- published: 27 Apr 2022
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"Remix (I Like The)" is a song by American pop group New Kids on the Block from their sixth studio album, 10. The song was released as the album's lead single on January 28, 2013. "Remix (I Like The)" was written by Lars Halvor Jensen, Johannes Jørgensen, and Lemar, and it was produced by Deekay. The song features Donnie Wahlberg and Joey McIntyre on lead vocals.
"Remix (I Like The)" did not enter the Billboard Hot 100 in the United States, becoming their first lead single to fail charting since "Be My Girl" (1986). Instead, the song peaked at number 38 on the Adult Pop Songs chart.
PopCrush gave the song 3.5 stars out of five. In her review Jessica Sager wrote, "The song sounds like an adult contemporary answer to The Wanted mixed with Bruno Mars‘ ‘Locked Out of Heaven.’ It has a danceable beat like many of the British bad boys’ tracks, but is stripped down and raw enough to pass for Mars’ latest radio smash as well." Carl Williott of Idolator commended the song's chorus, but criticized its "liberal use of Auto-Tune" and compared Donnie Wahlberg's vocals to Chad Kroeger.
The first Remix album released by Mushroomhead in 1997. All tracks are remixes except for "Everyone's Got One" (hence the subtitle "Only Mix"). The last portion of "Episode 29 (Hardcore Mix)" was used on the XX album as "Episode 29". The original release of the "Multimedia Remix" also included recordings of Mushroomhead performing "Born of Desire" and "Chancre Sore" at Nautica in Cleveland (now known as The Scene Pavilion) as well as a video for "Simpleton".
Remix: Making Art and Commerce Thrive in the Hybrid Economy is Lawrence Lessig's fifth book. It is available as a free download under a Creative Commons license. It details a hypothesis about the societal effect of the Internet, and how this will affect production and consumption of popular culture.
In Remix Lawrence Lessig, a Harvard law professor and a respected voice in what he deems the "copyright wars", describes the disjuncture between the availability and relative simplicity of remix technologies and copyright law. Lessig insists that copyright law as it stands now is antiquated for digital media since every "time you use a creative work in a digital context, the technology is making a copy" (98). Thus, amateur use and appropriation of digital technology is under unprecedented control that previously extended only to professional use.
Lessig insists that knowledge and manipulation of multi-media technologies is the current generation's form of "literacy"- what reading and writing was to the previous. It is the vernacular of today. The children growing up in a world where these technologies permeate their daily life are unable to comprehend why "remixing" is illegal. Lessig insists that amateur appropriation in the digital age cannot be stopped but only 'criminalized'. Thus most corrosive outcome of this tension is that generations of children are growing up doing what they know is "illegal" and that notion has societal implications that extend far beyond copyright wars. The book is now available as a free download under one of the Creative Commons' licenses.
Violet is a work of interactive fiction by Jeremy Freese. It is a one-room puzzle game. It took first place in the 2008 Interactive Fiction Competition with an average score of 8.53. That score is the highest of any Interactive Fiction Competition entry from 1999 through 2012.Violet was selected as the best interactive fiction game for 2008 by both the Jay Is Games staff and audience.Violet took 35.1% of the vote in the Jay Is Games audience award, compared to 18.7% for the second place winner, Lost Pig.Violet won four awards in the 2008 XYZZY Awards: Best game, writing, individual puzzle ("Disconnecting the Internet in Violet/Getting rid of the key in Violet"), and individual NPC (Violet, the eponymous character).
The protagonist of Violet is a graduate student trying to write 1,000 words for his dissertation. The protagonist's girlfriend, Violet, threatens to leave otherwise. The protagonist faces a stream of distractions, including a window with a view of the campus, and a computer with access to blogs and webcomics. In the course of the game, the protagonist must "reconsider—and risk wrecking—" his career and relationship.
The Violet was a ship used to deport Acadians from Ile St Jean (Prince Edward Island) to France, as part of the Ile Saint-Jean Campaign during the Seven Years' War. The ship sank in the North Atlantic on December 12, 1758, with the loss of 280–400 lives.
