- published: 25 Mar 2012
- views: 472942
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Gustav Mahler - Symphony No. 1 - Bernstein · Vienna Philharmonic Orchestra
- published: 28 Mar 2012
- views: 323193
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Symphony No. 1 Titan - Symphony No. 5
Symphony No. 1 in D major Titan
I. Langsam, schleppend (Slowly, dragging) Immer sehr gemächlich (very restrained throughout)
II. Kräftig bewegt, doch nicht zu schnell (Moving strongly, but not too quickly), Recht gemächlich (restrained), a Trio 12:31
III. Feierlich und gemessen, ohne zu schleppen (Solemnly and measured, without dragging), Sehr einfach und schlicht wie eine Volksweise (very simple, like a folk-tune), and Wieder etwas bewegter, wie im Anfang (something stronger, as at the start) 19:24
IV. Stürmisch bewegt -- Energisch (Stormily agitated -- Energetic) 29:40
Symphony No. 5
I. Trauermarsch (Funeral March) C# minor 48:18
II. Moving stormily, with the greatest vehemence (Stürmisch bewegt, mit größter Vehemenz) A minor 1:01:20
III. Scherzo. Kräftig, nicht zu schnell D major 1:15:41
IV. Adagietto. Sehr langsam F major 1:34:08
V. Rondo-Finale. Allegro - Allegro giocoso. Frisch D major 1:41:46
- published: 21 Jun 2013
- views: 427984
The Symphony No. 9 by Gustav Mahler was written between 1908 and 1909, and was the last symphony that he completed.
The symphony is in four movements:
1. Andante comodo (D major);
2. Im Tempo eines gemächlichen Ländlers. Etwas täppisch und sehr derb (C major);
3. Rondo-Burleske: Allegro assai. Sehr trotzig (A minor);
4. Adagio. Sehr langsam und noch zurückhaltend (D-flat major).
Although the symphony has the traditional number of movements, it is unusual in that the first and last are slow rather than fast. As is often the case with Mahler, one of the middle movements is a ländler.
The first movement embraces a loose sonata form; the work opens with a hesitant, syncopated motif which is to return at the height of the movement's development as a sudden intrusion of "death in the midst of life", announced by trombones and marked within the score "with the greatest force".
The second movement is a dance, a Ländler, but it has becomes distorted to the point that it no longer resembles a dance. The movement contains shades of the second movement of Mahler's Fourth Symphony, in the distortion of a traditional dance into a dance of death. For example, Mahler alters traditional chord sequences into near-unrecognizable variations, turning the rustic and mostly diatonic C major introductory Ländler into a vicious whole-tone waltz, saturated with accidentals and frantic rhythms. The third movement, in the form of a rondo, displays the final maturation of Mahler's contrapuntal skills. It opens with a dissonant theme in the trumpet which is treated in the form of a double fugue. The following five-note motif introduced by strings in unison recalls the second movement of his Fifth Symphony. The addition of Burleske to the title of the movement refers to the mixture of dissonance with Baroque counterpoint. Although the term "Burlesque" means "humorous", the actual "humor" of the movement is relatively small compared to the overall field of manic violence, considering only two small neo-classical sections that appear more like a flashback than playfulness. The final movement, marked "zurückhaltend", opens for strings only; But most importantly it incorporates a direct quote from the Rondo-Burleske's middle section. Here it becomes an elegy. After several impassioned climaxes the movement becomes increasingly fragmented and the coda ends quietly. On the closing pages, Mahler quotes in the first violins from his own Kindertotenlieder: "The day is fine on yonder heights".
Conductor: Leonard Bernstein & Concertgebouw Orchestra.
- published: 16 Aug 2011
- views: 381363
Gustav Mahler's Piano Quartet in A minor
For Piano and Strings Trio.
Hope you Enjoy =]
- published: 21 Mar 2010
- views: 675214
The Chicago Symphony Orchestra conducted by Daniel Barenboim. Gustav Mahler's Adagietto from his 5th Symphony in C sharp minor.
- published: 24 Jan 2010
- views: 1264538
Recorded live at the Lucerne Festival, Summer 2003
Culture and Convention Centre Lucerne, 21 August 2003
Eteri Gvazava - soprano
Anna Larsson - mezzo-soprano
Orfeón Donostiarra
José Antonio Sainz Alfaro - chorus master
Lucerne Festival Orchestra
Claudio Abbado - conductor
1:18 I. Allegro maestoso (21:10)
22:26 II. Andante moderato (9:24)
32:18 III. [Scherzo] In ruhig fließender Bewegung (11:18)
43:48 IV. Urllicht. Sehr feierlich, aber schlicht (5:05)
48:42 V. Im Tempo des Scherzo. Wild herausfahrend - "Auferstehn" (37:25)
Resurrection in Lucerne
Lucerne Festival. 21 August 2003, 7.30 pm. The atmosphere in the large concert hall in the spectacular, steel and glass Culture and Convention Centre built on the shore of Lake Lucerne by the French star architect Jean Nouvel is electric. The event was sold out months ago. Here and there a throat is softly cleared, people settle in their seats, their faces alert and expectant. At last, doors open and the members of the newly founded Lucerne Festival Orchestra come on to the platform. There are many very well-known faces: the clarinettist Sabine Meyer and Emmanuel Pahud, the fleet-fingered first flute from the Berliner Philharmoniker, Natalie Gutman among the cellists, members of the Hagen and Alban Berg Quartets among the rank and file of strings, and other players include Albrecht Mayer (oboe), Kolya Blacher (violin) and Wolfram Christ (viola).
Lucerne en fête
What kind of orchestra is this, formed of the most famous instrumentalists, the most celebrated chamber-music players, the most experienced soloists from the world's best orchestras? With Claudio Abbado to conduct it, chief conductor of the Berliner Philharmoniker up until the previous year, for whom the Lucerne Festival Orchestra is the realization of a wholly personal dream? One answer, at least, is obvious: lt is an orchestra of superlatives. "After this first appearance", the press agreed, "there can be no argument: orchestral cultivation of this calibre is scarcely to be heard anywhere else."
The Lucerne Festival has a long tradition of generating its own orchestras. The best remembered is probably the Swiss Festival Orchestra, which assembled "the best orchestral musicians of Switzerland" (to quote the Original memorandum of association) to give the concerts that formed the festival's backbone every year from 1943 to 1993. But the idea of an elite orchestra goes back further, to the summer of 1938. This was the year in which Arturo Toscanini dissociated himself from the Salzburg Festival for political reasons; a handpicked orchestra was formed for him to conduct in Lucerne (the members of the legendary Busch Quartet, banned frorn playing in Germany, sat at the first desks of the string section) and his "concert de gala" marked the moment when Lucerne was new-born as a festival city.
- published: 02 Feb 2015
- views: 482489
Gustav Mahler - Symphony No. 1 in D major "Titan", 1884-1888 | Vienna Philharmonic, Leonard Bernstein
Movements:
00:42 I Langsam. Schieppend. Wie ein Naturlaut.Im Anfang sehr gemachlich
16:22 II Krafting bewet, doch nicht zu schnell - Trio. Recht gemachlich
25:07 III Feier und gemessen, ohne zu schleppen
35:38 IV Sturmisch bewegt
Other Recordings:
Symphony No. 1 "Titan" http://youtu.be/dP1Ndx2p14Q
Symphony No. 5 http://youtu.be/Ipte0gDlSr4
Adagietto http://youtu.be/15WQNKhaCHY
Symphony No. 10 "Adagio" http://youtu.be/vHyV8noUXC0
Mahler's First Symphony was originally conceived as a tone poem in two parts. Loosely based on Jean Paul's novel Titan, the structure was this: Part I: "From the Days of Youth," Music of Flowers, Fruit and Thorn - 1. Spring and No End; 2. Flowers; 3. In Full Sail; Part II: "The Human Comedy" - 4. "Stranded!" Funeral March in the Style of Callot; 5. D'all Inferno al'Paradiso (From Hell to Heaven). These titles were accompanied by more extensive programs describing the metaphorical content of each movement. In Jean Paul's Titan we have a youth gifted with a burning artistic desire that the world has no use for, and who, finding no outlet or ability to adapt, gives way to despair and suicide. Mahler apparently saw himself in this figure, as he described this work as autobiographical in a very loose sense. On the other hand the music, some of which Mahler actually accumulated from various earlier works, contradicts this program in so many ways, especially in the triumphant conclusion, that Mahler later withdrew it. He eventually came to scorn the application of specific programs to his symphonies in general.
Beyond Mahler's suppression of the program, there were other changes made before the symphony achieved its final form: the orchestra was expanded and the original second movement, entitled "Blumine" (Flowers) was dropped. This movement, the only surviving piece from Mahler's incidental music to Scheffel's Der Trompeter von Säkkingen, although having thematic ties to the rest of the symphony, is stylistically different, being scored for a much smaller orchestra.
The primary source material for the remaining movements of the First Symphony is Mahler's Lieder eines Fahrenden Gesellen (Songs of a Wayfarer). The material of these songs, specifically the first and second, is not only quoted but also used as thematic material in the symphony, creating additional programmatic implications. Mahler's First Symphony is a stunning achievement for so young a composer, and despite its convoluted genesis is a fully mature, integrated and highly effective work.
The first movement, Langsam Schleppend (Slow and Dragging), opens with an introduction invoking nature, eventually with cuckoo calls and distant fanfares. The principal theme is from the song "Ging heut' morgens übers Feld" (I Went Out This Morning Through the Fields) and is developed in a standard sonata form. The second movement, Kräftig bewegt (Strongly moving), is a lusty and hearty Austrian Ländler replete with yodels and foot stomping. The slower and wistful Trio conjures feelings of nostalgia and longing. Based on a woodcut depicting animals carrying a hunter to his grave, the third-movement funeral march, Feierlich und gemessen (Solemnly and measured), is deeply ironic. Mahler uses the folk song "Frère Jacques" in a lugubrious minor, played by a muted double bass solo. The central Trio is an evocation of tawdry Viennese cabaret music.
Mahler's original program for the Stürmisch bewegt (Stormy) finale called the movement's dramatic opening "the sudden outburst of a wounded heart." After a long and violent beginning invoking the torments of hell, including a vehement march derived from the first movement, the music subsides into a yearning theme. After a return to the march, Mahler interrupts the mood with a transformative fanfare that eventually leads to a triumphant conclusion.
- published: 13 Apr 2013
- views: 359476
The Best of Gustav Mahler (7 July 1860 – 18 May 1911)
Georg Solti
Chicago Symphony Orchestra
As a composer, Mahler acted as a bridge between the 19th-century Austro-German tradition and the modernism of the early 20th century. While in his lifetime his status as a conductor was established beyond question, his own music gained wide popularity only after periods of relative neglect which included a ban on its performance in much of Europe during the Nazi era. After 1945 the music was discovered and championed by a new generation of listeners; Mahler then became a frequently performed and recorded composer, a position he has sustained into the 21st century.
Born in humble circumstances, Mahler displayed his musical gifts at an early age. After graduating from the Vienna Conservatory in 1878, he held a succession of conducting posts of rising importance in the opera houses of Europe, culminating in his appointment in 1897 as director of the Vienna Court Opera (Hofoper). During his ten years in Vienna, Mahler—who had converted to Catholicism to secure the post—experienced regular opposition and hostility from the anti-Semitic press. Nevertheless, his innovative productions and insistence on the highest performance standards ensured his reputation as one of the greatest of opera conductors, particularly as an interpreter of the stage works of Wagner and Mozart. Late in his life he was briefly director of New York's Metropolitan Opera and the New York Philharmonic.
Mahler's œuvre is relatively small; for much of his life composing was necessarily a part-time activity while he earned his living as a conductor. Aside from early works such as a movement from a piano quartet composed when he was a student in Vienna, Mahler's works are designed for large orchestral forces, symphonic choruses and operatic soloists. Most of his twelve symphonic scores are very large-scale works, often employing vocal soloists and choruses in addition to augmented orchestral forces. These works were often controversial when first performed, and several were slow to receive critical and popular approval; exceptions included his Symphony No. 2, Symphony No. 3, and the triumphant premiere of his Eighth Symphony in 1910. Some of Mahler's immediate musical successors included the composers of the Second Viennese School, notably Arnold Schoenberg, Alban Berg and Anton Webern. Shostakovich and Benjamin Britten are among later 20th-century composers who admired and were influenced by Mahler. The International Gustav Mahler Institute was established in 1955, to honour the composer's life and work.
(0:00) Symphony No.1 in D major - II: Kraftig Bewegt, Doch Nicht Zu Schnell
(6:47) Symphony No.2 in C minor "Resurrection" 5d: Langsam. Misterioso
(13:27) Symphony No.2 in C minor "Resurrection" - 5e. "O glaube, mein Herz, o glaube"
(21:07) Symphony No.3 in D minor - IV: Sehr langsam.
