- published: 07 Apr 2014
- views: 58123
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New York Philharmonic
Leonard Bernstein
Date: 1990
Symphony No. 2 was written by Charles Ives between 1897 and 1901. Although the work was composed during Ives' 20s, it was half a century before it premiered, in a 1951 New York Philharmonic concert conducted by Leonard Bernstein. The symphony premiered to rapturous applause but Ives responded with ambivalence. Indeed, he did not even attend the concert in person but had to be dragged by family and friends to a neighbor's house to listen to the live radio broadcast. The public performance had been postponed for so long because Ives had been alienated from the American classical establishment. Ever since his training with Horatio Parker at Yale, Ives had suffered their disapproval of the mischievous unorthodoxy with which he radically pushed the boundaries of European classical structures to create soundscapes that recalled the vernacular music-making of his New England upbringing.
Like Ives' other compositions which honor the European and American inheritances, the Second Symphony never makes verbatim quotation of popular American tunes such as "Columbia, the Gem of the Ocean", "Camptown Races", "Long, Long Ago", and "America the Beautiful", but reshapes and develops them into broad themes. There is a subdued version of the opening notes of Beethoven's fifth symphony and a rescoring of part of Brahms' first symphony, as well as a reference (early in the first movement) to the chorales of Johann Sebastian Bach. The work is an interesting precedent to another significant piece of the 20th century, Luciano Berio's Sinfonia, which was composed about 65 years later. Ives' 5th movement uses quotation techniques comparable to Berio's in his 3rd movement.
Bernstein's premiere and subsequent interpretations were later widely criticized for taking extravagant liberties with the score. Although the 1951 score itself contained about a thousand errors, Bernstein reportedly also made a substantial cut to the finale, ignored Ives' tempo indications, and prolonged the terminating "Bronx cheer" discord. Many conductors and audiences, influenced by Bernstein's example, have enthusiastically considered the last of these practices one of the trademarks of the piece. In 2000, the Charles Ives Society prepared an official critical edition of the score and authorized a recording by Kenneth Schermerhorn and the Nashville Symphony Orchestra to adhere more closely to Ives' intentions.
Movements:
Andante moderato
Allegro
Adagio cantabile
Lento maestoso
Allegro molto vivace
The Symphony No. 4 by Charles Ives was written between 1910 and the mid-1920s (the second movement Comedy was the last to be composed, most likely in 1924). The symphony is notable for its multi-layered complexity—typically requiring two conductors in performance—and for its large and varied orchestration. Combining elements and techniques of Ives's previous compositional work, this has been called "one of his most definitive works". Ives' biographer, Jan Swafford, has called it "Ives's climactic masterpiece.".
Detroit Symphony Orchestra and Chorus/Leonard Slatkin.
- published: 02 Feb 2014
- views: 26859
Charles Ives, The Unanswered Question.
James Sinclair, Conductor.
Northern Sinfonia.
_____________________________________________________
The music published on my channel is dedicated solely to the purpose of divulgation and non-commercial use. If you believe that any copyright infringement exists on this channel, please let me know immediately before submitting a claim to YouTube. I will immediately remove the disputed video accordingly.
Thanks for your contribution!
- published: 13 May 2012
- views: 137398
The Best of Charles Edward Ives (October 20 1874 – May 19 1954)
Ives is one of the first American composers of international renown, though his music was largely ignored during his life, and many of his works went unperformed for many years. Over time, he came to be regarded as an "American original". Ives combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatoric elements, and quarter tones, foreshadowing many musical innovations of the 20th century.
Sources of Ives' tonal imagery are hymn tunes and traditional songs, the town band at holiday parade, the fiddlers at Saturday night dances, patriotic songs, sentimental parlor ballads, and the melodies of Stephen Foster. He's been dubbed the greatest American composer by such cultural shapers as Time magazine and Leonard Bernstein - "You've never heard of Charles Ives? That's OK - he wouldn't have cared".
0:00 The Unanswered Question
6:07 Violin Sonata No. 1. II: Largo cantabile
12:03 Violin Sonata No. 3. I. Adagio - Andante - Allegretto - Adagio
24:24 Three Places in New England: Putnam's Camp II
29:46 Three Places in New England: The Housatonic at Stockbridge III
33:54 Symphony No. 2. I: Andante moderato
40:10 Symphony No. 2. V: Allegro molto vivace
50:27 Symphony No. 4. III: Fugue: Andante moderato con moto
57:04 Central Park in the Dark
1:04:21 The Things Our Fathers Loved
1:06:08 Memories
1:08:38 The Circus Band
1:11:40 They are There!
1:14:32 Tom Sails Away
1:17:21 Tone Roads No. 1
1:20:42 Psalm 100
1:22:17 Hallowe'en (from "Three Outdoor Scenes")
1:24:18 Piano Sonata No. 2, Concord, Mass, 1840–60 IV: "Thoreau" (after Henry David Thoreau)
- published: 28 Mar 2015
- views: 10455
The Three Places in New England (Orchestral Set No. 1) is a composition for orchestra by American composer Charles Ives. It was composed mainly between 1911 and 1914, although sketches for the work date from 1903, and the latest revisions were made in 1929. The piece is famous for its use of musical quotation and paraphrasing. Three Places consists of three movements in Ives' preferred slow-fast-slow movement order:
I. The "St. Gaudens" in Boston Common (Col. Shaw and his Colored Regiment)
II. Putnam's Camp, Redding, Connecticut
III. The Housatonic at Stockbridge
The three movements are ordered with the longest first and the shortest last, and a complete performance of the piece lasts eighteen or nineteen minutes. As he does in his Orchestral Set No. 2, Ives inverts the fast-slow-fast movement order typical of most three-movement works, using instead a slow-fast-slow order.
The piece has become one of Ives' most commonly performed compositions. It exhibits most of the signature traits of his style: layered textures with multiple, sometimes simultaneous melodies, many of which are recognizable hymn and marching tunes; masses of sound including tone clusters; and sudden, sharp textural contrasts.
Each of the three movements is named for a place in New England, USA. Each is intended to make the listener experience the unique atmosphere of the place, as though s/he is there. To that end, Ives' paraphrasing of American folk tunes is a particularly important device, providing the listener with tangible reference points. The intention was to make the music accessible despite its avant-garde chromaticism.
Three Places in New England aims to paint a picture of American ideals, lifestyle and patriotism at the turn of the twentieth century.
BBC National Orchestra of Wales/Nicholas Collon.
- published: 25 Nov 2013
- views: 43960
Performed by Gilbert Kalish
About the ONLY COMPLETE recording of the work here on toyoob :)
This piece of music anchored me in front of my speakers the minute I put
it on to play. It just DEMANDED to be heard ! :)
- published: 28 Oct 2011
- views: 46191
Leonard Bernstein explains some of Chales Ives background before performing his second Symphony in Munich heading the Bavarian Radio Symphony Orchestra
- published: 07 Aug 2011
- views: 41216
Leonard Bernstein conducts Second Symphony of the american composer Charles Ives (1874-1954), with the Bavarian Radio Symphony Orchestra, in 1987.
© Unitel Classica
- published: 04 Aug 2011
- views: 53513
Sonata, for violin & piano No. 3, S. 62 (K. 2C6), (1913-1914)
I. Adagio
II. Allegro
III. Adagio
Timothy Fain, violin
Jeremy Denk, piano
Between about 1902 and 1916, Charles Ives, in his mid-thirties and early forties, at the peak of his composing career, completed four sonatas for violin and piano. More than any other similar cluster of his compositions in a single genre, these sonatas all seem to be citizens of the same musical world. Each has three movements; each includes one or more movements in "cumulative" musical form; each is tinged with the music of American Protestant hymnody and ends with a finale based on a hymn-tune; and all are comparatively "easy" pieces (by Ives's standards).
Nevertheless, each sonata has its own characteristics. Ives accepted the traditional fast-slow-fast pattern of movements in Sonatas 1 and 4, but Sonatas 2 and 3 are slow-fast-slow, a non-traditional, Ivesian pattern first tried out in his Third Symphony. Sonatas 1 and 3 are basically abstract, with no specific extra-musical movement titles. Sonata 2, however, has such titles ("Autumn," "In the Barn," and "The Revival"), and Sonata 4 is subtitled "Children's Day at the Camp Meeting."
A word about the "cumulative form" that crops up in so many movements of these sonatas (the first and last movements of Sonatas 1 and 2 and all the movements of Sonatas 3 and 4). The term was introduced by the Ives scholar J. Peter Burkholder, in his magisterial study All Made of Tunes: Charles Ives and The Uses of Musical Borrowing (1995). Such pieces begin with subtle suggestions and developments of musical fragments that hint at a pre-existent melody, then gradually work toward a culmination in which the "borrowed" melody is revealed in its simple entirety, usually with climactic effect. Essentially, Ives invented this musical form, which is the one he favored in his maturity.
Ives offered characteristically picturesque comments about three of the sonatas. Of the Third Sonata: "An attempt to suggest the feeling and fervor - a fervor that was often more vociferous than religious - with which the hymns and revival tunes were sung at the camp meetings held extensively in New England in the '70s and '80s. The tunes used or suggested are Beulah Land, There'll Be No More Sorrow, and Every Hour I Need Thee. The first movement is a kind of magnified hymn of four different stanzas, all ending with the same refrain. The second movement may represent a meeting where the feet and body, as well as the voice, add to the excitement. The last movement is an experiment: the free fantasia is first; the working-out develops into the themes, rather than from them; the coda consists of the themes for the first time in their entirety and in conjunction. The tonality throughout is supposed to take care of itself."
By now, their technical and expressive challenges welcomed by performers (and many listeners), Ives's violin sonatas are considered among the most substantial contributions to the violin literature by an American composer. That was hardly the case at first. In 1914, before completing his Third Sonata, Ives invited Franz Milcke, whom he described in his Memos of 1931-32 as a "prima donna solo violinist from Germany who has given concerts in Carnegie Hall," to try over the First and Second Sonatas: "The 'Professor' started to play the first movement of the First Sonata. He didn't even get through the first page. He was all bothered with the rhythms and the notes, and got mad. He said "This cannot be played. It is awful. It is not music, it makes no sense." He couldn't get it even after I'd played it over for him several times and said, "When you get awfully indigestible food in your stomach that distresses you, you can get rid of it, but I cannot get those horrible sounds out of my ears." After he went, I had a kind of feeling which I've had off and on. Are my ears on wrong? No one else seems to hear it the same way."
Not until decades later, essentially only after World War II, years after Ives had died, was it recognized that Ives's ears were, in fact, on just right, only far ahead of his contemporaries'. --H. Wiley Hitchcock
Art by László Moholy-Nagy
- published: 01 Mar 2014
- views: 15799
Charles Ives
HIDDEN ERROR: Usage of "Religion" is not recognized
Charles Edward Ives (/aɪvz/; October 20, 1874 – May 19, 1954) was an American modernistcomposer. He is one of the first American composers of international renown, though his music was largely ignored during his life, and many of his works went unperformed for many years. Over time, he came to be regarded as an "American original". He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatoric elements, and quarter tones, foreshadowing many musical innovations of the 20th century.
Sources of Ives' tonal imagery are hymn tunes and traditional songs, the town band at holiday parade, the fiddlers at Saturday night dances, patriotic songs, sentimental parlor ballads, and the melodies of Stephen Foster.
Biography
Ives was born in Danbury, Connecticut in 1874, the son of George Ives, a U.S. Army bandleader in the American Civil War, and his wife, Mary Parmelee. A strong influence of his may have been sitting in the Danbury town square, listening to George's marching band and other bands on other sides of the square simultaneously. George's unique music lessons were also a strong influence on him; George took an open-minded approach to musical theory, encouraging him to experiment in bitonal and polytonal harmonizations. It was from him that Ives also learned the music of Stephen Foster. He became a church organist at the age of 14 and wrote various hymns and songs for church services, including his Variations on "America", which he wrote for a Fourth of July concert in Brewster, New York. It is considered challenging even by modern concert organists, but he famously spoke of it as being "as much fun as playing baseball", a commentary on his own organ technique at that age.
This page contains text from Wikipedia, the Free Encyclopedia -
http://wn.com/Charles_Ives
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
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42:39Charles Ives - Symphony No. 2
Charles Ives - Symphony No. 2Charles Ives - Symphony No. 2
New York Philharmonic Leonard Bernstein Date: 1990 Symphony No. 2 was written by Charles Ives between 1897 and 1901. Although the work was composed during Ives' 20s, it was half a century before it premiered, in a 1951 New York Philharmonic concert conducted by Leonard Bernstein. The symphony premiered to rapturous applause but Ives responded with ambivalence. Indeed, he did not even attend the concert in person but had to be dragged by family and friends to a neighbor's house to listen to the live radio broadcast. The public performance had been postponed for so long because Ives had been alienated from the American classical establishment. Ever since his training with Horatio Parker at Yale, Ives had suffered their disapproval of the mischievous unorthodoxy with which he radically pushed the boundaries of European classical structures to create soundscapes that recalled the vernacular music-making of his New England upbringing. Like Ives' other compositions which honor the European and American inheritances, the Second Symphony never makes verbatim quotation of popular American tunes such as "Columbia, the Gem of the Ocean", "Camptown Races", "Long, Long Ago", and "America the Beautiful", but reshapes and develops them into broad themes. There is a subdued version of the opening notes of Beethoven's fifth symphony and a rescoring of part of Brahms' first symphony, as well as a reference (early in the first movement) to the chorales of Johann Sebastian Bach. The work is an interesting precedent to another significant piece of the 20th century, Luciano Berio's Sinfonia, which was composed about 65 years later. Ives' 5th movement uses quotation techniques comparable to Berio's in his 3rd movement. Bernstein's premiere and subsequent interpretations were later widely criticized for taking extravagant liberties with the score. Although the 1951 score itself contained about a thousand errors, Bernstein reportedly also made a substantial cut to the finale, ignored Ives' tempo indications, and prolonged the terminating "Bronx cheer" discord. Many conductors and audiences, influenced by Bernstein's example, have enthusiastically considered the last of these practices one of the trademarks of the piece. In 2000, the Charles Ives Society prepared an official critical edition of the score and authorized a recording by Kenneth Schermerhorn and the Nashville Symphony Orchestra to adhere more closely to Ives' intentions. Movements: Andante moderato Allegro Adagio cantabile Lento maestoso Allegro molto vivace -
31:50Charles Ives,Symphony No.4
Charles Ives,Symphony No.4Charles Ives,Symphony No.4
The Symphony No. 4 by Charles Ives was written between 1910 and the mid-1920s (the second movement Comedy was the last to be composed, most likely in 1924). The symphony is notable for its multi-layered complexity—typically requiring two conductors in performance—and for its large and varied orchestration. Combining elements and techniques of Ives's previous compositional work, this has been called "one of his most definitive works". Ives' biographer, Jan Swafford, has called it "Ives's climactic masterpiece.". Detroit Symphony Orchestra and Chorus/Leonard Slatkin. -
4:36Charles Ives - The Unanswered Question
Charles Ives - The Unanswered QuestionCharles Ives - The Unanswered Question
Charles Ives, The Unanswered Question. James Sinclair, Conductor. Northern Sinfonia. _____________________________________________________ The music published on my channel is dedicated solely to the purpose of divulgation and non-commercial use. If you believe that any copyright infringement exists on this channel, please let me know immediately before submitting a claim to YouTube. I will immediately remove the disputed video accordingly. Thanks for your contribution! -
10:50CHARLES IVES - CENTRAL PARK IN THE DARK
CHARLES IVES - CENTRAL PARK IN THE DARK -
96:33The Best of Charles Ives
The Best of Charles IvesThe Best of Charles Ives
The Best of Charles Edward Ives (October 20 1874 – May 19 1954) Ives is one of the first American composers of international renown, though his music was largely ignored during his life, and many of his works went unperformed for many years. Over time, he came to be regarded as an "American original". Ives combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatoric elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Sources of Ives' tonal imagery are hymn tunes and traditional songs, the town band at holiday parade, the fiddlers at Saturday night dances, patriotic songs, sentimental parlor ballads, and the melodies of Stephen Foster. He's been dubbed the greatest American composer by such cultural shapers as Time magazine and Leonard Bernstein - "You've never heard of Charles Ives? That's OK - he wouldn't have cared". 0:00 The Unanswered Question 6:07 Violin Sonata No. 1. II: Largo cantabile 12:03 Violin Sonata No. 3. I. Adagio - Andante - Allegretto - Adagio 24:24 Three Places in New England: Putnam's Camp II 29:46 Three Places in New England: The Housatonic at Stockbridge III 33:54 Symphony No. 2. I: Andante moderato 40:10 Symphony No. 2. V: Allegro molto vivace 50:27 Symphony No. 4. III: Fugue: Andante moderato con moto 57:04 Central Park in the Dark 1:04:21 The Things Our Fathers Loved 1:06:08 Memories 1:08:38 The Circus Band 1:11:40 They are There! 1:14:32 Tom Sails Away 1:17:21 Tone Roads No. 1 1:20:42 Psalm 100 1:22:17 Hallowe'en (from "Three Outdoor Scenes") 1:24:18 Piano Sonata No. 2, Concord, Mass, 1840–60 IV: "Thoreau" (after Henry David Thoreau) -
20:33Charles Ives,Three Places in New England.
Charles Ives,Three Places in New England.Charles Ives,Three Places in New England.
