- published: 10 Feb 2011
- views: 1930944
Russian folklore takes its roots in the pagan beliefs of ancient Slavs and now is represented in the Russian fairy tales. Epic Russian bylinas are also an important part of Slavic mythology. The oldest bylinas of Kievan cycle were actually recorded mostly in the Russian North, especially in Karelia, where most of the Finnish national epic Kalevala was recorded as well.
Many Russian fairy tales and bylinas have been adapted for animation films, or for feature movies by prominent directors such as Aleksandr Ptushko (Ilya Muromets, Sadko) and Aleksandr Rou (Morozko, Vasilisa the Beautiful).
Some Russian poets, including Pyotr Yershov and Leonid Filatov, made a number of well-known poetical interpretations of the classical Russian fairy tales, and in some cases, like that of Alexander Pushkin, also created fully original fairy tale poems of great popularity.
Folklorists today consider the 1920s the Soviet Union’s golden age of folklore. The struggling new government, which had to focus its efforts on establishing a new administrative system and building up the nation’s backwards economy, could not be bothered with attempting to control literature, so studies of folklore thrived. There were two primary trends of folklore study during the decade: the formalist and Finnish schools. Formalism focused on the artistic form of ancient byliny and faerie tales, specifically their use of distinctive structures and poetic devices. The Finnish school was concerned with the connections amongst related legends of various Eastern European regions. Finnish scholars collected comparable tales from multiple locales and analyzed their similarities and differences, hoping to trace these epic stories’ migration paths.