(29:50) Symphony No.3 in D minor - V: Lustig im Tempo und keck im Ausdruck
(33:54) Symphony No.4 in G major - IV: Sehr behaglich "Wir genießen die himmlischen Freuden"
(42:49) Symphony No.5 in C sharp minor - I: Trauermarsch. In gemessenem Schritt. Streng. Wie ein Kondukt
(57:21) Symphony No.5 in C sharp minor - IV: Adagietto. Sehr langsam
(1:08:34) Symphony No.6 in A minor "Tragic" - II: Andante moderato
(1:22:31) Symphony No.7 in E minor - III: Scherzo. Schattenhaft - Trio
(1:32:24) Symphony No.8 in E flat major "Symphony of a Thousand" - Part 1. Hymnus "Veni creator spiritus" - Veni, creator spiritus
(1:36:14) Symphony No.8 in E flat major - Part 2: Final scene from Goethe's Faust - Alles Vergängliche
(1:42:58) Symphony No.9 in D major - 2a. Im Tempo eines gemächlichen Ländlers
(1:45:46) Symphony No.10 in F sharp minor - II: Scherzo I
- published: 06 Nov 2014
- views: 78987
Gustav Mahler - Symphony No. 5 in C sharp minor, 1901-1902 | Vienna Philharmonic, Leonard Bernstein
Part One
00:47 I Trauermarsch. In gemessenem Schritt. Streng. Wie ein Kondukt
13:25 II Stürmisch bewegt. Mit größter Vehemenz
Part Two
27:00 III Scherzo. Kräftig, nicht zu schnell
Part Three
45:14 IV Adagietto. Sehr langsam http://youtu.be/15WQNKhaCHY
57:29 V Rondo-Finale. Allegro
Other Recordings:
Symphony No. 1 "Titan" http://youtu.be/dP1Ndx2p14Q
Symphony No. 5 http://youtu.be/Ipte0gDlSr4
Adagietto http://youtu.be/15WQNKhaCHY
Symphony No. 10 "Adagio" http://youtu.be/vHyV8noUXC0
Mahler kept revising the orchestration of this work until his death. He conducted the first performance with the Gürzenich Orchestra in Cologne on October 18, 1904. It is scored for quadruple winds, six horns, four trumpets, three trombones, tuba, tympani, three other drums, metal and wood percussion, harp, and string choir.
He'd begun the Fifth Symphony at Maiernegg in 1901 - writing the third, first and second movements in that order, after a death -obsessed song, "Der Tamboursg'sell," and the Kindertotenlieder cycle ("on the death of children"). After nearly bleeding to death the previous winter (from an intestinal hemorrhage), Mahler's symphonic orientation underwent a profound change. During his recovery he immersed himself in the complete works of Bach.
A new appreciation of counterpoint was born, but not yet a mastery of orchestral balances or effects - as subsequent events were to prove. Beginning with No. 5, he applied this new passion (which he called "intensive counterpoint") to five purely instrumental symphonies without Wunderhorn associations. Like the Resurrection Second and the first version of No. 1 (with the Blumine slow movement later abandoned) Mahler cast his Fifth Symphony in five movements that fall naturally into three parts.
The FIRST PART begins in C sharp minor with a funeral march, of measured tread and austere (Movement I). A sonata-form movement follows, marked "Stormily, with greatest vehemence" (Movement II), which shares themes as well as mood with the opening.
The SECOND PART (which Mahler composed first) is a scherzo: "Vigorously, not too fast" (Movement III) - the symphony's shortest large section, but its longest single movement. This emphatically joyous, albeit manic movement puts forward D major as the work's focal key. Although its form has remained a topic of debate since 1904, rondo and sonata-form elements are both present.
PART THREE begins with a seraphic Adagietto: "Very slowly" (Movement IV). This is indubitably related to the Rückert song Mahler composed in August 1901, "Ich bin der Welt abhanden gekommen" (I have become lost to the world...I live alone in my heaven, in my loving, in my song). A Rondo-Finale: "Allegro giocoso, lively" (Movement V) concludes the symphony, although Mahler devised a form far removed from classic models. While sectional, in truth episodic, this too has elements of sonata form. To weld its diverse components into a unity he wrote four "fugal episodes," with a D major chorale just before the final Allegro molto.
Mahler's search for a new vocabulary caused him no end of orchestration problems. Before his death in 1911 he had made several versions, the original of which was published in 1904. C.F. Peters failed, however, to emend either mistakes or revisions in the first pocket score, although they re-engraved orchestral parts (at Mahler's expense) to include his first set of corrections. Not even Erwin Ratz's "first critical edition" of 1964 was the last word. Revisions Mahler made just before his terminal illness didn't come to light until the "second critical edition," by Karl Heinz Füssl, published just around 1989.
- published: 21 Nov 2014
- views: 77380
Gustav Mahler (German pronunciation: [ˈɡʊstaf ˈmaːlɐ]; 7 July 1860 – 18 May 1911) was a late-Romantic Austrian composer and one of the leading conductors of his generation. He was born in the village of Kalischt, Bohemia, in what was then the Austrian Empire, now Kaliště in the Czech Republic. Then his family moved to nearby Iglau (now Jihlava) where Mahler grew up.
As a composer, he acted as a bridge between the 19th century Austro-German tradition and the modernism of the early 20th century. While in his lifetime his status as a conductor was established beyond question, his own music gained wide popularity only after periods of relative neglect which included a ban on its performance in much of Europe during the Nazi era. After 1945 the music was discovered and championed by a new generation of listeners; Mahler then became one of the most frequently performed and recorded of all composers, a position he has sustained into the 21st century.
Born in humble circumstances, Mahler displayed his musical gifts at an early age. After graduating from the Vienna Conservatory in 1878, he held a succession of conducting posts of rising importance in the opera houses of Europe, culminating in his appointment in 1897 as director of the Vienna Court Opera (Hofoper). During his ten years in Vienna, Mahler—who had converted to Catholicism from Judaism to secure the post—experienced regular opposition and hostility from the anti-Semitic press. Nevertheless, his innovative productions and insistence on the highest performance standards ensured his reputation as one of the greatest of opera conductors, particularly as an interpreter of the stage works of Wagner and Mozart. Late in his life he was briefly director of New York's Metropolitan Opera and the New York Philharmonic.
This page contains text from Wikipedia, the Free Encyclopedia -
http://en.wikipedia.org/wiki/Gustav_Mahler
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
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77:40Gustav Mahler - Symphony No. 5
Gustav Mahler - Symphony No. 5 -
55:22Gustav Mahler - Symphony No. 1 - Bernstein · Vienna Philharmonic Orchestra
Gustav Mahler - Symphony No. 1 - Bernstein · Vienna Philharmonic OrchestraGustav Mahler - Symphony No. 1 - Bernstein · Vienna Philharmonic Orchestra
Gustav Mahler - Symphony No. 1 - Bernstein · Vienna Philharmonic Orchestra -
118:48Mahler - Symphony No. 1 and Symphony No. 5
Mahler - Symphony No. 1 and Symphony No. 5Mahler - Symphony No. 1 and Symphony No. 5
FOLLOW US ON SPOTIFY http://open.spotify.com/user/halidon PLAYLIST The Best of Classical Music http://open.spotify.com/user/halidon/playlist/5E4CbUOCiUXw2Fh8Foq51V visit our page on facebook ▶ http://on.fb.me/1bzVvBp Symphony No. 1 Titan - Symphony No. 5 Symphony No. 1 in D major Titan I. Langsam, schleppend (Slowly, dragging) Immer sehr gemächlich (very restrained throughout) II. Kräftig bewegt, doch nicht zu schnell (Moving strongly, but not too quickly), Recht gemächlich (restrained), a Trio 12:31 III. Feierlich und gemessen, ohne zu schleppen (Solemnly and measured, without dragging), Sehr einfach und schlicht wie eine Volksweise (very simple, like a folk-tune), and Wieder etwas bewegter, wie im Anfang (something stronger, as at the start) 19:24 IV. Stürmisch bewegt -- Energisch (Stormily agitated -- Energetic) 29:40 Symphony No. 5 I. Trauermarsch (Funeral March) C# minor 48:18 II. Moving stormily, with the greatest vehemence (Stürmisch bewegt, mit größter Vehemenz) A minor 1:01:20 III. Scherzo. Kräftig, nicht zu schnell D major 1:15:41 IV. Adagietto. Sehr langsam F major 1:34:08 V. Rondo-Finale. Allegro - Allegro giocoso. Frisch D major 1:41:46 -
29:46Gustav Mahler - Symphony No.9 in D-major - IV, Adagio. Sehr langsam und noch zurückhaltend
Gustav Mahler - Symphony No.9 in D-major - IV, Adagio. Sehr langsam und noch zurückhaltendGustav Mahler - Symphony No.9 in D-major - IV, Adagio. Sehr langsam und noch zurückhaltend
The Symphony No. 9 by Gustav Mahler was written between 1908 and 1909, and was the last symphony that he completed. The symphony is in four movements: 1. Andante comodo (D major); 2. Im Tempo eines gemächlichen Ländlers. Etwas täppisch und sehr derb (C major); 3. Rondo-Burleske: Allegro assai. Sehr trotzig (A minor); 4. Adagio. Sehr langsam und noch zurückhaltend (D-flat major). Although the symphony has the traditional number of movements, it is unusual in that the first and last are slow rather than fast. As is often the case with Mahler, one of the middle movements is a ländler. The first movement embraces a loose sonata form; the work opens with a hesitant, syncopated motif which is to return at the height of the movement's development as a sudden intrusion of "death in the midst of life", announced by trombones and marked within the score "with the greatest force". The second movement is a dance, a Ländler, but it has becomes distorted to the point that it no longer resembles a dance. The movement contains shades of the second movement of Mahler's Fourth Symphony, in the distortion of a traditional dance into a dance of death. For example, Mahler alters traditional chord sequences into near-unrecognizable variations, turning the rustic and mostly diatonic C major introductory Ländler into a vicious whole-tone waltz, saturated with accidentals and frantic rhythms. The third movement, in the form of a rondo, displays the final maturation of Mahler's contrapuntal skills. It opens with a dissonant theme in the trumpet which is treated in the form of a double fugue. The following five-note motif introduced by strings in unison recalls the second movement of his Fifth Symphony. The addition of Burleske to the title of the movement refers to the mixture of dissonance with Baroque counterpoint. Although the term "Burlesque" means "humorous", the actual "humor" of the movement is relatively small compared to the overall field of manic violence, considering only two small neo-classical sections that appear more like a flashback than playfulness. The final movement, marked "zurückhaltend", opens for strings only; But most importantly it incorporates a direct quote from the Rondo-Burleske's middle section. Here it becomes an elegy. After several impassioned climaxes the movement becomes increasingly fragmented and the coda ends quietly. On the closing pages, Mahler quotes in the first violins from his own Kindertotenlieder: "The day is fine on yonder heights". Conductor: Leonard Bernstein & Concertgebouw Orchestra. -
9:54Gustav Mahler-Piano Quartet in A minor
Gustav Mahler-Piano Quartet in A minorGustav Mahler-Piano Quartet in A minor
Gustav Mahler's Piano Quartet in A minor For Piano and Strings Trio. Hope you Enjoy =] -
9:46Gustav Mahler - Adagietto from Symphony no. 5
Gustav Mahler - Adagietto from Symphony no. 5Gustav Mahler - Adagietto from Symphony no. 5
The Chicago Symphony Orchestra conducted by Daniel Barenboim. Gustav Mahler's Adagietto from his 5th Symphony in C sharp minor. -
86:28Gustav Mahler: Symphony No. 2 "Resurrection" (Lucerne Festival Orchestra, Claudio Abbado)
Gustav Mahler: Symphony No. 2 "Resurrection" (Lucerne Festival Orchestra, Claudio Abbado)Gustav Mahler: Symphony No. 2 "Resurrection" (Lucerne Festival Orchestra, Claudio Abbado)
Recorded live at the Lucerne Festival, Summer 2003 Culture and Convention Centre Lucerne, 21 August 2003 Eteri Gvazava - soprano Anna Larsson - mezzo-soprano Orfeón Donostiarra José Antonio Sainz Alfaro - chorus master Lucerne Festival Orchestra Claudio Abbado - conductor 1:18 I. Allegro maestoso (21:10) 22:26 II. Andante moderato (9:24) 32:18 III. [Scherzo] In ruhig fließender Bewegung (11:18) 43:48 IV. Urllicht. Sehr feierlich, aber schlicht (5:05) 48:42 V. Im Tempo des Scherzo. Wild herausfahrend - "Auferstehn" (37:25) Resurrection in Lucerne Lucerne Festival. 21 August 2003, 7.30 pm. The atmosphere in the large concert hall in the spectacular, steel and glass Culture and Convention Centre built on the shore of Lake Lucerne by the French star architect Jean Nouvel is electric. The event was sold out months ago. Here and there a throat is softly cleared, people settle in their seats, their faces alert and expectant. At last, doors open and the members of the newly founded Lucerne Festival Orchestra come on to the platform. There are many very well-known faces: the clarinettist Sabine Meyer and Emmanuel Pahud, the fleet-fingered first flute from the Berliner Philharmoniker, Natalie Gutman among the cellists, members of the Hagen and Alban Berg Quartets among the rank and file of strings, and other players include Albrecht Mayer (oboe), Kolya Blacher (violin) and Wolfram Christ (viola). Lucerne en fête What kind of orchestra is this, formed of the most famous instrumentalists, the most celebrated chamber-music players, the most experienced soloists from the world's best orchestras? With Claudio Abbado to conduct it, chief conductor of the Berliner Philharmoniker up until the previous year, for whom the Lucerne Festival Orchestra is the realization of a wholly personal dream? One answer, at least, is obvious: lt is an orchestra of superlatives. "After this first appearance", the press agreed, "there can be no argument: orchestral cultivation of this calibre is scarcely to be heard anywhere else." The Lucerne Festival has a long tradition of generating its own orchestras. The best remembered is probably the Swiss Festival Orchestra, which assembled "the best orchestral musicians of Switzerland" (to quote the Original memorandum of association) to give the concerts that formed the festival's backbone every year from 1943 to 1993. But the idea of an elite orchestra goes back further, to the summer of 1938. This was the year in which Arturo Toscanini dissociated himself from the Salzburg Festival for political reasons; a handpicked orchestra was formed for him to conduct in Lucerne (the members of the legendary Busch Quartet, banned frorn playing in Germany, sat at the first desks of the string section) and his "concert de gala" marked the moment when Lucerne was new-born as a festival city. -