The Violet was a ship of 315 tons and 8 cannons, under command of captain Benjamin Suggit.
Together with the Duke William, John, Samuel, Neptune, Ruby, Yarmouth and an other unknown ship, the Violet was part of a fleet that left on November 25 from Port-la-Joye for France. On board the Violet were some 360 Acadian civilians.
A few days later, the fleet encountered a storm which dispersed the ships. Stormy weather continued for several weeks. On December 10, the Duke William caught sight of the Violet, and discovered that she was in difficulties, taking in water fast. The Violet sank two days later with all hands lost.
According to historian Earle Lockerby, 90 passengers had already died before from the appalling conditions on board. In the following days, the Duke William and Ruby also foundered, with great loss of life.
Violet is a musical with music by Jeanine Tesori and libretto by Brian Crawley based on the short story "The Ugliest Pilgrim" by Doris Betts. It tells the story of a young disfigured woman who embarks on a journey by bus from her farm in Spruce Pine, North Carolina, all the way to Tulsa, Oklahoma in order to be healed. The musical premiered Off-Broadway in 1997 and won the Drama Critics' Circle Award and Lucille Lortel Award as Best Musical.
Violet was developed at the Eugene O'Neill Theater Center's National Music Theater Conference in 1994. It premiered Off-Broadway at Playwrights Horizons on March 11, 1997, and closed on April 6, 1997. Directed by Susan H. Schulman with choreography by Kathleen Marshall, the cast featured Lauren Ward as Violet, Michael McElroy as Flick and Michael Park as Monty. Other cast members included Michael Medeiros, Stephen Lee Anderson, Amanda Posner and Robert Westenberg. It won the Drama Critics' Circle Award and Lucille Lortel Award as Best Musical. In January 2003, a reunion concert was held at Playwrights Horizons, at which members of the original cast performed.
Want is a repackaged double album by Canadian-American singer-songwriter Rufus Wainwright, released in the United Kingdom on November 28, 2005. It contains all the tracks from both Want One and Want Two, along with two bonus tracks: a cover of Leonard Cohen's "Chelsea Hotel No. 2" along with "In with the Ladies".
All songs written by Wainwright, unless otherwise noted.
Want to hear the instrumental version of your favourite metal track? Comment below with the artist and song name! See upcoming tracks you've requested here: https://www.youtube.com/c/Metaloke/about Remix - Mushroomhead Full album Release date: 4 July 1997 Tracklist: 1. "Bwomp" (Full Length Mix) - 0:00 2. "Elevation" (Skin Mix) - 9:56 3. "2nd Thoughts" (Fuck Like Pigs Mix) - 13:16 4. "Episode 29" (Hardcore Mix) - 17:43 5. "Snap" (Gravy Mix) - 22:08 6. "Mommy" (Malfunction Mix) - 23:22 7. "Everyone's Got One" (Only Mix) - 29:16 8. "The Wrist" (Hand of Solo Mix) - 32:51 #Mushroomhead #Remix #FullAlbum #Instrumental #NoVocals #Lyrics #Metaloke #Karaoke #Metal #YouTubeMusic #Youtube
New Album, Call The Devil, out August 9, 2024 via Napalm Records! Pre-order: https://lnk.to/MRH-CallTheDevil Directed and Produced by Steve Felton Production by Co. SK1 Industries Tickets and info: https://mushroomhead.com/ European Tour With DYMYTRY **, SILENZER * 08.09.24 - Rockpalast @ Bochum, DE* 08.10.24 - Dark River Festival @ Kotka, FI 08.11.24 - EngineRooms @ Southampton, UK*/** 08.12.24 - O2 Institute2 @ Birmingham, UK*/** 08.13.24 - O2 Academy Islington @ London, UK*/** 08.14.24 - Patronaat @ Haarlem, NL*/** 08.15.24 - Reload Festival @ Sulingen, DE 08.16.24 - Rock Castle @ Moravsky Krumlov, CZ 08.17.24 - Proxima @ Warsaw, PL* 08.18.24 - Kwadrat @ Krakow, PL* 08.19.24 - Cassiopeia @ Berlin, DE* USA 2024 Tour With Upon A Burning Body, There Is No Us, Mind Incision 10.04.24...