The Three Places in New England (Orchestral Set No. 1) is a composition for orchestra by American composer Charles Ives. It was composed mainly between 1911 and 1914, although sketches for the work date from 1903, and the latest revisions were made in 1929. The piece is famous for its use of musical quotation and paraphrasing. Three Places consists of three movements in Ives' preferred slow-fast-slow movement order: I. The "St. Gaudens" in Boston Common (Col. Shaw and his Colored Regiment) II. Putnam's Camp, Redding, Connecticut III. The Housatonic at Stockbridge The three movements are ordered with the longest first and the shortest last, and a complete performance of the piece lasts eighteen or nineteen minutes. As he does in his Orchestral Set No. 2, Ives inverts the fast-slow-fast movement order typical of most three-movement works, using instead a slow-fast-slow order. The piece has become one of Ives' most commonly performed compositions. It exhibits most of the signature traits of his style: layered textures with multiple, sometimes simultaneous melodies, many of which are recognizable hymn and marching tunes; masses of sound including tone clusters; and sudden, sharp textural contrasts. Each of the three movements is named for a place in New England, USA. Each is intended to make the listener experience the unique atmosphere of the place, as though s/he is there. To that end, Ives' paraphrasing of American folk tunes is a particularly important device, providing the listener with tangible reference points. The intention was to make the music accessible despite its avant-garde chromaticism. Three Places in New England aims to paint a picture of American ideals, lifestyle and patriotism at the turn of the twentieth century. BBC National Orchestra of Wales/Nicholas Collon. -
49:24Charles Ives - Concord Sonata
Charles Ives - Concord SonataCharles Ives - Concord Sonata
Performed by Gilbert Kalish About the ONLY COMPLETE recording of the work here on toyoob :) This piece of music anchored me in front of my speakers the minute I put it on to play. It just DEMANDED to be heard ! :) -
14:29Leonard Bernstein on Charles Ives Symphony N 2 (SUB SPA)
Leonard Bernstein on Charles Ives Symphony N 2 (SUB SPA)Leonard Bernstein on Charles Ives Symphony N 2 (SUB SPA)
Leonard Bernstein explains some of Chales Ives background before performing his second Symphony in Munich heading the Bavarian Radio Symphony Orchestra -
15:01Charles Ives - Symphony No. 2 (Leonard Bernstein) (1/3)
Charles Ives - Symphony No. 2 (Leonard Bernstein) (1/3)Charles Ives - Symphony No. 2 (Leonard Bernstein) (1/3)
Leonard Bernstein conducts Second Symphony of the american composer Charles Ives (1874-1954), with the Bavarian Radio Symphony Orchestra, in 1987. © Unitel Classica -
25:57Charles Ives - Sonata for Violin & Piano, No. 3
Charles Ives - Sonata for Violin & Piano, No. 3Charles Ives - Sonata for Violin & Piano, No. 3
Sonata, for violin & piano No. 3, S. 62 (K. 2C6), (1913-1914) I. Adagio II. Allegro III. Adagio Timothy Fain, violin Jeremy Denk, piano Between about 1902 and 1916, Charles Ives, in his mid-thirties and early forties, at the peak of his composing career, completed four sonatas for violin and piano. More than any other similar cluster of his compositions in a single genre, these sonatas all seem to be citizens of the same musical world. Each has three movements; each includes one or more movements in "cumulative" musical form; each is tinged with the music of American Protestant hymnody and ends with a finale based on a hymn-tune; and all are comparatively "easy" pieces (by Ives's standards). Nevertheless, each sonata has its own characteristics. Ives accepted the traditional fast-slow-fast pattern of movements in Sonatas 1 and 4, but Sonatas 2 and 3 are slow-fast-slow, a non-traditional, Ivesian pattern first tried out in his Third Symphony. Sonatas 1 and 3 are basically abstract, with no specific extra-musical movement titles. Sonata 2, however, has such titles ("Autumn," "In the Barn," and "The Revival"), and Sonata 4 is subtitled "Children's Day at the Camp Meeting." A word about the "cumulative form" that crops up in so many movements of these sonatas (the first and last movements of Sonatas 1 and 2 and all the movements of Sonatas 3 and 4). The term was introduced by the Ives scholar J. Peter Burkholder, in his magisterial study All Made of Tunes: Charles Ives and The Uses of Musical Borrowing (1995). Such pieces begin with subtle suggestions and developments of musical fragments that hint at a pre-existent melody, then gradually work toward a culmination in which the "borrowed" melody is revealed in its simple entirety, usually with climactic effect. Essentially, Ives invented this musical form, which is the one he favored in his maturity. Ives offered characteristically picturesque comments about three of the sonatas. Of the Third Sonata: "An attempt to suggest the feeling and fervor - a fervor that was often more vociferous than religious - with which the hymns and revival tunes were sung at the camp meetings held extensively in New England in the '70s and '80s. The tunes used or suggested are Beulah Land, There'll Be No More Sorrow, and Every Hour I Need Thee. The first movement is a kind of magnified hymn of four different stanzas, all ending with the same refrain. The second movement may represent a meeting where the feet and body, as well as the voice, add to the excitement. The last movement is an experiment: the free fantasia is first; the working-out develops into the themes, rather than from them; the coda consists of the themes for the first time in their entirety and in conjunction. The tonality throughout is supposed to take care of itself." By now, their technical and expressive challenges welcomed by performers (and many listeners), Ives's violin sonatas are considered among the most substantial contributions to the violin literature by an American composer. That was hardly the case at first. In 1914, before completing his Third Sonata, Ives invited Franz Milcke, whom he described in his Memos of 1931-32 as a "prima donna solo violinist from Germany who has given concerts in Carnegie Hall," to try over the First and Second Sonatas: "The 'Professor' started to play the first movement of the First Sonata. He didn't even get through the first page. He was all bothered with the rhythms and the notes, and got mad. He said "This cannot be played. It is awful. It is not music, it makes no sense." He couldn't get it even after I'd played it over for him several times and said, "When you get awfully indigestible food in your stomach that distresses you, you can get rid of it, but I cannot get those horrible sounds out of my ears." After he went, I had a kind of feeling which I've had off and on. Are my ears on wrong? No one else seems to hear it the same way." Not until decades later, essentially only after World War II, years after Ives had died, was it recognized that Ives's ears were, in fact, on just right, only far ahead of his contemporaries'. --H. Wiley Hitchcock Art by László Moholy-Nagy
'Charles Ives' is featured as a movie character in the following productions:
Escape Clause (1996)
Actors: Brian Trenchard-Smith (director), John Boylan (actor), Ken Thorne (composer), Scott Wickware (actor), Andrew McCarthy (actor), Derek Brady (miscellaneous crew), Richard Marvin (composer), Paul Sorvino (actor), Chuck Shamata (actor), Phillip Jarrett (actor), Kenneth Welsh (actor), Shawn Lawrence (actor), Pamela Hackwell (miscellaneous crew), Connie Britton (actress), Linda Goranson (actress),
Plot: A man finds out from a would be killer that his wife has paid $10,000 to have him killed. But is this mysterious man telling the truth? When both the killer and the wife turn up dead, everyone is a suspect, and the investigation takes an unexpected turn
Keywords: adultery, assassin, car-hit-by-a-train, corps, family-relationships, female-nudity, fingering, groping, hand-down-panties, hand-in-pantiesGenres: Drama, Thriller,
Ives, Charles Filmography
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2012, role: composer
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2005, role: composer
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1998, role: composer
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1979, role: composer
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1977, role: composer
Matching books:
Charles Ives
ALBUMS
- Ives: Symphony No. 2 / Carter: Instances / Gershwin: An American in Paris released: 2014
- Ives / Brant: A Concord Symphony / Copland: Organ Symphony (San Franciscio Symphony feat. conductor: Michael Tilson Thomas, organ: Paul Jacobs) released: 2011
- Music for a Time of War released: 2011
- Four Sonatas released: 2011
- Jeremy Denk Plays Ives released: 2010
- Songs / Orchestral Sets / From the Steeples and Mountains released: 2008
- The Three Orchestral Sets released: 2008
- PSALMS Complete Recording released: 2008
- A Radical in a Suit and Tie released: 2008
- Barber: Adagio for Strings / Ives: Symphony No. 3 / Copland: Quiet City / Cowell: Hymn and Fuguing Tune No. 10 / Creston: A Rumor released: 2007
- Symphonies nos. 1 & 4 / Central Park in the Dark released: 2006
- BBC Music, Volume 15, Number 2: American Landmarks: Copland, Ives & Harris released: 2006
- Symphonies Nos. 2 & 3 (Dallas Symphony feat. conductor: Andrew Litton) released: 2006
- A Song - For Anything: Songs by Charles Ives released: 2005
- The Unknown Ives, Volume 2 released: 2005
- Three Quarter-Tone Pieces / Five Take-Offs / Hallowe'en / Sunrise released: 2005
- Piano Sonata No. 2 'Concord' / The Celestial Railroad released: 2004
- Music for String Quartet released: 2004
- Ives: Concord Sonata / Barber: Piano Sonata released: 2004
- Concord Sonata / Songs released: 2004
- Mahler: Symphony no. 1 in D major / Ives: Central Park in the Dark / The Unanswered Question released: 2003
- Piano Sonata No. 2 "Concord" / Three Quarter-Tone Pieces released: 2003
- Emerson Concerto / Symphony No. 1 released: 2003
- Symphony no. 1 / Symphony no. 2 released: 2002
- Symphony No. 1 / Three Places in New England released: 2002
- Sonatas for Violin & Piano released: 2002
- Charles Ives: An American Journey released: 2002
- Ives: Three Places in New England / Ruggles: Sun-treader / Piston: Symphony No. 2 released: 2001
- Fischer-Dieskau Edition : Debussy / Ravel / Ives released: 2000
- The Orchestral Music of Charles Ives released: 2000
- Symphony No. 2 / Robert Browning Overture released: 2000
- The Symphonies / Orchestral Sets 1 & 2 released: 2000
- Symphony Nos. 4 & 2 released: 1999
- Ives Plays Ives released: 1999
- A Set of Pieces: Music by Charles Ives released: 1999
- Symphony No. 2 / Symphony No. 3 "The Camp Meeting" released: 1998
- Ives: The Unanswered Question / Holidays (Symphony) / Central Park in the Dark / Carter: Concerto for Orchestra released: 1998
- Ives: Symphony no. 2 / Creston: Symphony no. 2 released: 1995
- Ives: Three Places in New England / Orchestral Set No. 2 / Ruggles: Sun-treader / Men and Mountains released: 1995
- Melodies released: 1995
- American Originals: Ives / Barber String Quartets released: 1993
- A Portrait of Charles Ives released: 1993
- Ives: Symphony no. 1 / Barber: Three Essays for Orchestra released: 1992
- Symphonies Nos. 2 & 3 / Central Park in the Dark released: 1992
- Symphony No. 3 / The Unanswered Question / Three Places in New England released: 1992
- Piano Sonata No. 2, "Concord, Mass., 1840-60" released: 1992
- The Complete Songs of Charles Ives, Volume 4 released: 1992
- The Complete Songs of Charles Ives, Volume 3 released: 1992
- The Complete Songs of Charles Ives, Volume 2 released: 1992
- The Complete Songs of Charles Ives, Volume 1 released: 1992
- Symphonies Nos. 2 & 3 released: 1991
- Symphonies Nos. 1 & 4 released: 1991
- Symphony No. 2 / Central Park in the Dark / The Unanswered Question / Tone Roads No. 1 / Hymn for Strings / Hallowe'en / The Gong on the Hook and Ladder released: 1990
- Holidays Symphony / The Unanswered Question / Central Park in the Dark released: 1988
- Symphonies Nos. 2 & 3 / The Unanswered Question released: 1987
- Symphony No. 4 released: 1985
- Piano Pieces released: 1985
- Symphony No. 3 / Orchestral Set No. 2 released: 1985
- Sonate für Klavier Nr. 1 released: 1984
- Ameriques / Symphony No.4 / The Unanswered Question released:
- Works for Piano (piano: Alan Mandel) released:
- Concord Sonata / Three Places in New England / Central Park in the Dark released:
Ives: Symphony No. 2 / Carter: Instances / Gershwin: An American in Paris
Released 2014- add to main playlist Play in Full Screen Symphony no. 2: I. Andante moderato
- add to main playlist Play in Full Screen Symphony no. 2: II. Allegro
- add to main playlist Play in Full Screen Symphony no. 2: III. Adagio cantabile
- add to main playlist Play in Full Screen Symphony no. 2: IV. Lento maestoso
- add to main playlist Play in Full Screen Symphony no. 2: V. Allegro molto vivace
- add to main playlist Play in Full Screen Instances
- add to main playlist Play in Full Screen An American in Paris
Ives / Brant: A Concord Symphony / Copland: Organ Symphony (San Franciscio Symphony feat. conductor: Michael Tilson Thomas, organ: Paul Jacobs)
Released 2011- add to main playlist Play in Full Screen A Concord Symphony: I. Emerson
- add to main playlist Play in Full Screen A Concord Symphony: II. Hawthorne
- add to main playlist Play in Full Screen A Concord Symphony: III. The alcotts
- add to main playlist Play in Full Screen A Concord Symphony: IV. Thoreau
- add to main playlist Play in Full Screen Organ Symphony: I. Prelude: Andante
- add to main playlist Play in Full Screen Organ Symphony: II. Scherzo: Allegro molto
- add to main playlist Play in Full Screen Organ Symphony: III. Finale: Lento - allegro moderato
Music for a Time of War
Released 2011- add to main playlist Play in Full Screen The Unanswered Question
- add to main playlist Play in Full Screen The Wound-Dresser
- add to main playlist Play in Full Screen Sinfonia da Requiem, op. 20: Lacrymosa. Andante ben misurato
- add to main playlist Play in Full Screen Sinfonia da Requiem, op. 20: Dies Irae. Allegro con fuoco
- add to main playlist Play in Full Screen Sinfonia da Requiem, op. 20: Requiem Aeternam. Andante molto tranquillo
- add to main playlist Play in Full Screen Symphony no. 4 in F minor: Allegro
- add to main playlist Play in Full Screen Symphony no. 4 in F minor: Andante moderato
- add to main playlist Play in Full Screen Symphony no. 4 in F minor: Scherzo. Allegro molto
- add to main playlist Play in Full Screen Symphony no. 4 in F minor: Finale con epilogo fugato. Allegro molto - con anima
Four Sonatas
Released 2011- add to main playlist Play in Full Screen Sonata No. 1: I. Andante - Allegro vivace
- add to main playlist Play in Full Screen Sonata No. 1: II. Largo cantabile
- add to main playlist Play in Full Screen Sonata No. 1: III. Allegro
- add to main playlist Play in Full Screen Sonata No. 2: I. Autumn
- add to main playlist Play in Full Screen Sonata No. 2: II. In the Barn
- add to main playlist Play in Full Screen Sonata No. 2: III. Revival
- add to main playlist Play in Full Screen Sonata No. 3: I. Adagio - Andante - Allegretto - Adagio
- add to main playlist Play in Full Screen Sonata No. 3: II. Allegro
- add to main playlist Play in Full Screen Sonata No. 3: III. Adagio (Cantabile)
- add to main playlist Play in Full Screen Sonata No. 4, "Children's Day at the Camp Meeting": I. Allegro
- add to main playlist Play in Full Screen Sonata No. 4, "Children's Day at the Camp Meeting": II. Largo
- add to main playlist Play in Full Screen Sonata No. 4, "Children's Day at the Camp Meeting": III. Allegro
Jeremy Denk Plays Ives
Released 2010- add to main playlist Play in Full Screen Piano Sonata no. 1: I. Adagio con moto
- add to main playlist Play in Full Screen Piano Sonata no. 1: IIa. Allegro moderato
- add to main playlist Play in Full Screen Piano Sonata no. 1: IIb. Allegro “In the Inn”
- add to main playlist Play in Full Screen Piano Sonata no. 1: III. Largo - Allegro - Largo
- add to main playlist Play in Full Screen Piano Sonata no. 1: IVa. [ ]
- add to main playlist Play in Full Screen Piano Sonata no. 1: IVb. Allegro - Presto - Slow
- add to main playlist Play in Full Screen Piano Sonata no. 1: V. Andante maestoso
- add to main playlist Play in Full Screen Piano Sonata no. 2 “Concord, Mass., 1840–1860”: I. Emerson
- add to main playlist Play in Full Screen Piano Sonata no. 2 “Concord, Mass., 1840–1860”: II. Hawthorne
- add to main playlist Play in Full Screen Piano Sonata no. 2 “Concord, Mass., 1840–1860”: III. The Alcotts
- add to main playlist Play in Full Screen Piano Sonata no. 2 “Concord, Mass., 1840–1860”: IV. Thoreau
Songs / Orchestral Sets / From the Steeples and Mountains
Released 2008- add to main playlist Play in Full Screen The Greatest Man
- add to main playlist Play in Full Screen At the River
- add to main playlist Play in Full Screen Ann Street
- add to main playlist Play in Full Screen Christmas Carol
- add to main playlist Play in Full Screen From 'The Swimmers'
- add to main playlist Play in Full Screen West London
- add to main playlist Play in Full Screen Soliloquy
- add to main playlist Play in Full Screen Evening
- add to main playlist Play in Full Screen Charlie Rutlage
- add to main playlist Play in Full Screen Side Show
- add to main playlist Play in Full Screen The Cage
- add to main playlist Play in Full Screen Farewell to Land
- add to main playlist Play in Full Screen General William Booth Enters into Heaven
- add to main playlist Play in Full Screen Set No. 1 for small orchestra: I. The See'r
- add to main playlist Play in Full Screen Set No. 1 for small orchestra: II. A Lecture
- add to main playlist Play in Full Screen Set No. 1 for small orchestra: III. The Ruined River
- add to main playlist Play in Full Screen Set No. 1 for small orchestra: IV. Like a Sick Eagle
- add to main playlist Play in Full Screen Set No. 1 for small orchestra: V. Calcium Light Night
- add to main playlist Play in Full Screen Set No. 1 for small orchestra: VI. 'When the Moon' or Allegretto sombreoso
- add to main playlist Play in Full Screen Tone Roads No. 1
- add to main playlist Play in Full Screen From the Steeples and the Mountains
- add to main playlist Play in Full Screen Tone Roads No. 3
- add to main playlist Play in Full Screen Set No. 3 for small orchestra: I. Adagio sostenuto 'At Sea'
- add to main playlist Play in Full Screen Mists
- add to main playlist Play in Full Screen On the Antipodes
- add to main playlist Play in Full Screen The Rainbow (So may it be!)
- add to main playlist Play in Full Screen The Pond
- add to main playlist Play in Full Screen The Bells of Yale, or Chapel Chimes
- add to main playlist Play in Full Screen The Gong on the Hook and Ladder ('Fireman's Parade on Main street')
- add to main playlist Play in Full Screen All the Way Around and Back
- add to main playlist Play in Full Screen Over the Pavements
- add to main playlist Play in Full Screen Set No. 2 for small orchestra: I. Largo 'The Indians'
- add to main playlist Play in Full Screen Set No. 2 for small orchestra: II. 'Gyp the Blood', or 'Hearst - Which is Worst?'
- add to main playlist Play in Full Screen Aeschylus and Sophocles
- add to main playlist Play in Full Screen Set for Theater or Chamber Orchestra: I. In the Cage
- add to main playlist Play in Full Screen Set for Theater or Chamber Orchestra: II. In the Inn
- add to main playlist Play in Full Screen Set for Theater or Chamber Orchestra: III. In the Night
The Three Orchestral Sets
Released 2008- add to main playlist Play in Full Screen Orchestral Set No. 1 "Three Places in New England, Version 1": I. Impression of the 'St. Gaudens' in Boston Common
- add to main playlist Play in Full Screen Orchestral Set No. 1 "Three Places in New England, Version 1": II. Children's Holiday at Putnam's Camp
- add to main playlist Play in Full Screen Orchestral Set No. 1 "Three Places in New England, Version 1": III. The Housatonic at Stockbridge
- add to main playlist Play in Full Screen Orchestral Set No. 2 (1919): I. An Elegy to Our Forefathers
- add to main playlist Play in Full Screen Orchestral Set No. 2 (1919): II. The Rockstrewn Hills Join in the People's Outdoor Meeting
- add to main playlist Play in Full Screen Orchestral Set No. 2 (1919): III. From Hanover Square North, at the End of a Tragic Day, the Voice of the People Again Arose
- add to main playlist Play in Full Screen Orchestral Set No. 3: I. (Andante moderato)
- add to main playlist Play in Full Screen Orchestral Set No. 3: II. During Camp Meetin' Week - One Secular Afternoon (in Bethel)
- add to main playlist Play in Full Screen Orchestral Set No. 3: III. (Andante)
PSALMS Complete Recording
Released 2008- add to main playlist Play in Full Screen Psalm 90
- add to main playlist Play in Full Screen Psalm 24
- add to main playlist Play in Full Screen Psalm 67
- add to main playlist Play in Full Screen Psalm 135
- add to main playlist Play in Full Screen Psalm 14
- add to main playlist Play in Full Screen Psalm 25
- add to main playlist Play in Full Screen Psalm 100
- add to main playlist Play in Full Screen Psalm 54
- add to main playlist Play in Full Screen Psalm 150
- add to main playlist Play in Full Screen Psalm 42
A Radical in a Suit and Tie
Released 2008- add to main playlist Play in Full Screen Three Places in New England: I. The "Saint Gaudens" in Boston Common (Col. Shaw and His Colored Regiment) (The American Recording Society Orchestra feat. conductor: Walter Hendl)
- add to main playlist Play in Full Screen Three Places in New England: II. General Putnam's Camp, Redding, Connecticut (The American Recording Society Orchestra feat. conductor: Walter Hendl)
- add to main playlist Play in Full Screen Three Places in New England: III. The Housatonic at Stockbridge (The American Recording Society Orchestra feat. conductor: Walter Hendl)
- add to main playlist Play in Full Screen Symphony No. 3 "The Camp Meeting": I. Andante maestoso "Old Folks Gatherin'" (National Gallery Orchestra feat. conductor: Richard Bales)
- add to main playlist Play in Full Screen Symphony No. 3 "The Camp Meeting": II. Allegro "Children's Day" (National Gallery Orchestra feat. conductor: Richard Bales)
- add to main playlist Play in Full Screen Symphony No. 3 "The Camp Meeting": III. Largo "Communion" (National Gallery Orchestra feat. conductor: Richard Bales)
- add to main playlist Play in Full Screen Piano Sonata No. 1: I. Adagio con moto(feat. piano: William Masselos)
- add to main playlist Play in Full Screen Piano Sonata No. 1: II. Allegro moderato (feat. piano: William Masselos)
- add to main playlist Play in Full Screen Piano Sonata No. 1: III. Largo; allegro (feat. piano: William Masselos)
- add to main playlist Play in Full Screen Piano Sonata No. 1: IV. Allegro (feat. piano: William Masselos)
- add to main playlist Play in Full Screen Piano Sonata No. 1: V. Andante maestoso (feat. piano: William Masselos)
Barber: Adagio for Strings / Ives: Symphony No. 3 / Copland: Quiet City / Cowell: Hymn and Fuguing Tune No. 10 / Creston: A Rumor
Released 2007- add to main playlist Play in Full Screen Adagio for Strings, op. 11
- add to main playlist Play in Full Screen Symphony no. 3, “The Camp Meeting”: I. Old Folks Gatherin’
- add to main playlist Play in Full Screen Symphony no. 3, “The Camp Meeting”: II. Children’s Day
- add to main playlist Play in Full Screen Symphony no. 3, “The Camp Meeting”: III. Communion
- add to main playlist Play in Full Screen Quiet City for Cor Anglais, Trumpet and Strings
- add to main playlist Play in Full Screen Hymn and Fuguing Tune no. 10 for Oboe and Strings
- add to main playlist Play in Full Screen A Rumour
Symphonies nos. 1 & 4 / Central Park in the Dark
Released 2006- add to main playlist Play in Full Screen Symphony No. 1: I. Allegro (con moto)
- add to main playlist Play in Full Screen Symphony No. 1: II. Adagio molto (sostenuto)
- add to main playlist Play in Full Screen Symphony No. 1: III. Scherzo: Vivace
- add to main playlist Play in Full Screen Symphony No. 1: IV. Allegro molto
- add to main playlist Play in Full Screen Symphony No. 4: I. Prelude: Maestoso
- add to main playlist Play in Full Screen Symphony No. 4: II. Comedy: Allegretto
- add to main playlist Play in Full Screen Symphony No. 4: III. Fugue: Andante moderato con moto
- add to main playlist Play in Full Screen Symphony No. 4: IV. Very slowly (Largo maestoso)
- add to main playlist Play in Full Screen Central Park in the Dark
Symphonies Nos. 2 & 3 (Dallas Symphony feat. conductor: Andrew Litton)
Released 2006- add to main playlist Play in Full Screen Symphony No. 2: I. Andante moderato
- add to main playlist Play in Full Screen Symphony No. 2: II. Allegro molto (con spirito)
- add to main playlist Play in Full Screen Symphony No. 2: III. Adagio cantabile
- add to main playlist Play in Full Screen Symphony No. 2: IV. Lento maestoso
- add to main playlist Play in Full Screen Symphony No. 2: V. Allegro molto vivace (feat. cello: Christopher Adkins)
- add to main playlist Play in Full Screen Symphony No. 3 "The Camp Meeting": I. Old Folks Gatherin': Andante maestoso
- add to main playlist Play in Full Screen Symphony No. 3 "The Camp Meeting": II. Children's Day: Allegro
- add to main playlist Play in Full Screen Symphony No. 3 "The Camp Meeting": III. Communion: Largo
- add to main playlist Play in Full Screen General Booth Enters Into Heaven
A Song - For Anything: Songs by Charles Ives
Released 2005- add to main playlist Play in Full Screen Feldeinsamkeit
- add to main playlist Play in Full Screen The Things Our Fathers Loved
- add to main playlist Play in Full Screen Memories: (A) Very Pleasant; (B) Rather Sad
- add to main playlist Play in Full Screen The Housatonic at Stockbridge
- add to main playlist Play in Full Screen Swimmers
- add to main playlist Play in Full Screen The Cage
- add to main playlist Play in Full Screen The Greatest Man
- add to main playlist Play in Full Screen General William Booth Enters Into Heaven
- add to main playlist Play in Full Screen Remembrance
- add to main playlist Play in Full Screen Berceuse
- add to main playlist Play in Full Screen West London
- add to main playlist Play in Full Screen Tom Sails Away
- add to main playlist Play in Full Screen When Stars are in the Quiet Skies
- add to main playlist Play in Full Screen Weil' auf mir
- add to main playlist Play in Full Screen Ich grolle nicht
- add to main playlist Play in Full Screen Du alte Mutter
- add to main playlist Play in Full Screen Where the Eagle
- add to main playlist Play in Full Screen Walking
- add to main playlist Play in Full Screen Yellow Leaves
- add to main playlist Play in Full Screen The Side Show
- add to main playlist Play in Full Screen Élégie
- add to main playlist Play in Full Screen The New River
- add to main playlist Play in Full Screen Like a Sick Eagle
- add to main playlist Play in Full Screen Ann Street
- add to main playlist Play in Full Screen Slugging a Vampire
- add to main playlist Play in Full Screen Thoreau
- add to main playlist Play in Full Screen Serenity
- add to main playlist Play in Full Screen Tolerance
- add to main playlist Play in Full Screen Charlie Rutlage
- add to main playlist Play in Full Screen '1, 2, 3'
- add to main playlist Play in Full Screen A Song - For Anything
The Unknown Ives, Volume 2
Released 2005- add to main playlist Play in Full Screen Varied Air and Variations
- add to main playlist Play in Full Screen Waltz-Rondo
- add to main playlist Play in Full Screen Invention in D
- add to main playlist Play in Full Screen Allegro
- add to main playlist Play in Full Screen Study No. 2
- add to main playlist Play in Full Screen Piano Cadenza From Scherzo: Over the Pavements
- add to main playlist Play in Full Screen Andante
- add to main playlist Play in Full Screen Impression of the 'St. Gardens' In Boston Common
- add to main playlist Play in Full Screen The Celestial Railroad
- add to main playlist Play in Full Screen Minuetto, Op.4
- add to main playlist Play in Full Screen Allegro Moderato
- add to main playlist Play in Full Screen Moderato Con Anima
- add to main playlist Play in Full Screen I. Largo
- add to main playlist Play in Full Screen II. Allegro
- add to main playlist Play in Full Screen III. Chorale
- add to main playlist Play in Full Screen Fourth Fugue
- add to main playlist Play in Full Screen March No. 1 for Piano, With 'Yeah of the Jubilee'
- add to main playlist Play in Full Screen March No. 2 for Piano, With Son of a Gambler'
- add to main playlist Play in Full Screen March No. 3 for Piano, With 'Omega Lambda Chi'
- add to main playlist Play in Full Screen March in G and C for Piano, With 'See the Conquering Hero Comes'
- add to main playlist Play in Full Screen March for Piano: 'the Circus Band'
- add to main playlist Play in Full Screen March No. 5 for Piano, With 'Annie Lisle'
- add to main playlist Play in Full Screen March No. 6 for Piano, With 'Here's to Good Old Yale'
Three Quarter-Tone Pieces / Five Take-Offs / Hallowe'en / Sunrise
Released 2005- add to main playlist Play in Full Screen The Housatonic at Stockbridge
- add to main playlist Play in Full Screen Soliloquy, or a Study in 7ths and Other Things
- add to main playlist Play in Full Screen On the Antipodes
- add to main playlist Play in Full Screen The Gong on the Hook and Ladder (original version)
- add to main playlist Play in Full Screen Hallowe’en
- add to main playlist Play in Full Screen In Re Con Moto et al, Op. 20
- add to main playlist Play in Full Screen Sunrise
- add to main playlist Play in Full Screen Remembrance
- add to main playlist Play in Full Screen Aeschylus and Sophocles
- add to main playlist Play in Full Screen Five Take-offs: The Seen and Unseen? (Sweet and Tough)
- add to main playlist Play in Full Screen Five Take-offs: Rough and Ready et al and / or The Jumping Frog
- add to main playlist Play in Full Screen Five Take-offs: Song Without (Good) Words
- add to main playlist Play in Full Screen Five Take-offs: Scene Episode
- add to main playlist Play in Full Screen Five Take-offs: Bad Resolutions and Good WAN! (Jan. 1, 1907)
- add to main playlist Play in Full Screen Three Quarter-Tone Pieces: Largo
- add to main playlist Play in Full Screen Three Quarter-Tone Pieces: Allegro
- add to main playlist Play in Full Screen Three Quarter-Tone Pieces: Chorale
Piano Sonata No. 2 'Concord' / The Celestial Railroad
Released 2004- add to main playlist Play in Full Screen Sonata No. 2 for Piano, 'Concord, Mass.: 1840-60': I. 'Emerson'
- add to main playlist Play in Full Screen Sonata No. 2 for Piano, 'Concord, Mass.: 1840-60': II. 'Hawthorne'
- add to main playlist Play in Full Screen Sonata No. 2 for Piano, 'Concord, Mass.: 1840-60': III. 'The Alcotts'
- add to main playlist Play in Full Screen Sonata No. 2 for Piano, 'Concord, Mass.: 1840-60': IV. 'Thoreau'
- add to main playlist Play in Full Screen Varied Air and Variations
- add to main playlist Play in Full Screen The Celestial Railroad
- add to main playlist Play in Full Screen Four Transcriptions from 'Emerson', No. 1
Music for String Quartet
Released 2004- add to main playlist Play in Full Screen Three Short Pieces, Op. 15: I. Hymn. Largo cantabile.