55:22Gustav Mahler - Symphony No. 1 "Titan" | Vienna Philharmonic, Leonard Bernstein [HD]
Gustav Mahler - Symphony No. 1 "Titan" | Vienna Philharmonic, Leonard Bernstein [HD]Gustav Mahler - Symphony No. 1 "Titan" | Vienna Philharmonic, Leonard Bernstein [HD]
Gustav Mahler - Symphony No. 1 in D major "Titan", 1884-1888 | Vienna Philharmonic, Leonard Bernstein Movements: 00:42 I Langsam. Schieppend. Wie ein Naturlaut.Im Anfang sehr gemachlich 16:22 II Krafting bewet, doch nicht zu schnell - Trio. Recht gemachlich 25:07 III Feier und gemessen, ohne zu schleppen 35:38 IV Sturmisch bewegt Other Recordings: Symphony No. 1 "Titan" http://youtu.be/dP1Ndx2p14Q Symphony No. 5 http://youtu.be/Ipte0gDlSr4 Adagietto http://youtu.be/15WQNKhaCHY Symphony No. 10 "Adagio" http://youtu.be/vHyV8noUXC0 Mahler's First Symphony was originally conceived as a tone poem in two parts. Loosely based on Jean Paul's novel Titan, the structure was this: Part I: "From the Days of Youth," Music of Flowers, Fruit and Thorn - 1. Spring and No End; 2. Flowers; 3. In Full Sail; Part II: "The Human Comedy" - 4. "Stranded!" Funeral March in the Style of Callot; 5. D'all Inferno al'Paradiso (From Hell to Heaven). These titles were accompanied by more extensive programs describing the metaphorical content of each movement. In Jean Paul's Titan we have a youth gifted with a burning artistic desire that the world has no use for, and who, finding no outlet or ability to adapt, gives way to despair and suicide. Mahler apparently saw himself in this figure, as he described this work as autobiographical in a very loose sense. On the other hand the music, some of which Mahler actually accumulated from various earlier works, contradicts this program in so many ways, especially in the triumphant conclusion, that Mahler later withdrew it. He eventually came to scorn the application of specific programs to his symphonies in general. Beyond Mahler's suppression of the program, there were other changes made before the symphony achieved its final form: the orchestra was expanded and the original second movement, entitled "Blumine" (Flowers) was dropped. This movement, the only surviving piece from Mahler's incidental music to Scheffel's Der Trompeter von Säkkingen, although having thematic ties to the rest of the symphony, is stylistically different, being scored for a much smaller orchestra. The primary source material for the remaining movements of the First Symphony is Mahler's Lieder eines Fahrenden Gesellen (Songs of a Wayfarer). The material of these songs, specifically the first and second, is not only quoted but also used as thematic material in the symphony, creating additional programmatic implications. Mahler's First Symphony is a stunning achievement for so young a composer, and despite its convoluted genesis is a fully mature, integrated and highly effective work. The first movement, Langsam Schleppend (Slow and Dragging), opens with an introduction invoking nature, eventually with cuckoo calls and distant fanfares. The principal theme is from the song "Ging heut' morgens übers Feld" (I Went Out This Morning Through the Fields) and is developed in a standard sonata form. The second movement, Kräftig bewegt (Strongly moving), is a lusty and hearty Austrian Ländler replete with yodels and foot stomping. The slower and wistful Trio conjures feelings of nostalgia and longing. Based on a woodcut depicting animals carrying a hunter to his grave, the third-movement funeral march, Feierlich und gemessen (Solemnly and measured), is deeply ironic. Mahler uses the folk song "Frère Jacques" in a lugubrious minor, played by a muted double bass solo. The central Trio is an evocation of tawdry Viennese cabaret music. Mahler's original program for the Stürmisch bewegt (Stormy) finale called the movement's dramatic opening "the sudden outburst of a wounded heart." After a long and violent beginning invoking the torments of hell, including a vehement march derived from the first movement, the music subsides into a yearning theme. After a return to the march, Mahler interrupts the mood with a transformative fanfare that eventually leads to a triumphant conclusion. -
117:46The Best of Mahler
The Best of MahlerThe Best of Mahler
The Best of Gustav Mahler (7 July 1860 – 18 May 1911) Georg Solti Chicago Symphony Orchestra As a composer, Mahler acted as a bridge between the 19th-century Austro-German tradition and the modernism of the early 20th century. While in his lifetime his status as a conductor was established beyond question, his own music gained wide popularity only after periods of relative neglect which included a ban on its performance in much of Europe during the Nazi era. After 1945 the music was discovered and championed by a new generation of listeners; Mahler then became a frequently performed and recorded composer, a position he has sustained into the 21st century. Born in humble circumstances, Mahler displayed his musical gifts at an early age. After graduating from the Vienna Conservatory in 1878, he held a succession of conducting posts of rising importance in the opera houses of Europe, culminating in his appointment in 1897 as director of the Vienna Court Opera (Hofoper). During his ten years in Vienna, Mahler—who had converted to Catholicism to secure the post—experienced regular opposition and hostility from the anti-Semitic press. Nevertheless, his innovative productions and insistence on the highest performance standards ensured his reputation as one of the greatest of opera conductors, particularly as an interpreter of the stage works of Wagner and Mozart. Late in his life he was briefly director of New York's Metropolitan Opera and the New York Philharmonic. Mahler's œuvre is relatively small; for much of his life composing was necessarily a part-time activity while he earned his living as a conductor. Aside from early works such as a movement from a piano quartet composed when he was a student in Vienna, Mahler's works are designed for large orchestral forces, symphonic choruses and operatic soloists. Most of his twelve symphonic scores are very large-scale works, often employing vocal soloists and choruses in addition to augmented orchestral forces. These works were often controversial when first performed, and several were slow to receive critical and popular approval; exceptions included his Symphony No. 2, Symphony No. 3, and the triumphant premiere of his Eighth Symphony in 1910. Some of Mahler's immediate musical successors included the composers of the Second Viennese School, notably Arnold Schoenberg, Alban Berg and Anton Webern. Shostakovich and Benjamin Britten are among later 20th-century composers who admired and were influenced by Mahler. The International Gustav Mahler Institute was established in 1955, to honour the composer's life and work. (0:00) Symphony No.1 in D major - II: Kraftig Bewegt, Doch Nicht Zu Schnell (6:47) Symphony No.2 in C minor "Resurrection" 5d: Langsam. Misterioso (13:27) Symphony No.2 in C minor "Resurrection" - 5e. "O glaube, mein Herz, o glaube" (21:07) Symphony No.3 in D minor - IV: Sehr langsam. (29:50) Symphony No.3 in D minor - V: Lustig im Tempo und keck im Ausdruck (33:54) Symphony No.4 in G major - IV: Sehr behaglich "Wir genießen die himmlischen Freuden" (42:49) Symphony No.5 in C sharp minor - I: Trauermarsch. In gemessenem Schritt. Streng. Wie ein Kondukt (57:21) Symphony No.5 in C sharp minor - IV: Adagietto. Sehr langsam (1:08:34) Symphony No.6 in A minor "Tragic" - II: Andante moderato (1:22:31) Symphony No.7 in E minor - III: Scherzo. Schattenhaft - Trio (1:32:24) Symphony No.8 in E flat major "Symphony of a Thousand" - Part 1. Hymnus "Veni creator spiritus" - Veni, creator spiritus (1:36:14) Symphony No.8 in E flat major - Part 2: Final scene from Goethe's Faust - Alles Vergängliche (1:42:58) Symphony No.9 in D major - 2a. Im Tempo eines gemächlichen Ländlers (1:45:46) Symphony No.10 in F sharp minor - II: Scherzo I -
71:44Gustav Mahler - Symphony No. 5 | Vienna Philharmonic, Leonard Bernstein [HD]
Gustav Mahler - Symphony No. 5 | Vienna Philharmonic, Leonard Bernstein [HD]Gustav Mahler - Symphony No. 5 | Vienna Philharmonic, Leonard Bernstein [HD]
Gustav Mahler - Symphony No. 5 in C sharp minor, 1901-1902 | Vienna Philharmonic, Leonard Bernstein Part One 00:47 I Trauermarsch. In gemessenem Schritt. Streng. Wie ein Kondukt 13:25 II Stürmisch bewegt. Mit größter Vehemenz Part Two 27:00 III Scherzo. Kräftig, nicht zu schnell Part Three 45:14 IV Adagietto. Sehr langsam http://youtu.be/15WQNKhaCHY 57:29 V Rondo-Finale. Allegro Other Recordings: Symphony No. 1 "Titan" http://youtu.be/dP1Ndx2p14Q Symphony No. 5 http://youtu.be/Ipte0gDlSr4 Adagietto http://youtu.be/15WQNKhaCHY Symphony No. 10 "Adagio" http://youtu.be/vHyV8noUXC0 Mahler kept revising the orchestration of this work until his death. He conducted the first performance with the Gürzenich Orchestra in Cologne on October 18, 1904. It is scored for quadruple winds, six horns, four trumpets, three trombones, tuba, tympani, three other drums, metal and wood percussion, harp, and string choir. He'd begun the Fifth Symphony at Maiernegg in 1901 - writing the third, first and second movements in that order, after a death -obsessed song, "Der Tamboursg'sell," and the Kindertotenlieder cycle ("on the death of children"). After nearly bleeding to death the previous winter (from an intestinal hemorrhage), Mahler's symphonic orientation underwent a profound change. During his recovery he immersed himself in the complete works of Bach. A new appreciation of counterpoint was born, but not yet a mastery of orchestral balances or effects - as subsequent events were to prove. Beginning with No. 5, he applied this new passion (which he called "intensive counterpoint") to five purely instrumental symphonies without Wunderhorn associations. Like the Resurrection Second and the first version of No. 1 (with the Blumine slow movement later abandoned) Mahler cast his Fifth Symphony in five movements that fall naturally into three parts. The FIRST PART begins in C sharp minor with a funeral march, of measured tread and austere (Movement I). A sonata-form movement follows, marked "Stormily, with greatest vehemence" (Movement II), which shares themes as well as mood with the opening. The SECOND PART (which Mahler composed first) is a scherzo: "Vigorously, not too fast" (Movement III) - the symphony's shortest large section, but its longest single movement. This emphatically joyous, albeit manic movement puts forward D major as the work's focal key. Although its form has remained a topic of debate since 1904, rondo and sonata-form elements are both present. PART THREE begins with a seraphic Adagietto: "Very slowly" (Movement IV). This is indubitably related to the Rückert song Mahler composed in August 1901, "Ich bin der Welt abhanden gekommen" (I have become lost to the world...I live alone in my heaven, in my loving, in my song). A Rondo-Finale: "Allegro giocoso, lively" (Movement V) concludes the symphony, although Mahler devised a form far removed from classic models. While sectional, in truth episodic, this too has elements of sonata form. To weld its diverse components into a unity he wrote four "fugal episodes," with a D major chorale just before the final Allegro molto. Mahler's search for a new vocabulary caused him no end of orchestration problems. Before his death in 1911 he had made several versions, the original of which was published in 1904. C.F. Peters failed, however, to emend either mistakes or revisions in the first pocket score, although they re-engraved orchestral parts (at Mahler's expense) to include his first set of corrections. Not even Erwin Ratz's "first critical edition" of 1964 was the last word. Revisions Mahler made just before his terminal illness didn't come to light until the "second critical edition," by Karl Heinz Füssl, published just around 1989.
