snow - (2003) WVLNT (Wavelength For Those Who Don't Have the Time)Michael Snow - (2003) WVLNT (Wavelength For Those Who Don't Have the Time)
Michael Snow - (2003) WVLNT (Wavelength For Those Who Don't Have the Time) Short version of Michael Snow's film Wavelenght (1967) I do not own the copyright, I only upload it to share his work. -
1:45λ
λλ
"Wavelength can be aligned with the tactic of unusually prolonged, redundant or repetitive attention that effectively blurred the boundaries between heightened acuity and absolute ignoring on the part of the viewer." p14 λ is a condensed version of Michael Snow's WVLNT (2003), which itself is a condensed version of Michael Snow's Wavelength (1967). People complained about the time (45mins) the original film took, so Snow cut the film into 3 equal sections of 15mins and merged them together, so each track was visible amongst the others. I cut WVLNT into 10 equal 1min 30sec sections and superimposed them on top of one another "creating the effect of rooms telescoped within the room." p15 The audio track is a sped up version of that from WVLNT, with the sine-wave's pitch starting from 50Hz and increasing to 12,000Hz, the same frequencies as Wavelength, but over a much shorter duration. This is intended to be useful for avant-garde film/artists' moving image courses saving time in seminars. "The zoom is a kind of scale marking our experience of time as one of both loss and accumulation." p21 "Like Zeno's arrow, Wavelength's zoom can work as a metaphor for any number of things: perceptual processes, chronological measurement, directional movement, light of sight, teleological history, or narrative of any kind. At the time of its making and ever since, Wavelength has functioned as a kind of allegorical structure par excellence, situated within any number of scientific, philosophical, sociological and popular culture narratives. in 1967 Snow wrote that Wavelength had originated as a summation of 'everything that I've thought about, everything', but wryly concluded that in fact 'it doesn't really mean anything' p22 All quotes from Elizabeth Legge 'Wavelength - Michael Snow' Afterall Books, London 2009 -
3:04Michael's Snow — a film by Susan Shaw
Michael's Snow — a film by Susan ShawMichael's Snow — a film by Susan Shaw
Michaels Snow is a reference to two very different kinds of seminal events in my life. The first has to with art experience. I saw Michael Snows Wavelength in 1967. In the film a camera zooms slowly—from the end of a room to a photograph of waves on the wall at the opposite end. The zoom is accompanied by a sine wave as it gradually progresses from its lowest note to its highest and passes through color filters, film stocks, positive and reverse exposure. I have never seen the film again but it has always remained with me—thus I know it was/is a seminal art experience. The second has to do with sadness and loss, relational in proportion to the people I love. When I made this film I thought it was about snow, now I know it is about the winters of my heart. For more information about Susan Shaw go to: www.slshaw.info www.susanandkurt.blogspot.com For more information about Conrad Cummings go to: www.conradcummings.com ©2009 Susan Shaw
Wavelength
ALBUMS
- Goa Transcendental 2: Psychedelic Soundscapes released: 1997
Goa Transcendental 2: Psychedelic Soundscapes
Released 1997- add to main playlist Play in Full Screen Electronic
- add to main playlist Play in Full Screen Sonic Seaweed
- add to main playlist Play in Full Screen Aloo
- add to main playlist Play in Full Screen Siren
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- add to main playlist Play in Full Screen Bubble Dub
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Wavelength
ALBUMS
- Heartbreakers released: 1989
- The Ultimate Ballad Collection released:
Heartbreakers
Released 1989- add to main playlist Play in Full Screen Light My Fire
- add to main playlist Play in Full Screen Made It Thru the Rain
- add to main playlist Play in Full Screen Everybody's Talkin'
- add to main playlist Play in Full Screen Changes
- add to main playlist Play in Full Screen Love Is the Sweetest Thing
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- add to main playlist Play in Full Screen Here You Come Again
- add to main playlist Play in Full Screen I Love You Because
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- add to main playlist Play in Full Screen And I Love You So
- add to main playlist Play in Full Screen Love Me Tender
- add to main playlist Play in Full Screen My Way
- add to main playlist Play in Full Screen Breaking Up Is Hard to Do
The Ultimate Ballad Collection
- add to main playlist Play in Full Screen The Power of Love
- add to main playlist Play in Full Screen Wherever I Lay My Hat
- add to main playlist Play in Full Screen Would I Lie to You?