- add to main playlist Play in Full Screen Three Short Pieces, Op. 15: II. Scherzo, "Holding Your Own"
- add to main playlist Play in Full Screen Three Short Pieces, Op. 15: III. Adagio cantabile, "The Innate"
- add to main playlist Play in Full Screen Second String Quartet, Op. 19: I. Discussions
- add to main playlist Play in Full Screen Second String Quartet, Op. 19: II. Arguments
- add to main playlist Play in Full Screen Second String Quartet, Op. 19: III. The Call of the Mountains
- add to main playlist Play in Full Screen Largo Risoluto No. 1, Op. 12 "As to the Law of Diminishing Returns"
- add to main playlist Play in Full Screen Largo risoluto No. 2, Op. 13 "A Shadow Made a Silhouette"
- add to main playlist Play in Full Screen Hallowe'en, Op. 11
- add to main playlist Play in Full Screen Intermezzo
- add to main playlist Play in Full Screen In re con moto et al., Op. 20
Ives: Concord Sonata / Barber: Piano Sonata
Released 2004- add to main playlist Play in Full Screen Piano Sonata No. 2, Op. 19 "Concord": I. Emerson. Slowly
- add to main playlist Play in Full Screen Piano Sonata No. 2, Op. 19 "Concord": II. Hawthorne. Very fast
- add to main playlist Play in Full Screen Piano Sonata No. 2, Op. 19 "Concord": III. The Alcotts
- add to main playlist Play in Full Screen Piano Sonata No. 2, Op. 19 "Concord": IV. Thoreau. Starting slowly and quietly
- add to main playlist Play in Full Screen Piano Sonata, Op. 26: I. Allegro energico
- add to main playlist Play in Full Screen Piano Sonata, Op. 26: II. Allegro vivace e leggiero
- add to main playlist Play in Full Screen Piano Sonata, Op. 26: III. Adagio mesto
- add to main playlist Play in Full Screen Piano Sonata, Op. 26: IV. Fuga. Allegro con spirito
Concord Sonata / Songs
Released 2004- add to main playlist Play in Full Screen The Things Our Fathers Loved, S. 372
- add to main playlist Play in Full Screen The Housatonic at Stockbridge, S. 266
- add to main playlist Play in Full Screen Swimmers, S. 366
- add to main playlist Play in Full Screen Memories, S. 297
- add to main playlist Play in Full Screen Ann Street, S. 211
- add to main playlist Play in Full Screen Serenity, S. 347
- add to main playlist Play in Full Screen 1, 2, 3, S. 321
- add to main playlist Play in Full Screen Songs My Mother Taught Me, S. 361
- add to main playlist Play in Full Screen The Circus Band, S. 229
- add to main playlist Play in Full Screen The Cage, S. 221
- add to main playlist Play in Full Screen The Indians, S. 283
- add to main playlist Play in Full Screen Like a Sick Eagle, S. 288
- add to main playlist Play in Full Screen Remembrance, S. 332
- add to main playlist Play in Full Screen September, S. 346
- add to main playlist Play in Full Screen Soliloquy, S. 352
- add to main playlist Play in Full Screen A Farewell to Land, S. 248
- add to main playlist Play in Full Screen Thoreau, S. 373
- add to main playlist Play in Full Screen Piano Sonata No. 2 "Concord, Mass., 1840-60", S. 88: I. "Emerson"
- add to main playlist Play in Full Screen Piano Sonata No. 2 "Concord, Mass., 1840-60", S. 88: II. "Hawthorne"
- add to main playlist Play in Full Screen Piano Sonata No. 2 "Concord, Mass., 1840-60", S. 88: III. "The Alcotts"
- add to main playlist Play in Full Screen Piano Sonata No. 2 "Concord, Mass., 1840-60", S. 88: IV. "Thoreau"
Mahler: Symphony no. 1 in D major / Ives: Central Park in the Dark / The Unanswered Question
Released 2003- add to main playlist Play in Full Screen Symphony no. 1 in D major: I. Langsam. Schleppend - Immer sehr gemächlich
- add to main playlist Play in Full Screen Symphony no. 1 in D major: II. Kräftig bewegt, doch nicht zu schnell
- add to main playlist Play in Full Screen Symphony no. 1 in D major: III. Feierlich und gemessen, ohne zu schleppen
- add to main playlist Play in Full Screen Symphony no. 1 in D major: IV. Stürmisch bewegt
- add to main playlist Play in Full Screen Central Park in the Dark
- add to main playlist Play in Full Screen The Unanswered Question
Piano Sonata No. 2 "Concord" / Three Quarter-Tone Pieces
Released 2003- add to main playlist Play in Full Screen Piano Sonata No. 2 "Concord, Mass., 1840-60": I. "Emerson"
- add to main playlist Play in Full Screen Piano Sonata No. 2 "Concord, Mass., 1840-60": II. "Hawthorne"
- add to main playlist Play in Full Screen Piano Sonata No. 2 "Concord, Mass., 1840-60": III. "The Alcotts"
- add to main playlist Play in Full Screen Piano Sonata No. 2 "Concord, Mass., 1840-60": IV. "Thoreau"
- add to main playlist Play in Full Screen Three Quarter-Tone Pieces for Two Pianos: I. Largo
- add to main playlist Play in Full Screen Three Quarter-Tone Pieces for Two Pianos: II. Allegro
- add to main playlist Play in Full Screen Three Quarter-Tone Pieces for Two Pianos: III. Choral
Emerson Concerto / Symphony No. 1
Released 2003- add to main playlist Play in Full Screen Emerson Concerto: I.
- add to main playlist Play in Full Screen Emerson Concerto: II.
- add to main playlist Play in Full Screen Emerson Concerto: III.
- add to main playlist Play in Full Screen Emerson Concerto: IV.
- add to main playlist Play in Full Screen Symphony No. 1: I. Allegro con moto
- add to main playlist Play in Full Screen Symphony No. 1: II. Adagio molto
- add to main playlist Play in Full Screen Symphony No. 1: III. Scherzo
- add to main playlist Play in Full Screen Symphony No. 1: IV. Allegro molto
Symphony no. 1 / Symphony no. 2
Released 2002- add to main playlist Play in Full Screen Symphony no. 1: I. Allegro
- add to main playlist Play in Full Screen Symphony no. 1: II. Adagio molto (sostenuto)
- add to main playlist Play in Full Screen Symphony no. 1: III. Scherzo. Vivace
- add to main playlist Play in Full Screen Symphony no. 1: IV. Allegro molto
- add to main playlist Play in Full Screen Symphony no. 2: I. Andante moderato
- add to main playlist Play in Full Screen Symphony no. 2: II. Allegro
- add to main playlist Play in Full Screen Symphony no. 2: III. Adagio cantabile
- add to main playlist Play in Full Screen Symphony no. 2: IV. Lento maestoso
- add to main playlist Play in Full Screen Symphony no. 2: V. Allegro molto vivace
Symphony No. 1 / Three Places in New England
Released 2002- add to main playlist Play in Full Screen Symphony No. 1 in D minor: I. Allegro
- add to main playlist Play in Full Screen Symphony No. 1 in D minor: II. Adagio molto (Sostenuto)
- add to main playlist Play in Full Screen Symphony No. 1 in D minor: III. Scherzo. Vivace
- add to main playlist Play in Full Screen Symphony No. 1 in D minor: IV. Allegro molto
- add to main playlist Play in Full Screen Three Places in New England: I. The "St. Gaudens" in Boston Common (Col. Shaw and his Colored Regiment)
- add to main playlist Play in Full Screen Three Places in New England: II. Putnam's Camp, Redding, Connecticut
- add to main playlist Play in Full Screen Three Places in New England: III. 'The Housatonic at Stockbridge
- add to main playlist Play in Full Screen Robert Browning Overture
Sonatas for Violin & Piano
Released 2002- add to main playlist Play in Full Screen Violin Sonata 1: I. Andante
- add to main playlist Play in Full Screen Violin Sonata 1: II. Largo Cantabile
- add to main playlist Play in Full Screen Violin Sonata 1: III. Allegro
- add to main playlist Play in Full Screen Violin Sonata 2: I. Autumn
- add to main playlist Play in Full Screen Violin Sonata 2: II. In the Barn
- add to main playlist Play in Full Screen Violin Sonata 2: III. The Revival
- add to main playlist Play in Full Screen Violin Sonata 3: I. Adagio-Andante-Allegretto-Adagio
- add to main playlist Play in Full Screen Violin Sonata 3: II. Allegro
- add to main playlist Play in Full Screen Violin Sonata 3: III. Adagio Cantabile
- add to main playlist Play in Full Screen Violin Sonata 4: I. Allegro
- add to main playlist Play in Full Screen Violin Sonata 4: II. Largo
- add to main playlist Play in Full Screen Violin Sonata 4: III. Allegro
Charles Ives: An American Journey
Released 2002- add to main playlist Play in Full Screen From the Steeples and the Mountains, S. 65
- add to main playlist Play in Full Screen The Things Our Fathers Loved, S. 372
- add to main playlist Play in Full Screen The Pond (Remembrance), S. 40
- add to main playlist Play in Full Screen Memories, S. 297
- add to main playlist Play in Full Screen Charlie Rutlage, S. 14/iii
- add to main playlist Play in Full Screen The Circus Band, S. 33
- add to main playlist Play in Full Screen Three Places in New England, S. 7: I. The "St. Gaudens" in Boston Common
- add to main playlist Play in Full Screen Three Places in New England, S. 7: II. Putnam's Camp, Redding, Connecticut
- add to main playlist Play in Full Screen Three Places in New England, S. 7: III. The Housatonic at Stockbridge
- add to main playlist Play in Full Screen In Flanders Fields, S. 277 (arr. David Del Tredici)
- add to main playlist Play in Full Screen They Are There! (A War Song March), S. 188
- add to main playlist Play in Full Screen Tom Sails Away, S. 378
- add to main playlist Play in Full Screen Symphony No. 4, S. 4: III. Fugue
- add to main playlist Play in Full Screen Psalm 100, S. 153
- add to main playlist Play in Full Screen Serenity, S. 347 (arr. John Adams)
- add to main playlist Play in Full Screen General William Booth Enters Into Heaven, S. 181
- add to main playlist Play in Full Screen The Unanswered Question (I & II), S. 50
Ives: Three Places in New England / Ruggles: Sun-treader / Piston: Symphony No. 2
Released 2001- add to main playlist Play in Full Screen Three Places in New England, S. 7: I. The "St. Gaudens" in Boston Common
- add to main playlist Play in Full Screen Three Places in New England, S. 7: II. Putnam's Camp, Redding, Connecticut
- add to main playlist Play in Full Screen Three Places in New England, S. 7: III. The Housatonic at Stockbridge
- add to main playlist Play in Full Screen Sun-Treader: Poco accelerando (bar 1)
- add to main playlist Play in Full Screen Sun-Treader: (bar 51a)
- add to main playlist Play in Full Screen Sun-Treader: Lento (bar 119)
- add to main playlist Play in Full Screen Sun-Treader: A tempo (bar 138a)
- add to main playlist Play in Full Screen Sun-Treader: Poco accelerando (bar 169)
- add to main playlist Play in Full Screen Sun-Treader: Serene, but with great expression (bar 191)
- add to main playlist Play in Full Screen Symphony No. 2: I. Moderato
- add to main playlist Play in Full Screen Symphony No. 2: II. Adagio
- add to main playlist Play in Full Screen Symphony No. 2: III. Allegro
Fischer-Dieskau Edition : Debussy / Ravel / Ives
Released 2000- add to main playlist Play in Full Screen Ballade de Villon à s'amye
- add to main playlist Play in Full Screen Ballade que Villon feit à la requeste de sa mère pour prier Nostre Dame
- add to main playlist Play in Full Screen Ballade des femmes de Paris
- add to main playlist Play in Full Screen Nahandove
- add to main playlist Play in Full Screen Aoua
- add to main playlist Play in Full Screen Il est doux
- add to main playlist Play in Full Screen Chanson de la mariée
- add to main playlist Play in Full Screen Là-bas, vers l'église
- add to main playlist Play in Full Screen Quel galant m'est comparable
- add to main playlist Play in Full Screen Chanson des cueilleuses de lentisques
- add to main playlist Play in Full Screen Tout gai!
- add to main playlist Play in Full Screen Chanson Romanesque
- add to main playlist Play in Full Screen Chanson épique
- add to main playlist Play in Full Screen Chanson à boire
- add to main playlist Play in Full Screen At The River
- add to main playlist Play in Full Screen Elégie
- add to main playlist Play in Full Screen Ann Street
- add to main playlist Play in Full Screen A Christmas Caro
- add to main playlist Play in Full Screen from "The Swimmers"
- add to main playlist Play in Full Screen West London (A sonnet)
- add to main playlist Play in Full Screen A Farewell to Land
- add to main playlist Play in Full Screen Abide With Me
- add to main playlist Play in Full Screen Where the Eagle
- add to main playlist Play in Full Screen Disclosure
- add to main playlist Play in Full Screen The White Gulls
- add to main playlist Play in Full Screen The Children's Hour
- add to main playlist Play in Full Screen Two Little Flowers (and dedicated to them)
- add to main playlist Play in Full Screen Autumn
- add to main playlist Play in Full Screen Tom Sails Away
- add to main playlist Play in Full Screen Ich grolle nicht
- add to main playlist Play in Full Screen Feldeinsamkeit
- add to main playlist Play in Full Screen Weil' auf mir
- add to main playlist Play in Full Screen In Flanders Fields
The Orchestral Music of Charles Ives
Released 2000- add to main playlist Play in Full Screen "Country Band" March
- add to main playlist Play in Full Screen Set of Four Ragtime Dances: Ragtime Dance No. 1 (Allegro moderato)
- add to main playlist Play in Full Screen Set of Four Ragtime Dances: Ragtime Dance No. 2 (Allegro moderato)
- add to main playlist Play in Full Screen Set of Four Ragtime Dances: Ragtime Dance No. 3 (Allegro)
- add to main playlist Play in Full Screen Set of Four Ragtime Dances: Ragtime Dance No. 4 (Allegro)
- add to main playlist Play in Full Screen Postlude in F
- add to main playlist Play in Full Screen Calcium Light Night
- add to main playlist Play in Full Screen Yale-Princeton Football Game
- add to main playlist Play in Full Screen Set for Theatre Orchestra: I. In the Cage
- add to main playlist Play in Full Screen Set for Theatre Orchestra: II. In the Inn
- add to main playlist Play in Full Screen Set for Theatre Orchestra: III. In the Night
- add to main playlist Play in Full Screen Largo Cantabile: Hymn
- add to main playlist Play in Full Screen Three Places in New England, Version 2: I. The "Saint-Gaudens" in Boston Common
- add to main playlist Play in Full Screen Three Places in New England, Version 2: II. Putnam's Camp, Redding, Connecticut
- add to main playlist Play in Full Screen Three Places In New England, Version 2: III. The Housatonic at Stockbridge
Symphony No. 2 / Robert Browning Overture
Released 2000- add to main playlist Play in Full Screen Robert Browning Overture, S. 27
- add to main playlist Play in Full Screen Symphony No. 2, S. 2: I. Andante moderato
- add to main playlist Play in Full Screen Symphony No. 2, S. 2: II. Allegro
- add to main playlist Play in Full Screen Symphony No. 2, S. 2: III. Adagio cantabile
- add to main playlist Play in Full Screen Symphony No. 2, S. 2: IV. Lento maestoso
- add to main playlist Play in Full Screen Symphony No. 2, S. 2: V. Allegro molto vivace
The Symphonies / Orchestral Sets 1 & 2
Released 2000- add to main playlist Play in Full Screen Symphony No. 1: I. Allegro
- add to main playlist Play in Full Screen Symphony No. 1: II. Adagio molto (sostenuto)
- add to main playlist Play in Full Screen Symphony No. 1: III. Scherzo: Vivace
- add to main playlist Play in Full Screen Symphony No. 1: IV. Allegro molto
- add to main playlist Play in Full Screen Symphony No. 4: I. Prelude: Maestoso
- add to main playlist Play in Full Screen Symphony No. 4: II. Allegretto
- add to main playlist Play in Full Screen Symphony No. 4: III. Fugue: Andante moderato
- add to main playlist Play in Full Screen Symphony No. 4: IV. Largo maestoso
- add to main playlist Play in Full Screen Orchestral Set No. 2: I. An Elegy to Our Forefathers
- add to main playlist Play in Full Screen Orchestral Set No. 2: II. The Rockstrewn Hills Join in the People's Outdoor Meeting
- add to main playlist Play in Full Screen Orchestral Set No. 2: III. From Hanover Square North, at the End of a Tragic Day, the Voice of the People Again Arose
Symphony Nos. 4 & 2
Released 1999- add to main playlist Play in Full Screen Symphony No. 4: I. Prelude: Maestoso
- add to main playlist Play in Full Screen Symphony No. 4: II. Allegretto
- add to main playlist Play in Full Screen Symphony No. 4: III. Fugue: Andante moderato
- add to main playlist Play in Full Screen Symphony No. 4: IV. Largo maestoso
- add to main playlist Play in Full Screen Symphony No. 2: I. Andante moderato
- add to main playlist Play in Full Screen Symphony No. 2: II. Allegro
- add to main playlist Play in Full Screen Symphony No. 2: III. Adagio cantabile
- add to main playlist Play in Full Screen Symphony No. 2: IV. Lento maestoso
- add to main playlist Play in Full Screen Symphony No. 2: V. Allegro molto vivace
Ives Plays Ives
Released 1999- add to main playlist Play in Full Screen June 12, 1933 - Four Transcriptions from 'Emerson,' No.1 (beg.)
