- published: 07 Nov 2013
- views: 2192
The New Museum of Contemporary Art, founded in 1977 by Marcia Tucker, is a museum in New York City at 235 Bowery, on Manhattan's Lower East Side. It is among the few contemporary art museums worldwide exclusively devoted to presenting contemporary art from around the world.
The museum originally opened in a space in the Graduate Centre of the then-named New School for Social Research at 65 Fifth Avenue. The New Museum remained there until 1983, when it rented and moved to the first two and a half floors of the Astor Building at 583 Broadway in the SoHo neighborhood.
In 1999, Marcia Tucker was succeeded as director by Lisa Phillips, previously the curator of contemporary art at the Whitney Museum of American Art. In 2001, the museum rented 7,000 square feet of space on the first floor of the Chelsea Art Museum on West 22nd Street for a year.
Over the past five years, the New Museum has exhibited artists from Argentina, Brazil, Bulgaria, Cameroon, China, Chile, Colombia, Cuba, Germany, Poland, Spain, South Africa, Turkey, and the United Kingdom among many other countries. In 2003, the New Museum formed an affiliation with Rhizome, a leading online platform for global new media art.
African Americans (also referred to as Black Americans or Afro-Americans) are an ethnic group of Americans (citizens or residents of the United States) with total or partial ancestry from any of the Black racial groups of Africa. The term may also be used to include only those individuals who are descended from enslaved Africans. As a compound adjective the term is usually hyphenated as African-American.
African Americans constitute the third largest racial and ethnic group in the United States (after White Americans and Hispanic and Latino Americans). Most African Americans are of West and Central African descent and are descendants of enslaved blacks within the boundaries of the present United States. On average, African Americans are of 78 percent West African, 19 percent European and 3 percent Native American heritage, with very large variation between individuals. Immigrants from some African, Caribbean, Central American, and South American nations and their descendants may or may not also self-identify with the term.
This is a lecture part of the Contemporary Architecture MOOC by Ivan Shumkov. Sign up for free at https://iversity.org/courses/contemporary-architecture
The opening of the New Museum of Contemporary Art. The principal architect, Kazuyo Sejima of SANAA is interviewed as well as Lisa Phillips, director of the museum, Lisa Roulmell, Museum Deputy Director & COO and Lisa Hoptmann, Senior Curator. The video highlights the activist history of the museum and the design of the new building and the opening exhibit, Unmonumental. Produced by Howard Silver for Bloomberg MUSE. Edited by Seth Karten, DP Scott Sinkler
Sept. 15 -- According to the Bloomberg Billionaires Index, Eli Broad is worth $7.4 billion. He built two Fortune 500 companies: KB Homes and SunAmerica. Since then, Broad’s focus has been on philanthropy. And art. He and his wife have amassed one of the most valuable collections of contemporary art in the world. And soon, it will have a permanent home, at a new museum called The Broad in Downtown Los Angeles. It opens to the public next week. Eli Broad sat down with Bloomberg’s David Gura and gave him an exclusive look at the new museum.
Our new world-class museum will be the heart of our State and an important part of Perth’s cultural precinct. It will be a place that is owned, visited and valued by all Western Australians and a major attraction for visitors to our State. http://museum.wa.gov.au/newmuseum
'Surround Audience' – the third New Museum Triennial, curated by Lauren Cornell and Ryan Trecartin – is on at the New Museum, New York, until May 2015. Dan Fox reports on the highlights of the exhibition.
My game crashed look for part 2 as well
Taking a further look at the Musuem and some of the collections needs to unlock rewards and features Discord Chat: https://discord.gg/473eZZq All are welcome! This is a much better app with permissions, voice chat, rooms within rooms and more. Join the community today! Email - justaboxgaming@yahoo.com
More than 13 years in the making, the Smithsonian's National Museum of African American History and Culture is getting ready to open, featuring more than 3,000 artifacts, including pieces of a slave ship to Muhammad Ali's boxing gloves. (Sept. 14) Subscribe for more Breaking News: http://smarturl.it/AssociatedPress Get updates and more Breaking News here: http://smarturl.it/APBreakingNews The Associated Press is the essential global news network, delivering fast, unbiased news from every corner of the world to all media platforms and formats. AP’s commitment to independent, comprehensive journalism has deep roots. Founded in 1846, AP has covered all the major news events of the past 165 years, providing high-quality, informed reporting of everything from wars and elections to champio...