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- Anton Webern
- Arnold Schoenberg
- Arthur Nikisch
- Arthur Schopenhauer
- Artur Rodziński
- Arturo Toscanini
- Benjamin Britten
- Bruno Walter
- Carl Bergmann
- Carl Maria von Weber
- Carl Moll
- Carl Nielsen
- Claus Helmut Drese
- Clemens Krauss
- Deryck Cooke
- Dimitri Mitropoulos
- Dmitri Shostakovich
- Dyneley Hussey
- Egon Hilbert
- Egon Seefehlner
- Emil Paur
- Felix Weingartner
- Frances Alda
- Franz Krenn
- Franz Salmhofer
- Franz Schalk
- Franz Schubert
- Franz von Jauner
- Franz Werfel
- Friedrich Nietzsche
- Friedrich Rückert
- George Bernard Shaw
- George Szell
- Georges Bizet
- Guido Adler
- Gustav Fechner
- Gustav Klimt
- Gustav Mahler
- Géza Zichy
- Hans Gregor
- Hans von Bülow
- Hector Berlioz
- Heinrich Conried
- Heinrich Karl Strohm
- Henry Wood
- Herbert von Karajan
- Hermann Goetz
- Hermann Lotze
- Hugo Wolf
- Ioan Holender
- Johann von Herbeck
- Johannes Brahms
- John Barbirolli
- Jonathan Carr
- Josef Stránský
- Julius Harrison
- Karl Böhm
- Karl Lueger
- Kurt Masur
- Kurt Weill
- Leonard Bernstein
- Leopold Damrosch
- Leopold Stokowski
- Lorenzo Perosi
- Lorin Maazel
- Lothar Müthel
- Luciano Berio
- Ludwig van Beethoven
- Max Brod
- Max Burckhard
- Otto Klemperer
- Paul Bekker
- Peter Cornelius
- Pierre Boulez
- Pietro Mascagni
- Richard Strauss
- Richard Wagner
- Robert Fuchs
- Rudolf Gamsjäger
- Siegfried Lipiner
- Sigmund Freud
- Stanley Sadie
- Theodore Eisfeld
- Tirso de Molina
- Ureli Corelli Hill
- Vasily Safonov
- Vladimir Ashkenazy
- Walter Damrosch
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- Wikipedia Persondata
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'Gustav Mahler' is featured as a movie character in the following productions:
Mahler: D'un pas mesuré (2010)
Actors: Serge Feuillard (actor), Pierre-Henry Salfati (writer), Pierre-Henry Salfati (director), Marianne Anska (actress), Éric Frey (actor), Benjamin Yvert (editor), Fanny Piquet (editor),
Genres: Documentary,Mahler auf der Couch (2010)
Actors: Hans-Wolfgang Jurgan (producer), Johannes Silberschneider (actor), Eberhard Junkersdorf (producer), Karl Markovics (actor), Lena Stolze (actress), Eva Mattes (actress), Hubert von Spreti (producer), Percy Adlon (writer), Percy Adlon (director), Karl Fischer (actor), Konstantin Seitz (producer), Jochen Kunstler (editor), Caterina Czepek (costume designer), Michael Rotschopf (actor), Daniel Keberle (actor),
Genres: Biography, Drama,Bride of the Wind (2001)
Actors: Merab Ninidze (actor), Johannes Silberschneider (actor), Josef Brandmaier (miscellaneous crew), Andreas Kispert (miscellaneous crew), Stephen Endelman (composer), Vincent Perez (actor), August Schmölzer (actor), Bruce Beresford (director), Jonathan Pryce (actor), Tim Wellburn (editor), Frank Hübner (producer), Norbert Blecha (producer), Wolfgang Hübsch (actor), Simon Verhoeven (actor), Jan Fantl (producer),
Plot: Vienna, 1902: Alma Schindler meets Gustav Mahler. She beautiful, young, plays, and composes: music is her life. She becomes Mahler's lover, then he marries her, asking that she give up composing. She has two children, works as his assistant, does his books, saves him from debt, and feels stifled. In 1910, after the death of a child, she retreats to a spa where she falls in love with Walter Gropius. Will she go with him or stay with Mahler? She conducts an affair with the tempestuous Oskar Kokoschka and is stifled in another way. Then, she marries Gropius, who proves imperious. She leaves him for Franz Werfel: he finds her compositions and insists the public hear them.
Keywords: 1890s, 1900s, adultery, archduke-franz-ferdinand, architect, art, artist, artist's-studio, baby, bare-breastsGenres: Biography, Drama, Music, Romance,
Alma - A Show biz ans Ende (1999)
Actors: Leon Askin (actor), Helmut Berger (actor), Peter Kern (actor), Susi Nicoletti (actress), Susi Nicoletti (actress), Karina Ressler (editor), Paulus Manker (director), Paulus Manker (actor), Paulus Manker (writer), Albert Kitzl (actor), Albert Kitzl (actor), Albert Kitzl (actor), Sebastian Blomberg (actor), Nicole Ansari-Cox (actress), Uschi Erber (editor),
Genres: ,Kázání rybám (1998)
Actors: Petr Cepek (actor), Radoslav Brzobohatý (actor), Milan Riehs (actor), Goran Trenchovski (actor), Jan Nemejovský (actor), Ivana Kacírková (editor), Vera Kubánková (actress), Milos Vávra (actor), Gustav Mahler (composer), Dalibor Gondík (actor), Martin Mysicka (actor), Daniel Margolius (actor), Petr Vacek (actor), Marek Brodský (actor), Roman Zach (actor),
Genres: Biography,Nedovrsena simfonija (1998)
Actors: Tihomir Stanic (actor), Mira Cohadzic (costume designer), Zoran Milatovic (producer), Branimir Brstina (actor), Fedja Stojanovic (actor), Vladislava Milosavljevic (actress), Slobodan Radovic (director), Nebojsa Dugalic (actor), Varja Djukic (actress), Jelica Zupanc (writer), Branislav Godic (editor), Dusan Zaloznik (editor), Slobodan Ljubicic (actor), Slobodan Jovanovic (actor), Jovan Jovanovic (producer),
Genres: Drama,Sterben werd ich um zu leben - Gustav Mahler (1987)
Actors: Wolfgang Lesowsky (producer), Wolfgang Lesowsky (director), Erika Mottl (actress), Dana Gillespie (actress), Corinne Hochwarter (actress), Reinhard Hauser (actor),
Genres: Biography, Music,Mahler (1974)
Actors: Kay Mander (miscellaneous crew), Rosalie Crutchley (actress), David Puttnam (producer), Lee Montague (actor), Miriam Karlin (actress), Ken Russell (director), Ken Russell (writer), Kenneth Colley (actor), Ronald Pickup (actor), Robert Powell (actor), Oliver Reed (actor), George Coulouris (actor), Michael Bradsell (editor), Peter Eyre (actor), Andrew Faulds (actor),
Plot: Both trifles and structure are tossed out the door by director Ken Russell in this film. Here, historical content matters not so much as metaphors, feelings, emotions, and interpretations, and pay close attention, as every word and frame is intended to be important. The film takes place on a single train ride, in which the sickly composer Gustav Mahler and his wife, Alma, confront the reasons behind their faltered marriage and dying love. Each word seems to evoke memories of past, and so the audience witnesses events of Mahler's life that explain somewhat his present state. Included are his turbulent and dysfunctional family life as a child, his discovery of solace in the "natural" world, his brother's suicide, his [unwanted] conversion from Judiasm to Catholicism, his rocky marriage and the death of their young child. The movie weaves in and out of dreams, flashbacks, thoughts and reality as Russell poetically describes the man behind the music.
Keywords: 1890s, 1900s, 19th-century, 20th-century, accordion, adultery, alma-mahler, anachronism, angel, aunt-nephew-relationshipGenres: Biography, Drama, Music,
Quotes:
Mahler: You've already wasted three minutes of my time! Now why don't you do what I do to keep the New York Philharmonic in time: beat it!Max: [laughs] I can't remember - what religion are you?::Gustav Mahler: I... am a composer.
[last lines]::Gustav Mahler: [reminded of some medications he should take] They won't be needed! We're going to live forever!
Mahler, Gustav Filmography
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2009, role: composer
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2009, role: composer
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2008, role: composer
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2006, role: composer
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2006, role: composer
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2005, role: composer
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2004, role: composer
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2001, role: composer
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1998, role: composer
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1998, role: composer
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1996, role: composer
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1994, role: composer
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1992, role: composer
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1991, role: composer
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1990, role: composer
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1990, role: composer
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1988, role: composer
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1980, role: composer
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1972, role: composer
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1971, role: composer
Famous quotes by Gustav Mahler:
"Fortissimo at last!"
"Can this be endured at all? Won't people kill themselves afterwards?"
"Both my marriages were failures! Number one departed, and number two stayed"
"The longer you live and the more you learn, the more clearly you will feel the difference between the few men who are truly great and the mere virtuosi . . ."
"If you think you're boring your audience, go slower not faster."
"Don't bother looking at the view -- I have already composed it."
"At last, fortissimo! [On visiting Niagara]"
"A symphony must be like the world. It must contain everything."
"The point is not to take the world's opinion as a guiding star but to go one's way in life and working unerringly, neither depressed by failure nor seduced by applause."
"If a composer could say what he had to say in words he would not bother trying to say it in music."
"Never let oneself be guided by the opinion of one's contemporaries. Continue steadfastly on one's way."
"The longer you live and the more you learn, the more clearly you will feel the difference between the few men who are truly great and the mere virtuosi."
"An operetta is simply a small and gay opera."
"I also had a brother who was like me a musician and a composer. A man of great talent, far more gifted than I. He died very young... he killed himself in the prime of his life."
"The further the music develops, the more complex the apparatus used by the composer to express his thoughts becomes."
"The real art of conducting consists in transitions."
"Don't bother looking at the view - I have already composed it."
"If I weren't the way I am, I shouldn't write my symphonies."
"I am hitting my head against the walls, but the walls are giving way."
"Even if people censure me, they should do so hat in hand."
Gustav Mahler
ALBUMS
- Symphonie Nr.6 released: 2014
- Coleção Folha Mestres da música clássica, volume 22: Gustav Mahler released: 2014
- Symphony No. 2 released: 2013
- Symphony no. 1 Including "Blumine" released: 2013
- Big Mahler Box released: 2012
- Kindertotenlieder / Lieder eines fahrenden Gesellen (contralto: Sara Mingardo; cello and conductor: Luigi Piovano; Musici Aurei) released: 2012
- Symphony no. 8 released: 2011
- Symphony no. 9 released: 2011
- Das Lied von der Erde (Münchener Bach-Orchester feat. conductor: Hansjörg Albrecht) released: 2011
- Symphony no. 10 (Tonhalle Orchestra Zurich feat. conductor David Zinman) released: 2011
- BBC Music, Volume 19, Number 7: Symphony No. 8 (BBC Scottish Symphony Orchestra feat. conductor: Donald Runnicles) released: 2011
- Symphony No. 5 released: 2011
- Songs With Orchestra released: 2010
- Symphony No. 8 released: 2010
- The Complete Symphonies released: 2010
- Symphony no. 2 "Resurrection" released: 2010
- Delta Music & Entertainment released: 2010
- Symphony No. 4 in G Major (Royal Liverpool Philharmonic) released: 2010
- Mahler: The People’s Edition released: 2010
- Symphony No. 7 (Tonhalle Orchestra Zurich feat. conductor David Zinman) released: 2010
- Symphony no. 9 (Tonhalle Orchestra Zurich feat. conductor David Zinman) released: 2010
- Symphony no. 7 released: 2010
- Symphony no. 4 released: 2010
- Symphony No. 4 in G major (Gürzenich-Orchester Köln feat. conductor: Markus Stenz, soprano: Christiane Oelze) released: 2010
- The Complete Works released: 2010
- Gustav Mahler: Complete Edition released: 2010
- Symphonic Poem in Two Parts "Titan" (Netherlands Symphony Orchestra feat. conductor: Jan Willem de Vriend) released: 2010
- 9. Symphonie released: 2010
- Mahler - Lieder (baritone: Christian Gerhaher, piano: Gerold Huber) released: 2010
- The Complete Mahler Symphonies released: 2009
- Das Lied von der Erde released: 2009
- Symphony No. 5 (Tonhalle Orchestra Zurich feat. conductor David Zinman) released: 2009
- Symphony no. 8 in E-flat major / Adagio from Symphony no. 10 released: 2009
- Symphonie No. 9 (Bamberger Symphoniker feat. conductor: Jonathan Nott) released: 2009
- The Complete Symphonies released: 2009
- 4 Movements released: 2009
- Das Lied von der Erde released: 2008
- Symphony no. 7 released: 2008
- Symphony No. 2 in C minor "Resurrection" (University of Chicago Symphony Orchestra, Chorus and Motet Choir; conductor: Barbara Schubert; soprano: Kimberly Jones; mezzo-soprano: Stacy Eckert) released: 2008
- Symphony No. 6 in A Minor "The Tragic Symphony" (Tonhalle Orchestra Zurich feat. Conductor David Zinman) released: 2008
- Symphony No. 1 in D major / Symphony No. 9 in D major (Royal Liverpool Philharmonic Orchestra) released: 2008
- Symphony No. 6 in A minor, "Tragic" (Brown University Orchestra feat. conductor: Paul Phillips) released: 2008
- Symphonie No. 1 (Bamberger Symphoniker feat. conductor: Jonathan Nott) released: 2008
- Invitation au Voyage released: 2006
- Symphony No. 7 (Staatskapelle Berlin feat. conductor: Daniel Barenboim) released: 2006
- Symphony No. 9 (BBC Symphony Orchestra feat. conductor: Bruno Maderna) released: 2006
- Symphony No. 6 "Tragic" (Israel Philharmonic Orchestra feat. conductor: Zubin Mehta) released: 2006
- Symphony No. 1 / Blumine released: 2006
- Symphony No. 2 released: 2006
- Complete Recordings on Deutsche Grammophon, Volume III: Symphonies 8-10 / Das Lied von der Erde released: 2005
- Complete Recordings on Deutsche Grammophon, Volume II: Symphonies 5-7 / Ruckert-Lieder / Kindertotenlieder released: 2005
- Complete Recordings on Deutsche Grammophon, Volume I: Symphonies 1-4 / Lieder eines fahrenden Gesellen / Des Knaben Wunderhorn released: 2005
- Symphony No. 2 in C minor released: 2004
- Symphony no. 1 released: 2004
- Symphony No. 4 in G major (arr. Erwin Stein) / Lieder eines fahrenden Gesellen (arr. Arnold Schönberg) (Smithsonian Chamber Players feat. conductor: Kenneth Slowik) released: 2003