- add to main playlist Play in Full Screen June 12, 1933 - Four Transcriptions from 'Emerson,' No.1 (end)
- add to main playlist Play in Full Screen June 12, 1933 - Four Transcriptions from 'Emerson,' No.3
- add to main playlist Play in Full Screen June 12, 1933 - Improvisations on a passage in Study No.23, Four Transcriptions from 'Emerson,' No.2, and Emerson Overtre's Cadenza No.4 (with false start)
- add to main playlist Play in Full Screen mid 1930s - Four Transcriptions from 'Emerson,' No.1 (beg.)
- add to main playlist Play in Full Screen mid 1930s - Four Transcriptions from 'Emerson,' No.1 (end)
- add to main playlist Play in Full Screen mid 1930s - Study No.11 (abandoned)
- add to main playlist Play in Full Screen mid 1930s - Study No.11
- add to main playlist Play in Full Screen mid 1930s - Study No.11, v2
- add to main playlist Play in Full Screen mid 1930s - Patch for Study No.23
- add to main playlist Play in Full Screen mid 1930s - Four Transcriptions from 'Emerson,' No.1 (beg., v2)
- add to main playlist Play in Full Screen mid 1930s - Four Transcriptions from 'Emerson,' No.1 (end, v2)
- add to main playlist Play in Full Screen mid 1930s - Four Transcriptions from 'Emerson,' No.3
- add to main playlist Play in Full Screen mid 1930s - Four Transcriptions from 'Emerson,' No.3, v2
- add to main playlist Play in Full Screen May 11, 1937 - Four Transcriptions from 'Emerson,' No.3 (beg.)
- add to main playlist Play in Full Screen May 11, 1937 - Four Transcriptions from 'Emerson,' No.3 (end)
- add to main playlist Play in Full Screen May 11, 1937 - Study No.11
- add to main playlist Play in Full Screen May 11, 1937 - Study No.9: The Anti-Abolitionist Riots
- add to main playlist Play in Full Screen May 11, 1937 - Study No.2 with false starts
- add to main playlist Play in Full Screen May 11, 1937 - Study No.2 (beg.)
- add to main playlist Play in Full Screen May 11, 1937 - Study No.2 (end)
- add to main playlist Play in Full Screen May 11, 1937 - Study No.23 (partial)
- add to main playlist Play in Full Screen May 11, 1937 - Four Transcriptions from 'Emerson,' No.1 (abandoned)
- add to main playlist Play in Full Screen May 11, 1937 - Four Transcriptions from 'Emerson,' No.1 (middle)
- add to main playlist Play in Full Screen May 11, 1937 - Study No.23 (partial, v2)
- add to main playlist Play in Full Screen May 11, 1937 - Three Improvisations, No.1
- add to main playlist Play in Full Screen May 11, 1937 - Sonata No.2 for Piano: Concord, Mass., 'Hawthorne' (excerpt)
- add to main playlist Play in Full Screen May 11, 1937 - Symphony No.1 / rejected mvt. 2 (Largo)
- add to main playlist Play in Full Screen May 11, 1937 - Unidentified (improvisation on the 'Sunrise' Candenza)
- add to main playlist Play in Full Screen May 11, 1937 - Study No.20 (partial)
- add to main playlist Play in Full Screen May 11, 1937 - Three Improvisations, No.3
- add to main playlist Play in Full Screen April 24, 1943 - Sonata No.2 for Piano: Concord, Mass., 'Emerson' (partial)
- add to main playlist Play in Full Screen April 24, 1943 - Sonata No.2 for Piano: Concord, Mass., 'Emerson' (partial, v2)
- add to main playlist Play in Full Screen April 24, 1943 - Sonata No.2 for Piano: Concord, Mass., 'Emerson' (partial, v3)
- add to main playlist Play in Full Screen April 24, 1943 - Study No.2 + Study No.23 (mixed)
- add to main playlist Play in Full Screen April 24, 1943 - Four Transcriptions from 'Emerson,' No.3 (abandoned)
- add to main playlist Play in Full Screen April 24, 1943 - Study No.9
- add to main playlist Play in Full Screen April 24, 1943 - They are There!, first take (abandoned)
- add to main playlist Play in Full Screen April 24, 1943 - They are There!, second take
- add to main playlist Play in Full Screen April 24, 1943 - They are There!, third take
- add to main playlist Play in Full Screen April 24, 1943 - March No.6 for Piano, with 'Here's to Good Old Yale'
- add to main playlist Play in Full Screen April 24, 1943 - Sonata No.2 for Piano: Concord, Mass., 'The Alcotts'
A Set of Pieces: Music by Charles Ives
Released 1999- add to main playlist Play in Full Screen Three Places in New England: I. The Saint-Gaudens in Boston Common
- add to main playlist Play in Full Screen Three Places in New England: II. Putnams' Camp, Redding, Connecticut
- add to main playlist Play in Full Screen Three Places in New England: III. The Housatonic at Stockbridge
- add to main playlist Play in Full Screen The Unanswered Question
- add to main playlist Play in Full Screen A Set of Pieces: I. In the Cage
- add to main playlist Play in Full Screen A Set of Pieces: II. In the Inn
- add to main playlist Play in Full Screen A Set of Pieces: III. In the Night
- add to main playlist Play in Full Screen Symphony No.3 "The Camp Meeting": I. Old Folks Gatherin'
- add to main playlist Play in Full Screen Symphony No.3 "The Camp Meeting": II. Children's Day
- add to main playlist Play in Full Screen Symphony No.3 "The Camp Meeting": III. Communion
- add to main playlist Play in Full Screen Set No. 1: I. The Seer
- add to main playlist Play in Full Screen Set No. 1: II. A Lecture (Tolerance)
- add to main playlist Play in Full Screen Set No. 1: III. The Ruined River (The New River)
- add to main playlist Play in Full Screen Set No. 1: IV. Like a Sick Eagle
- add to main playlist Play in Full Screen Set No. 1: V. Calcium Light Night
- add to main playlist Play in Full Screen Set No. 1: VI. Allegretto Sombreoso
Symphony No. 2 / Symphony No. 3 "The Camp Meeting"
Released 1998- add to main playlist Play in Full Screen Symphony No. 2: I. Allegro moderato
- add to main playlist Play in Full Screen Symphony No. 2: II. Allegro
- add to main playlist Play in Full Screen Symphony No. 2: III. Adagio cantabile
- add to main playlist Play in Full Screen Symphony No. 2: IV. Lento maestoso
- add to main playlist Play in Full Screen Symphony No. 2: V. Allegro molto vivace
- add to main playlist Play in Full Screen Symphony No. 3, "The Camp Meeting" I. "Old Folks Gatherin'." Andante maestoso
- add to main playlist Play in Full Screen Symphony No. 3, "The Camp Meeting": II. "Children's Day." Allegro
- add to main playlist Play in Full Screen Symphony No. 3, "The Camp Meeting": III. "Communion." Largo
- add to main playlist Play in Full Screen Leonard Bernstein discusses Charles Ives
Ives: The Unanswered Question / Holidays (Symphony) / Central Park in the Dark / Carter: Concerto for Orchestra
Released 1998- add to main playlist Play in Full Screen The Unanswered Question
- add to main playlist Play in Full Screen Holidays (Symphony): I. Washington's Birthday
- add to main playlist Play in Full Screen Holidays (Symphony): II. Decoration Day
- add to main playlist Play in Full Screen Holidays (Symphony): III. The Fourth of July
- add to main playlist Play in Full Screen Holidays (Symphony): IV. Thanksgiving (Forefathers' Day)
- add to main playlist Play in Full Screen Central Park in the Dark
- add to main playlist Play in Full Screen Concerto for Orchestra
Ives: Symphony no. 2 / Creston: Symphony no. 2
Released 1995- add to main playlist Play in Full Screen Symphony no. 2 for large orchestra: I. Andante moderato
- add to main playlist Play in Full Screen Symphony no. 2 for large orchestra: II. Allegro
- add to main playlist Play in Full Screen Symphony no. 2 for large orchestra: III. Adagio cantabile
- add to main playlist Play in Full Screen Symphony no. 2 for large orchestra: IV. Lento maestoso
- add to main playlist Play in Full Screen Symphony no. 2 for large orchestra: V. Allegro molto vivace
- add to main playlist Play in Full Screen Symphony no. 2, op. 35: I. Introduction and Song. Slow, with deep emotion
- add to main playlist Play in Full Screen Symphony no. 2, op. 35: II. Interlude and Dance. Moderately slow
Ives: Three Places in New England / Orchestral Set No. 2 / Ruggles: Sun-treader / Men and Mountains
Released 1995- add to main playlist Play in Full Screen Three Places in New England (Orchestral Set No. 1): I. The "St. Gaudens" in Boston Common (Col. Robert Gould Shaw' and his Colored Regiment)
- add to main playlist Play in Full Screen Three Places in New England (Orchestral Set No. 1): II. Putnam's Camp, Redding, Connecticut
- add to main playlist Play in Full Screen Three Places in New England (Orchestral Set No. 1): III. The Housatonic at Stockbridge
- add to main playlist Play in Full Screen Orchestral Set No. 2: I. An Elegy to our Forefathers
- add to main playlist Play in Full Screen Orchestral Set No. 2: II. The Rockstrewn Hills Join in the People's Outdoor Meeting
- add to main playlist Play in Full Screen Orchestral Set No. 2: III. From Hanover Square North, at the End of a Tragic Day, the Voices of the People Again Arose
- add to main playlist Play in Full Screen Sun-treader
- add to main playlist Play in Full Screen Men and Mountains, A Rhapsodic Proclamation: I. Men
- add to main playlist Play in Full Screen Men and Mountains, A Rhapsodic Proclamation: II. Lilacs
- add to main playlist Play in Full Screen Men and Mountains, A Rhapsodic Proclamation: III. Marching Mountains
- add to main playlist Play in Full Screen Andante for strings
Melodies
Released 1995- add to main playlist Play in Full Screen Tom Sails Away
- add to main playlist Play in Full Screen Ann Street
- add to main playlist Play in Full Screen Thoreau
- add to main playlist Play in Full Screen Maple Leaves
- add to main playlist Play in Full Screen The Cage
- add to main playlist Play in Full Screen «1, 2, 3.»
- add to main playlist Play in Full Screen Evening
- add to main playlist Play in Full Screen Serenity - A unison chant
- add to main playlist Play in Full Screen The New River
- add to main playlist Play in Full Screen The White Gulls
- add to main playlist Play in Full Screen Slugging a Vampire
- add to main playlist Play in Full Screen West London - A sonnet
- add to main playlist Play in Full Screen From the "Incantation"
- add to main playlist Play in Full Screen Charlie Rutlage
- add to main playlist Play in Full Screen Slow March
- add to main playlist Play in Full Screen The Indians
- add to main playlist Play in Full Screen Walt Withman - from 20th Stanza
- add to main playlist Play in Full Screen Afterglow
- add to main playlist Play in Full Screen His Exaltation
- add to main playlist Play in Full Screen At the River
- add to main playlist Play in Full Screen In the Mornin'
- add to main playlist Play in Full Screen The Camp Meeting
- add to main playlist Play in Full Screen The Circus Band
- add to main playlist Play in Full Screen From Paracelsus
- add to main playlist Play in Full Screen Premonitions
- add to main playlist Play in Full Screen On the Counter
- add to main playlist Play in Full Screen A sea Dirge
- add to main playlist Play in Full Screen Like a Sick Eagle
- add to main playlist Play in Full Screen Soliloquy - or a Study in 7th and Other Things
- add to main playlist Play in Full Screen Memories
- add to main playlist Play in Full Screen The One Way
- add to main playlist Play in Full Screen Remembrance
- add to main playlist Play in Full Screen A farewell to Land
American Originals: Ives / Barber String Quartets
Released 1993- add to main playlist Play in Full Screen String Quartet No. 1, S. 57 "From the Salvation Army": I. Andante con moto
- add to main playlist Play in Full Screen String Quartet No. 1, S. 57 "From the Salvation Army": II. Allegro - Allegro con spirito - Quasi andante
- add to main playlist Play in Full Screen String Quartet No. 1, S. 57 "From the Salvation Army": III. Adagio cantabile - Allegretto - Andante con moto - Adagio cantabile
- add to main playlist Play in Full Screen String Quartet No. 1, S. 57 "From the Salvation Army": IV. Allegro marziale - Poco andante con moto - Allegro marziale
- add to main playlist Play in Full Screen Scherzo, S. 84 No. 2 "Holding Your Own"
- add to main playlist Play in Full Screen String Quartet in B major, Op. 11: I. Molto allegro e appassionato
- add to main playlist Play in Full Screen String Quartet in B major, Op. 11: II. Molto adagio - attacca:
- add to main playlist Play in Full Screen String Quartet in B major, Op. 11: III. Molto allegro (come prima) - Presto
- add to main playlist Play in Full Screen String Quartet No. 2, S. 58: I. Discussions: Andante moderato - Andante con spirito - Adagio molto
- add to main playlist Play in Full Screen String Quartet No. 2, S. 58: II. Arguments: Allegro con spirito - Andante emasculata - Allegro con fisto - Presto - Largo sweetota - Allegro con fisto - Largo - Allegro - Largo soblato - Allegro con fuoco - Andante con scratchy - Allegro con fistiswatto
- add to main playlist Play in Full Screen String Quartet No. 2, S. 58: III. The Call of the Mountains: Adagio - Andante - Andante con spirito - Adagio primo - Adagio maestoso
A Portrait of Charles Ives
Released 1993- add to main playlist Play in Full Screen The See'r (1912) - No. 1 of Set No. 1
- add to main playlist Play in Full Screen A Lecture by President Arthur Twining Hadley (1912) - No. 2 of Set No. 1
- add to main playlist Play in Full Screen Like a Sick Eagle (1909) - No. 4 of Set No. 1
- add to main playlist Play in Full Screen Allegretto Sombreoso From 'Incantation' (1909) - No. 6 of Set No. 1
- add to main playlist Play in Full Screen General W. Booth Enters Into Heaven (1914)
- add to main playlist Play in Full Screen Tone Roads No. 1 (1911)
- add to main playlist Play in Full Screen From the Steeples and the Mountains (1901)
- add to main playlist Play in Full Screen Tone Roads No. 3 (1915)
- add to main playlist Play in Full Screen Adagio Sostenuto (At Sea) (1912-17)
- add to main playlist Play in Full Screen Mists (1910)
- add to main playlist Play in Full Screen On the Antipodes (1915-23)
- add to main playlist Play in Full Screen The Rainbow (So May It Be!) (1914)
- add to main playlist Play in Full Screen The Pond (Remembrance) (1906)
- add to main playlist Play in Full Screen The Bells of Yale (Battell Chimes or Chapel Chimes) (1897)
- add to main playlist Play in Full Screen Calcium Light Night (1912) - No. 5 of Set No. 1
- add to main playlist Play in Full Screen The Gong on the Hook and Ladder (Fireman's Parade on Main Street) (1912)
- add to main playlist Play in Full Screen All the Way Around and Back (1906)
- add to main playlist Play in Full Screen Over the Pavements (1906-13)
- add to main playlist Play in Full Screen The Ruined River (1912) - No. 3 of Set No. 1
- add to main playlist Play in Full Screen The Indians (1912) - No. 1 of Set No. 2
- add to main playlist Play in Full Screen 'Gyp the Blood' or Hearst - Which Is Worst? (1912) - No. 2 of Set No. 2
- add to main playlist Play in Full Screen Aeschylus and Sophocles (1922)
- add to main playlist Play in Full Screen A Set of Pieces for Theater or Chamber Orchestra: I. In the Cage
- add to main playlist Play in Full Screen A Set of Pieces for Theater or Chamber Orchestra: II. In the Inn (Potpourri)
- add to main playlist Play in Full Screen A Set of Pieces for Theater or Chamber Orchestra: III. In the Night
- add to main playlist Play in Full Screen Sunrise (1926)
Ives: Symphony no. 1 / Barber: Three Essays for Orchestra
Released 1992- add to main playlist Play in Full Screen Symphony no. 1: I. Allegro
- add to main playlist Play in Full Screen Symphony no. 1: II. Adagio molto (sostenuto)
- add to main playlist Play in Full Screen Symphony no. 1: III. Scherzo. Vivace
- add to main playlist Play in Full Screen Symphony no. 1: IV. Allegro molto
- add to main playlist Play in Full Screen Three Essays for Orchestra: First Essay, op. 12
- add to main playlist Play in Full Screen Three Essays for Orchestra: Second Essay, op. 17
- add to main playlist Play in Full Screen Three Essays for Orchestra: Third Essay, op. 47
Symphonies Nos. 2 & 3 / Central Park in the Dark
Released 1992- add to main playlist Play in Full Screen Symphony No. 2, S. 2: I. Andante moderato
- add to main playlist Play in Full Screen Symphony No. 2, S. 2: II. Allegro
- add to main playlist Play in Full Screen Symphony No. 2, S. 2: III. Adagio cantabile
- add to main playlist Play in Full Screen Symphony No. 2, S. 2: IV. Lento maestoso
- add to main playlist Play in Full Screen Symphony No. 2, S. 2: V. Allegro molto vivace
- add to main playlist Play in Full Screen Symphony No. 3, S. 3 "The Camp Meeting": I. Old Folks Gatherin'. Andante maestoso
- add to main playlist Play in Full Screen Symphony No. 3, S. 3 "The Camp Meeting": II. Children's Day. Allegro
- add to main playlist Play in Full Screen Symphony No. 3, S. 3 "The Camp Meeting": III. Communion. Largo
- add to main playlist Play in Full Screen Central Park in the Dark
Symphony No. 3 / The Unanswered Question / Three Places in New England
Released 1992- add to main playlist Play in Full Screen Three Places in New England: I. The "St. Gaudens" in Boston Common
- add to main playlist Play in Full Screen Three Places in New England: II. Putnam's Camp, Redding, Connecticut
- add to main playlist Play in Full Screen Three Places in New England: III. The Housatonic at Stockbridge
- add to main playlist Play in Full Screen March III with the air "Old Kentucky Home"
- add to main playlist Play in Full Screen The Unanswered Question
- add to main playlist Play in Full Screen Central Park in the Dark
- add to main playlist Play in Full Screen Fugue in Four Keys on "The Shining Shore"
- add to main playlist Play in Full Screen Symphony No. 3 "The Camp Meeting": I. Old Folks Gatherin'
- add to main playlist Play in Full Screen Symphony No. 3 "The Camp Meeting": II. Children's Day
- add to main playlist Play in Full Screen Symphony No. 3 "The Camp Meeting": III. Communion
Piano Sonata No. 2, "Concord, Mass., 1840-60"
Released 1992- add to main playlist Play in Full Screen Piano Sonata No. 2 "Concord, Mass., 1840-60", S. 88: I. "Emerson"
- add to main playlist Play in Full Screen Piano Sonata No. 2 "Concord, Mass., 1840-60", S. 88: II. "Hawthorne"
- add to main playlist Play in Full Screen Piano Sonata No. 2 "Concord, Mass., 1840-60", S. 88: III. "The Alcotts"
- add to main playlist Play in Full Screen Piano Sonata No. 2 "Concord, Mass., 1840-60", S. 88: IV. "Thoreau"
The Complete Songs of Charles Ives, Volume 4
Released 1992- add to main playlist Play in Full Screen The Innate, S. 284 (baritone: William Sharp, piano: Steven Blier)
- add to main playlist Play in Full Screen The Collection, S. 230 (soprano: Dora Ohrenstein, piano: Phillip Bush)
- add to main playlist Play in Full Screen Premonitions, S. 328 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray)
- add to main playlist Play in Full Screen Grantchester, S. 258 (mezzo-soprano: Mary Ann Hart, piano: Dennis Helmrich)
- add to main playlist Play in Full Screen Thoreau, S. 373 (baritone: William Sharp, piano: Steven Blier)
- add to main playlist Play in Full Screen West London, S. 388 (soprano: Dora Ohrenstein, piano: Phillip Bush)
- add to main playlist Play in Full Screen Serenity, S. 347 (mezzo-soprano: Mary Ann Hart, piano: Dennis Helmrich)
- add to main playlist Play in Full Screen On the Counter, S. 320 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray)
- add to main playlist Play in Full Screen Hymn, S. 267 (soprano: Dora Ohrenstein, piano: Phillip Bush)
- add to main playlist Play in Full Screen August, S. 216 (baritone: William Sharp, piano: Steven Blier)
- add to main playlist Play in Full Screen September, S. 346 (mezzo-soprano: Mary Ann Hart, piano: Dennis Helmrich)
- add to main playlist Play in Full Screen December, S. 234 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray)
- add to main playlist Play in Full Screen Cradle Song, S. 233 (baritone: William Sharp, piano: Steven Blier)
- add to main playlist Play in Full Screen From "Paracelsus", S. 324 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray)
- add to main playlist Play in Full Screen Disclosure, S. 235 (soprano: Dora Ohrenstein, piano: Phillip Bush)
- add to main playlist Play in Full Screen Maple Leaves, S. 29 (mezzo-soprano: Mary Ann Hart, piano: Dennis Helmrich)
- add to main playlist Play in Full Screen La fède, S. 249 (baritone: William Sharp, piano: Steven Blier)
- add to main playlist Play in Full Screen The Indians, S. 283 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray)
- add to main playlist Play in Full Screen Two Slants, S. 380 No. 1: Duty (soprano: Dora Ohrenstein, piano: Phillip Bush)
- add to main playlist Play in Full Screen Two Slants, S. 380 No. 2: Vita (soprano: Dora Ohrenstein, piano: Phillip Bush)
- add to main playlist Play in Full Screen From the "Incantation", S. 280 (mezzo-soprano: Mary Ann Hart, piano: Dennis Helmrich)
- add to main playlist Play in Full Screen An Election, S. 313 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray)
- add to main playlist Play in Full Screen At Sea, S. 213 (baritone: William Sharp, piano: Steven Blier)