- add to main playlist Play in Full Screen Move Closer
- add to main playlist Play in Full Screen Free
- add to main playlist Play in Full Screen Tears on My Pillow
- add to main playlist Play in Full Screen Crying
- add to main playlist Play in Full Screen Without You
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- add to main playlist Play in Full Screen True
- add to main playlist Play in Full Screen Eternal Flame
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-
Wavelength (1967) Experimental Film
"Wavelength is a 45-minute film that made the reputation of Canadian experimental filmmaker and artist Michael Snow. Considered a landmark of avant-garde cinema, it was filmed over one week in December 1966 and edited in 1967, and is an example of what film theorist P. Adams Sitney describes as "structural film", calling Snow "the dean of structural filmmakers." Wavelength is often listed as one of the greatest underground, art house and Canadian films ever made. It was named #85 in the 2001 Village Voice critics' list of the 100 Best Films of the 20th Century. The film has been designated and preserved as a masterwork by the Audio-Visual Preservation Trust of Canada.[6] In a 1969 review of the film published in Artforum, Manny Farber describes Wavelength as "a pure, tough 45 minutes that ...
published: 04 Apr 2013 -
-
Wavelength (1967) Review
published: 16 Apr 2015 -
Wavelength
by : Michael Snow durée : 00:45 mn 1967 Le film, réalisé sur plusieurs jours avec une caméra Bolex de location, consiste en un zoom avant très lent sur une durée de trois-quarts d'heure environ. Il s'ouvre sur un plan large de l'atelier-loft de l'artiste à New York et se resserre, par petites avancés progressives, sur un espace situé entre deux fenêtres au centre de l'image. Une photographie de vagues accrochée au mur à cet endroit finit par remplir totalement le cadre, faisant ainsi disparaître tout l'espace qui vient d'être traversé. Durant ce temps, différents évènements épars ont lieu dans la pièce : des hommes installent une étagère sous le conseil d'une femme, deux jeunes femmes viennent prendre le café en écoutant Strawberry Fields à la radio, un homme rentre et s'effondre au sol...
published: 12 Apr 2012 -
-
Wavelength (Death Scene clip), Michael Snow, 1967
Full version HERE: http://www.youtube.com/watch?v=aBOzOVLxbCE
published: 28 Nov 2013 -
Wavelength (1967) by Michael Snow, "Take a Bow" by Muse
Mashup
published: 15 Dec 2009 -
Michael Snow - (2003) WVLNT (Wavelength For Those Who Don't Have the Time)
Michael Snow - (2003) WVLNT (Wavelength For Those Who Don't Have the Time) Short version of Michael Snow's film Wavelenght (1967) I do not own the copyright, I only upload it to share his work.
published: 16 Aug 2011 -
λ
"Wavelength can be aligned with the tactic of unusually prolonged, redundant or repetitive attention that effectively blurred the boundaries between heightened acuity and absolute ignoring on the part of the viewer." p14 λ is a condensed version of Michael Snow's WVLNT (2003), which itself is a condensed version of Michael Snow's Wavelength (1967). People complained about the time (45mins) the original film took, so Snow cut the film into 3 equal sections of 15mins and merged them together, so each track was visible amongst the others. I cut WVLNT into 10 equal 1min 30sec sections and superimposed them on top of one another "creating the effect of rooms telescoped within the room." p15 The audio track is a sped up version of that from WVLNT, with the sine-wave's pitch starting from 50Hz ...
