X MINUS ONE! Old Time Radio Drama! X 1!!! The Sense Of Wonder!

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• published: 01 Jul 2016
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Subscribe for more great stories! THOUSANDS MORE!!! Give the video a thumbs up! It helps us keep bringing you more amazing stories! Feel free to share! Follow us on Facebook here: https://www.facebook.com/groups/1602104766716722/ Twitter: https://twitter.com/Best_Audio_ Our Blog: http://bladenrocks.wix.com/mysite X Minus One was a half-hour science fiction radio drama series broadcast from April 24, 1955 to January 9, 1958 in various timeslots on NBC. Initially a revival of NBC's Dimension X (1950–51), the first 15 episodes of X Minus One were new versions of Dimension X episodes, but the remainder were adaptations by NBC staff writers, including Ernest Kinoy and George Lefferts, of newly published science fiction stories by leading writers in the field, including Isaac Asimov, Ray Bradbury, Philip K. Dick, Robert A. Heinlein, Frederik Pohl and Theodore Sturgeon, along with some original scripts by Kinoy and Lefferts. Included in the series were adaptations of Robert Sheckley's "Skulking Permit," Bradbury's "Mars Is Heaven", Heinlein's "Universe" and "The Green Hills of Earth", " Pohl’s "The Tunnel under the World", J. T. McIntosh’s "Hallucination Orbit", Fritz Leiber’s "A Pail of Air", and George Lefferts' "The Parade". The program opened with announcer Fred Collins delivering the countdown, leading into the following introduction (although later shows were partnered with Galaxy Science Fiction rather than Astounding Science Fiction): Countdown for blastoff... X minus five, four, three, two, X minus one... Fire! [Rocket launch SFX] From the far horizons of the unknown come transcribed tales of new dimensions in time and space. These are stories of the future; adventures in which you'll live in a million could-be years on a thousand may-be worlds. The National Broadcasting Company, in cooperation with Street & Smith, publishers of Astounding Science Fiction presents... X Minus One. The series was canceled after the 126th broadcast on January 9, 1958. However, the early 1970s brought a wave of nostalgia for old-time radio; a new experimental episode, "The Iron Chancellor" by Robert Silverberg, was produced in 1973, but it failed to revive the series. NBC also tried broadcasting the old recordings, but their irregular once-monthly scheduling kept even devoted listeners from following the broadcasts. The series was re-released in podcast form beginning on June 22, 2007. In November 2008, Counter-Productions Theatre Company became the first theatre company to stage three episodes, "The Parade", "A Logic Named Joe", and "Hallucination Orbit". The old-time radio era, sometimes referred to as the Golden Age of Radio, refers to a period of radio programming in the United States lasting from the proliferation of radio broadcasting in the early 1920s until the 1950s, when television superseded radio as the medium of choice for scripted programming and radio shifted to playing popular music. During this period, when radio was dominant and filled with a variety of formats and genres, people regularly tuned into their favorite radio programs. According to a 1947 C. E. Hooper survey, 82 out of 100 Americans were found to be radio listeners. The broadcasts of live drama, comedy, music and news that characterize the Golden Age of Radio had a precedent in the Théâtrophone, commercially introduced in Paris in 1890 and available as late as 1932. It allowed subscribers to eavesdrop on live stage performances and hear news reports by means of a network of telephone lines. The development of radio eliminated the wires and subscription charges from this concept. Boy learning how to build his own radio circa 1922. On Christmas Eve 1906, Reginald Fessenden is said to have broadcast the first radio program, consisting of some violin playing and passages from the Bible. While Fessenden's role as an inventor and early radio experimenter is not in dispute, several contemporary radio researchers have questioned whether the Christmas Eve broadcast took place, or whether the date was in fact several weeks earlier. The first apparent published reference to the event was made in 1928 by H.P. Davis, Vice President of Westinghouse, in a lecture given at Harvard University. In 1932 Fessenden cited the Christmas Eve 1906 broadcast event in a letter he wrote to Vice President S.M. Kinter of Westinghouse. Fessenden's wife Helen recounts the broadcast in her book Fessenden: Builder of Tomorrows (1940), eight years after Fessenden's death. The issue of whether the 1906 Fessenden broadcast actually happened is discussed in Halper and Sterling's article "Seeking the Truth About Fessenden"[1] and also in James O'Neal's essays.[2][3] An annotated argument supporting Fessenden as the world's first radio broadcaster was offered in 2006 by Dr. John S. Belrose, Radioscientist Emeritus at the Communications Research Centre Canada, in his essay "Fessenden's 1906 Christmas Eve broadcast." Thank you for listening!