A rest is an interval of silence in a piece of music, marked by a symbol indicating the length of the pause. Each rest symbol corresponds with a particular note value:
The quarter (crotchet) rest may also be found as a form in older music.
(The four-measure rest or longa rest is a symbol found in Western musical notation denoting a silence four times the duration of a whole rest. They are only used in long silent passages which are not divided into bars.[citation needed]
The two-measure rest or breve rest is another symbol found in Western musical notation denoting a silence twice the duration of a whole rest. They are usually found in conjunction with the aforementioned four-measure rest.[citation needed] Both of the above are rarely used.)
The combination of rests used to mark a pause follows the same rules as for notes. For more details see note value.
When an entire bar is devoid of notes, a whole (semibreve) rest is used, regardless of the actual time signature. The only exceptions are for a 4/2 time signature (four half notes per bar), when a double whole rest is typically used for a bar's rest, and for time signatures shorter than 3/16, when a rest of the actual measure length would be used. For a 4/2 bar rest, it is also common to use the whole rest instead of the double whole rest, so that a whole-bar rest for all time signatures starting from 3/16 is notated using a whole note rest. Some published (usually earlier) music places the numeral "1" above the rest to confirm the extent of the rest.
Rest may refer to:
Rest may also refer to:
REST may refer to:
Music is an art form whose medium is sound and silence. Its common elements are pitch (which governs melody and harmony), rhythm (and its associated concepts tempo, meter, and articulation), dynamics, and the sonic qualities of timbre and texture. The word derives from Greek μουσική (mousike; "art of the Muses").
The creation, performance, significance, and even the definition of music vary according to culture and social context. Music ranges from strictly organized compositions (and their recreation in performance), through improvisational music to aleatoric forms. Music can be divided into genres and subgenres, although the dividing lines and relationships between music genres are often subtle, sometimes open to individual interpretation, and occasionally controversial. Within "the arts", music may be classified as a performing art, a fine art, and auditory art. There is also a strong connection between music and mathematics.
To many people in many cultures, music is an important part of their way of life. Ancient Greek and Indian philosophers defined music as tones ordered horizontally as melodies and vertically as harmonies. Common sayings such as "the harmony of the spheres" and "it is music to my ears" point to the notion that music is often ordered and pleasant to listen to. However, 20th-century composer John Cage thought that any sound can be music, saying, for example, "There is no noise, only sound." Musicologist Jean-Jacques Nattiez summarizes the relativist, post-modern viewpoint: "The border between music and noise is always culturally defined—which implies that, even within a single society, this border does not always pass through the same place; in short, there is rarely a consensus ... By all accounts there is no single and intercultural universal concept defining what music might be."
Maher Zain (Arabic: ماهر زين ; born March 16, 1981 in Tripoli, Lebanon) is a Muslim Swedish R&B singer, songwriter and music producer of Lebanese origin. His debut album Thank You Allah, an internationally successful album with strong Muslim religious influences, was released in 2009. He released his follow-up album Forgive Me on April 2, 2012.
Maher Zain and his family moved to Sweden when he was eight years old. He completed his schooling there gaining a Bachelors degree in Aeronautical Engineering. After university he entered the music industry in Sweden and linked up with RedOne, the Moroccan-born Swedish producer.
When RedOne moved to New York in 2006 Maher Zain followed soon after to continue his music industry career in the USA producing for artists such as Kat DeLuna. On a visit home to Sweden he became engaged once more with his Islamic faith and decided to move away from a career as a music producer to become a singer/songwriter of contemporary R&B music with a strong Muslim religious influence.
Two Moons (1847–1917), or Ishaynishus, was the son of Carries the Otter, an Arikara captive who married into the Cheyenne tribe. Perhaps known best for his participation in battles such as the Battle of the Rosebud against General Crook on June 17, 1876, in the Montana Territory, the Battle of Little Big Horn on June 26, 1876 and what would prove to be his last battle which was that of the Battle of Wolf Mountain on January 8, 1877. Two Moons defeat in the battle at Wolf mountain by General Nelson A. Miles would inevitably lead to the surrender of his Cheyenne band at Fort Keogh in April, 1877.
After the surrender of Two Moons Cheyenne band in 1877, Two Moons would choose to enlist as an Indian Scout for the same General Nelson A. Miles that he had not long since surrendered to. As a result of Two Moons pleasant personality, the friendliness that he showed towards the whites as well as his ability to get along with the military, Two Moons was thus appointed head Chief of the Cheyenne Northern reservation by General Nelson A. Miles. Under the title as head chief, Two Moons would prove to play a crucial role in the assistance of the surrender of Chief Little Cow's Cheyenne band to Fort Keogh.