published: 19 Feb 2013 -
Michael's Snow — a film by Susan Shaw
Michaels Snow is a reference to two very different kinds of seminal events in my life. The first has to with art experience. I saw Michael Snows Wavelength in 1967. In the film a camera zooms slowly—from the end of a room to a photograph of waves on the wall at the opposite end. The zoom is accompanied by a sine wave as it gradually progresses from its lowest note to its highest and passes through color filters, film stocks, positive and reverse exposure. I have never seen the film again but it has always remained with me—thus I know it was/is a seminal art experience. The second has to do with sadness and loss, relational in proportion to the people I love. When I made this film I thought it was about snow, now I know it is about the winters of my heart. For more information about Susan...
published: 03 Apr 2009
Wavelength (1967) Experimental Film
- Order: Reorder
- Duration: 42:57
- Updated: 04 Apr 2013
- views: 7939
"Wavelength is a 45-minute film that made the reputation of Canadian experimental filmmaker and artist Michael Snow. Considered a landmark of avant-garde cinema...
"Wavelength is a 45-minute film that made the reputation of Canadian experimental filmmaker and artist Michael Snow. Considered a landmark of avant-garde cinema, it was filmed over one week in December 1966 and edited in 1967, and is an example of what film theorist P. Adams Sitney describes as "structural film", calling Snow "the dean of structural filmmakers." Wavelength is often listed as one of the greatest underground, art house and Canadian films ever made. It was named #85 in the 2001 Village Voice critics' list of the 100 Best Films of the 20th Century. The film has been designated and preserved as a masterwork by the Audio-Visual Preservation Trust of Canada.[6] In a 1969 review of the film published in Artforum, Manny Farber describes Wavelength as "a pure, tough 45 minutes that may become The Birth of a Nation in Underground films, is a straightforward document of a room in which a dozen businesses have lived and gone bankrupt. For all of the film's sophistication (and it is overpowering for its time-space-sound inventions) it is a singularly unpadded, uncomplicated, deadly realistic way to film three walls, a ceiling and a floor... it is probably the most rigorously composed movie in existence."
Disclaimer: I DO NOT OWN THIS MATERIAL. This is purely for academic purposes, and I do not intend on any financial gain as a result of posting this.
wn.com/Wavelength (1967) Experimental Film
"Wavelength is a 45-minute film that made the reputation of Canadian experimental filmmaker and artist Michael Snow. Considered a landmark of avant-garde cinema, it was filmed over one week in December 1966 and edited in 1967, and is an example of what film theorist P. Adams Sitney describes as "structural film", calling Snow "the dean of structural filmmakers." Wavelength is often listed as one of the greatest underground, art house and Canadian films ever made. It was named #85 in the 2001 Village Voice critics' list of the 100 Best Films of the 20th Century. The film has been designated and preserved as a masterwork by the Audio-Visual Preservation Trust of Canada.[6] In a 1969 review of the film published in Artforum, Manny Farber describes Wavelength as "a pure, tough 45 minutes that may become The Birth of a Nation in Underground films, is a straightforward document of a room in which a dozen businesses have lived and gone bankrupt. For all of the film's sophistication (and it is overpowering for its time-space-sound inventions) it is a singularly unpadded, uncomplicated, deadly realistic way to film three walls, a ceiling and a floor... it is probably the most rigorously composed movie in existence."
Disclaimer: I DO NOT OWN THIS MATERIAL. This is purely for academic purposes, and I do not intend on any financial gain as a result of posting this.
- published: 04 Apr 2013
- views: 7939
Wavelength (Michael Snow, 1967)
- Order: Reorder
- Duration: 42:57
- Updated: 21 Jan 2012
- views: 117067
http://www.imdb.com/title/tt0127354/
http://www.imdb.com/title/tt0127354/
wn.com/Wavelength (Michael Snow, 1967)
Wavelength (1967) Review
- Order: Reorder
- Duration: 0:52
- Updated: 16 Apr 2015
- views: 70
- published: 16 Apr 2015
- views: 70
Wavelength
- Order: Reorder
- Duration: 42:49
- Updated: 12 Apr 2012
- views: 226
by : Michael Snow
durée : 00:45 mn
1967
Le film, réalisé sur plusieurs jours avec une caméra Bolex de location, consiste en un zoom avant très lent sur une d...