- Symphony no. 3 in D minor / Kindertotenlieder released: 2003
- Kindertotenlieder / Lieder nach Texten von Friedrich Rückert / Lieder eines fahrenden Gesellen (Wiener Symphoniker feat. conductor: Eliahu Inbal, mezzo soprano: Doris Soffel) released: 2002
- Symphony No. 10 (Wheeler, 1966 version) (Polish National Radio Symphony Orchestra feat. conductor: Robert Olson) released: 2002
- Das Lied von der Erde (Bavarian Radio Symphony Orchestra feat. conductor: Rafael Kubelík, 1970) released: 2002
- The Symphonies: Symphony No. 8 in E flat major ''Symphony of a Thousand'' (Wiener Philharmoniker feat. conductor: Lorin Maazel) released: 2002
- Symphony No. 4 released: 2001
- Symphony No. 3 (Bavarian Radio Symphony Orchestra feat. conductor: Rafael Kubelík, 1967) released: 2001
- Mahler: Symphony no. 4 / Berlioz: Overture Le Corsaire released: 1999
- Symphony no. 3 released: 1999
- Lieder eines fahrenden Gesellen / Kindertotenlieder / Ruckert-Lieder released: 1999
- The Klemperer Legacy released: 1999
- Kindertotenlieder / Rückert Lieder / Das Lied von der Erde released: 1997
- Mahler: Kindertotenlieder / Lieder eines fahrenden Gesellen / Strauss: Notturno released: 1997
- Mahler/Sinopoli: The Complete Recordings released: 1997
- Das Lied von der Erde (Staatskapelle Dresden feat. conductor: Giuseppe Sinopoli, alto: Iris Vermillion, tenor: Keith Lewis) released: 1997
- Symphonies 1 & 2 released: 1996
- Lieder aus Des Knaben Wunderhorn / Lieder eines fahrenden Gesellen (Wiener Symphoniker feat. conductor: Eliahu Inbal) released: 1996
- Symphony no. 8 released: 1995
- Symphony no. 3 / Symphony no. 10 (Adagio) released: 1995
- Symphony No. 2 "Resurrection" (Israel Philharmonic Orchestra feat. conductor: Zubin Mehta) released: 1994
- Mahler Symphony No. 4, 8 Songs (Desi Halban, New York Philharmonic cond. Bruno Walter) released: 1994
- Symphony no. 2 in C minor "Resurrection" released: 1993
- Symphony no. 5 released: 1992
- Symphony No. 1 / Blumine released: 1992
- Symphony No. 4 (Los Angeles Philharmonic feat. conductor: Esa-Pekka Salonen, Soprano: Barbara Hendricks) released: 1992
- Symphonien 5, 9 & 10: Adagio released: 1992
- Symphonie No. 5 released: 1991
- Symphony No. 5 in C-sharp minor (New York Philharmonic feat. conductor: Zubin Mehta) released: 1991
- Symphonie No. 1 (Chicago Symphony Orchestra feat. conductor: Klaus Tennstedt) released: 1991
- Symphony No. 1 in D major (Philharmonia Orchestra feat. conductor: Giuseppe Sinopoli) released: 1990
- Des Knaben Wunderhorn released: 1989
- Symphony No. 4 released: 1989
- Symphony No. 2 in C Minor, "Resurrection" released: 1987
- Symphony No. 2 in C minor released: 1987
- Symphonie no. 9 released: 1986
- Quartet no. 14 in D minor / Der Tod und das Mädchen (Lied) released: 1986
- Symphony No. 1 released: 1985
- Symphony No. 5 & 10 released: 1985
- Symphony No. 2 in C minor "Resurrection" released: 1982
- Bernstein Century: Symphony no.1 "Titan" / Symphony no.10 (Adagio) released:
- Symphony no. 7 released:
- Symphony no. 1 "Titan" / Symphony no. 5 released:
- Symphony no. 9 in D major released:
- Symphony No. 3 (Chicago Symphony Orchestra, conductor: Bernard Haitink, mezzo-soprano: Michelle DeYoung) released:
- Symphony No. 5 (Radio Symphony Orchestra, Glasgow) released:
Coleção Folha Mestres da música clássica, volume 22: Gustav Mahler
Released 2014- add to main playlist Play in Full Screen Sinfonia no. 8 "Sinfonia dos mil": I. "Vem, Espírito criador": a. "Veni creator spiritus"
- add to main playlist Play in Full Screen Sinfonia no. 8 "Sinfonia dos mil": I. "Vem, Espírito criador": b. "Imple superna gratia"
- add to main playlist Play in Full Screen Sinfonia no. 8 "Sinfonia dos mil": I. "Vem, Espírito criador": c. "Infirma nostri corporis"
- add to main playlist Play in Full Screen Sinfonia no. 8 "Sinfonia dos mil": I. "Vem, Espírito criador": d. Tempo I. (Allegro, etwas hastig)
- add to main playlist Play in Full Screen Sinfonia no. 8 "Sinfonia dos mil": I. "Vem, Espírito criador": e. "Infirma nostri corporis"
- add to main playlist Play in Full Screen Sinfonia no. 8 "Sinfonia dos mil": I. "Vem, Espírito criador": f. "Accende lumen sensibus"
- add to main playlist Play in Full Screen Sinfonia no. 8 "Sinfonia dos mil": I. "Vem, Espírito criador": g. "Qui Paraclitus diceris"
- add to main playlist Play in Full Screen Sinfonia no. 8 "Sinfonia dos mil": I. "Vem, Espírito criador": h. "Gloria sit Patri Domino"
- add to main playlist Play in Full Screen Sinfonia no. 8 "Sinfonia dos mil": II. "Cena final do Fausto, de Goethe": a. Poco adagio
- add to main playlist Play in Full Screen Sinfonia no. 8 "Sinfonia dos mil": II. "Cena final do Fausto, de Goethe": b. Piu mosso (Allegro moderato)
- add to main playlist Play in Full Screen Sinfonia no. 8 "Sinfonia dos mil": II. "Cena final do Fausto, de Goethe": c. "Waldung, sie schwankt heran"
- add to main playlist Play in Full Screen Sinfonia no. 8 "Sinfonia dos mil": II. "Cena final do Fausto, de Goethe": d. "Ewiger Wonnebrand"
- add to main playlist Play in Full Screen Sinfonia no. 8 "Sinfonia dos mil": II. "Cena final do Fausto, de Goethe": e. "Wie Felsenabgrund mir zu Füßen"
- add to main playlist Play in Full Screen Sinfonia no. 8 "Sinfonia dos mil": II. "Cena final do Fausto, de Goethe": f. "Gerettet ist das edle Glied"
- add to main playlist Play in Full Screen Sinfonia no. 8 "Sinfonia dos mil": II. "Cena final do Fausto, de Goethe": g. "Jene Rosen aus den Händen"
- add to main playlist Play in Full Screen Sinfonia no. 8 "Sinfonia dos mil": II. "Cena final do Fausto, de Goethe": h. "Uns bleibt ein Erdenrest"
- add to main playlist Play in Full Screen Sinfonia no. 8 "Sinfonia dos mil": II. "Cena final do Fausto, de Goethe": i. "Ich spür' soeben nebelnd um Felsenhöh"
- add to main playlist Play in Full Screen Sinfonia no. 8 "Sinfonia dos mil": II. "Cena final do Fausto, de Goethe": j. "Dir, der Unberührbaren"
- add to main playlist Play in Full Screen Sinfonia no. 8 "Sinfonia dos mil": II. "Cena final do Fausto, de Goethe": k. "Bei der Liebe, die den Füßen"
- add to main playlist Play in Full Screen Sinfonia no. 8 "Sinfonia dos mil": II. "Cena final do Fausto, de Goethe": l. "Er überwächst uns schon"
- add to main playlist Play in Full Screen Sinfonia no. 8 "Sinfonia dos mil": II. "Cena final do Fausto, de Goethe": m. "Blicket auf zum Retterblick"
- add to main playlist Play in Full Screen Sinfonia no. 8 "Sinfonia dos mil": II. "Cena final do Fausto, de Goethe": n. "Alles Vergängliche ist nur ein Gleichnis"
Symphony No. 2
Released 2013- add to main playlist Play in Full Screen Symphony No. 2: I. Allegro Maestoso
- add to main playlist Play in Full Screen Symphony No. 2: II. Andante Moderato
- add to main playlist Play in Full Screen Symphony No. 2: III. In Ruhig Fliessender Bewegung
- add to main playlist Play in Full Screen Symphony No. 2: IV. 'Urlicht': Sehr Feierlich, Aber Schlicht
- add to main playlist Play in Full Screen Symphony No. 2: V. Im Tempo Des Scherzo
Symphony no. 1 Including "Blumine"
Released 2013- add to main playlist Play in Full Screen Symphony no. 1 in D major: Langsam - Immer sehr gemächlich
- add to main playlist Play in Full Screen Symphony no. 1 in D major: "Blumine": Andante allegretto
- add to main playlist Play in Full Screen Symphony no. 1 in D major: Kräftig bewegt, doch nicht zu schnell - Trio: Recht gemächlich
- add to main playlist Play in Full Screen Symphony no. 1 in D major: Feierlich und gemessen, ohne zu schleppen - Sehr einfach und schlicht wie eine Volksweise
- add to main playlist Play in Full Screen Symphony no. 1 in D major: Stürmich bewegt - Sehr gesangvoll
Big Mahler Box
Released 2012- add to main playlist Play in Full Screen Symphony No. 1 in D Major ('Titan'): i. Langsam. Schleppend
- add to main playlist Play in Full Screen Symphony No. 1 in D Major ('Titan'): ii. Kräftig bewegt, doch nicht zu schnell
- add to main playlist Play in Full Screen Symphony No. 1 in D Major ('Titan'): iii. Feierlich und gemessen, ohne zu schleppen
- add to main playlist Play in Full Screen Symphony No. 1 in D Major ('Titan'): iv. Stürmisch bewegt
- add to main playlist Play in Full Screen Symphony No. 2 in C Minor ('Resurrection'): i. Allegro maestoso. Mit durchaus ernstem und feierlichem Ausdruck
- add to main playlist Play in Full Screen Symphony No. 2 in C Minor ('Resurrection'): ii. Andante moderato. Sehr gemächlich. Nie Eilen
- add to main playlist Play in Full Screen Symphony No. 2 in C Minor ('Resurrection'): iii. Scherzo. In ruhig fliessender Bewegung
- add to main playlist Play in Full Screen Symphony No. 2 in C Minor ('Resurrection'): iv. Urlicht: Sehr feierlich, aber schlicht
- add to main playlist Play in Full Screen Symphony No. 2 in C Minor ('Resurrection'): v. Im Tempo des Scherzos. Wild herausfahrend
- add to main playlist Play in Full Screen Symphony No. 3 in D Minor: i. Kraftig Entschieden
- add to main playlist Play in Full Screen Symphony No. 3 in D Minor: ii. Tempo di Menuetto. Sehr mässig
- add to main playlist Play in Full Screen Symphony No. 3 in D Minor: iii. Comodo. Scherzando. Ohne Hast Symphony No. 3 in D Minor: iv. Sehr langsam. Misterioso. Durchaus ppp
- add to main playlist Play in Full Screen Symphony No. 3 in D Minor: iv.Sehr langsam. Misterioso. Durchaus ppp
- add to main playlist Play in Full Screen Symphony No. 3 in D Minor: v. Lustig im Tempo und keck im Ausdruck
- add to main playlist Play in Full Screen Symphony No. 3 in D Minor: vi. Langsam. Ruhevoll. Empfunden
- add to main playlist Play in Full Screen Symphony No. 4 in G Major: i. Bedächtig. Nicht eilen
- add to main playlist Play in Full Screen Symphony No. 4 in G Major: ii. In gemächlicher Bewegung. Ohne Hast
- add to main playlist Play in Full Screen Symphony No. 4 in G Major: iii. Ruhevoll
- add to main playlist Play in Full Screen Symphony No. 4 in G Major: vi. Sehr behaglich: Wir genießen die himmlischen Freuden
- add to main playlist Play in Full Screen Symphony No. 5 in C-sharp Minor: i. Trauermarsch. In gemessenem Schritt. Streng. Wie ein Kondukt
- add to main playlist Play in Full Screen Symphony No. 5 in C-sharp Minor: ii. Stürmisch bewegt. Mit größter Vehemenz
- add to main playlist Play in Full Screen Symphony No. 5 in C-sharp Minor: iii. Scherzo. Kräftig, nicht zu schnell
- add to main playlist Play in Full Screen Symphony No. 5 in C-sharp Minor: iv. Adagietto. Sehr langsam
- add to main playlist Play in Full Screen Symphony No. 5 in C-sharp Minor: v. Rondo-Finale: Allegro
- add to main playlist Play in Full Screen Symphony No. 6 in A Minor ('Tragic'): i. Allegro energico, ma non troppo
- add to main playlist Play in Full Screen Symphony No. 6 in A Minor ('Tragic'): ii. Scherzo: Wuchtig
- add to main playlist Play in Full Screen Symphony No. 6 in A Minor ('Tragic'): iii. Andante moderato
- add to main playlist Play in Full Screen Symphony No. 6 in A Minor ('Tragic'): iv. Finale: Allegro moderato. Allegro energico
- add to main playlist Play in Full Screen Symphony No. 7 in E Minor ('Song of the Night'): i. Langsam (Adagio). Allegro con fuoco
- add to main playlist Play in Full Screen Symphony No. 7 in E Minor ('Song of the Night'): ii. Nachtmusik. Allegro moderato
- add to main playlist Play in Full Screen Symphony No. 7 in E Minor ('Song of the Night'): iii. Scherzo: Schattenhaft, fließend, aber nicht schnell
- add to main playlist Play in Full Screen Symphony No. 7 in E Minor ('Song of the Night'): iv. Nachtmusik. Andante amoroso
- add to main playlist Play in Full Screen Symphony No. 7 in E Minor ('Song of the Night'): v. Rondo-Finale: Allegro ordinario
- add to main playlist Play in Full Screen Symphony No. 8 in E-flat Major ('Symphony of a Thousand'): i. Veni, Creator Spiritus
- add to main playlist Play in Full Screen Symphony No. 8 in E-flat Major ('Symphony of a Thousand'): ii. Imple superna gratia
- add to main playlist Play in Full Screen Symphony No. 8 in E-flat Major ('Symphony of a Thousand'): iii. Infirma nostri corporis
- add to main playlist Play in Full Screen Symphony No. 8 in E-flat Major ('Symphony of a Thousand'): iv. Accende lumen sensibus
- add to main playlist Play in Full Screen Symphony No. 8 in E-flat Major ('Symphony of a Thousand'): v. Veni, Creator Spiritus 2
- add to main playlist Play in Full Screen Symphony No. 8 in E-flat Major ('Symphony of a Thousand'): vi. Gloria Patri Domino
- add to main playlist Play in Full Screen Symphony No. 8 in E-flat Major ('Symphony of a Thousand'): vii. Poco adagio: Waldung, sie schwankt heran
- add to main playlist Play in Full Screen Symphony No. 8 in E-flat Major ('Symphony of a Thousand'): viii. Ewiger Wonnebrand
- add to main playlist Play in Full Screen Symphony No. 8 in E-flat Major ('Symphony of a Thousand'): ix.. Wie Felsenabgrund mir zu Füßen
- add to main playlist Play in Full Screen Symphony No. 8 in E-flat Major ('Symphony of a Thousand'): x. Gerettet ist das edle Glied
- add to main playlist Play in Full Screen Symphony No. 8 in E-flat Major ('Symphony of a Thousand'): xi. Uns bleibt ein Erdenrest. Hier ist die Aussicht
- add to main playlist Play in Full Screen Symphony No. 8 in E-flat Major ('Symphony of a Thousand'): xii. Höchste Herrscherin der Welt. Dir, der Unberührbar
- add to main playlist Play in Full Screen Symphony No. 8 in E-flat Major ('Symphony of a Thousand'): xiii.. Bei der Liebe, die den Füßen
- add to main playlist Play in Full Screen Symphony No. 8 in E-flat Major ('Symphony of a Thousand'): xiv. Neige, neige, Du Ohnegleiche
- add to main playlist Play in Full Screen Symphony No. 8 in E-flat Major ('Symphony of a Thousand'): xv. Blicket auf zum Retterblick
- add to main playlist Play in Full Screen Symphony No. 8 in E-flat Major ('Symphony of a Thousand'): xvi. Alles Vergängliche
- add to main playlist Play in Full Screen Symphony No. 9 in D Major: i. Andante comodo
- add to main playlist Play in Full Screen Symphony No. 9 in D Major: ii. Im Tempo Eines Gemachlichen Landlers. Etwas Tappisch Und Sehr Derb
- add to main playlist Play in Full Screen Symphony No. 9 in D Major: iii. Rondo-Burleske. Allegro Assai. Sehr Trotzig
- add to main playlist Play in Full Screen Symphony No. 9 in D Major: iv. Adagio. Sehr Langsam Und Noch Zuruckhaltend
- add to main playlist Play in Full Screen Symphony No. 10 in F-sharp Minor (unfinished): i. Adagio
- add to main playlist Play in Full Screen Ruckert Lieder: i. Blicke mir nicht in die Lieder!