Pre-order "A Wonderful Life" now: https://smarturl.it/MRH-AWonderfulLife out June 19 For the better part of the past five years, top-charting masked metal machine MUSHROOMHEAD have been crafting the epic follow up to their monumental 2014 full-length album, The Righteous & The Butterfly – waiting ever-so-patiently to drop their next collection of anthems. The Cleveland collective make their prodigious return with the new full-length oeuvre, A Wonderful Life – the eighth release of their benchmark career – out June 19, 2020 via Napalm Records. Available in several enticing formats, A Wonderful Life clocks in at a whopping 70+ minutes with its four bonus tracks – leaving a total of 17 stellar compositions in its wake for fans to devour. A Wonderful Life is accented by the sharp product...
New Album, Call The Devil, out August 9, 2024 via Napalm Records! Pre-order: https://lnk.to/MRH-CallTheDevil MUSHROOMHEAD mastermind Skinny offers about the video: “Dr. F (Ryan Farrell) and the Cleveland Chamber Choir did such an amazing job that I felt compelled to bring it to life a little further. Some of the elements and characters in the video are roughly based on a short story that I’ve been working on for SK1INDUSTRIES. Working under Covid conditions and restrictions certainly has put limitations on things, so I would personally like to thank the band, all of the crew and extras that believed and busted their asses to help me make this happen. Music and art is a privilege after all, and I don’t take any of this for granted…” Tickets and info: https://mushroomhead.com/ European...
Mushroomhead - Qwerty Music video by Mushroomhead performing Qwerty. (C) 2014 Megaforce
Pre-Order Full Length Volume III here: http://a.co/7NZYMR2
Provided to YouTube by Universal Music Group Bwomp (Extended Version) · Mushroomhead XX ℗ A Republic Records Release; ℗ 2001 UMG Recordings, Inc. Released on: 2001-12-04 Producer: Steve Felton Studio Personnel, Recording Engineer: Bill Korecky Studio Personnel, Assistant Mixer: Elliott Blakely Studio Personnel, Mix Engineer: Toby Wright Photographer: Vanessa Solowiow Producer: Mushroomhead Studio Personnel, Asst. Recording Engineer: Pat Lewis Studio Personnel, Mastering Engineer: Steven Marcussen Composer Lyricist: Steve Felton Composer Lyricist: Jeff Hetrick Composer Lyricist: Tom Schmitz Composer Lyricist: John Sekula Composer Lyricist: Jason Popson Composer Lyricist: John Kilcoyne Auto-generated by YouTube.
Music video by Mushroomhead performing Sun Doesn't Rise. (C) 2003 Universal Records, a Division of UMG Recordings, Inc.
If you miss some good staff in 2020 this video maybe be helpful. Its Youtube version - If you want more - check tracklist! In our days not so many true nu metal or oldschool rapcore as we wish, so don’t be surprised when you find not only this styles of metal in this albums. 00:00 Canohead - Silence [Subface] 01:43 Dropout Kings- Virus [GlitchGang] 04:46 Fear No Empire - Revolt [Fear No Empire] 07:18 Fox Lake - Tunnel Vision [Silence & Violence] 11:00 From Ashes to New - Panic [Panic] 14:14 GroundCulture - Take My Breath Away [How Well Do You Really Know Yourself?] 27:51 Into The Void - Shallow Grave [The Way We Are] 22:03 King 810 - Red Queen [AK Concerto No. 47, 11th Movement In G Major] 26:06 Nior - Doomsayer (ft. Kadeem France Of Loathe) [Misfits] 29:17 Ocean Grove - Superstar [Flip ...
Music video by Mushroomhead performing 12 Hundred. (C) 2010 Megaforce Records http://vevo.ly/V6SZW4
"Remix (I Like The)" is a song by American pop group New Kids on the Block from their sixth studio album, 10. The song was released as the album's lead single on January 28, 2013. "Remix (I Like The)" was written by Lars Halvor Jensen, Johannes Jørgensen, and Lemar, and it was produced by Deekay. The song features Donnie Wahlberg and Joey McIntyre on lead vocals.