- add to main playlist Play in Full Screen The Last Reader, S. 286 (soprano: Dora Ohrenstein, piano: Phillip Bush)
- add to main playlist Play in Full Screen The Greatest Man, S. 259 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray)
- add to main playlist Play in Full Screen The Housatonic at Stockbridge, S. 266 (mezzo-soprano: Mary Ann Hart, piano: Dennis Helmrich)
- add to main playlist Play in Full Screen Resolution, S. 334 (soprano: Dora Ohrenstein, piano: Phillip Bush)
- add to main playlist Play in Full Screen Two Little Flowers, S. 379 (baritone: William Sharp, piano: Steven Blier)
- add to main playlist Play in Full Screen Evening, S. 244 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray)
- add to main playlist Play in Full Screen Immortality, S. 273 (mezzo-soprano: Mary Ann Hart, piano: Dennis Helmrich)
- add to main playlist Play in Full Screen Yellow Leaves, S. 399 (soprano: Dora Ohrenstein, piano: Phillip Bush)
- add to main playlist Play in Full Screen Ann Street, S. 211 (baritone: William Sharp, piano: Steven Blier)
- add to main playlist Play in Full Screen Peaks, S. 325 (soprano: Dora Ohrenstein, piano: Phillip Bush)
- add to main playlist Play in Full Screen The White Gulls, S. 391 (baritone: William Sharp, piano: Steven Blier)
- add to main playlist Play in Full Screen 1, 2, 3, S. 321 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray)
- add to main playlist Play in Full Screen Majority, S. 294 (mezzo-soprano: Mary Ann Hart, pianos: Dennis Helmrich & Gerard Hecht)
- add to main playlist Play in Full Screen Remembrance, S. 332 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray)
- add to main playlist Play in Full Screen The One Way, S. 322 (soprano: Dora Ohrenstein, piano: Phillip Bush)
- add to main playlist Play in Full Screen The Rainbow (So May It Be!), S. 330 (baritone: William Sharp, piano: Steven Blier)
- add to main playlist Play in Full Screen The Side Show, S. 348 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray)
- add to main playlist Play in Full Screen A Sea Dirge, S. 342 (soprano: Dora Ohrenstein, piano: Phillip Bush)
- add to main playlist Play in Full Screen In the Mornin', S. 441 (mezzo-soprano: Mary Ann Hart, piano: Dennis Helmrich)
The Complete Songs of Charles Ives, Volume 3
Released 1992- add to main playlist Play in Full Screen He Is There!, S. 262 (mezzo-soprano: Mary Ann Hart, piano: Dennis Helmrich, fife: Les Scott)
- add to main playlist Play in Full Screen Weil' auf mir, S. 387 (soprano: Dora Ohrenstein, piano: Phillip Bush)
- add to main playlist Play in Full Screen The Cage, S. 221 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray)
- add to main playlist Play in Full Screen My Native Land, S. 304 (mezzo-soprano: Mary Ann Hart, piano: Dennis Helmrich)
- add to main playlist Play in Full Screen The Childrens' Hour, S. 227 (mezzo-soprano: Mary Ann Hart, piano: Dennis Helmrich)
- add to main playlist Play in Full Screen Old Home Day, S. 315 (baritone: William Sharp, piano: Steven Blier, piccolo: Jayn Rosenfeld)
- add to main playlist Play in Full Screen Soliloquy, S. 352 (soprano: Dora Ohrenstein, piano: Phillip Bush)
- add to main playlist Play in Full Screen Ilmenau, S. 272 (mezzo-soprano: Mary Ann Hart, piano: Dennis Helmrich)
- add to main playlist Play in Full Screen The See'r, S. 344 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray)
- add to main playlist Play in Full Screen Autumn, S. 217 (baritone: William Sharp, piano: Steven Blier)
- add to main playlist Play in Full Screen Pictures, S. 327 (soprano: Dora Ohrenstein, piano: Phillip Bush)
- add to main playlist Play in Full Screen Walt Whitman, S. 384 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray)
- add to main playlist Play in Full Screen Mists, S. 301 (soprano: Dora Ohrenstein, piano: Phillip Bush)
- add to main playlist Play in Full Screen Walking, S. 383 (mezzo-soprano: Mary Ann Hart, piano: Dennis Helmrich)
- add to main playlist Play in Full Screen A Farewell to Land, S. 248 (soprano: Dora Ohrenstein, piano: Phillip Bush)
- add to main playlist Play in Full Screen Luck and Work, S. 293 (baritone: William Sharp, piano: Steven Blier)
- add to main playlist Play in Full Screen Camp Meeting, S. 222 (mezzo-soprano: Mary Ann Hart, pianos: Dennis Helmrich, Gerard Hecht)
- add to main playlist Play in Full Screen Charlie Rutlage, S. 226 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray)
- add to main playlist Play in Full Screen His Exaltation, S. 265 (baritone: William Sharp, piano: Steven Blier)
- add to main playlist Play in Full Screen Watchman!, S. 386 (mezzo-soprano: Mary Ann Hart, piano: Dennis Helmrich)
- add to main playlist Play in Full Screen Vote for Names, S. 381 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray)
- add to main playlist Play in Full Screen From "Lincoln, the Great Commoner", S. 289 (baritone: William Sharp, piano: Steven Blier)
- add to main playlist Play in Full Screen Like a Sick Eagle, S. 288 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray)
- add to main playlist Play in Full Screen From "The Swimmers", S. 366 (mezzo-soprano: Mary Ann Hart, piano: Dennis Helmrich)
- add to main playlist Play in Full Screen At The River, S. 214 (baritone: William Sharp, piano: Steven Blier)
- add to main playlist Play in Full Screen Requiem, S. 333 (soprano: Dora Ohrenstein, piano: Phillip Bush)
- add to main playlist Play in Full Screen Afterglow, S. 207 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray)
- add to main playlist Play in Full Screen General William Booth Enters Into Heaven, S. 255 (baritone: William Sharp, piano: Steven Blier)
- add to main playlist Play in Full Screen To Edith, S. 376 (soprano: Dora Ohrenstein, piano: Phillip Bush)
- add to main playlist Play in Full Screen Religion, S. 331 (soprano: Dora Ohrenstein, piano: Phillip Bush)
- add to main playlist Play in Full Screen The New River, S. 308 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray)
- add to main playlist Play in Full Screen Down East, S. 236 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray)
- add to main playlist Play in Full Screen The Things Our Fathers Loved, S. 372 (mezzo-soprano: Mary Ann Hart, piano: Dennis Helmrich)
- add to main playlist Play in Full Screen In Flanders Fields, S. 277 (baritone: William Sharp, piano: Steven Blier)
- add to main playlist Play in Full Screen Tom Sails Away, S. 378 (baritone: William Sharp, piano: Steven Blier)
- add to main playlist Play in Full Screen They Are There, S. 371 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray, piccolo: Jayn Rosenfeld)
The Complete Songs of Charles Ives, Volume 2
Released 1992- add to main playlist Play in Full Screen I Travelled Among Unknown Men, S. 270 (baritone: William Sharp, piano: Steven Blier)
- add to main playlist Play in Full Screen Allegro, S. 208 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray)
- add to main playlist Play in Full Screen Feldeinsamkeit, S. 250 (mezzo-soprano: Mary Ann Hart, piano: Dennis Helmrich)
- add to main playlist Play in Full Screen Harpalus, S. 261 (soprano: Dora Ohrenstein, piano: Phillip Bush)
- add to main playlist Play in Full Screen The Light That Is Felt, S. 287 (baritone: William Sharp, piano: Steven Blier)
- add to main playlist Play in Full Screen Du alte Mutter, S. 239 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray)
- add to main playlist Play in Full Screen God Bless and Keep Thee, S. 256 (mezzo-soprano: Mary Ann Hart, piano: Dennis Helmrich)
- add to main playlist Play in Full Screen Du alte Mutter, S. 239 (baritone: William Sharp, piano: Steven Blier)
- add to main playlist Play in Full Screen Slugging a Vampire, S. 350 (mezzo-soprano: Mary Ann Hart, piano: Dennis Helmrich)
- add to main playlist Play in Full Screen Tarrant Moss, S. 367 (baritone: William Sharp, piano: Steven Blier)
- add to main playlist Play in Full Screen Kären, S. 285 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray)
- add to main playlist Play in Full Screen Dreams, S. 238 (soprano: Dora Ohrenstein, piano: Phillip Bush)
- add to main playlist Play in Full Screen The World's Highway, S. 397 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray)
- add to main playlist Play in Full Screen Because of You, S. 218 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray)
- add to main playlist Play in Full Screen Romanzo di Central Park, S. 336 (soprano: Dora Ohrenstein, piano: Phillip Bush)
- add to main playlist Play in Full Screen Because Thou Art, S. 219 (mezzo-soprano: Mary Ann Hart, piano: Dennis Helmrich)
- add to main playlist Play in Full Screen I Knew and Loved a Maid, S. 269 (baritone: William Sharp, piano: Steven Blier)
- add to main playlist Play in Full Screen Her Gown Was Vermilion Silk, S. 264 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray)
- add to main playlist Play in Full Screen Flag Song, S. 251 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray)
- add to main playlist Play in Full Screen Spring Song, S. 363 (soprano: Dora Ohrenstein, piano: Phillip Bush)
- add to main playlist Play in Full Screen Ich grolle nicht, S. 271 (mezzo-soprano: Mary Ann Hart, piano: Dennis Helmrich)
- add to main playlist Play in Full Screen Widmung, S. 393 (soprano: Dora Ohrenstein, piano: Phillip Bush)
- add to main playlist Play in Full Screen We Melodien, S. 394 (mezzo-soprano: Mary Ann Hart, piano: Dennis Helmrich)
- add to main playlist Play in Full Screen There Is a Lane, S. 370 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray)
- add to main playlist Play in Full Screen Élégie, S. 242 (baritone: William Sharp, piano: Steven Blier)
- add to main playlist Play in Full Screen Evidence, S. 245 (mezzo-soprano: Mary Ann Hart, piano: Dennis Helmrich)
- add to main playlist Play in Full Screen Berceuse, S. 220 (soprano: Dora Ohrenstein, piano: Phillip Bush)
- add to main playlist Play in Full Screen Rough Wind, S. 339 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray)
- add to main playlist Play in Full Screen South Wind, S. 362 (mezzo-soprano: Mary Ann Hart, piano: Dennis Helmrich)
- add to main playlist Play in Full Screen No More, S. 312 (soprano: Dora Ohrenstein, piano: Phillip Bush)
- add to main playlist Play in Full Screen On Judge's Walk, S. 318 (mezzo-soprano: Mary Ann Hart, piano: Dennis Helmrich)
- add to main playlist Play in Full Screen A Night Thought, S. 311 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray)
- add to main playlist Play in Full Screen Song of the Dead, S. 357 (baritone: William Sharp, piano: Steven Blier)
- add to main playlist Play in Full Screen Where the Eagle, S. 390 (soprano: Dora Ohrenstein, piano: Phillip Bush)
- add to main playlist Play in Full Screen Tolerance, S. 377 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray)
- add to main playlist Play in Full Screen The Love Song of Har Dyal, S. 292 (soprano: Dora Ohrenstein, piano: Phillip Bush)
- add to main playlist Play in Full Screen Omens and Oracles, S. 317 (mezzo-soprano: Mary Ann Hart, piano: Dennis Helmrich)
- add to main playlist Play in Full Screen Those Evening Bells, S. 374 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray)
- add to main playlist Play in Full Screen Frühlingslied, S. 254 (baritone: William Sharp, piano: Steven Blier)
The Complete Songs of Charles Ives, Volume 1
Released 1992- add to main playlist Play in Full Screen Slow March, S. 349 (baritone: William Sharp, piano: Steven Blier)
- add to main playlist Play in Full Screen There is a Certain Garden, S. 369 (mezzo-soprano: Mary Ann Hart, piano: Dennis Helmrich)
- add to main playlist Play in Full Screen In Autumn, S. 276 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray)
- add to main playlist Play in Full Screen Friendship, S. 253 (soprano: Dora Ohrenstein, piano: Phillip Bush)
- add to main playlist Play in Full Screen A Song for Anything, S. 355 (baritone: William Sharp, piano: Steven Blier)
- add to main playlist Play in Full Screen Canon "Not only in my lady's eyes", S. 223 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray)
- add to main playlist Play in Full Screen Rock of Ages, S. 335 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray)
- add to main playlist Play in Full Screen Ballad from Rosamunde, S. 337 (soprano: Dora Ohrenstein, piano: Phillip Bush)
- add to main playlist Play in Full Screen At Parting, S. 212 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray)
- add to main playlist Play in Full Screen Circus Band, S. 229 (baritone: William Sharp, piano: Steven Blier)
- add to main playlist Play in Full Screen When Stars are in the Quiet Skies, S. 389 / Country Celestial, S. 232 (mezzo-soprano: Mary Ann Hart, piano: Dennis Helmrich)
- add to main playlist Play in Full Screen Mirage, S. 299 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray)
- add to main playlist Play in Full Screen An Old Flame, S. 314 (baritone: William Sharp, piano: Steven Blier)
- add to main playlist Play in Full Screen Qu'il m'irait bien, S. 329 (soprano: Dora Ohrenstein, piano: Phillip Bush)
- add to main playlist Play in Full Screen Chanson de Florian, S. 225 (mezzo-soprano: Mary Ann Hart, piano: Dennis Helmrich)
- add to main playlist Play in Full Screen My Native Land, S. 303 (baritone: William Sharp, piano: Steven Blier)
- add to main playlist Play in Full Screen World's Wanderers, S. 398 (soprano: Dora Ohrenstein, piano: Phillip Bush)
- add to main playlist Play in Full Screen Abide with Me, S. 205 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray)
- add to main playlist Play in Full Screen Christmas Carol, S. 228 (baritone: William Sharp, piano: Steven Blier)
- add to main playlist Play in Full Screen Scotch Lullaby, S. 341 (soprano: Dora Ohrenstein, piano: Phillip Bush)
- add to main playlist Play in Full Screen Through Night and Day, S. 375 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray)
- add to main playlist Play in Full Screen A Perfect Day, S. 326 (soprano: Dora Ohrenstein, piano: Phillip Bush)
- add to main playlist Play in Full Screen A Night Song, S. 310 (mezzo-soprano: Mary Ann Hart, piano: Dennis Helmrich)
- add to main playlist Play in Full Screen In the Alley, S. 279 (baritone: William Sharp, piano: Steven Blier)
- add to main playlist Play in Full Screen My Lou Jennine, S. 302 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray)
- add to main playlist Play in Full Screen William Will, S. 396 (baritone: William Sharp, piano: Steven Blier)
- add to main playlist Play in Full Screen From "Amphion", S. 210 (mezzo-soprano: Mary Ann Hart, piano: Dennis Helmrich)
- add to main playlist Play in Full Screen Nature's Way, S. 306 (soprano: Dora Ohrenstein, piano: Phillip Bush)
- add to main playlist Play in Full Screen Far from my Heavenly Home, S. 246 (mezzo-soprano: Mary Ann Hart, piano: Dennis Helmrich)
- add to main playlist Play in Full Screen Ein Ton, S. 241 (soprano: Dora Ohrenstein, piano: Phillip Bush)
- add to main playlist Play in Full Screen Marie, S. 296 No. 1 (baritone: William Sharp, piano: Steven Blier)
- add to main playlist Play in Full Screen Song "She is not fair to outward view", S. 354 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray)
- add to main playlist Play in Full Screen Memories, S. 297 (soprano: Dora Ohrenstein, piano: Phillip Bush)
- add to main playlist Play in Full Screen Waltz, S. 385 (baritone: William Sharp, piano: Steven Blier)
- add to main playlist Play in Full Screen Songs My Mother Taught Me, S. 361 (mezzo-soprano: Mary Ann Hart, piano: Dennis Helmrich)
- add to main playlist Play in Full Screen Son of a Gambolier, S. 353 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray, kazoos: Jeanette Thompson, Eva Kokoris, Jerrold Seigel. Albert K. Webster & Eric Zivian)
Symphonies Nos. 2 & 3
Released 1991- add to main playlist Play in Full Screen Symphony No. 2: I. Andante moderato / II. Allegro
- add to main playlist Play in Full Screen Symphony No. 2: III. Adagio cantabile
- add to main playlist Play in Full Screen Symphony No. 2: IV. Lento maestoso / V. Allegro molto vivace
- add to main playlist Play in Full Screen Symphony No. 3: I. Old Folks Gatherin': Andante maestoso
- add to main playlist Play in Full Screen Symphony No. 3: II. Children's Day: Allegro
- add to main playlist Play in Full Screen Symphony No. 3: III. Communion: Largo
Symphonies Nos. 1 & 4
Released 1991- add to main playlist Play in Full Screen Symphony No. 1 in D minor, S. 1: I. Allegro
- add to main playlist Play in Full Screen Symphony No. 1 in D minor, S. 1: II. Adagio molto (sostenuto)
- add to main playlist Play in Full Screen Symphony No. 1 in D minor, S. 1: III. Scherzo: Vivace
- add to main playlist Play in Full Screen Symphony No. 1 in D minor, S. 1: IV. Allegro molto
- add to main playlist Play in Full Screen Sweet By and By
- add to main playlist Play in Full Screen Beulah Land
- add to main playlist Play in Full Screen Ye Christian Heralds
- add to main playlist Play in Full Screen Jesus, Lover of My Soul
- add to main playlist Play in Full Screen Nearer, My God, to Thee
- add to main playlist Play in Full Screen Symphony No. 4, S. 4: I. Prelude: Maestoso
- add to main playlist Play in Full Screen Symphony No. 4, S. 4: II. Comedy: Allegretto
- add to main playlist Play in Full Screen Symphony No. 4, S. 4: III. Fugue: Andante moderato con moto
- add to main playlist Play in Full Screen Symphony No. 4, S. 4: IV. Finale: Very slowly - Largo maestoso
Symphony No. 2 / Central Park in the Dark / The Unanswered Question / Tone Roads No. 1 / Hymn for Strings / Hallowe'en / The Gong on the Hook and Ladder
Released 1990- add to main playlist Play in Full Screen Symphony No. 2: I. Andante moderato
- add to main playlist Play in Full Screen Symphony No. 2: II. Allegro
- add to main playlist Play in Full Screen Symphony No. 2: III. Adagio cantablile
- add to main playlist Play in Full Screen Symphony No. 2: IV. Lento maestoso
- add to main playlist Play in Full Screen Symphony No. 2: V. Allegro molto vivace
- add to main playlist Play in Full Screen The Gong on the Hook and Ladder or Fireman's Parade on Main Street
- add to main playlist Play in Full Screen Tone Roads No. 1
- add to main playlist Play in Full Screen Hymn: Largo Cantabile
- add to main playlist Play in Full Screen Hallowe'en
- add to main playlist Play in Full Screen Central Park in the Dark
- add to main playlist Play in Full Screen The Unanswered Question
Holidays Symphony / The Unanswered Question / Central Park in the Dark
Released 1988- add to main playlist Play in Full Screen A Symphony: New England Holidays, S. 5: I. Winter: Washington's Birthday
- add to main playlist Play in Full Screen A Symphony: New England Holidays, S. 5: II. Spring: Decoration Day
- add to main playlist Play in Full Screen A Symphony: New England Holidays, S. 5: III. Summer: The Fourth of July
- add to main playlist Play in Full Screen A Symphony: New England Holidays, S. 5: IV. Autumn: Thanksgiving and Forefathers' Day
- add to main playlist Play in Full Screen The Unanswered Question, S. 50 (revised version)
- add to main playlist Play in Full Screen Central Park in the Dark, S. 34
- add to main playlist Play in Full Screen The Unanswered Question, S. 50 (original version)
Symphonies Nos. 2 & 3 / The Unanswered Question
Released 1987- add to main playlist Play in Full Screen Symphony No. 2, S. 2: I. Andante moderato
- add to main playlist Play in Full Screen Symphony No. 2, S. 2: II. Allegro
- add to main playlist Play in Full Screen Symphony No. 2, S. 2: III. Adagio cantabile
- add to main playlist Play in Full Screen Symphony No. 2, S. 2: IV. Lento maestoso
- add to main playlist Play in Full Screen Symphony No. 2, S. 2: V. Allegro molto vivace
- add to main playlist Play in Full Screen Symphony No. 3, S. 3 "The Camp Meeting": I. Old Folks Gatherin'
- add to main playlist Play in Full Screen Symphony No. 3, S. 3 "The Camp Meeting": II. Children's Day
- add to main playlist Play in Full Screen Symphony No. 3, S .3 "The Camp Meeting": III. Communion
- add to main playlist Play in Full Screen The Unanswered Question, S. 50
Symphony No. 4
Released 1985- add to main playlist Play in Full Screen Symphony No. 4, S. 4: I. Prelude: Maestoso
- add to main playlist Play in Full Screen Symphony No. 4, S. 4: II. Comedy: Allegretto
- add to main playlist Play in Full Screen Symphony No. 4, S. 4: III. Fugue: Andante moderato
- add to main playlist Play in Full Screen Symphony No. 4, S. 4: IV. Finale: Very slowly - Largo maestoso
Piano Pieces
Released 1985- add to main playlist Play in Full Screen Study No. 20: Even durations - unevenly divided
- add to main playlist Play in Full Screen Study No. 21: Some South-Paw Pitching!
- add to main playlist Play in Full Screen Study No. 22
- add to main playlist Play in Full Screen Varied Air and Variations - Study # 2 for Ears or Aural and Mental Exercise!!!