- add to main playlist Play in Full Screen Ruckert Lieder: 56 ii. Ich atmet' einen linden Duft
- add to main playlist Play in Full Screen Ruckert Lieder: iii. Ich bin der Welt abhanden gekommen
- add to main playlist Play in Full Screen Ruckert Lieder: iv. Um Mitternacht
- add to main playlist Play in Full Screen Ruckert Lieder: v. Liebst du um Schönheit
- add to main playlist Play in Full Screen Aus der Jugendzeit, No. 12 - Scheiden und Meiden
- add to main playlist Play in Full Screen Aus der Jugendzeit, No. 3 - Hans und Grethe
- add to main playlist Play in Full Screen Aus der Jugendzeit, No. 7 - Ich ging mit Lust durch einen grünen Wald
- add to main playlist Play in Full Screen Aus der Jugendzeit, No. 1 - Frühlingsmorgen
- add to main playlist Play in Full Screen Des knaben Wunderhorn, No. 11 - Es Sungen drei Engle
- add to main playlist Play in Full Screen Aus der Jugendzeit, No. 10 - Zu Straßburg auf der Schanz'
- add to main playlist Play in Full Screen Aus der Jugendzeit, No. 11 - Ablösung im Sommer
- add to main playlist Play in Full Screen Aus der Jugendzeit, No. 4 - Serenade aus Don Juan
- add to main playlist Play in Full Screen Aus der Jugendzeit, No. 5 - Phantasie aus Don Juan
- add to main playlist Play in Full Screen Aus der Jugendzeit, No. 1 - Frühlingsmorgen
- add to main playlist Play in Full Screen Aus der Jugendzeit, No. 12 - Scheiden und Meiden
- add to main playlist Play in Full Screen Des knaben Wunderhorn, No. 7 Rheinlegendchen
- add to main playlist Play in Full Screen Aus der Jugendzeit, No. 8 - Aus! Aus!
- add to main playlist Play in Full Screen Aus der Jugendzeit, No. 6 - Um schlimme Kinder artig zu machen
- add to main playlist Play in Full Screen Aus der Jugendzeit, No. 14 - Selbstgefühl
- add to main playlist Play in Full Screen Aus der Jugendzeit, No. 2 - Erinnerung
- add to main playlist Play in Full Screen Aus der Jugendzeit, No. 13 - Nicht wiedersehen!
- add to main playlist Play in Full Screen Des knaben Wunderhorn, No. 4 - Wed hat dies Liedlein Erdacht
- add to main playlist Play in Full Screen Aus der Jugendzeit, No. 7 - Ich ging mit Lust durch einen grünen Wald
- add to main playlist Play in Full Screen Aus der Jugendzeit, No. 9 - Starke Einbildungskraft
- add to main playlist Play in Full Screen Des Knaben Wunderhorn: Revelge
- add to main playlist Play in Full Screen Des Knaben Wunderhorn: Das irdische Leben
- add to main playlist Play in Full Screen Des Knaben Wunderhorn: Lob des hohen Verstandes
- add to main playlist Play in Full Screen Des Knaben Wunderhorn: Rheinlegendchen
- add to main playlist Play in Full Screen Des Knaben Wunderhorn: Der schildwache Nachtlied
- add to main playlist Play in Full Screen Des Knaben Wunderhorn: Wer hat dies Liedlein erdacht?
- add to main playlist Play in Full Screen Des Knaben Wunderhorn: Verlorne Müh'
- add to main playlist Play in Full Screen Des Knaben Wunderhorn: Der Tamboursg'sell
- add to main playlist Play in Full Screen Des Knaben Wunderhorn: Trost im Unglück
- add to main playlist Play in Full Screen Des Knaben Wunderhorn: Wo die schönen Trompeten blasen
- add to main playlist Play in Full Screen Des Knaben Wunderhorn: Des Antonius von Padua Fischpredigt
- add to main playlist Play in Full Screen Des Knaben Wunderhorn: Lied des Verfolgten im Turm
- add to main playlist Play in Full Screen Des Knaben Wunderhorn: Urlicht
Kindertotenlieder / Lieder eines fahrenden Gesellen (contralto: Sara Mingardo; cello and conductor: Luigi Piovano; Musici Aurei)
Released 2012- add to main playlist Play in Full Screen Kindertotenlieder: I. "Nun will die Sonn' so hell aufgeh'n"
- add to main playlist Play in Full Screen Kindertotenlieder: II. "Nun seh' ich wohl, warum so dunkle Flammen"
- add to main playlist Play in Full Screen Kindertotenlieder: III. "Wenn dein Mütterlein"
- add to main playlist Play in Full Screen Kindertotenlieder: IV. "Oft denk' ich, sie sind nur ausgegangen"
- add to main playlist Play in Full Screen Kindertotenlieder: V. "In diesem Wetter"
- add to main playlist Play in Full Screen Quartettsatz
- add to main playlist Play in Full Screen Lieder eines fahrenden Gesellen: I. "Wenn mein Schatz Hochzeit macht"
- add to main playlist Play in Full Screen Lieder eines fahrenden Gesellen: II. "Ging heut morgen übers Feld"
- add to main playlist Play in Full Screen Lieder eines fahrenden Gesellen: III. "Ich hab' ein glühend Messer"
- add to main playlist Play in Full Screen Lieder eines fahrenden Gesellen: IV. "Die zwei blauen Augen von meinem Schatz"
- add to main playlist Play in Full Screen Berceuse élégiaque
Symphony no. 8
Released 2011- add to main playlist Play in Full Screen Symphony no. 8: Part II. Final Scene from Goethe's Faust: Poco adagio
- add to main playlist Play in Full Screen Symphony no. 8: Part II. Final Scene from Goethe's Faust: Piu mosso: Allegro moderato
- add to main playlist Play in Full Screen Symphony no. 8: Part II. Final Scene from Goethe's Faust: Waldung, sie schwankt heran
- add to main playlist Play in Full Screen Symphony no. 8: Part II. Final Scene from Goethe's Faust: Ewiger Wonnebrand
- add to main playlist Play in Full Screen Symphony no. 8: Part II. Final Scene from Goethe's Faust: Wie Felsenabgrund mir zu Füßen
- add to main playlist Play in Full Screen Symphony no. 8: Part II. Final Scene from Goethe's Faust: Gerettet ist das edle Glied - Hände verschlinget euch
- add to main playlist Play in Full Screen Symphony no. 8: Part II. Final Scene from Goethe's Faust: Jene Rosen, aus den Händen
- add to main playlist Play in Full Screen Symphony no. 8: Part II. Final Scene from Goethe's Faust: Uns bleibt ein Erdenrest
- add to main playlist Play in Full Screen Symphony no. 8: Part II. Final Scene from Goethe's Faust: Ich spür' soeben nebelnd um Felsenhöh' - Hier ist die Aussicht frei - Freudig empfangen wir
- add to main playlist Play in Full Screen Symphony no. 8: Part II. Final Scene from Goethe's Faust: Höchste Herrscherin der Welt!