by : Michael Snow
durée : 00:45 mn
1967
Le film, réalisé sur plusieurs jours avec une caméra Bolex de location, consiste en un zoom avant très lent sur une durée de trois-quarts d'heure environ. Il s'ouvre sur un plan large de l'atelier-loft de l'artiste à New York et se resserre, par petites avancés progressives, sur un espace situé entre deux fenêtres au centre de l'image. Une photographie de vagues accrochée au mur à cet endroit finit par remplir totalement le cadre, faisant ainsi disparaître tout l'espace qui vient d'être traversé. Durant ce temps, différents évènements épars ont lieu dans la pièce : des hommes installent une étagère sous le conseil d'une femme, deux jeunes femmes viennent prendre le café en écoutant Strawberry Fields à la radio, un homme rentre et s'effondre au sol, une jeune femme entre la pièce, voit le cadavre hors champ et appelle un dénommé Richard lui demandant de venir. Ces petits évènements sont éloignées dans le temps, mais durant les autres moments différents éléments interviennent perturbant la continuité : des gélatines de couleur sont tenues devant l'objectif, la lumière change (le film ayant été tourné dans un ordre différent de sa narration)passant parfois du jour à la nuit sans transition, et les tonalités de l'image changent (Snow ayant utilisé volontairement plusieurs marques et types de pellicule). La bande son, naturaliste au commencement du film, est remplacé (après la fermeture d'une des fenêtres par un personnage) par une longueur d'onde allant du plus grave au plus aigu. Ce son peut rendre le film éprouvant à regarder en entier.
Le film, considéré comme révolutionnaire à une époque où le cinéma expérimental privilégiait les montages hachures et découpés, voir les pelluciles peintes (comme les films de Stan Brakhage), le long zoom et la simplicité de la réalisation lui ont fait gagner le grand prix du festival de cinéma expérimental de Knokke-le-Zoute en 1967.
Source texte : http://fr.wikipedia.org/wiki/Wavelength
wn.com/Wavelength
by : Michael Snow
durée : 00:45 mn
1967
Le film, réalisé sur plusieurs jours avec une caméra Bolex de location, consiste en un zoom avant très lent sur une durée de trois-quarts d'heure environ. Il s'ouvre sur un plan large de l'atelier-loft de l'artiste à New York et se resserre, par petites avancés progressives, sur un espace situé entre deux fenêtres au centre de l'image. Une photographie de vagues accrochée au mur à cet endroit finit par remplir totalement le cadre, faisant ainsi disparaître tout l'espace qui vient d'être traversé. Durant ce temps, différents évènements épars ont lieu dans la pièce : des hommes installent une étagère sous le conseil d'une femme, deux jeunes femmes viennent prendre le café en écoutant Strawberry Fields à la radio, un homme rentre et s'effondre au sol, une jeune femme entre la pièce, voit le cadavre hors champ et appelle un dénommé Richard lui demandant de venir. Ces petits évènements sont éloignées dans le temps, mais durant les autres moments différents éléments interviennent perturbant la continuité : des gélatines de couleur sont tenues devant l'objectif, la lumière change (le film ayant été tourné dans un ordre différent de sa narration)passant parfois du jour à la nuit sans transition, et les tonalités de l'image changent (Snow ayant utilisé volontairement plusieurs marques et types de pellicule). La bande son, naturaliste au commencement du film, est remplacé (après la fermeture d'une des fenêtres par un personnage) par une longueur d'onde allant du plus grave au plus aigu. Ce son peut rendre le film éprouvant à regarder en entier.
Le film, considéré comme révolutionnaire à une époque où le cinéma expérimental privilégiait les montages hachures et découpés, voir les pelluciles peintes (comme les films de Stan Brakhage), le long zoom et la simplicité de la réalisation lui ont fait gagner le grand prix du festival de cinéma expérimental de Knokke-le-Zoute en 1967.