- add to main playlist Play in Full Screen Waltz-Rondo
- add to main playlist Play in Full Screen Three-Page Sonata
- add to main playlist Play in Full Screen Study No 9: The Anti-Abolitionist Riots in the 1830's and 1840's
- add to main playlist Play in Full Screen Three Quarter-tone Pieces for Two Pianos
Symphony No. 3 / Orchestral Set No. 2
Released 1985- add to main playlist Play in Full Screen Symphony No. 3: I. Old Folks Gatherin'. Andante maestoso
- add to main playlist Play in Full Screen Symphony No. 3: II. Children's Day. Allegro
- add to main playlist Play in Full Screen Symphony No. 3: III. Communion. Largo
- add to main playlist Play in Full Screen Orchestral Set No. 2: I. An Elegy to Our Forefathers. Very slowly
- add to main playlist Play in Full Screen Orchestral Set No. 2: II. The Rockstrewn Hills Join in the People's Outdoor Meeting. Allegro
- add to main playlist Play in Full Screen Orchestral Set No. 2: III. From Hanover Square North, at the End of a Tragic Day, the Voice of the People Again Arose. Very slowly
Sonate für Klavier Nr. 1
Released 1984- add to main playlist Play in Full Screen Sonate für Klavier Nr. 1: I. Adagio con moto - Andante con moto - Allegro risoluto
- add to main playlist Play in Full Screen Sonate für Klavier Nr. 1: IIa. Allegro moderato - Andante
- add to main playlist Play in Full Screen Sonate für Klavier Nr. 1: IIb. Allegro »In the Inn«
- add to main playlist Play in Full Screen Sonate für Klavier Nr. 1: III. Largo - Allegro - Largo
- add to main playlist Play in Full Screen Sonate für Klavier Nr. 1: IVa. (ohne Tempoangabe) / IVb. Allegro - Presto
- add to main playlist Play in Full Screen Sonate für Klavier Nr. 1: V. Andante maestoso - A tempo - Adagio cantabile - Allegro - Andante
Ameriques / Symphony No.4 / The Unanswered Question
- add to main playlist Play in Full Screen Ameriques
- add to main playlist Play in Full Screen Symphony No.4: I. Prelude: Maestoso
- add to main playlist Play in Full Screen Symphony No.4: II. Allegretto
- add to main playlist Play in Full Screen Symphony No.4: III. Fugue: Andante moderato
- add to main playlist Play in Full Screen Symphony No.4: IV. Very slowly - Largo maestroso
- add to main playlist Play in Full Screen The Unanswered Question (feat. trumpet: Michael Sachs)
Works for Piano (piano: Alan Mandel)
- add to main playlist Play in Full Screen Piano Sonata No. 2: Emerson
- add to main playlist Play in Full Screen Piano Sonata No. 2: Hawthorne
- add to main playlist Play in Full Screen Piano Sonata No. 2: The Alcotts
- add to main playlist Play in Full Screen Piano Sonata No. 2: Thoreau
- add to main playlist Play in Full Screen Study No. 21, "Some South-Paw Pitching!"
- add to main playlist Play in Full Screen Waltz: Rondo
- add to main playlist Play in Full Screen March in G and D, "Here's to Good Old Yale"
Concord Sonata / Three Places in New England / Central Park in the Dark
- add to main playlist Play in Full Screen Piano Sonata No. 2 'Concord, Mass., 1840-1860': I. Emerson (Slowly - Slowly and Quietly)
- add to main playlist Play in Full Screen Piano Sonata No. 2 'Concord, Mass., 1840-1860': II. Hawthorne (Very Fast)
- add to main playlist Play in Full Screen Piano Sonata No. 2 'Concord, Mass., 1840-1860': III. The Alcotts
- add to main playlist Play in Full Screen Piano Sonata No. 2 'Concord, Mass., 1840-1860': IV. Thoreau (Starting Slowly and Quietly)
- add to main playlist Play in Full Screen Central Park in the Dark
- add to main playlist Play in Full Screen Three Places in New England: I. The 'Saint-Gaudens' in Boston Common
- add to main playlist Play in Full Screen Three Places in New England: II. Putnam's Camp, Redding, Connecticut
- add to main playlist Play in Full Screen Three Places in New England: III. The Housatonic at Stockbridge
Born: 1874-10-20
Died: 1954-05-19
-
Charles Ives - Symphony No. 2
New York Philharmonic Leonard Bernstein Date: 1990 Symphony No. 2 was written by Charles Ives between 1897 and 1901. Although the work was composed during Ives' 20s, it was half a century before it premiered, in a 1951 New York Philharmonic concert conducted by Leonard Bernstein. The symphony premiered to rapturous applause but Ives responded with ambivalence. Indeed, he did not even attend the concert in person but had to be dragged by family and friends to a neighbor's house to listen to the live radio broadcast. The public performance had been postponed for so long because Ives had been alienated from the American classical establishment. Ever since his training with Horatio Parker at Yale, Ives had suffered their disapproval of the mischievous unorthodoxy with which he radically pushe... -
Charles Ives,Symphony No.4
The Symphony No. 4 by Charles Ives was written between 1910 and the mid-1920s (the second movement Comedy was the last to be composed, most likely in 1924). The symphony is notable for its multi-layered complexity—typically requiring two conductors in performance—and for its large and varied orchestration. Combining elements and techniques of Ives's previous compositional work, this has been called "one of his most definitive works". Ives' biographer, Jan Swafford, has called it "Ives's climactic masterpiece.". Detroit Symphony Orchestra and Chorus/Leonard Slatkin. -
Charles Ives - The Unanswered Question
Charles Ives, The Unanswered Question. James Sinclair, Conductor. Northern Sinfonia. _____________________________________________________ The music published on my channel is dedicated solely to the purpose of divulgation and non-commercial use. If you believe that any copyright infringement exists on this channel, please let me know immediately before submitting a claim to YouTube. I will immediately remove the disputed video accordingly. Thanks for your contribution! -
-
The Best of Charles Ives
The Best of Charles Edward Ives (October 20 1874 – May 19 1954) Ives is one of the first American composers of international renown, though his music was largely ignored during his life, and many of his works went unperformed for many years. Over time, he came to be regarded as an "American original". Ives combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatoric elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Sources of Ives' tonal imagery are hymn tunes and traditional songs, the town band at holiday parade, the fiddlers at Saturday ni... -
Charles Ives,Three Places in New England.
The Three Places in New England (Orchestral Set No. 1) is a composition for orchestra by American composer Charles Ives. It was composed mainly between 1911 and 1914, although sketches for the work date from 1903, and the latest revisions were made in 1929. The piece is famous for its use of musical quotation and paraphrasing. Three Places consists of three movements in Ives' preferred slow-fast-slow movement order: I. The "St. Gaudens" in Boston Common (Col. Shaw and his Colored Regiment) II. Putnam's Camp, Redding, Connecticut III. The Housatonic at Stockbridge The three movements are ordered with the longest first and the shortest last, and a complete performance of the piece lasts eighteen or nineteen minutes. As he does in his Orchestral Set No. 2, Ives inverts the fast-slow-fast move... -
Charles Ives - Concord Sonata
Performed by Gilbert Kalish About the ONLY COMPLETE recording of the work here on toyoob :) This piece of music anchored me in front of my speakers the minute I put it on to play. It just DEMANDED to be heard ! :) -
Leonard Bernstein on Charles Ives Symphony N 2 (SUB SPA)
Leonard Bernstein explains some of Chales Ives background before performing his second Symphony in Munich heading the Bavarian Radio Symphony Orchestra -
Charles Ives - Symphony No. 2 (Leonard Bernstein) (1/3)
Leonard Bernstein conducts Second Symphony of the american composer Charles Ives (1874-1954), with the Bavarian Radio Symphony Orchestra, in 1987. © Unitel Classica -
Charles Ives - Sonata for Violin & Piano, No. 3
Sonata, for violin & piano No. 3, S. 62 (K. 2C6), (1913-1914) I. Adagio II. Allegro III. Adagio Timothy Fain, violin Jeremy Denk, piano Between about 1902 and 1916, Charles Ives, in his mid-thirties and early forties, at the peak of his composing career, completed four sonatas for violin and piano. More than any other similar cluster of his compositions in a single genre, these sonatas all seem to be citizens of the same musical world. Each has three movements; each includes one or more movements in "cumulative" musical form; each is tinged with the music of American Protestant hymnody and ends with a finale based on a hymn-tune; and all are comparatively "easy" pieces (by Ives's standards). Nevertheless, each sonata has its own characteristics. Ives accepted the traditional fast-slow...
Charles Ives - Symphony No. 2
- Order: Reorder
- Duration: 42:39
- Updated: 07 Apr 2014
- views: 58123
New York Philharmonic
Leonard Bernstein
Date: 1990
Symphony No. 2 was written by Charles Ives between 1897 and 1901. Although the work was composed during Ives...
New York Philharmonic
Leonard Bernstein
Date: 1990
Symphony No. 2 was written by Charles Ives between 1897 and 1901. Although the work was composed during Ives' 20s, it was half a century before it premiered, in a 1951 New York Philharmonic concert conducted by Leonard Bernstein. The symphony premiered to rapturous applause but Ives responded with ambivalence. Indeed, he did not even attend the concert in person but had to be dragged by family and friends to a neighbor's house to listen to the live radio broadcast. The public performance had been postponed for so long because Ives had been alienated from the American classical establishment. Ever since his training with Horatio Parker at Yale, Ives had suffered their disapproval of the mischievous unorthodoxy with which he radically pushed the boundaries of European classical structures to create soundscapes that recalled the vernacular music-making of his New England upbringing.
Like Ives' other compositions which honor the European and American inheritances, the Second Symphony never makes verbatim quotation of popular American tunes such as "Columbia, the Gem of the Ocean", "Camptown Races", "Long, Long Ago", and "America the Beautiful", but reshapes and develops them into broad themes. There is a subdued version of the opening notes of Beethoven's fifth symphony and a rescoring of part of Brahms' first symphony, as well as a reference (early in the first movement) to the chorales of Johann Sebastian Bach. The work is an interesting precedent to another significant piece of the 20th century, Luciano Berio's Sinfonia, which was composed about 65 years later. Ives' 5th movement uses quotation techniques comparable to Berio's in his 3rd movement.
Bernstein's premiere and subsequent interpretations were later widely criticized for taking extravagant liberties with the score. Although the 1951 score itself contained about a thousand errors, Bernstein reportedly also made a substantial cut to the finale, ignored Ives' tempo indications, and prolonged the terminating "Bronx cheer" discord. Many conductors and audiences, influenced by Bernstein's example, have enthusiastically considered the last of these practices one of the trademarks of the piece. In 2000, the Charles Ives Society prepared an official critical edition of the score and authorized a recording by Kenneth Schermerhorn and the Nashville Symphony Orchestra to adhere more closely to Ives' intentions.
Movements:
Andante moderato
Allegro
Adagio cantabile
Lento maestoso
Allegro molto vivace
wn.com/Charles Ives Symphony No. 2
New York Philharmonic
Leonard Bernstein
Date: 1990
Symphony No. 2 was written by Charles Ives between 1897 and 1901. Although the work was composed during Ives' 20s, it was half a century before it premiered, in a 1951 New York Philharmonic concert conducted by Leonard Bernstein. The symphony premiered to rapturous applause but Ives responded with ambivalence. Indeed, he did not even attend the concert in person but had to be dragged by family and friends to a neighbor's house to listen to the live radio broadcast. The public performance had been postponed for so long because Ives had been alienated from the American classical establishment. Ever since his training with Horatio Parker at Yale, Ives had suffered their disapproval of the mischievous unorthodoxy with which he radically pushed the boundaries of European classical structures to create soundscapes that recalled the vernacular music-making of his New England upbringing.
Like Ives' other compositions which honor the European and American inheritances, the Second Symphony never makes verbatim quotation of popular American tunes such as "Columbia, the Gem of the Ocean", "Camptown Races", "Long, Long Ago", and "America the Beautiful", but reshapes and develops them into broad themes. There is a subdued version of the opening notes of Beethoven's fifth symphony and a rescoring of part of Brahms' first symphony, as well as a reference (early in the first movement) to the chorales of Johann Sebastian Bach. The work is an interesting precedent to another significant piece of the 20th century, Luciano Berio's Sinfonia, which was composed about 65 years later. Ives' 5th movement uses quotation techniques comparable to Berio's in his 3rd movement.
Bernstein's premiere and subsequent interpretations were later widely criticized for taking extravagant liberties with the score. Although the 1951 score itself contained about a thousand errors, Bernstein reportedly also made a substantial cut to the finale, ignored Ives' tempo indications, and prolonged the terminating "Bronx cheer" discord. Many conductors and audiences, influenced by Bernstein's example, have enthusiastically considered the last of these practices one of the trademarks of the piece. In 2000, the Charles Ives Society prepared an official critical edition of the score and authorized a recording by Kenneth Schermerhorn and the Nashville Symphony Orchestra to adhere more closely to Ives' intentions.
Movements:
Andante moderato
Allegro
Adagio cantabile
Lento maestoso
Allegro molto vivace
- published: 07 Apr 2014
- views: 58123
Charles Ives,Symphony No.4
- Order: Reorder
- Duration: 31:50
- Updated: 02 Feb 2014
- views: 26859
The Symphony No. 4 by Charles Ives was written between 1910 and the mid-1920s (the second movement Comedy was the last to be composed, most likely in 1924). The...
The Symphony No. 4 by Charles Ives was written between 1910 and the mid-1920s (the second movement Comedy was the last to be composed, most likely in 1924). The symphony is notable for its multi-layered complexity—typically requiring two conductors in performance—and for its large and varied orchestration. Combining elements and techniques of Ives's previous compositional work, this has been called "one of his most definitive works". Ives' biographer, Jan Swafford, has called it "Ives's climactic masterpiece.".
Detroit Symphony Orchestra and Chorus/Leonard Slatkin.
wn.com/Charles Ives,Symphony No.4
The Symphony No. 4 by Charles Ives was written between 1910 and the mid-1920s (the second movement Comedy was the last to be composed, most likely in 1924). The symphony is notable for its multi-layered complexity—typically requiring two conductors in performance—and for its large and varied orchestration. Combining elements and techniques of Ives's previous compositional work, this has been called "one of his most definitive works". Ives' biographer, Jan Swafford, has called it "Ives's climactic masterpiece.".
Detroit Symphony Orchestra and Chorus/Leonard Slatkin.
- published: 02 Feb 2014
- views: 26859
Charles Ives - The Unanswered Question
- Order: Reorder
- Duration: 4:36
- Updated: 13 May 2012
- views: 137398
Charles Ives, The Unanswered Question.
James Sinclair, Conductor.
Northern Sinfonia.
_____________________________________________________
The music publish...
Charles Ives, The Unanswered Question.
James Sinclair, Conductor.
Northern Sinfonia.
_____________________________________________________
The music published on my channel is dedicated solely to the purpose of divulgation and non-commercial use. If you believe that any copyright infringement exists on this channel, please let me know immediately before submitting a claim to YouTube. I will immediately remove the disputed video accordingly.
Thanks for your contribution!
wn.com/Charles Ives The Unanswered Question
Charles Ives, The Unanswered Question.
James Sinclair, Conductor.
Northern Sinfonia.
_____________________________________________________
The music published on my channel is dedicated solely to the purpose of divulgation and non-commercial use. If you believe that any copyright infringement exists on this channel, please let me know immediately before submitting a claim to YouTube. I will immediately remove the disputed video accordingly.
Thanks for your contribution!
- published: 13 May 2012
- views: 137398
CHARLES IVES - CENTRAL PARK IN THE DARK
- Order: Reorder
- Duration: 10:50
- Updated: 24 Mar 2011
- views: 155281
BBC Symphony Orchestra. Lawrence Foster (conductor)
BBC Symphony Orchestra. Lawrence Foster (conductor)
wn.com/Charles Ives Central Park In The Dark
The Best of Charles Ives
- Order: Reorder
- Duration: 96:33
- Updated: 28 Mar 2015
- views: 10455
The Best of Charles Edward Ives (October 20 1874 – May 19 1954)
Ives is one of the first American composers of international renown, though his music was larg...
The Best of Charles Edward Ives (October 20 1874 – May 19 1954)
Ives is one of the first American composers of international renown, though his music was largely ignored during his life, and many of his works went unperformed for many years. Over time, he came to be regarded as an "American original". Ives combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatoric elements, and quarter tones, foreshadowing many musical innovations of the 20th century.
Sources of Ives' tonal imagery are hymn tunes and traditional songs, the town band at holiday parade, the fiddlers at Saturday night dances, patriotic songs, sentimental parlor ballads, and the melodies of Stephen Foster. He's been dubbed the greatest American composer by such cultural shapers as Time magazine and Leonard Bernstein - "You've never heard of Charles Ives? That's OK - he wouldn't have cared".
0:00 The Unanswered Question
6:07 Violin Sonata No. 1. II: Largo cantabile
12:03 Violin Sonata No. 3. I. Adagio - Andante - Allegretto - Adagio
24:24 Three Places in New England: Putnam's Camp II
29:46 Three Places in New England: The Housatonic at Stockbridge III
33:54 Symphony No. 2. I: Andante moderato
40:10 Symphony No. 2. V: Allegro molto vivace
50:27 Symphony No. 4. III: Fugue: Andante moderato con moto
57:04 Central Park in the Dark
1:04:21 The Things Our Fathers Loved
1:06:08 Memories
1:08:38 The Circus Band
1:11:40 They are There!
1:14:32 Tom Sails Away
1:17:21 Tone Roads No. 1
1:20:42 Psalm 100
1:22:17 Hallowe'en (from "Three Outdoor Scenes")
1:24:18 Piano Sonata No. 2, Concord, Mass, 1840–60 IV: "Thoreau" (after Henry David Thoreau)
wn.com/The Best Of Charles Ives
The Best of Charles Edward Ives (October 20 1874 – May 19 1954)
Ives is one of the first American composers of international renown, though his music was largely ignored during his life, and many of his works went unperformed for many years. Over time, he came to be regarded as an "American original". Ives combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatoric elements, and quarter tones, foreshadowing many musical innovations of the 20th century.
Sources of Ives' tonal imagery are hymn tunes and traditional songs, the town band at holiday parade, the fiddlers at Saturday night dances, patriotic songs, sentimental parlor ballads, and the melodies of Stephen Foster. He's been dubbed the greatest American composer by such cultural shapers as Time magazine and Leonard Bernstein - "You've never heard of Charles Ives? That's OK - he wouldn't have cared".
0:00 The Unanswered Question
6:07 Violin Sonata No. 1. II: Largo cantabile
12:03 Violin Sonata No. 3. I. Adagio - Andante - Allegretto - Adagio
24:24 Three Places in New England: Putnam's Camp II
29:46 Three Places in New England: The Housatonic at Stockbridge III
33:54 Symphony No. 2. I: Andante moderato
40:10 Symphony No. 2. V: Allegro molto vivace
50:27 Symphony No. 4. III: Fugue: Andante moderato con moto
57:04 Central Park in the Dark
1:04:21 The Things Our Fathers Loved
1:06:08 Memories
1:08:38 The Circus Band
1:11:40 They are There!
1:14:32 Tom Sails Away
1:17:21 Tone Roads No. 1
1:20:42 Psalm 100
1:22:17 Hallowe'en (from "Three Outdoor Scenes")
1:24:18 Piano Sonata No. 2, Concord, Mass, 1840–60 IV: "Thoreau" (after Henry David Thoreau)
- published: 28 Mar 2015
- views: 10455
Charles Ives,Three Places in New England.
- Order: Reorder
- Duration: 20:33
- Updated: 25 Nov 2013
- views: 43960
The Three Places in New England (Orchestral Set No. 1) is a composition for orchestra by American composer Charles Ives. It was composed mainly between 1911 and...
The Three Places in New England (Orchestral Set No. 1) is a composition for orchestra by American composer Charles Ives. It was composed mainly between 1911 and 1914, although sketches for the work date from 1903, and the latest revisions were made in 1929. The piece is famous for its use of musical quotation and paraphrasing. Three Places consists of three movements in Ives' preferred slow-fast-slow movement order:
I. The "St. Gaudens" in Boston Common (Col. Shaw and his Colored Regiment)
II. Putnam's Camp, Redding, Connecticut
III. The Housatonic at Stockbridge
The three movements are ordered with the longest first and the shortest last, and a complete performance of the piece lasts eighteen or nineteen minutes. As he does in his Orchestral Set No. 2, Ives inverts the fast-slow-fast movement order typical of most three-movement works, using instead a slow-fast-slow order.
The piece has become one of Ives' most commonly performed compositions. It exhibits most of the signature traits of his style: layered textures with multiple, sometimes simultaneous melodies, many of which are recognizable hymn and marching tunes; masses of sound including tone clusters; and sudden, sharp textural contrasts.
Each of the three movements is named for a place in New England, USA. Each is intended to make the listener experience the unique atmosphere of the place, as though s/he is there. To that end, Ives' paraphrasing of American folk tunes is a particularly important device, providing the listener with tangible reference points. The intention was to make the music accessible despite its avant-garde chromaticism.
Three Places in New England aims to paint a picture of American ideals, lifestyle and patriotism at the turn of the twentieth century.
BBC National Orchestra of Wales/Nicholas Collon.
wn.com/Charles Ives,Three Places In New England.
The Three Places in New England (Orchestral Set No. 1) is a composition for orchestra by American composer Charles Ives. It was composed mainly between 1911 and 1914, although sketches for the work date from 1903, and the latest revisions were made in 1929. The piece is famous for its use of musical quotation and paraphrasing. Three Places consists of three movements in Ives' preferred slow-fast-slow movement order:
I. The "St. Gaudens" in Boston Common (Col. Shaw and his Colored Regiment)
II. Putnam's Camp, Redding, Connecticut
III. The Housatonic at Stockbridge
The three movements are ordered with the longest first and the shortest last, and a complete performance of the piece lasts eighteen or nineteen minutes. As he does in his Orchestral Set No. 2, Ives inverts the fast-slow-fast movement order typical of most three-movement works, using instead a slow-fast-slow order.
The piece has become one of Ives' most commonly performed compositions. It exhibits most of the signature traits of his style: layered textures with multiple, sometimes simultaneous melodies, many of which are recognizable hymn and marching tunes; masses of sound including tone clusters; and sudden, sharp textural contrasts.
Each of the three movements is named for a place in New England, USA. Each is intended to make the listener experience the unique atmosphere of the place, as though s/he is there. To that end, Ives' paraphrasing of American folk tunes is a particularly important device, providing the listener with tangible reference points. The intention was to make the music accessible despite its avant-garde chromaticism.