- add to main playlist Play in Full Screen Symphony no. 8: Part II. Final Scene from Goethe's Faust: Dir, der Unberührbaren - Du schwebst zu Höhen der ewigen Reiche
- add to main playlist Play in Full Screen Symphony no. 8: Part II. Final Scene from Goethe's Faust: Bei der Liebe, die den Füßen
- add to main playlist Play in Full Screen Symphony no. 8: Part II. Final Scene from Goethe's Faust: Bei dem Bronn, zu dem schon weiland
- add to main playlist Play in Full Screen Symphony no. 8: Part II. Final Scene from Goethe's Faust: Bei dem hochgeweihten Orte
- add to main playlist Play in Full Screen Symphony no. 8: Part II. Final Scene from Goethe's Faust: Neige, neige, du Ohnegleiche
- add to main playlist Play in Full Screen Symphony no. 8: Part II. Final Scene from Goethe's Faust: Er überwächst uns schon - Vom edlen Geisterchor umgeben
- add to main playlist Play in Full Screen Symphony no. 8: Part II. Final Scene from Goethe's Faust: Komm! Hebe dich zu höhern Sphären! - Blicket auf zum Retterblick, alle reuig Zarten
- add to main playlist Play in Full Screen Symphony no. 8: Part II. Final Scene from Goethe's Faust: Alles Vergängliche ist nur ein Gleichnis
Symphony no. 9
Released 2011- add to main playlist Play in Full Screen Symphony no. 9 in D major: I. Andante comodo
- add to main playlist Play in Full Screen Symphony no. 9 in D major: II. Im Tempo eines gemächlichen Ländlers. Etwas täppisch und sehr derb
- add to main playlist Play in Full Screen Symphony no. 9 in D major: III. Rondo-Burleske: Allegro assai. Sehr trotzig
- add to main playlist Play in Full Screen Symphony no. 9 in D major: IV. Adagio. Sehr langsam und noch zurückhaltend
Das Lied von der Erde (Münchener Bach-Orchester feat. conductor: Hansjörg Albrecht)
Released 2011- add to main playlist Play in Full Screen Das Lied von der Erde: I. Das Trinklied vom Jammer der Erde
- add to main playlist Play in Full Screen Das Lied von der Erde: II. Der Einsame im Herbst
- add to main playlist Play in Full Screen Das Lied von der Erde: III. Von der Jugend
- add to main playlist Play in Full Screen Das Lied von der Erde: IV. Von der Schönheit
- add to main playlist Play in Full Screen Das Lied von der Erde: V. Der Trunkene im Frühling
- add to main playlist Play in Full Screen Das Lied von der Erde: VI. Der Abschied
Symphony no. 10 (Tonhalle Orchestra Zurich feat. conductor David Zinman)
Released 2011- add to main playlist Play in Full Screen Symphony No. 10 in F-sharp Major; I. Adagio: Andante - Adagio
- add to main playlist Play in Full Screen Symphony No. 10 in F-sharp Major; II. Scherzo I: In gemächlicher Bewegung. Ohne Hast
- add to main playlist Play in Full Screen Symphony No. 10 in F-sharp Major; III. Purgatorio: Unheimlich bewegt
- add to main playlist Play in Full Screen Symphony No. 10 in F-sharp Major; IV. Scherzo II: Kräftig, nicht zu schnell
- add to main playlist Play in Full Screen Symphony No. 10 in F-sharp Major; V. Finale. Langsam - Allegro moderato - Andante comodo, aber nicht schleppend
BBC Music, Volume 19, Number 7: Symphony No. 8 (BBC Scottish Symphony Orchestra feat. conductor: Donald Runnicles)
Released 2011- add to main playlist Play in Full Screen Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part I. “Veni, Creator Spiritus”
- add to main playlist Play in Full Screen Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part I. “Imple superna gratia”
- add to main playlist Play in Full Screen Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part I. “Infirma nostri corporis”
- add to main playlist Play in Full Screen Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part I. “Accende lumen sensibus”
- add to main playlist Play in Full Screen Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part I. “Veni, Creator Spiritus”
- add to main playlist Play in Full Screen Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part I. “Gloria Patri Domino”
- add to main playlist Play in Full Screen Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Poco adagio “Waldung, sie schwankt heran”
- add to main playlist Play in Full Screen Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. “Ewiger Wonnebrand”
- add to main playlist Play in Full Screen Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. “Wie Felsenabgrund mir zu Füssen”
- add to main playlist Play in Full Screen Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. “Gerettet ist das edle Glied”
- add to main playlist Play in Full Screen Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. “Uns bleibt ein Erdenrest”
- add to main playlist Play in Full Screen Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. “Hier ist die Aussicht frei”
- add to main playlist Play in Full Screen Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. “Höchste Herrscherin der Welt”
- add to main playlist Play in Full Screen Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. “Dir, der Unberürbaren”
- add to main playlist Play in Full Screen Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. “Bei der Liebe, die den Füssen”
- add to main playlist Play in Full Screen Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. “Neige, neige, du Ohnegleiche”
- add to main playlist Play in Full Screen Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. “Blicket auf zem Retterblick”
- add to main playlist Play in Full Screen Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. “Alles Vergängliche”
Symphony No. 5
Released 2011- add to main playlist Play in Full Screen Symphony no. 5: I. Trauermarsch, In gemessenem Schritt, Streng, Wie ein Kondukt (Cis-Moll)
- add to main playlist Play in Full Screen Symphony no. 5: II. Stürmisch bewegt, Mit größter Vehemenz (A-Moll)
- add to main playlist Play in Full Screen Symphony no. 5: III. Scherzo, Kräftig, nicht zu schnell (D-Dur)
- add to main playlist Play in Full Screen Symphony no. 5: IV. Adagietto, Sehr langsam (F-Dur)
- add to main playlist Play in Full Screen Symphony no. 5: V. Rondo-Finale, Allegro - Allegro giocoso, Frisch (D-Dur)
Songs With Orchestra
Released 2010- add to main playlist Play in Full Screen Lieder eines fahrenden Gesellen; Wenn mein Schatz Hochseit macht
- add to main playlist Play in Full Screen Lieder eines fahrenden Gesellen; Ging heut Morgen übers Feld
- add to main playlist Play in Full Screen Lieder eines fahrenden Gesellen; Ich hab ein glühend Messer
- add to main playlist Play in Full Screen Lieder eines fahrenden Gesellen; Die zwei blauen Augen von meinem Schatz
- add to main playlist Play in Full Screen Rückert Lieder; Ich atmet einen linden Duft
- add to main playlist Play in Full Screen Rückert Lieder; Blicke mir nicht in die Lieder
- add to main playlist Play in Full Screen Rückert Lieder; Liebst du um Schönheit
- add to main playlist Play in Full Screen Rückert Lieder; Um Mitternacht
- add to main playlist Play in Full Screen Rückert Lieder; Ich bin ger Welt abhanden gekommen
- add to main playlist Play in Full Screen Selections from Des Knaben Wunderhorn; Lied des Verfolgten im Turm
- add to main playlist Play in Full Screen Selections from Des Knaben Wunderhorn; Der Tamboursgsell
- add to main playlist Play in Full Screen Selections from Des Knaben Wunderhorn; Wo die schönen Trompeten blasen
- add to main playlist Play in Full Screen Selections from Des Knaben Wunderhorn; Revelge
- add to main playlist Play in Full Screen Selections from Des Knaben Wunderhorn; Urlicht
Symphony No. 8
Released 2010- add to main playlist Play in Full Screen Symphony No. 8 in E-flat major: Teil Hymnus: Veni, creator spiritus. Veni, creator spiritus
- add to main playlist Play in Full Screen Symphony No. 8 in E-flat major: Teil Hymnus: Veni, creator spiritus. Imple, superna gratia
- add to main playlist Play in Full Screen Symphony No. 8 in E-flat major: Teil Hymnus: Veni, creator spiritus. Infirma nostri corporis
- add to main playlist Play in Full Screen Symphony No. 8 in E-flat major: Teil Hymnus: Veni, creator spiritus. Tempo I (Allegro, etwas hastig)
- add to main playlist Play in Full Screen Symphony No. 8 in E-flat major: Teil Hymnus: Veni, creator spiritus. Sehr fließend
- add to main playlist Play in Full Screen Symphony No. 8 in E-flat major: Teil Hymnus: Veni, creator spiritus. Accende lumen sensibus
- add to main playlist Play in Full Screen Symphony No. 8 in E-flat major: Teil Hymnus: Veni, creator spiritus. Veni, creator spiritus
- add to main playlist Play in Full Screen Symphony No. 8 in E-flat major: Teil Hymnus: Veni, creator spiritus. Gloria sit Patri Domino
The Complete Symphonies
Released 2010- add to main playlist Play in Full Screen Symphony no. 1 in D major "Titan": I. Langsam, schleppend
- add to main playlist Play in Full Screen Symphony no. 1 in D major "Titan": II. Kräftig bewegt, doch nicht zu schnell
- add to main playlist Play in Full Screen Symphony no. 1 in D major "Titan": III. Feierlich und gemessen, ohne zu schleppen
- add to main playlist Play in Full Screen Symphony no. 1 in D major "Titan": IV. Stürmisch bewegt
- add to main playlist Play in Full Screen Symphony no. 1 in D major "Titan": II. Blumine (original 2nd movement)
Delta Music & Entertainment
Released 2010- add to main playlist Play in Full Screen Adagietto - Sehr langsam (aus "Symphonie Nr. 5 cis-Moll")
- add to main playlist Play in Full Screen Misterioso - Sehr langsam (aus "Symphonie Nr. 3 d-Moll" - Text: Friedrich Nietsche)
- add to main playlist Play in Full Screen Feierlich und gemessen (aus "Symphonie Nr. 1 D-Dur" - "Der Titan")
- add to main playlist Play in Full Screen "Urlicht" - Sehr feierlich aber schlicht (aus "Symphonie Nr. 2 c-Moll" - "Auferstehung" - Worte aus "Des Knaben Wunderhorn")
- add to main playlist Play in Full Screen Nachtmusik - Andante amoroso (aus "Symphonie Nr. 7")
- add to main playlist Play in Full Screen Adagio - Langsam - Ruhevoll - Empfunden (Schlußsatz aus "Symphonie Nr. 3 d-Moll")
Symphony No. 4 in G Major (Royal Liverpool Philharmonic)
Released 2010- add to main playlist Play in Full Screen Symphony No. 4 in G major: I. Heiter Bedachtig, nicht eilen
- add to main playlist Play in Full Screen Symphony No. 4 in G major: II. In gemachlicher Bewegung, ohne Hast
- add to main playlist Play in Full Screen Symphony No. 4 in G major: III. Ruhevoll, poco adagio
- add to main playlist Play in Full Screen Symphony No. 4 in G major: IV. Sehr behaglich
Mahler: The People’s Edition
Released 2010- add to main playlist Play in Full Screen Symphony No. 3 in D minor: Part 1, I (a). Kräftig. Entschieden
- add to main playlist Play in Full Screen Symphony No. 3 in D minor: Part 1, I (b). Kräftig. Entschieden: Immer das gleiche Tempo
- add to main playlist Play in Full Screen Symphony No. 3 in D minor: Part 1, I (c). Kräftig. Entschieden: Tempo I
- add to main playlist Play in Full Screen Symphony No. 3 in D minor: Part 1, I (d). Kräftig. Entschieden: Zeit lassen
- add to main playlist Play in Full Screen Symphony No. 3 in D minor: Part 1, I (e). Kräftig. Entschieden: Zeit lassen
- add to main playlist Play in Full Screen Symphony No. 3 in D minor: Part 1, I (f). Kräftig. Entschieden: Immer dasselbe Tempo. (Marsch.) Nicht eilen
- add to main playlist Play in Full Screen Symphony No. 3 in D minor: Part 1, I (g). Kräftig. Entschieden: Im alten Marschtempo (Allegro moderato)
- add to main playlist Play in Full Screen Symphony No. 3 in D minor: Part 1, I (h). Kräftig. Entschieden: Tempo I
Symphony No. 7 (Tonhalle Orchestra Zurich feat. conductor David Zinman)
Released 2010- add to main playlist Play in Full Screen Symphony No. 7: I. Langsam (Adagio) - Allegro Risoluto, Ma Non Troppo
- add to main playlist Play in Full Screen Symphony No. 7: II. Nachtmusik I. Allegro Moderato
- add to main playlist Play in Full Screen Symphony No. 7: III. Scherzo. Schattenhaft
- add to main playlist Play in Full Screen Symphony No. 7: IV. Nachtmusik II. Andante Amoroso
- add to main playlist Play in Full Screen Symphony No. 7: V. Rondo, Finale. Allegro Ordinario
Symphony no. 7
Released 2010- add to main playlist Play in Full Screen Symphony no. 7 in E minor: I. Langsam - Allegro con fuoco
- add to main playlist Play in Full Screen Symphony no. 7 in E minor: II. Nachtmusik: Allegro moderato
- add to main playlist Play in Full Screen Symphony no. 7 in E minor: III. Scherzo: Schattenhaft
- add to main playlist Play in Full Screen Symphony no. 7 in E minor: IV. Nachtmusik: Andante amoroso
- add to main playlist Play in Full Screen Symphony no. 7 in E minor: V. Rondo - Finale
Symphony no. 4
Released 2010- add to main playlist Play in Full Screen Symphony no. 4 in G major: I. Bedächtig. Nicht eilen
- add to main playlist Play in Full Screen Symphony no. 4 in G major: II. In gemächlicher Bewegung. Ohne Hast
- add to main playlist Play in Full Screen Symphony no. 4 in G major: III. Ruhevoll (Poco adagio - Allegretto subito - Allegretto subito)
- add to main playlist Play in Full Screen Symphony no. 4 in G major: IV. Sehr behaglich ('Wir genießen die himmlischen Freuden')
Symphony No. 4 in G major (Gürzenich-Orchester Köln feat. conductor: Markus Stenz, soprano: Christiane Oelze)
Released 2010- add to main playlist Play in Full Screen Symphony no. 4: Bedächtig, nicht eilen
- add to main playlist Play in Full Screen Symphony no. 4: In gemächlicher Bewegung, ohne Hast
- add to main playlist Play in Full Screen Symphony no. 4: Ruhevoll, poco adagio
- add to main playlist Play in Full Screen Symphony no. 4: Sehr behaglich (Das himmlische Leben)
The Complete Works
Released 2010- add to main playlist Play in Full Screen Kindertotenlieder: Nun will die Sonn' so hell aufgeh'n
- add to main playlist Play in Full Screen Kindertotenlieder: Nun seh' ich wohl, warum so dunkle Flammen
- add to main playlist Play in Full Screen Kindertotenlieder - Wenn dein Mütterlein tritt zur Tür herein
- add to main playlist Play in Full Screen Kindertotenlieder: Oft denk' ich, sie sind nur ausgegangen
- add to main playlist Play in Full Screen Kindertotenlieder: In diesem Wetter, in diesem Braus
- add to main playlist Play in Full Screen Rückert-Lieder: Blicke mir nicht in die Lieder!
- add to main playlist Play in Full Screen Rückert-Lieder: Ich atmet' einen linden Duft!
- add to main playlist Play in Full Screen Rückert-Lieder: Um Mitternacht
- add to main playlist Play in Full Screen Rückert-Lieder: Liebst du um Schönheit
- add to main playlist Play in Full Screen Rückert-Lieder: Ich bin der Welt abhanden gekommen
- add to main playlist Play in Full Screen Symphony No. 6 in A minor: I. Allegro energico, ma non troppo. Heftig aber Markig
Gustav Mahler: Complete Edition
Released 2010- add to main playlist Play in Full Screen Lieder und Gesänge aus der Jugendzeit: I. Frülingsmorgen
- add to main playlist Play in Full Screen Lieder und Gesänge aus der Jugendzeit: II. Erinnerung
- add to main playlist Play in Full Screen Lieder und Gesänge aus der Jugendzeit: III. Hans und Grete
- add to main playlist Play in Full Screen Lieder und Gesänge aus der Jugendzeit: IV. Serenade aus Don Juan
- add to main playlist Play in Full Screen Lieder und Gesänge aus der Jugendzeit: V. Phantasie aus Don Juan
- add to main playlist Play in Full Screen Lieder und Gesänge aus der Jugendzeit: VI. Um schlimme Kinder artig zu machen
- add to main playlist Play in Full Screen Lieder und Gesänge aus der Jugendzeit: VII. Ich ging mit Lust durch einen grünen Wald
- add to main playlist Play in Full Screen Lieder und Gesänge aus der Jugendzeit: VIII. Aus! Aus!