Source texte : http://fr.wikipedia.org/wiki/Wavelength
- published: 12 Apr 2012
- views: 226
wavelength (1967)
- Order: Reorder
- Duration: 9:56
- Updated: 09 Sep 2006
- views: 91399
michael snow - wavelength(1967)
michael snow - wavelength(1967)
wn.com/Wavelength (1967)
Wavelength (Death Scene clip), Michael Snow, 1967
- Order: Reorder
- Duration: 3:48
- Updated: 28 Nov 2013
- views: 205
Full version HERE: http://www.youtube.com/watch?v=aBOzOVLxbCE
Full version HERE: http://www.youtube.com/watch?v=aBOzOVLxbCE
wn.com/Wavelength (Death Scene Clip), Michael Snow, 1967
Wavelength (1967) by Michael Snow, "Take a Bow" by Muse
- Order: Reorder
- Duration: 4:44
- Updated: 15 Dec 2009
- views: 4423
Mashup
Mashup
wn.com/Wavelength (1967) By Michael Snow, Take A Bow By Muse
Mashup
- published: 15 Dec 2009
- views: 4423
Michael Snow - (2003) WVLNT (Wavelength For Those Who Don't Have the Time)
- Order: Reorder
- Duration: 15:14
- Updated: 16 Aug 2011
- views: 16090
Michael Snow - (2003) WVLNT (Wavelength For Those Who Don't Have the Time)
Short version of Michael Snow's film Wavelenght (1967)
I do not own the copyrig...
Michael Snow - (2003) WVLNT (Wavelength For Those Who Don't Have the Time)
Short version of Michael Snow's film Wavelenght (1967)
I do not own the copyright, I only upload it to share his work.
wn.com/Michael Snow (2003) Wvlnt (Wavelength For Those Who Don't Have The Time)
Michael Snow - (2003) WVLNT (Wavelength For Those Who Don't Have the Time)
Short version of Michael Snow's film Wavelenght (1967)
I do not own the copyright, I only upload it to share his work.
- published: 16 Aug 2011
- views: 16090
λ
- Order: Reorder
- Duration: 1:45
- Updated: 19 Feb 2013
- views: 43
"Wavelength can be aligned with the tactic of unusually prolonged, redundant or repetitive attention that effectively blurred the boundaries between heightened ...
"Wavelength can be aligned with the tactic of unusually prolonged, redundant or repetitive attention that effectively blurred the boundaries between heightened acuity and absolute ignoring on the part of the viewer." p14
λ is a condensed version of Michael Snow's WVLNT (2003), which itself is a condensed version of Michael Snow's Wavelength (1967).
People complained about the time (45mins) the original film took, so Snow cut the film into 3 equal sections of 15mins and merged them together, so each track was visible amongst the others.
I cut WVLNT into 10 equal 1min 30sec sections and superimposed them on top of one another "creating the effect of rooms telescoped within the room." p15
The audio track is a sped up version of that from WVLNT, with the sine-wave's pitch starting from 50Hz and increasing to 12,000Hz, the same frequencies as Wavelength, but over a much shorter duration.
This is intended to be useful for avant-garde film/artists' moving image courses saving time in seminars.
"The zoom is a kind of scale marking our experience of time as one of both loss and accumulation." p21
"Like Zeno's arrow, Wavelength's zoom can work as a metaphor for any number of things: perceptual processes, chronological measurement, directional movement, light of sight, teleological history, or narrative of any kind. At the time of its making and ever since, Wavelength has functioned as a kind of allegorical structure par excellence, situated within any number of scientific, philosophical, sociological and popular culture narratives. in 1967 Snow wrote that Wavelength had originated as a summation of 'everything that I've thought about, everything', but wryly concluded that in fact 'it doesn't really mean anything' p22
All quotes from Elizabeth Legge 'Wavelength - Michael Snow' Afterall Books, London 2009
wn.com/Λ
"Wavelength can be aligned with the tactic of unusually prolonged, redundant or repetitive attention that effectively blurred the boundaries between heightened acuity and absolute ignoring on the part of the viewer." p14
λ is a condensed version of Michael Snow's WVLNT (2003), which itself is a condensed version of Michael Snow's Wavelength (1967).