Three Places in New England aims to paint a picture of American ideals, lifestyle and patriotism at the turn of the twentieth century.
BBC National Orchestra of Wales/Nicholas Collon.
- published: 25 Nov 2013
- views: 43960
Charles Ives - Concord Sonata
- Order: Reorder
- Duration: 49:24
- Updated: 28 Oct 2011
- views: 46191
Performed by Gilbert Kalish
About the ONLY COMPLETE recording of the work here on toyoob :)
This piece of music anchored me in front of my speakers the minute...
Performed by Gilbert Kalish
About the ONLY COMPLETE recording of the work here on toyoob :)
This piece of music anchored me in front of my speakers the minute I put
it on to play. It just DEMANDED to be heard ! :)
wn.com/Charles Ives Concord Sonata
Performed by Gilbert Kalish
About the ONLY COMPLETE recording of the work here on toyoob :)
This piece of music anchored me in front of my speakers the minute I put
it on to play. It just DEMANDED to be heard ! :)
- published: 28 Oct 2011
- views: 46191
Leonard Bernstein on Charles Ives Symphony N 2 (SUB SPA)
- Order: Reorder
- Duration: 14:29
- Updated: 07 Aug 2011
- views: 41216
Leonard Bernstein explains some of Chales Ives background before performing his second Symphony in Munich heading the Bavarian Radio Symphony Orchestra
Leonard Bernstein explains some of Chales Ives background before performing his second Symphony in Munich heading the Bavarian Radio Symphony Orchestra
wn.com/Leonard Bernstein On Charles Ives Symphony N 2 (Sub Spa)
Leonard Bernstein explains some of Chales Ives background before performing his second Symphony in Munich heading the Bavarian Radio Symphony Orchestra
- published: 07 Aug 2011
- views: 41216
Charles Ives - Symphony No. 2 (Leonard Bernstein) (1/3)
- Order: Reorder
- Duration: 15:01
- Updated: 04 Aug 2011
- views: 53513
Leonard Bernstein conducts Second Symphony of the american composer Charles Ives (1874-1954), with the Bavarian Radio Symphony Orchestra, in 1987.
© Unitel Cla...
Leonard Bernstein conducts Second Symphony of the american composer Charles Ives (1874-1954), with the Bavarian Radio Symphony Orchestra, in 1987.
© Unitel Classica
wn.com/Charles Ives Symphony No. 2 (Leonard Bernstein) (1 3)
Leonard Bernstein conducts Second Symphony of the american composer Charles Ives (1874-1954), with the Bavarian Radio Symphony Orchestra, in 1987.
© Unitel Classica
- published: 04 Aug 2011
- views: 53513
Charles Ives - Sonata for Violin & Piano, No. 3
- Order: Reorder
- Duration: 25:57
- Updated: 01 Mar 2014
- views: 15799
Sonata, for violin & piano No. 3, S. 62 (K. 2C6), (1913-1914)
I. Adagio
II. Allegro
III. Adagio
Timothy Fain, violin
Jeremy Denk, piano
Between about 1902 a...
Sonata, for violin & piano No. 3, S. 62 (K. 2C6), (1913-1914)
I. Adagio
II. Allegro
III. Adagio
Timothy Fain, violin
Jeremy Denk, piano
Between about 1902 and 1916, Charles Ives, in his mid-thirties and early forties, at the peak of his composing career, completed four sonatas for violin and piano. More than any other similar cluster of his compositions in a single genre, these sonatas all seem to be citizens of the same musical world. Each has three movements; each includes one or more movements in "cumulative" musical form; each is tinged with the music of American Protestant hymnody and ends with a finale based on a hymn-tune; and all are comparatively "easy" pieces (by Ives's standards).
Nevertheless, each sonata has its own characteristics. Ives accepted the traditional fast-slow-fast pattern of movements in Sonatas 1 and 4, but Sonatas 2 and 3 are slow-fast-slow, a non-traditional, Ivesian pattern first tried out in his Third Symphony. Sonatas 1 and 3 are basically abstract, with no specific extra-musical movement titles. Sonata 2, however, has such titles ("Autumn," "In the Barn," and "The Revival"), and Sonata 4 is subtitled "Children's Day at the Camp Meeting."
A word about the "cumulative form" that crops up in so many movements of these sonatas (the first and last movements of Sonatas 1 and 2 and all the movements of Sonatas 3 and 4). The term was introduced by the Ives scholar J. Peter Burkholder, in his magisterial study All Made of Tunes: Charles Ives and The Uses of Musical Borrowing (1995). Such pieces begin with subtle suggestions and developments of musical fragments that hint at a pre-existent melody, then gradually work toward a culmination in which the "borrowed" melody is revealed in its simple entirety, usually with climactic effect. Essentially, Ives invented this musical form, which is the one he favored in his maturity.
Ives offered characteristically picturesque comments about three of the sonatas. Of the Third Sonata: "An attempt to suggest the feeling and fervor - a fervor that was often more vociferous than religious - with which the hymns and revival tunes were sung at the camp meetings held extensively in New England in the '70s and '80s. The tunes used or suggested are Beulah Land, There'll Be No More Sorrow, and Every Hour I Need Thee. The first movement is a kind of magnified hymn of four different stanzas, all ending with the same refrain. The second movement may represent a meeting where the feet and body, as well as the voice, add to the excitement. The last movement is an experiment: the free fantasia is first; the working-out develops into the themes, rather than from them; the coda consists of the themes for the first time in their entirety and in conjunction. The tonality throughout is supposed to take care of itself."
By now, their technical and expressive challenges welcomed by performers (and many listeners), Ives's violin sonatas are considered among the most substantial contributions to the violin literature by an American composer. That was hardly the case at first. In 1914, before completing his Third Sonata, Ives invited Franz Milcke, whom he described in his Memos of 1931-32 as a "prima donna solo violinist from Germany who has given concerts in Carnegie Hall," to try over the First and Second Sonatas: "The 'Professor' started to play the first movement of the First Sonata. He didn't even get through the first page. He was all bothered with the rhythms and the notes, and got mad. He said "This cannot be played. It is awful. It is not music, it makes no sense." He couldn't get it even after I'd played it over for him several times and said, "When you get awfully indigestible food in your stomach that distresses you, you can get rid of it, but I cannot get those horrible sounds out of my ears." After he went, I had a kind of feeling which I've had off and on. Are my ears on wrong? No one else seems to hear it the same way."
Not until decades later, essentially only after World War II, years after Ives had died, was it recognized that Ives's ears were, in fact, on just right, only far ahead of his contemporaries'. --H. Wiley Hitchcock
Art by László Moholy-Nagy
wn.com/Charles Ives Sonata For Violin Piano, No. 3
Sonata, for violin & piano No. 3, S. 62 (K. 2C6), (1913-1914)
I. Adagio
II. Allegro
III. Adagio
Timothy Fain, violin
Jeremy Denk, piano
Between about 1902 and 1916, Charles Ives, in his mid-thirties and early forties, at the peak of his composing career, completed four sonatas for violin and piano. More than any other similar cluster of his compositions in a single genre, these sonatas all seem to be citizens of the same musical world. Each has three movements; each includes one or more movements in "cumulative" musical form; each is tinged with the music of American Protestant hymnody and ends with a finale based on a hymn-tune; and all are comparatively "easy" pieces (by Ives's standards).
Nevertheless, each sonata has its own characteristics. Ives accepted the traditional fast-slow-fast pattern of movements in Sonatas 1 and 4, but Sonatas 2 and 3 are slow-fast-slow, a non-traditional, Ivesian pattern first tried out in his Third Symphony. Sonatas 1 and 3 are basically abstract, with no specific extra-musical movement titles. Sonata 2, however, has such titles ("Autumn," "In the Barn," and "The Revival"), and Sonata 4 is subtitled "Children's Day at the Camp Meeting."
A word about the "cumulative form" that crops up in so many movements of these sonatas (the first and last movements of Sonatas 1 and 2 and all the movements of Sonatas 3 and 4). The term was introduced by the Ives scholar J. Peter Burkholder, in his magisterial study All Made of Tunes: Charles Ives and The Uses of Musical Borrowing (1995). Such pieces begin with subtle suggestions and developments of musical fragments that hint at a pre-existent melody, then gradually work toward a culmination in which the "borrowed" melody is revealed in its simple entirety, usually with climactic effect. Essentially, Ives invented this musical form, which is the one he favored in his maturity.
Ives offered characteristically picturesque comments about three of the sonatas. Of the Third Sonata: "An attempt to suggest the feeling and fervor - a fervor that was often more vociferous than religious - with which the hymns and revival tunes were sung at the camp meetings held extensively in New England in the '70s and '80s. The tunes used or suggested are Beulah Land, There'll Be No More Sorrow, and Every Hour I Need Thee. The first movement is a kind of magnified hymn of four different stanzas, all ending with the same refrain. The second movement may represent a meeting where the feet and body, as well as the voice, add to the excitement. The last movement is an experiment: the free fantasia is first; the working-out develops into the themes, rather than from them; the coda consists of the themes for the first time in their entirety and in conjunction. The tonality throughout is supposed to take care of itself."
By now, their technical and expressive challenges welcomed by performers (and many listeners), Ives's violin sonatas are considered among the most substantial contributions to the violin literature by an American composer. That was hardly the case at first. In 1914, before completing his Third Sonata, Ives invited Franz Milcke, whom he described in his Memos of 1931-32 as a "prima donna solo violinist from Germany who has given concerts in Carnegie Hall," to try over the First and Second Sonatas: "The 'Professor' started to play the first movement of the First Sonata. He didn't even get through the first page. He was all bothered with the rhythms and the notes, and got mad. He said "This cannot be played. It is awful. It is not music, it makes no sense." He couldn't get it even after I'd played it over for him several times and said, "When you get awfully indigestible food in your stomach that distresses you, you can get rid of it, but I cannot get those horrible sounds out of my ears." After he went, I had a kind of feeling which I've had off and on. Are my ears on wrong? No one else seems to hear it the same way."
Not until decades later, essentially only after World War II, years after Ives had died, was it recognized that Ives's ears were, in fact, on just right, only far ahead of his contemporaries'. --H. Wiley Hitchcock
Art by László Moholy-Nagy
- published: 01 Mar 2014
- views: 15799
-
Charles Ives - Sonata for violin and piano number 4 - II. Largo
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Charles Ives - Sonata for violin and piano number 4 - I. Allegro
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Charles Ives - Sonata for violin and piano number 4 - III.Allegro
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Charles Ives - Overture and March: "1776"
-
Charles Ives: Selected Songs - Paul Murray, Perry Mears
Paul Christopher Murray, baritone; Perry Mears, pianist Luna Nova Ensemble (www.lunanova.org) 2016 Belvedere Chamber Music Festival (www.belvederefestival.org) I. Songs My Mother Taught Me II. The Things Our Fathers Loved (and the greatest of these was Liberty) III. Memories: A – Very Pleasant, B – Rather Sad -
Variations on "America" by Charles Ives
This performance was at the 2016 Young Saxophonist's Institute at Berry Miller Junior High School on June 24th, 2016. Arrangement by Paul Cohen -
Departmental Recital #2: Spring Song-- Charles Ives; Theodora Ivanova Nestorova, Soprano
Theodora Ivanova Nestorova, Soprano performing "Spring Song" by Charles Ives in April 2016 at age 19. She performed a Nature Themed 20th Century American Songs Set in her second Departmental Recital, accompanied by Ken Lin in Kulas Recital Hall at the Oberlin Conservatory of Music. -
Departmental Recital #2: Two Little Flowers-- Charles Ives; Theodora Ivanova Nestorova, Soprano
Theodora Ivanova Nestorova, Soprano performing "Two Little Flowers" by Charles Ives in April 2016 at age 19. She performed a Nature Themed 20th Century American Songs Set in her second Departmental Recital, accompanied by Ken Lin in Kulas Recital Hall at the Oberlin Conservatory of Music. -
Jessica Pray sings Charles Ives’ Memories.
Jessica Pray sings Charles Ives’ Memories (Very Pleasant and Rather Sad), accompanied by Miguel Campinho. Monday, April 18, 2016 Sudler Recital Hall in William L. Harkness Hall, Yale University. Performed in partial fulfillment of the requirements for the Master of Music degree -
Jessica Pray sings Charles Ives’ World’s Wanderers
Jessica Pray sings Charles Ives’ World’s Wanderers, accompanied by Miguel Campinho. Monday, April 18, 2016 Sudler Recital Hall in William L. Harkness Hall, Yale University. Performed in partial fulfillment of the requirements for the Master of Music degree
Charles Ives - Sonata for violin and piano number 4 - II. Largo
- Order: Reorder
- Duration: 7:15
- Updated: 05 Jul 2016
- views: 2
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3 SONATAS for VIOLIN and PIANO
Stella Tsani - violin
Titos Gouvelis - piano
Charles Ives (1874 – 1954)
Sonata for violin and piano number 4
"Children’s Day at the Camp Meeting"
2nd mvt Largo – Allegro (conslugarocko) – Andante con spirito – Adagio cantabile – Largo cantabile
wn.com/Charles Ives Sonata For Violin And Piano Number 4 Ii. Largo
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3 SONATAS for VIOLIN and PIANO
Stella Tsani - violin
Titos Gouvelis - piano
Charles Ives (1874 – 1954)
Sonata for violin and piano number 4
"Children’s Day at the Camp Meeting"
2nd mvt Largo – Allegro (conslugarocko) – Andante con spirito – Adagio cantabile – Largo cantabile
- published: 05 Jul 2016
- views: 2
Charles Ives - Sonata for violin and piano number 4 - I. Allegro
- Order: Reorder
- Duration: 2:34
- Updated: 05 Jul 2016
- views: 3
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3 SONATAS for VIOLIN and PIANO
Stella Tsani - violin
Titos Gouvelis - piano
Charles Ives (1874 – 1954)
Sonata for violin and piano number 4
"Children’s Day at the Camp Meeting"
1st mvt Allegro
wn.com/Charles Ives Sonata For Violin And Piano Number 4 I. Allegro
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3 SONATAS for VIOLIN and PIANO
Stella Tsani - violin
Titos Gouvelis - piano
Charles Ives (1874 – 1954)
Sonata for violin and piano number 4
"Children’s Day at the Camp Meeting"
1st mvt Allegro
- published: 05 Jul 2016
- views: 3
Charles Ives - Sonata for violin and piano number 4 - III.Allegro
- Order: Reorder
- Duration: 1:52
- Updated: 05 Jul 2016
- views: 2
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3 SONATAS for VIOLIN and PIANO
Stella Tsani - violin
Titos Gouvelis - piano
Charles Ives (1874 – 1954)
Sonata for violin and piano number 4
"Children’s Day at the Camp Meeting"
3rd mvt Allegro
wn.com/Charles Ives Sonata For Violin And Piano Number 4 Iii.Allegro
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3 SONATAS for VIOLIN and PIANO
Stella Tsani - violin
Titos Gouvelis - piano
Charles Ives (1874 – 1954)
Sonata for violin and piano number 4
"Children’s Day at the Camp Meeting"
3rd mvt Allegro
- published: 05 Jul 2016
- views: 2
Charles Ives - Overture and March: "1776"
- Order: Reorder
- Duration: 2:59
- Updated: 04 Jul 2016
- views: 11
- published: 04 Jul 2016
- views: 11
Charles Ives: Selected Songs - Paul Murray, Perry Mears
- Order: Reorder
- Duration: 7:53
- Updated: 30 Jun 2016
- views: 4
Paul Christopher Murray, baritone; Perry Mears, pianist
Luna Nova Ensemble (www.lunanova.org)
2016 Belvedere Chamber Music Festival (www.belvederefestival.org)
...
Paul Christopher Murray, baritone; Perry Mears, pianist
Luna Nova Ensemble (www.lunanova.org)
2016 Belvedere Chamber Music Festival (www.belvederefestival.org)
I. Songs My Mother Taught Me
II. The Things Our Fathers Loved (and the greatest of these was Liberty)
III. Memories: A – Very Pleasant, B – Rather Sad
wn.com/Charles Ives Selected Songs Paul Murray, Perry Mears
Paul Christopher Murray, baritone; Perry Mears, pianist
Luna Nova Ensemble (www.lunanova.org)
2016 Belvedere Chamber Music Festival (www.belvederefestival.org)
I. Songs My Mother Taught Me
II. The Things Our Fathers Loved (and the greatest of these was Liberty)
III. Memories: A – Very Pleasant, B – Rather Sad
- published: 30 Jun 2016
- views: 4
Variations on "America" by Charles Ives
- Order: Reorder
- Duration: 6:55
- Updated: 28 Jun 2016
- views: 1
This performance was at the 2016 Young Saxophonist's Institute at Berry Miller Junior High School on June 24th, 2016.
Arrangement by Paul Cohen
This performance was at the 2016 Young Saxophonist's Institute at Berry Miller Junior High School on June 24th, 2016.
Arrangement by Paul Cohen
wn.com/Variations On America By Charles Ives
This performance was at the 2016 Young Saxophonist's Institute at Berry Miller Junior High School on June 24th, 2016.
Arrangement by Paul Cohen
- published: 28 Jun 2016
- views: 1
Departmental Recital #2: Spring Song-- Charles Ives; Theodora Ivanova Nestorova, Soprano
- Order: Reorder
- Duration: 1:26
- Updated: 25 Jun 2016
- views: 2
Theodora Ivanova Nestorova, Soprano performing "Spring Song" by Charles Ives in April 2016 at age 19. She performed a Nature Themed 20th Century American Songs ...
Theodora Ivanova Nestorova, Soprano performing "Spring Song" by Charles Ives in April 2016 at age 19. She performed a Nature Themed 20th Century American Songs Set in her second Departmental Recital, accompanied by Ken Lin in Kulas Recital Hall at the Oberlin Conservatory of Music.
wn.com/Departmental Recital 2 Spring Song Charles Ives Theodora Ivanova Nestorova, Soprano
Theodora Ivanova Nestorova, Soprano performing "Spring Song" by Charles Ives in April 2016 at age 19. She performed a Nature Themed 20th Century American Songs Set in her second Departmental Recital, accompanied by Ken Lin in Kulas Recital Hall at the Oberlin Conservatory of Music.
- published: 25 Jun 2016
- views: 2
Departmental Recital #2: Two Little Flowers-- Charles Ives; Theodora Ivanova Nestorova, Soprano
- Order: Reorder
- Duration: 1:28
- Updated: 25 Jun 2016
- views: 1
Theodora Ivanova Nestorova, Soprano performing "Two Little Flowers" by Charles Ives in April 2016 at age 19. She performed a Nature Themed 20th Century American...
Theodora Ivanova Nestorova, Soprano performing "Two Little Flowers" by Charles Ives in April 2016 at age 19. She performed a Nature Themed 20th Century American Songs Set in her second Departmental Recital, accompanied by Ken Lin in Kulas Recital Hall at the Oberlin Conservatory of Music.
wn.com/Departmental Recital 2 Two Little Flowers Charles Ives Theodora Ivanova Nestorova, Soprano
Theodora Ivanova Nestorova, Soprano performing "Two Little Flowers" by Charles Ives in April 2016 at age 19. She performed a Nature Themed 20th Century American Songs Set in her second Departmental Recital, accompanied by Ken Lin in Kulas Recital Hall at the Oberlin Conservatory of Music.
- published: 25 Jun 2016
- views: 1
Jessica Pray sings Charles Ives’ Memories.
- Order: Reorder
- Duration: 2:50
- Updated: 24 Jun 2016
- views: 26
Jessica Pray sings Charles Ives’ Memories (Very Pleasant and Rather Sad), accompanied by Miguel Campinho.
Monday, April 18, 2016 Sudler Recital Hall in William...
Jessica Pray sings Charles Ives’ Memories (Very Pleasant and Rather Sad), accompanied by Miguel Campinho.
Monday, April 18, 2016 Sudler Recital Hall in William L. Harkness Hall, Yale University.
Performed in partial fulfillment of the requirements for the Master of Music degree
wn.com/Jessica Pray Sings Charles Ives’ Memories.
Jessica Pray sings Charles Ives’ Memories (Very Pleasant and Rather Sad), accompanied by Miguel Campinho.
Monday, April 18, 2016 Sudler Recital Hall in William L. Harkness Hall, Yale University.
Performed in partial fulfillment of the requirements for the Master of Music degree
- published: 24 Jun 2016
- views: 26
Jessica Pray sings Charles Ives’ World’s Wanderers
- Order: Reorder
- Duration: 1:58
- Updated: 23 Jun 2016
- views: 8
Jessica Pray sings Charles Ives’ World’s Wanderers, accompanied by Miguel Campinho.
Monday, April 18, 2016 Sudler Recital Hall in William L. Harkness Hall, Yal...
Jessica Pray sings Charles Ives’ World’s Wanderers, accompanied by Miguel Campinho.
Monday, April 18, 2016 Sudler Recital Hall in William L. Harkness Hall, Yale University.
Performed in partial fulfillment of the requirements for the Master of Music degree
wn.com/Jessica Pray Sings Charles Ives’ World’S Wanderers
Jessica Pray sings Charles Ives’ World’s Wanderers, accompanied by Miguel Campinho.
Monday, April 18, 2016 Sudler Recital Hall in William L. Harkness Hall, Yale University.