video of me reading from my new story collection, "Calculating How Big of A Tip To Give Is The Easiest Thing Ever, Shout Out To My Family And Friends" !! at the New Museum in nyc!! in conjunction with the opening of the 2015 Triennial !! buy the book here: http://www.boost-house.com/store/calculating check my tour dates: http://livemylief.com/tour book me: steveroggenbuck@gmail.com thank you for watchiing !!! more steve roggenbuck: http://steveroggenbuck.com http://twitter.com/steveroggenbuck http://instagram.com/steveroggenbuck http://livemylief.tumblr.com http://facebook.com/steveroggenbuck.co.uk
From Pixar Animation Studios, “Inside Out” opens in UK cinemas on Decemer 24, 2014. From an adventurous balloon ride above the clouds to a monster-filled metropolis, Academy Award®-winning director Pete Docter (“Monsters, Inc.,” “Up”) has taken audiences to unique and imaginative places. In Disney•Pixar’s original movie “ Inside Out,” he will take us to the most extraordinary location of all—inside the mind. Growing up can be a bumpy road, and it's no exception for Riley, who is uprooted from her Midwest life when her father starts a new job in San Francisco. Like all of us, Riley is guided by her emotions – Joy (Amy Poehler), Fear (Bill Hader), Anger (Lewis Black), Disgust (Mindy Kaling) and Sadness (Phyllis Smith). The emotions live in Headquarters, the control center inside Riley...
In the little village of Croghan New York, there is a beautifully restored train station with a variety of equipment outside. I stumbled across this location while passing through upstate New York from Ottawa Ontario Canada. Their Railroad museum is definitely worth checking out.
Virginia Museum of Fine Arts exhibited Kehinde Wiley: A New Republic. Kehinde Wiley: A New Republic presents a stunning retrospective of this artist’s prolific career through nearly 60 paintings and sculptures. Kehinde Wiley’s work raises intriguing questions about race, gender, and the politics of representation by portraying contemporary African American men and women using the conventions of traditional European portraiture. Appropriating the format of specific paintings by renowned masters ranging from Titian to Édouard Manet, Wiley often depicts his subjects wearing sneakers, hoodies, and other gear associated with today’s hip-hop culture and sets them against ornate decorative backgrounds that evoke earlier eras and cultures. By replacing the European aristocrats with contemporary b...
Alex Jones and his team of Infowars reporters are breaking down the electronic Berlin Wall of media control by reaching millions of people around the world - with more waking up every day. Circumventing the dying dinosaur media systems of information suppression, Infowars and the Alex Jones Channel are a beacon of truth in a maelstrom of lies and deception. You have found the tip of the spear in alternative media - Infowars is on the front lines in the battle to reclaim our rights, dignity and our destiny by exposing the control freaks who seek to turn the globe into a prison planet.
Went for a trip several months ago. Nice original 88.
peppa pig crying
This video documentation is part two of a four part series from a symposium that took place on January 30, 2016 at the New Museum. The New Museum and Rhizome jointly inaugurate Open Score an annual symposium that will explore the state of art and technology today. Convening luminary artists, curators, researchers, and writers to discuss how technology is transforming culture, the first edition of Open Score will consider how artists are responding to new conditions of surveillance and hypervisibility; how social media’s mass creativity interfaces with branding and identity for individual artists; how the quality and texture of art criticism is evolving in a digital age; and what the future of internet art might be in light of a broader assimilation of digital technologies. Supported by th...
James Kalm picked up a copy of ARTFORUM Magazine and was transfixed. It was the early 1970s and the featured artist was Chris Burden. Reading about his extreme performance works, your correspondent was held in a state somewhere between repulsion and admiration. This retrospective, the artist's first appearance in New York in several years, presents a selection of works from his forty year career spanning a wide breadth of media and conceptual approaches. Chris Burden is considered universally as one of the most innovative performance artists, and his sculptural works push his audacious investigations of physicality into the realm of monuments.