People complained about the time (45mins) the original film took, so Snow cut the film into 3 equal sections of 15mins and merged them together, so each track was visible amongst the others.
I cut WVLNT into 10 equal 1min 30sec sections and superimposed them on top of one another "creating the effect of rooms telescoped within the room." p15
The audio track is a sped up version of that from WVLNT, with the sine-wave's pitch starting from 50Hz and increasing to 12,000Hz, the same frequencies as Wavelength, but over a much shorter duration.
This is intended to be useful for avant-garde film/artists' moving image courses saving time in seminars.
"The zoom is a kind of scale marking our experience of time as one of both loss and accumulation." p21
"Like Zeno's arrow, Wavelength's zoom can work as a metaphor for any number of things: perceptual processes, chronological measurement, directional movement, light of sight, teleological history, or narrative of any kind. At the time of its making and ever since, Wavelength has functioned as a kind of allegorical structure par excellence, situated within any number of scientific, philosophical, sociological and popular culture narratives. in 1967 Snow wrote that Wavelength had originated as a summation of 'everything that I've thought about, everything', but wryly concluded that in fact 'it doesn't really mean anything' p22
All quotes from Elizabeth Legge 'Wavelength - Michael Snow' Afterall Books, London 2009
- published: 19 Feb 2013
- views: 43
Michael's Snow — a film by Susan Shaw
- Order: Reorder
- Duration: 3:04
- Updated: 03 Apr 2009
- views: 2838
Michaels Snow is a reference to two very different kinds of seminal events in my life. The first has to with art experience. I saw Michael Snows Wavelength in 1...
Michaels Snow is a reference to two very different kinds of seminal events in my life. The first has to with art experience. I saw Michael Snows Wavelength in 1967. In the film a camera zooms slowly—from the end of a room to a photograph of waves on the wall at the opposite end. The zoom is accompanied by a sine wave as it gradually progresses from its lowest note to its highest and passes through color filters, film stocks, positive and reverse exposure. I have never seen the film again but it has always remained with me—thus I know it was/is a seminal art experience.
The second has to do with sadness and loss, relational in proportion to the people I love. When I made this film I thought it was about snow, now I know it is about the winters of my heart.
For more information about Susan Shaw go to:
www.slshaw.info
www.susanandkurt.blogspot.com
For more information about Conrad Cummings go to:
www.conradcummings.com
©2009 Susan Shaw
wn.com/Michael's Snow — A Film By Susan Shaw
Michaels Snow is a reference to two very different kinds of seminal events in my life. The first has to with art experience. I saw Michael Snows Wavelength in 1967. In the film a camera zooms slowly—from the end of a room to a photograph of waves on the wall at the opposite end. The zoom is accompanied by a sine wave as it gradually progresses from its lowest note to its highest and passes through color filters, film stocks, positive and reverse exposure. I have never seen the film again but it has always remained with me—thus I know it was/is a seminal art experience.
The second has to do with sadness and loss, relational in proportion to the people I love. When I made this film I thought it was about snow, now I know it is about the winters of my heart.
For more information about Susan Shaw go to:
www.slshaw.info
www.susanandkurt.blogspot.com
For more information about Conrad Cummings go to:
www.conradcummings.com
©2009 Susan Shaw
- published: 03 Apr 2009
- views: 2838
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42:57
Wavelength (1967) Experimental Film
"Wavelength is a 45-minute film that made the reputation of Canadian experimental filmmake...
published: 04 Apr 2013
Wavelength (1967) Experimental Film
Wavelength (1967) Experimental Film
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- published: 04 Apr 2013
- views: 7939
42:57
Wavelength (Michael Snow, 1967)
http://www.imdb.com/title/tt0127354/
published: 21 Jan 2012
Wavelength (Michael Snow, 1967)
Wavelength (Michael Snow, 1967)
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- published: 21 Jan 2012
- views: 117067
0:52
Wavelength (1967) Review
published: 16 Apr 2015
Wavelength (1967) Review
Wavelength (1967) Review
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- published: 16 Apr 2015
- views: 70
42:49
Wavelength
by : Michael Snow
durée : 00:45 mn
1967
Le film, réalisé sur plusieurs jours avec une c...
