Batalha Monastery Travel -
Mosteiro Santa Maria da Vitória, more commonly known as the Batalha Monastery, is a
Dominican convent in Batalha, in the
District of Leiria,
Portugal. It is one of the best and original examples of
Late Gothic architecture in Portugal, The convent was built to thank the
Virgin Mary for the
Portuguese victory over the
Castilians in the battle of
Aljubarrota in 1385, fulfilling a promise of
King John I of Portugal. The battle put an end to the
1383-1385 crisis.
Monastery of Santa María da
Vitória.
Lateral view of the monastery and statue of
Nuno Álvares Pereira.
It took over a century to build, starting in 1386 and ending circa 1517, spanning the reign of seven kings. It took the efforts of fifteen architects (
Mestre das Obras da Batalha), but for seven of them the title was no more than an honorary title bestowed on them. The construction required an enormous effort, using extraordinary resources of men and material. New techniques and artistic styles, hitherto unknown in Portugal, were deployed.
Work began in 1386 by the Portuguese architect Afonso
Domingues who continued till 1402. He drew up the plan and many of the structures in the church and the cloister are his doing. His style was essentially Rayonnant
Gothic, however there are influences from the
English Perpendicular Period. There are similarities with the façade of
York Minster and with the nave and transept of
Canterbury Cathedral.
He was succeeded by Huguet from 1402 to 1438. This architect, who was probably from
Catalonian descent, introduced the
Flamboyant Gothic style. This is manifest in the main façade, the dome of the square chapter house, the Founders
Chapel, the basic structure of the
Imperfect Chapels and the north and east naves of the main cloister. He raised the height of the nave to 32.46 m. By altering the proportions he made the interior of the church even seem narrower. he also completed the transept but he died before he could finish the Imperfect Chapels.
During the reign of
Afonso V of Portugal, the Portuguese architect
Fernão de
Évora continued the construction between 1448 and 1477. He added the Cloister of
Afonso V. He was succeeded by the architect
Mateus Fernandes the
Elder in the period 1480-1515. This master of the
Manueline style worked on the portal of the Capelas Imperfeitas.
Together with the famous
Diogo Boitac he realized the tracery of the arcades in the Claustro
Real. Work on the convent continued into the reign of
John III of Portugal with the addition of the fine
Renaissance tribune (1532) by João de
Castillo. The construction came to a halt, when the king decided to put all his efforts in the construction of the
Jerónimos Monastery in
Lisbon.intermingled with the Manueline style.
Enjoy Your Batalha Monastery Travel!
- published: 10 Aug 2014
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