"Remix (I Like The)" did not enter the Billboard Hot 100 in the United States, becoming their first lead single to fail charting since "Be My Girl" (1986). Instead, the song peaked at number 38 on the Adult Pop Songs chart.
PopCrush gave the song 3.5 stars out of five. In her review Jessica Sager wrote, "The song sounds like an adult contemporary answer to The Wanted mixed with Bruno Mars‘ ‘Locked Out of Heaven.’ It has a danceable beat like many of the British bad boys’ tracks, but is stripped down and raw enough to pass for Mars’ latest radio smash as well." Carl Williott of Idolator commended the song's chorus, but criticized its "liberal use of Auto-Tune" and compared Donnie Wahlberg's vocals to Chad Kroeger.
I said, "what time you get off?"
She said, "when you get me off"
I kinda laughed but it turned into a cough
Because I swallowed down the wrong pipe
Whatever that mean, you know old people say it so it sounds right
So I'm standing there embarrassed, if we were both in pairs
I would have grabbed her by the waist and kissed her, but
We in the middle of whole foods, and those foods
Ain't supposed to beef, but you'd think I hate tofu
Check-in line got rowdy, my vision got cloudy
I started seeing some circles like some Audi
Emblem, I'm hearing them say, come on man
Do this own your own time, get the hell on, man
I walked out, hm, I got bout
Half-way to my car when I heard shorty shout
"3000, forgot your credit card, smart move
By the way, my little sister loves your cartoon"
Well, here's my name and numb
If I ain't the one, lose it, if I am, use it
If a man chooses, and he can, does it
And he don't, don't take it personal, he might be might be swamped
With making mozzarella - no, making laws better
Cheese will come, believe me, I'm, never focused on the cash
Ask Mel Gibson, Jesus Christ, I'm bout the pass... ion
Tired, baby bring that thing back
You know where my heart at
Shorty, would you press some love
Cause I'm about to lose it
With the way you move it
It's been making me do it
Girl tell me what it do
I'll change the game for you
I'm a player, yes it's true, but...
Can I be for real?
This is how I feel
I'm in need of love
So let's dip up out of here
Oh, you just my type
Everything so right
And I just wanna chill
So let's dip up out of here
Let's dip up out of here
Ah, ah-ah, ah-ah...
She's fine too, but I want you...
Ah, ah-ah, ah-ah...
She's fine too, but I want you...
I'll admit it, this just ain't no game
These just ain't words that I'm spitting
If you could see that thoughts that's in my head
I'm tripping, I'm a player, it's true
But I'll change the game for you
Wanna see what it do, oooh...
Can I be for real?
This is how I feel
I'm in need of love
So let's dip up out of here
Oh, you just my type
Everything so right
And I just wanna chill
So let's dip up out of here
Let's dip up out of here...
Ah, ah, ah-oh, ah...
She's fine too, but I want you...
Ah, ah, ah-oh, ah...
She's fine too, but I want you...
Yeah, Nas be in the crib low, strip poling it
Cold Guinness, bitter taste, slim waist, I'm gon' hit it
We low-key baby, like a baritone
Apple computer, e-mail me to come scoop ya
Run through ya, undo ya bra, gimme medulla, uh
Ya cute as a movie star, in sin city, Hennessey, my love slave
Loving is pimping, no rest have, with none of 'em
I would leave every one of em, you just say it
Just leave it where it is, he ain't aware of sleep and dogs lie
But keep a sharp eye on him, cause I'm the wrong guy
To wanna put this four-five on em, let's get it on, ma
You got my nose wide open
You already locked down and rot down, but so delicious
If he get suspicious, bring up his old mistress
I ain't dry-snitching, but why should you be feeling bad
Cause I be killing that, huh?
Can I be for real?
This is how I feel
I'm in need of love
So let's dip up out of here
Oh, you just my type
Everything so right
And I just wanna chill
So let's dip up out of here
Let's dip up out of here...
Ah, ah, ah-oh, ah...
She's fine too, but I want you...
Ah, ah, ah-oh, ah...