Performed in partial fulfillment of the requirements for the Master of Music degree
- published: 23 Jun 2016
- views: 8
-
Charles Ives "Symphony No 1" James Sinclair
Symphony No 1 by Charles Ives 1. Allegro con moto 2. Adagio molto 3. Scherzo 4. Allegro molto National Symphony Orchestra of Ireland James Sinclair, conductor Dublin, 25.IX.2002 -
Charles Ives Symphony No. 4, BBC Symphony Orchestra/David Robertson, cond./Ralph van Raat, piano
http://www.ralphvanraat.com Broadcast of the BBC Proms, 2007. Ralph van Raat plays the piano part of Ives' Symphony No.4 with the BBC Symphony Orchestra conducted by David Robertson in the Royal Albert Hall, London. -
Charles Ives - Piano Sonata No.2, "Concord, Mass., 1840-1860"
Stephen Drury, piano; Jessi Rosinski, flute Charles Ives (1874-1954) Piano Sonata No. 2, "Concord, Mass., 1840-1860" • Emerson • Hawthorne • The Alcotts • Thoreau SICPP 2013 Sunday, June 16, 2013 Jordan Hall at New England Conservatory Recorded material courtesy of Brian Dixon. -
The Piano Music of Charles Ives - Master Class with Dave Frank
www.davefrankjazz.com Join NYC piano monster Dave Frank for a thoroughly unique, in-depth introduction to the life and music of America's greatest composer! The video includes an overview to Ives' life and work, a mini-clinic on the use of dissonance in modern music composition and improvisation, followed by listening and discussions of 5 of Ives' compositions for solo piano. YOU WILL LOVE THIS WILD CLASS!! Not for the faint of heart:)
Charles Ives "Symphony No 1" James Sinclair
- Order: Reorder
- Duration: 45:51
- Updated: 01 Feb 2015
- views: 3841
Symphony No 1 by Charles Ives
1. Allegro con moto
2. Adagio molto
3. Scherzo
4. Allegro molto
National Symphony Orchestra of Ireland
James Sinclair, conductor
D...
Symphony No 1 by Charles Ives
1. Allegro con moto
2. Adagio molto
3. Scherzo
4. Allegro molto
National Symphony Orchestra of Ireland
James Sinclair, conductor
Dublin, 25.IX.2002
wn.com/Charles Ives Symphony No 1 James Sinclair
Symphony No 1 by Charles Ives
1. Allegro con moto
2. Adagio molto
3. Scherzo
4. Allegro molto
National Symphony Orchestra of Ireland
James Sinclair, conductor
Dublin, 25.IX.2002
- published: 01 Feb 2015
- views: 3841
Charles Ives Symphony No. 4, BBC Symphony Orchestra/David Robertson, cond./Ralph van Raat, piano
- Order: Reorder
- Duration: 34:34
- Updated: 26 Jun 2012
- views: 49646
http://www.ralphvanraat.com Broadcast of the BBC Proms, 2007. Ralph van Raat plays the piano part of Ives' Symphony No.4 with the BBC Symphony Orchestra conduct...
http://www.ralphvanraat.com Broadcast of the BBC Proms, 2007. Ralph van Raat plays the piano part of Ives' Symphony No.4 with the BBC Symphony Orchestra conducted by David Robertson in the Royal Albert Hall, London.
wn.com/Charles Ives Symphony No. 4, BBC Symphony Orchestra David Robertson, Cond. Ralph Van Raat, Piano
http://www.ralphvanraat.com Broadcast of the BBC Proms, 2007. Ralph van Raat plays the piano part of Ives' Symphony No.4 with the BBC Symphony Orchestra conducted by David Robertson in the Royal Albert Hall, London.
- published: 26 Jun 2012
- views: 49646
Charles Ives - Piano Sonata No.2, "Concord, Mass., 1840-1860"
- Order: Reorder
- Duration: 48:16
- Updated: 21 Aug 2013
- views: 29326
Stephen Drury, piano; Jessi Rosinski, flute
Charles Ives (1874-1954)
Piano Sonata No. 2, "Concord, Mass., 1840-1860"
• Emerson
• Hawthorne
• The Alcotts
• Thor...
Stephen Drury, piano; Jessi Rosinski, flute
Charles Ives (1874-1954)
Piano Sonata No. 2, "Concord, Mass., 1840-1860"
• Emerson
• Hawthorne
• The Alcotts
• Thoreau
SICPP 2013
Sunday, June 16, 2013
Jordan Hall at New England Conservatory
Recorded material courtesy of Brian Dixon.
wn.com/Charles Ives Piano Sonata No.2, Concord, Mass., 1840 1860
Stephen Drury, piano; Jessi Rosinski, flute
Charles Ives (1874-1954)
Piano Sonata No. 2, "Concord, Mass., 1840-1860"
• Emerson
• Hawthorne
• The Alcotts
• Thoreau
SICPP 2013
Sunday, June 16, 2013
Jordan Hall at New England Conservatory
Recorded material courtesy of Brian Dixon.
- published: 21 Aug 2013
- views: 29326
The Piano Music of Charles Ives - Master Class with Dave Frank
- Order: Reorder
- Duration: 53:20
- Updated: 22 Nov 2012
- views: 8114
www.davefrankjazz.com Join NYC piano monster Dave Frank for a thoroughly unique, in-depth introduction to the life and music of America's greatest composer! The...
www.davefrankjazz.com Join NYC piano monster Dave Frank for a thoroughly unique, in-depth introduction to the life and music of America's greatest composer! The video includes an overview to Ives' life and work, a mini-clinic on the use of dissonance in modern music composition and improvisation, followed by listening and discussions of 5 of Ives' compositions for solo piano.
YOU WILL LOVE THIS WILD CLASS!! Not for the faint of heart:)
wn.com/The Piano Music Of Charles Ives Master Class With Dave Frank
www.davefrankjazz.com Join NYC piano monster Dave Frank for a thoroughly unique, in-depth introduction to the life and music of America's greatest composer! The video includes an overview to Ives' life and work, a mini-clinic on the use of dissonance in modern music composition and improvisation, followed by listening and discussions of 5 of Ives' compositions for solo piano.
YOU WILL LOVE THIS WILD CLASS!! Not for the faint of heart:)
- published: 22 Nov 2012
- views: 8114
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42:39
Charles Ives - Symphony No. 2
New York Philharmonic
Leonard Bernstein
Date: 1990
Symphony No. 2 was written by Charles ...
published: 07 Apr 2014
Charles Ives - Symphony No. 2
Charles Ives - Symphony No. 2
- Report rights infringement
- published: 07 Apr 2014
- views: 58123
31:50
Charles Ives,Symphony No.4
The Symphony No. 4 by Charles Ives was written between 1910 and the mid-1920s (the second ...
published: 02 Feb 2014
Charles Ives,Symphony No.4
Charles Ives,Symphony No.4
- Report rights infringement
- published: 02 Feb 2014
- views: 26859
4:36
Charles Ives - The Unanswered Question
Charles Ives, The Unanswered Question.
James Sinclair, Conductor.
Northern Sinfonia.
__...
published: 13 May 2012
Charles Ives - The Unanswered Question
Charles Ives - The Unanswered Question
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- published: 13 May 2012
- views: 137398
10:50
CHARLES IVES - CENTRAL PARK IN THE DARK
BBC Symphony Orchestra. Lawrence Foster (conductor)
published: 24 Mar 2011
CHARLES IVES - CENTRAL PARK IN THE DARK
CHARLES IVES - CENTRAL PARK IN THE DARK
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- published: 24 Mar 2011
- views: 155281
96:33
The Best of Charles Ives
The Best of Charles Edward Ives (October 20 1874 – May 19 1954)
Ives is one of the first...
published: 28 Mar 2015
The Best of Charles Ives
The Best of Charles Ives
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- published: 28 Mar 2015
- views: 10455
20:33
Charles Ives,Three Places in New England.
The Three Places in New England (Orchestral Set No. 1) is a composition for orchestra by A...
published: 25 Nov 2013
Charles Ives,Three Places in New England.
Charles Ives,Three Places in New England.
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- published: 25 Nov 2013
- views: 43960
49:24
Charles Ives - Concord Sonata
Performed by Gilbert Kalish
About the ONLY COMPLETE recording of the work here on toyoob ...
published: 28 Oct 2011
Charles Ives - Concord Sonata
Charles Ives - Concord Sonata
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- published: 28 Oct 2011
- views: 46191
14:29
Leonard Bernstein on Charles Ives Symphony N 2 (SUB SPA)
Leonard Bernstein explains some of Chales Ives background before performing his second Sym...
published: 07 Aug 2011
Leonard Bernstein on Charles Ives Symphony N 2 (SUB SPA)
Leonard Bernstein on Charles Ives Symphony N 2 (SUB SPA)
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- published: 07 Aug 2011
- views: 41216
15:01
Charles Ives - Symphony No. 2 (Leonard Bernstein) (1/3)
Leonard Bernstein conducts Second Symphony of the american composer Charles Ives (1874-195...
published: 04 Aug 2011
Charles Ives - Symphony No. 2 (Leonard Bernstein) (1/3)
Charles Ives - Symphony No. 2 (Leonard Bernstein) (1/3)
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- published: 04 Aug 2011
- views: 53513
25:57
Charles Ives - Sonata for Violin & Piano, No. 3
Sonata, for violin & piano No. 3, S. 62 (K. 2C6), (1913-1914)
I. Adagio
II. Allegro
III. ...
published: 01 Mar 2014
Charles Ives - Sonata for Violin & Piano, No. 3
Charles Ives - Sonata for Violin & Piano, No. 3
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- views: 15799
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7:15
Charles Ives - Sonata for violin and piano number 4 - II. Largo
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published: 05 Jul 2016
Charles Ives - Sonata for violin and piano number 4 - II. Largo
Charles Ives - Sonata for violin and piano number 4 - II. Largo
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- published: 05 Jul 2016
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2:34
Charles Ives - Sonata for violin and piano number 4 - I. Allegro
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published: 05 Jul 2016
Charles Ives - Sonata for violin and piano number 4 - I. Allegro
Charles Ives - Sonata for violin and piano number 4 - I. Allegro
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1:52
Charles Ives - Sonata for violin and piano number 4 - III.Allegro
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published: 05 Jul 2016
Charles Ives - Sonata for violin and piano number 4 - III.Allegro
Charles Ives - Sonata for violin and piano number 4 - III.Allegro
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2:59
Charles Ives - Overture and March: "1776"
published: 04 Jul 2016
Charles Ives - Overture and March: "1776"
Charles Ives - Overture and March: "1776"
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- published: 04 Jul 2016
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7:53
Charles Ives: Selected Songs - Paul Murray, Perry Mears
Paul Christopher Murray, baritone; Perry Mears, pianist
Luna Nova Ensemble (www.lunanova.o...
published: 30 Jun 2016
Charles Ives: Selected Songs - Paul Murray, Perry Mears
Charles Ives: Selected Songs - Paul Murray, Perry Mears
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- published: 30 Jun 2016
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6:55
Variations on "America" by Charles Ives
This performance was at the 2016 Young Saxophonist's Institute at Berry Miller Junior High...
published: 28 Jun 2016
Variations on "America" by Charles Ives
Variations on "America" by Charles Ives
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- published: 28 Jun 2016
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1:26
Departmental Recital #2: Spring Song-- Charles Ives; Theodora Ivanova Nestorova, Soprano
Theodora Ivanova Nestorova, Soprano performing "Spring Song" by Charles Ives in April 2016...
published: 25 Jun 2016
Departmental Recital #2: Spring Song-- Charles Ives; Theodora Ivanova Nestorova, Soprano
Departmental Recital #2: Spring Song-- Charles Ives; Theodora Ivanova Nestorova, Soprano
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- published: 25 Jun 2016
- views: 2
1:28
Departmental Recital #2: Two Little Flowers-- Charles Ives; Theodora Ivanova Nestorova, Soprano
Theodora Ivanova Nestorova, Soprano performing "Two Little Flowers" by Charles Ives in Apr...
published: 25 Jun 2016
Departmental Recital #2: Two Little Flowers-- Charles Ives; Theodora Ivanova Nestorova, Soprano
Departmental Recital #2: Two Little Flowers-- Charles Ives; Theodora Ivanova Nestorova, Soprano
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- published: 25 Jun 2016
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2:50
Jessica Pray sings Charles Ives’ Memories.
Jessica Pray sings Charles Ives’ Memories (Very Pleasant and Rather Sad), accompanied by M...
published: 24 Jun 2016
Jessica Pray sings Charles Ives’ Memories.
Jessica Pray sings Charles Ives’ Memories.
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- published: 24 Jun 2016
- views: 26
1:58
Jessica Pray sings Charles Ives’ World’s Wanderers
Jessica Pray sings Charles Ives’ World’s Wanderers, accompanied by Miguel Campinho.
Monda...
published: 23 Jun 2016
Jessica Pray sings Charles Ives’ World’s Wanderers
Jessica Pray sings Charles Ives’ World’s Wanderers
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- published: 23 Jun 2016
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45:51
Charles Ives "Symphony No 1" James Sinclair
Symphony No 1 by Charles Ives
1. Allegro con moto
2. Adagio molto
3. Scherzo
4. Allegro mo...
published: 01 Feb 2015
Charles Ives "Symphony No 1" James Sinclair
Charles Ives "Symphony No 1" James Sinclair
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- published: 01 Feb 2015
- views: 3841
34:34
Charles Ives Symphony No. 4, BBC Symphony Orchestra/David Robertson, cond./Ralph van Raat, piano
http://www.ralphvanraat.com Broadcast of the BBC Proms, 2007. Ralph van Raat plays the pia...
published: 26 Jun 2012
Charles Ives Symphony No. 4, BBC Symphony Orchestra/David Robertson, cond./Ralph van Raat, piano
Charles Ives Symphony No. 4, BBC Symphony Orchestra/David Robertson, cond./Ralph van Raat, piano
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- published: 26 Jun 2012
- views: 49646
48:16
Charles Ives - Piano Sonata No.2, "Concord, Mass., 1840-1860"
Stephen Drury, piano; Jessi Rosinski, flute
Charles Ives (1874-1954)
Piano Sonata No. 2, ...
published: 21 Aug 2013
Charles Ives - Piano Sonata No.2, "Concord, Mass., 1840-1860"
Charles Ives - Piano Sonata No.2, "Concord, Mass., 1840-1860"
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- published: 21 Aug 2013
- views: 29326
53:20
The Piano Music of Charles Ives - Master Class with Dave Frank
www.davefrankjazz.com Join NYC piano monster Dave Frank for a thoroughly unique, in-depth ...
published: 22 Nov 2012
The Piano Music of Charles Ives - Master Class with Dave Frank
The Piano Music of Charles Ives - Master Class with Dave Frank
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- published: 22 Nov 2012
- views: 8114
Charles Ives "Symphony No 1" James Sinclair...
Charles Ives Symphony No. 4, BBC Symphony Orchestr...
Charles Ives - Piano Sonata No.2, "Concord, Mass.,...
The Piano Music of Charles Ives - Master Class wit...
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Lyrics list:lyrics
-
Charles Ives
Charles Ives
Frank Zappa (guitar)
Lowell George (guitar, lead vocals)
Roy Estrada (bass, vocals)
Don Preston (keyboards, electronics)
Buzz Gardner (trumpet)
Ian Underwood (alto saxophone)
Bunk Gardner (tenor saxophone)
Motorhead Sherwood (baritone saxophone)
Jimmy Carl Black (drums)
Arthur Tripp (drums)
Hands Up!
(Instrumental)
photo: AP / Peter Kramer, FILE
Trump Appears “Clueless” How He Could Win With This VP Pick
Edit WorldNews.com 13 Jul 2016
Article by WN.com Correspondent Dallas DarlingIn speaking with and listening to Americans across the country, when it comes to this year’s U.S. election cycle between Donald Trump and Hillary Clinton they’re definitely not clueless about one important issue ... Also on the short list are Govs. Mike Pence of Indiana and Chris Christie of New Jersey ... He should also probably choose an individual other than an elderly white male....
photo: USAF / Tech. Sgt. Robert Cloys
Pakistan Taliban Leader Khalifa Umar Mansoor Killed In US Drone Strike
Edit WorldNews.com 13 Jul 2016
A US drone strike has killed the mastermind responsible for the 2014 attack on a Pakistani school resulting in the death of 150 people, The Associated Press reported.A US Army general confirmed the death of Taliban leader Khalifa Umar Mansoor in a phone call to Pakistan’s army chief Raheel Sharif, Pakistan army spokesman Asim Bajwa said. No information was given on where or when the drone strike took place....
photo: Creative Commons / Mark Nayman
New British PM Theresa May Names Boris Johnson Foreign Secretary
Edit WorldNews.com 13 Jul 2016
New British Prime Minister Theresa May spent a whirlwind day meeting with Queen Elizabeth II, accepting the right to form a new government and naming a new cabinet to serve in her government.May named former London Mayor Boris Johnson, who led the Brexit campaign, foreign secretary. Johnson replaces Philip Hammond, who becomes chancellor....
photo: AP / Andrew Harnik
Clinton’s lead over Trump shrinks dramatically
Edit Kansas City Star 13 Jul 2016photo: Creative Commons / Brett Cove
Jennifer Aniston: 'I am not pregnant. I am fed up!'
Edit Belfast Telegraph 13 Jul 2016
The actress slams the media for perpetuating idealised versions of women. Jennifer Aniston has taken aim at gossip mongers' constant objectification and scrutiny of women in a passionate new essay. Share Go To ... But her representative Steven Huvane was quick to shoot down rumours she is with child, telling WENN the story "is a complete fabrication," adding, "Jennifer is not pregnant." ... © Cover Media. ....
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Hollande announces France to redeploy aircraft carrier
Edit San Francisco Chronicle 14 Jul 2016
PARIS (AP) — President Francois Hollande has announced that France will redeploy the Charles de Gaulle aircraft carrier this fall to step up the fight against the Islamic State group and suggested an increase in ground troops for training and support to take back Mosul, in northern Iraq ... ....
Philadelphia Archbishop Chaput's hypocritical position on communion
Edit The Morning Call 14 Jul 2016
Talk about hypocrisy. Philadelphia Archbishop Charles Chaput says because homosexuals engage in irregular relationships they are not allowed to receive Communion. There was no mention of the many priests who engaged in the most despicable relationship of abusing children. Those very priests touched... ....
SEC media day topic for Missouri: AD's surprising departure
Edit The Miami Herald 14 Jul 2016
First-year coach Barry Odom's goal of creating more stability at Missouri became more challenging Wednesday with the departure of athletic director Mack Rhoades ... The 39-year-old Odom came to Hoover less than 24 hours after finding out Rhoades was leaving for the same job at Baylor ... Bowen Loftin, resigned ... Missouri has eight starters returning, including Scherer and Charles Harris, who led the SEC with 18½ tackles for a loss last season....
Sharing the Appeal of History: SIUE Alum Curates Local Route 66 Exhibit (Southern Illinois University System)
Edit Public Technologies 14 Jul 2016
(Source. Southern Illinois University System). It was an evening course at an Illinois junior college that first sparked Sharon Smith's interest in history ... Smith is curator of civic and personal identity at the Missouri Historical Society in St. Louis ... She works with collections involving the 1904 World's Fair, Charles Lindbergh, the Veiled Prophet, as well as disability rights and LGBT rights, to name a few. Her latest exhibit, Route 66....
Islanders co-owner says team has everything it needs to win
Edit New York Post 14 Jul 2016
New Islanders co-owner Jon Ledecky spent his first meet-and-greet with the press on Wednesday saying he is not “hiding under the table.”. After what he said, it is clear, no, he certainly isn’t ... “There is no in between.” ... The pair had been afforded a rare luxury in the NHL of being pretty much under the radar in terms of scrutiny — from the outside and from backpedaling owner Charles Wang ... Now he’s got white hair,” Ledecky said of Snow ... ....
‘Alaskan Bush People’ Is Fake — And You’ll Never Guess Who’s In On The Lies!
Edit Inquisitr 14 Jul 2016
Alaskan Bush People is more than Alaska-based reality television; it’s currently an explosion of messy drama that blends carefully scripted programming with real-life scandals ... However, things have gotten very complicated, very quickly. adndotcom. RT playadn ... Based on statements by Charles Gilbert, Ami’s cousin and the one reportedly financing “MeMaw’s” trip, contact was made with the Browns in Hawaii....
The Himalayan Dilemma
Edit Darjeeling Times 13 Jul 2016
Ives and Bruno Messerli, where the authors challenged the prevailing Himalayan environmental notion with several scientific evidences and asked for a more focused and rigorous empirical research in order to substantiate the many environmental issues that had been raised ... Although scattered widely across the literature, majority of them support the findings of Ives and Messerli....
Boustany Announces Funding for Chennault Airport Runway Rehabilitation (Charles W Boustany Jr)
Edit Public Technologies 13 Jul 2016
Charles W Boustany Jr) ... Charles Boustany (R-Lafayette) announced that the Department of Transportation (DOT) has awarded $1,381,970 to Chenault International Airport for runway rehabilitation ... on the Lake Charles area ... Charles W....
July 25 Planning Commission Meeting Canceled (Charles County, MD)
Edit Public Technologies 13 Jul 2016
Charles County, MD). The Charles County Planning Commission meeting originally scheduled for Monday, July 25 is canceled ... in the Commissioners' meeting room at the Charles County Government Building (200 Baltimore Street, La Plata)....
St. Louis Work Zones for July 14-20 (MoDOT - Missouri Department of Transportation)
Edit Public Technologies 13 Jul 2016
Charles County, the ramp from Fifth Street to westbound I-70 is closed through mid-summer ... Charles County, the left lane is closed eastbound and westbound from Route 94 to Fifth Street until mid-summer ... Charles County, one lane is closed between Klondike Park and Sanders Road through late August ... Charles County, 9 a.m.to 3 p.m., two left lanes closed eastbound at the Blanchette Bridge ... Charles County, 8 p.m ... Charles County, 9 a.m....
New Art Exhibit by SSU Psychology Professor Presents Dolls as Storytellers (Sonoma State University)
Edit Public Technologies 13 Jul 2016
in Warren Auditorium in Ives Hall ... The Jean and Charles Schulz Information Center's 15th Anniversary continues with 'Peanuts at Work,' a panel discussion featuring cartoonists and archivists from the Charles M ... (OLLI) and the University Library in celebration of the 15th anniversaries of OLLI and the Jean and Charles Schulz Information Center....
Where Does the Chiefs Running Backs Group Rank Among NFL Teams? (Kansas City Chiefs)
Edit Public Technologies 13 Jul 2016
After the season-ending injury to running back Jamaal Charles in Week 5, Charcandrick West and Spencer Ware combined for 1,000 yards and 10 touchdowns in the final 10 regular season games of what ultimately became a historical season for the Chiefs ... Following Jamaal Charles' season-ending injury in Week 5 of 2015, The Chiefs ......
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