Song 2

"Song 2" is a song by English rock band Blur, the second track from their 1997 eponymous fifth studio album. The hook features Damon Albarn yelling "woo-hoo!" as the distorted bass comes in. Released in April 1997, "Song 2" appropriately reached number two in the UK Singles Chart, number four on the Australian ARIA Charts, and number six on US Billboard Alternative Songs (previously called Billboard Modern Rock Tracks).

At the 1997 MTV Video Music Awards, "Song 2" was nominated for Best Group Video, and Best Alternative Video. At the 1998 Brit Awards the song was nominated for Best British Single, and Best British Video. In December 1998, BBC Radio 1 listeners voted "Song 2" the 15th Best Track Ever. In October 2011, NME placed it No. 79 on its list "150 Best Tracks of the Past 15 Years".

Blur intended "Song 2" to be a satire of grunge. The song was nonetheless their biggest hit in the United States. The song has often featured in popular culture, and first appeared in the hit video game FIFA: Road to World Cup 98.

Mark (dinghy)

The Mark is a single-hander class of small sailing dinghy. The design probably first appeared in the 1960s, at about the same time as the Laser, but never took off as a popular racing class. The Mark is 12 feet (3.7 m) in length, with forward and side buoyancy compartments. A 19 feet (5.8 m) free standing rotating mast stepped far forward in the front buoyancy compartment supports a mainsail.

Gospel of Mark

The Gospel According to Mark (Greek: τὸ κατὰ Μᾶρκον εὐαγγέλιον, to kata Markon euangelion), the second book of the New Testament, is one of the four canonical gospels and the three synoptic gospels. It was traditionally thought to be an epitome (summary) of Matthew, which accounts for its place as the second gospel in the Bible, but most scholars now regard it as the earliest of the gospels. Most modern scholars reject the tradition which ascribes it to Mark the Evangelist, the companion of Peter, and regard it as the work of an unknown author working with various sources including collections of miracle stories, controversy stories, parables, and a passion narrative.

Mark tells of the ministry of Jesus from his baptism by John the Baptist to his death and burial and the discovery of the empty tomb – there is no genealogy or birth narrative, nor, in the original ending at chapter 16, any post-resurrection appearances. It portrays Jesus as a heroic man of action, an exorcist, healer and miracle worker. Jesus is also the Son of God, but he keeps his identity secret, concealing it in parables so that even the disciples fail to understand. All this is in keeping with prophecy, which foretold the fate of the messiah as Suffering Servant. The gospel ends, in its original version, with the discovery of the empty tomb, a promise to meet again in Galilee, and an unheeded instruction to spread the good news of the resurrection.

March (territorial entity)

A march or mark was, in broad terms, a medieval European term for any kind of borderland, as opposed to a notional "heartland". More specifically, a march was a border between realms, and/or a neutral/buffer zone under joint control of two states, in which different laws might apply. In both of these senses, marches served a political purpose, such as providing warning of military incursions, or regulating cross-border trade, or both.

Just as counties were traditionally ruled by counts, marches gave rise to titles such as: marquess (masculine) or marchioness (feminine) in England, marquis (masc.) or marquise (fem.) in France and Scotland, margrave (Markgraf i.e. "march count"; masc.) or margravine (Markgräfin i.e. "march countess", fem.) in Germany, and corresponding titles in other European states.

Etymology

The word "march" derives ultimately from a Proto-Indo-European root *mereg-, meaning "edge, boundary". The root *mereg- produced Latin margo ("margin"), Old Irish mruig ("borderland"), and Persian and Armenian marz ("borderland"). The Proto-Germanic *marko gave rise to the Old English word mearc and Frankish marka, as well as Old Norse mörk meaning "borderland, forest", and derived form merki "boundary, sign", denoting a borderland between two centres of power.

KMXV

KMXV ("Mix 93.3") is a Top 40 (CHR) station based in Kansas City, Missouri, United States. The Steel City Media outlet operates at 93.3 MHz with an ERP of 100 kW. Its current slogan is "Kansas City's #1 Hit Music Station". It is also one of two Top 40's competing in the Kansas City Metropolitan Area, the other being KCHZ. The station's studios are located at Westport Center in Midtown Kansas City, and the transmitter site is in the city's East Side.

The station was sold off by CBS Radio to Wilks Broadcasting in November 2006 as part of a nationwide reduction of radio stations by CBS. On June 12, 2014, Wilks announced that it is selling its Kansas City cluster (of which KMXV is part of) to Pittsburgh-based Steel City Media. The sale was approved on September 26, 2014, and was consummated on September 30.

History

The station began in 1958 as KCMK-FM (Kansas City, Missouri/Kansas), a classical station, but had several format changes (primarily country) over the next sixteen years. County DJ Jack Wesley "Cactus Jack" Call was at the station (from KCKN) for one week when he was killed on January 25, 1963 in a car crash. Singer Patsy Cline sang at a benefit for him at Memorial Hall (Kansas City, Kansas) on March 3, 1963. She was unable to leave Kansas City the next day because the airport was fogged in and was killed in a plane crash on March 5, 1963 en route from Fairfax Airport to Nashville.

MIX

MIX is a hypothetical computer used in Donald Knuth's monograph, The Art of Computer Programming (TAOCP). MIX's model number is 1009, which was derived by combining the model numbers and names of several contemporaneous, commercial machines deemed significant by the author. ("MIX" also represents the value 1009 in Roman numerals.)

The 1960s-era MIX has since been superseded by a new (also hypothetical) computer architecture, MMIX, to be incorporated in forthcoming editions of TAOCP. Software implementations for both the MIX and MMIX architectures have been developed by Knuth and made freely available (named "MIXware" and "MMIXware", respectively).

Several derivatives of Knuth's MIX/MMIX emulators also exist. GNU MDK is one such software package; it is free and runs on a wide variety of platforms.

Their purpose for education is quite similar to John L. Hennessy's and David A. Patterson's DLX architecture, from Computer Organization and Design - The Hardware Software Interface.

Architecture

MIX (Email)

MIX is a high-performance, indexed, on-disk email storage system that is designed for use with the IMAP protocol. MIX was designed by Mark Crispin, the author of the IMAP protocol. Server support for it has been included in releases of UW IMAP since 2006, Panda IMAP, and Messaging Architects Netmail. MIX is also supported directly by the Alpine e-mail client.

Design

MIX mailboxes are directories containing several types of files, including a metadata file, an index file, a dynamic status data file, a threading/sorting cache file, and a collection of files containing message content. MIX mailboxes can also contain subordinate mailboxes, which are implemented as sub directories within the MIX directory.

The MIX format was designed with an emphasis on very high scalability, reliability, and performance, while efficiently supporting modern features of the IMAP protocol. MIX has been used successfully with mailboxes of 750,000 messages.

The base level MIX format has four files: a metadata file, an index file, a status file, and some set of message data files. The metadata file contains base-level data applicable to the entire mailbox; i.e., the UID validity, last assigned UID, and list of keywords. The index file contains pointers to each unexpunged message in the message data files, along with flags, size, and IMAP internaldate data. The status file contains per-message flags and keywords.