DOCUMENTARY FOR THE NEW ACROPOLIS MUSEUM. The new Acropolis Museum was designed with two objectives: the first to offer the best conditions for the exhibition of its exhibits and secondly to be a Museum that welcomes and befriends its visitors. A walk through its galleries is a walk through history -- between the masterpieces of the Archaic and Classical periods, but also in the ancient neighborhoods of Athens. The Museum offers many opportunities for rest and recreation, as well as a visitor friendly environment for some of the most emblematic works of antiquity. Today, the new Acropolis Museum has a total area of 25,000 square meters, with exhibition space of over 14,000 square meters, ten times more than that of the old museum on the Hill of the Acropolis. The new Museum offers all ...
The Dr Boyce Watkins Channel is an all-black news and commentary channel that features a number of African American thinkers, commentators and speakers. The views of each video are not necessarily representative of those of Dr Boyce Watkins himself. You can follow Dr Watkins at the links below: Instagram: @TheRealBoyceWatkins Twitter: @DrBoyceWatkins1 Via Text: Text the word Boyce to 31996 Youtube: Youtube.com/DrBoyceWatkins To learn how to start your own business: TheBlackBusinessSchool.com Personal website: BoyceWatkins.com The Dr Boyce Watkins Wealth-building program for children: BlackMillionairesOfTomorrow.com To take my online course: TheBlackWealthBootcamp.com The Dr Boyce Watkins podcast on Soundcloud: https://soundcloud.com/boyce-watkins The Dr Boyce Watkins Black...
The participants of New Museum Seminars: (Temporary) Collections of Ideas hosted a public program featuring media theorist Orit Halpern, writer and designer Edward Keller, and the sci-fi collective Metropolarity (M. Eighteen, Ras Mashramani, Rasheedah Phillips, Alex Smith), growing out of the group’s twelve-week-long investigation into the Spring 2015 R&D; Season’s thematic, SPECULATION. http://www.newmuseum.org/calendar/view/new-museum-seminars-temporary-collections-of-ideas-around-speculation
James Kalm, like many other American art lovers, had his initial collision with the work of Chris Ofili through the controversial "Sensation" show at the Brooklyn Museum in 1999. Ofili's painting "The Holy Virgin Mary" became the focus of vicious protests by reactionary groups, causing the then Mayor, Rudy Giuliani, to threaten to withhold public funding from the Museum. Despite this outcry, the work and career of Chris Ofili has taken an inclining arch, as he has outlasted many of the Young British Artist who were also presented in that seminal exhibition. This show brings together a group of paintings, drawings and sculptures, organized by the NuMu's Massimilianio Gioni. Over twenty years of work are shown in the Museum's three main floors. A musical introduction is provided by Mi...
This video documentation is part one of a four part series from a symposium that took place on January 30, 2016 at the New Museum. The New Museum and Rhizome jointly inaugurate an annual symposium titled "Open Score" that will explore the state of art and technology today. Convening luminary artists, curators, researchers, and writers to discuss how technology is transforming culture, the first edition of "Open Score" will consider how artists are responding to new conditions of surveillance and hypervisibility; how social media’s mass creativity interfaces with branding and identity for individual artists; how the quality and texture of art criticism is evolving in a digital age; and what the future of internet art might be in light of a broader assimilation of digital technologies. Supp...
Look beyond the colour
Past the covering on us to see what we are
Turn the faded pages
The mark we leave on history is what we are
Every country is part of us
Irrespective of the one where we grew up
Yes you are my sister
Though we never shared a home that's what you are
And your eyes keep shining in the darkness
Defying all the chains that's what you are
Home for the homeless, hope for the hopeless
Between the lines on your face I can read...
Nomzamo, Nomzamo...
They of the silk white breast seemingly proud
They are so much more less on the day of the vow
Here's a woman who is tired and weary
Leading resistance and still laying wreathes
How can we stand by and watch this happen?
Is this the justice we preach
It seems too much to ask for an equal, peaceful living
In a land of screams, stinging tears and broken smiles
Following through all extremes
'One who will suffer many trials'
Is this a land to inherit?
Crumbs on the table the segregated people starve
With gleeful oppression the mindless procession
Cast nonchalance out of their cars
Somewhere, sometime we pay for the crimes we incessantly do
If we believe that we are what we leave
I left a hope--what did you?
Reeling from punches which leave them winded
Reeling from laws which should be rescinded now