published: 12 Apr 2012
Wavelength
Wavelength
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- published: 12 Apr 2012
- views: 226
9:56
wavelength (1967)
michael snow - wavelength(1967)
published: 09 Sep 2006
wavelength (1967)
wavelength (1967)
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- published: 09 Sep 2006
- views: 91399
3:48
Wavelength (Death Scene clip), Michael Snow, 1967
Full version HERE: http://www.youtube.com/watch?v=aBOzOVLxbCE
published: 28 Nov 2013
Wavelength (Death Scene clip), Michael Snow, 1967
Wavelength (Death Scene clip), Michael Snow, 1967
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- published: 28 Nov 2013
- views: 205
4:44
Wavelength (1967) by Michael Snow, "Take a Bow" by Muse
Mashup
published: 15 Dec 2009
Wavelength (1967) by Michael Snow, "Take a Bow" by Muse
Wavelength (1967) by Michael Snow, "Take a Bow" by Muse
- Report rights infringement
- published: 15 Dec 2009
- views: 4423
15:14
Michael Snow - (2003) WVLNT (Wavelength For Those Who Don't Have the Time)
Michael Snow - (2003) WVLNT (Wavelength For Those Who Don't Have the Time)
Short versio...
published: 16 Aug 2011
Michael Snow - (2003) WVLNT (Wavelength For Those Who Don't Have the Time)
Michael Snow - (2003) WVLNT (Wavelength For Those Who Don't Have the Time)
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- published: 16 Aug 2011
- views: 16090
1:45
λ
"Wavelength can be aligned with the tactic of unusually prolonged, redundant or repetitive...
published: 19 Feb 2013
λ
λ
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- published: 19 Feb 2013
- views: 43
3:04
Michael's Snow — a film by Susan Shaw
Michaels Snow is a reference to two very different kinds of seminal events in my life. The...
published: 03 Apr 2009
Michael's Snow — a film by Susan Shaw
Michael's Snow — a film by Susan Shaw
- Report rights infringement
- published: 03 Apr 2009
- views: 2838
Wavelength (1967) Experimental Film...
Wavelength (Michael Snow, 1967)...
Wavelength (1967) Review...
Wavelength...
wavelength (1967)...
Wavelength (Death Scene clip), Michael Snow, 1967...
Wavelength (1967) by Michael Snow, "Take a Bow" by...
Michael Snow - (2003) WVLNT (Wavelength For Those ...
λ...
Michael's Snow — a film by Susan Shaw...
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Lyrics list:lyrics
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Wavelength
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Wavelength
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Wavelength
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Wavelength
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Wavelength
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Wavelength
Wavelength
The secrets of hers she swears nobody knows
She gets her happiness from her AM radio
The static in her smile,
Mile after mile
As she drives home
He's a lost cause, a cigarrette in hand
He left his family to be the singer in a band
The feedback in his eyes,
Should come as no surprise
To all of those in spell
I heard the call but I never started running
I took the hit and I never saw it coming
What a way to go
Drop to your knees and remember where you came from
This is the time to abandon hesitation
Watch your bombs fall down below
I stare at the ceiling fan as a whisper inside of me
Telling me just who I am and just how I ought to be
Descrepancies are vain,
And the memories I made
Are out to sea
So stand up and face the flag of the nation in your eyes
Lest the beating of the drum makes you forget to question why
Forget to question why,
Why we always die
To cover up the lie
I heard the call but I never started running
I took the hit and I never saw it coming
What a way to go
Drop to your knees and remember where you came from
This is the time to abandon hesitation
Watch your bombs fall down below, watch your bombs fall down below
I heard the call but I never started running
I took the hit and I never saw it coming
What a way to go
Drop to your knees and remember where you came from
This is the time to abandon hesitation
Watch your bombs fall down below, watch your bombs fall down below
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Edit Belfast Telegraph 10 Oct 2016
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