- add to main playlist Play in Full Screen Lieder und Gesänge aus der Jugendzeit: IX. Starke Einbildungskraft
- add to main playlist Play in Full Screen Lieder und Gesänge aus der Jugendzeit: X. Zu Straßburg auf der Schanz
- add to main playlist Play in Full Screen Lieder und Gesänge aus der Jugendzeit: XI. Ablösung im Sommer
- add to main playlist Play in Full Screen Lieder und Gesänge aus der Jugendzeit: XII. Scheiden und Meiden
- add to main playlist Play in Full Screen Lieder und Gesänge aus der Jugendzeit: XIII. Nicht wiedersehen
- add to main playlist Play in Full Screen Lieder und Gesänge aus der Jugendzeit: XIV. Selbstgefühl
- add to main playlist Play in Full Screen Lieder und Gesänge aus der Jugendzeit: XV. Im Lenz
- add to main playlist Play in Full Screen Lieder und Gesänge aus der Jugendzeit: XVI. Winterlied
- add to main playlist Play in Full Screen Lieder und Gesänge aus der Jugendzeit: XVII. Maitanz im Grünen
- add to main playlist Play in Full Screen Klavierquartettsatz: Nicht zu schnell. Entschlossen
- add to main playlist Play in Full Screen Die drei Pintos: Entr'acte
Symphonic Poem in Two Parts "Titan" (Netherlands Symphony Orchestra feat. conductor: Jan Willem de Vriend)
Released 2010- add to main playlist Play in Full Screen Symphonic Poem in Two Parts "Titan", Part I "Aus den Tagen der Jugend / Blumen-, Frucht- und Dornstücke": I. Frühling und kein Ende "Langsam, schleppend - Immer sehr gemächlich"
- add to main playlist Play in Full Screen Symphonic Poem in Two Parts "Titan", Part I "Aus den Tagen der Jugend / Blumen-, Frucht- und Dornstücke": II. Blumine (Andante - allegretto)
- add to main playlist Play in Full Screen Symphonic Poem in Two Parts "Titan", Part I "Aus den Tagen der Jugend / Blumen-, Frucht- und Dornstücke": III. Mit vollen Segeln "Kräftig bewegt - Langsames Walzertempo"
- add to main playlist Play in Full Screen Symphonic Poem in Two Parts "Titan", Part II "Commedia umana": IV. Gestrandet! (ein Todtenmarsch in Callots Manier) "Feierlich und gemessen, ohne zu schleppen sehr einfach und schlicht wie eine Volksweise"
- add to main playlist Play in Full Screen Symphonic Poem in Two Parts "Titan", Part II "Commedia umana": V. Dall' Inferno al Paradiso - "Stürmisch bewegt - Energisch"
9. Symphonie
Released 2010- add to main playlist Play in Full Screen 9. Symphonie, Op. 125: I. Allegro ma non troppo, un poco maestoso
- add to main playlist Play in Full Screen 9. Symphonie, Op. 125: II. Molto vivace
- add to main playlist Play in Full Screen 9. Symphonie, Op. 125: III. Adagio molto e cantabile
- add to main playlist Play in Full Screen 9. Symphonie, Op. 125: IV. Finale: Presto - Allegro assai
Mahler - Lieder (baritone: Christian Gerhaher, piano: Gerold Huber)
Released 2010- add to main playlist Play in Full Screen Rheinlegendchen
- add to main playlist Play in Full Screen Ich ging mit Lust
- add to main playlist Play in Full Screen Frühlingsmorgen
- add to main playlist Play in Full Screen Ablösung im Sommer
- add to main playlist Play in Full Screen Wer hat dies Liedlein erdacht?
- add to main playlist Play in Full Screen Lieder eines fahrenden Gesellen: I. Wenn mein Schatz Hochzeit macht
- add to main playlist Play in Full Screen Lieder eines fahrenden Gesellen: II. Ging heut Morgen über's Feld
- add to main playlist Play in Full Screen Lieder eines fahrenden Gesellen: III. Ich hab' ein glühend Messer
- add to main playlist Play in Full Screen Lieder eines fahrenden Gesellen: IV. Die zwei blauen Augen
- add to main playlist Play in Full Screen Zu Straßburg auf der Schanz
- add to main playlist Play in Full Screen Das irdische Leben
- add to main playlist Play in Full Screen Nicht wiedersehen
- add to main playlist Play in Full Screen Phantasie
- add to main playlist Play in Full Screen Wo die schönen Trompeten blasen
- add to main playlist Play in Full Screen Fünf Lieder nach Texten von Friedrich Rückert: I. Blicke mir nicht in die Lieder
- add to main playlist Play in Full Screen Fünf Lieder nach Texten von Friedrich Rückert: II. Ich atmet' einen Lindenduft
- add to main playlist Play in Full Screen Fünf Lieder nach Texten von Friedrich Rückert: III. Um Mitternacht
- add to main playlist Play in Full Screen Fünf Lieder nach Texten von Friedrich Rückert: IV. Liebst Du um Schönheit
- add to main playlist Play in Full Screen Fünf Lieder nach Texten von Friedrich Rückert: V. Ich bin der Welt abhanden gekommen
- add to main playlist Play in Full Screen Urlicht
The Complete Mahler Symphonies
Released 2009- add to main playlist Play in Full Screen Symphony no. 1 in D major "Titan": I. Langsam. Schleppend. Wie ein Naturlaut. Im Anfang sehr gemächlich
- add to main playlist Play in Full Screen Symphony no. 1 in D major "Titan": II. Kräftig bewegt, doch nicht zu schnell
- add to main playlist Play in Full Screen Symphony no. 1 in D major "Titan": III. Feierlich und gemessen, ohne zu schleppen
- add to main playlist Play in Full Screen Symphony no. 1 in D major "Titan": IV. Stürmisch bewegt - Energisch
- add to main playlist Play in Full Screen Symphony No. 10: Adagio
Das Lied von der Erde
Released 2009- add to main playlist Play in Full Screen Das Lied von der Erde: Das Trinklied vom Jammer der Erde
- add to main playlist Play in Full Screen Das Lied von der Erde: Der Einsame im Herbst
- add to main playlist Play in Full Screen Das Lied von der Erde: Von der Jugend
- add to main playlist Play in Full Screen Das Lied von der Erde: Von der Schönheit
- add to main playlist Play in Full Screen Das Lied von der Erde: Der Trunkene im Frühling
- add to main playlist Play in Full Screen Das Lied von der Erde: Der Abschied
Symphony No. 5 (Tonhalle Orchestra Zurich feat. conductor David Zinman)
Released 2009- add to main playlist Play in Full Screen Symphony No. 5: I. Trauermarsch
- add to main playlist Play in Full Screen Symphony No. 5: II. Stuermisch Bewegt, Mit größter Vehemenz
- add to main playlist Play in Full Screen Symphony No. 5: III. Scherzo
- add to main playlist Play in Full Screen Symphony No. 5: IV. Adagietto
- add to main playlist Play in Full Screen Symphony No. 5: V. Rondo - Finale
Symphony no. 8 in E-flat major / Adagio from Symphony no. 10
Released 2009- add to main playlist Play in Full Screen Symphony no. 8 in E-flat major: Part II: I. Poco Adagio
- add to main playlist Play in Full Screen Symphony no. 8 in E-flat major: Part II: II. Waldung, sie schwankt heran
- add to main playlist Play in Full Screen Symphony no. 8 in E-flat major: Part II: III. Ewiger Wonnebrand
- add to main playlist Play in Full Screen Symphony no. 8 in E-flat major; Part II: IV. Wie Felsenabgrund mir zu Füßen
- add to main playlist Play in Full Screen Symphony no. 8 in E-flat major: Part II: V. Gerettet ist das edle Glied
- add to main playlist Play in Full Screen Symphony no. 8 in E-flat major: Part II: VI. Hier ist die Aussicht frei
- add to main playlist Play in Full Screen Symphony no. 8 in E-flat major: Part II: VII. Dir, der Unberührbaren
- add to main playlist Play in Full Screen Symphony no. 8 in E-flat major: Part II: VIII. Du schwebst zu Höhen
- add to main playlist Play in Full Screen Symphony no. 8 in E-flat major: Part II: IX. Bei dem Bronn, zu dem schon weiland
- add to main playlist Play in Full Screen Symphony no. 8 in E-flat major: Part II: X. Komm! Hebe dich zu höhern Sphären!
- add to main playlist Play in Full Screen Symphony no. 8 in E-flat major: Part II: XI. Blicket auf
- add to main playlist Play in Full Screen Symphony no. 8 in E-flat major: Part II: XII. Alles Vergängliche
The Complete Symphonies
Released 2009- add to main playlist Play in Full Screen Symphony no. 1 in D major "Titan": I. Langsam. Schleppend. Wie ein Naturlaut. Im Anfang sehr gemächlich
- add to main playlist Play in Full Screen Symphony no. 1 in D major "Titan": II. Kräftig bewegt, doch nicht zu schnell
- add to main playlist Play in Full Screen Symphony no. 1 in D major "Titan": III. Feierlich und gemessen, ohne zu schleppen
- add to main playlist Play in Full Screen Symphony no. 1 in D major "Titan": IV. Stürmisch bewegt - Energisch
- add to main playlist Play in Full Screen Adagio from Symphony no. 10
Das Lied von der Erde
Released 2008- add to main playlist Play in Full Screen Das Lied von der Erde - I. Das Trinklied vom Jammer der Erde
- add to main playlist Play in Full Screen Das Lied von der Erde - II. Der Einsame im Herbst
- add to main playlist Play in Full Screen Das Lied von der Erde - III. Von der Jugend
- add to main playlist Play in Full Screen Das Lied von der Erde - IV. Von der Schoenheit
- add to main playlist Play in Full Screen Das Lied von der Erde - V. Der Trunkene im Fruehling
- add to main playlist Play in Full Screen Das Lied von der Erde - VI. Der Abschied
Symphony no. 7
Released 2008- add to main playlist Play in Full Screen Symphony no. 7 in E minor: I. Langsam (Adagio) - Allegro con fuoco
- add to main playlist Play in Full Screen Symphony no. 7 in E minor: II. Nachtmusik: Allegro moderato
- add to main playlist Play in Full Screen Symphony no. 7 in E minor: III. Scherzo: Schattenahft
- add to main playlist Play in Full Screen Symphony no. 7 in E minor: IV. Nachtmusik: Andante amoroso
- add to main playlist Play in Full Screen Symphony no. 7 in E minor: V. Rondo-Finale: Allegro ordinario - Allegro moderato ma energico
Symphony No. 2 in C minor "Resurrection" (University of Chicago Symphony Orchestra, Chorus and Motet Choir; conductor: Barbara Schubert; soprano: Kimberly Jones; mezzo-soprano: Stacy Eckert)
Released 2008- add to main playlist Play in Full Screen Symphony No. 2 in C minor "Resurrection": I. Allegro maestoso
- add to main playlist Play in Full Screen Symphony No. 2 in C minor "Resurrection": II. Andante moderato
- add to main playlist Play in Full Screen Symphony No. 2 in C minor "Resurrection": III. In ruhig fließender Bewegung
- add to main playlist Play in Full Screen Symphony No. 2 in C minor "Resurrection": IV. Urlicht. Sehr feierlich, aber schlicht
- add to main playlist Play in Full Screen Symphony No. 2 in C minor "Resurrection": V. Im Tempo des Scherzos. Wild herausfahrend
Symphony No. 6 in A Minor "The Tragic Symphony" (Tonhalle Orchestra Zurich feat. Conductor David Zinman)
Released 2008Symphony No. 1 in D major / Symphony No. 9 in D major (Royal Liverpool Philharmonic Orchestra)
Released 2008- add to main playlist Play in Full Screen Symphony No. 9 in D major: I. Andante comodo
- add to main playlist Play in Full Screen Symphony No. 9 in D major: II. Im Tempo eines gemachlichen Landlers - Etwas tappisch und sehr derb
- add to main playlist Play in Full Screen Symphony No. 9 in D major: III. Rondo - Burleske: Allegro assai
Symphony No. 6 in A minor, "Tragic" (Brown University Orchestra feat. conductor: Paul Phillips)
Released 2008Symphonie No. 1 (Bamberger Symphoniker feat. conductor: Jonathan Nott)
Released 2008- add to main playlist Play in Full Screen Symphonie No. 1 in D major: I. Langsam. Schleppend. Im Anfang sehr gemächlich
- add to main playlist Play in Full Screen Symphonie No. 1 in D major: II. Kräftig bewegt, doch nicht zu schnell. Trio. Recht gemächlich
- add to main playlist Play in Full Screen Symphonie No. 1 in D major: III. Feierlich und gemessen, ohne zu schleppen
- add to main playlist Play in Full Screen Symphonie No. 1 in D major: IV. Stürmisch bewegt
Invitation au Voyage
Released 2006- add to main playlist Play in Full Screen Songs of Travel: The Vagabond
- add to main playlist Play in Full Screen Songs of Travel: Let Beauty Awake
- add to main playlist Play in Full Screen Songs of Travel: The Roadside Fire
- add to main playlist Play in Full Screen Songs of Travel: Youth and Love
- add to main playlist Play in Full Screen Songs of Travel: In Dreams
- add to main playlist Play in Full Screen Songs of Travel: The Infinite Shining Heavens
- add to main playlist Play in Full Screen Songs of Travel: Whither must I wander?
- add to main playlist Play in Full Screen Songs of Travel: Bright is the ring of words
- add to main playlist Play in Full Screen Songs of Travel: I have trod the upward and the downward slope
- add to main playlist Play in Full Screen Lieder eines fahrenden Gesellen: 1. Wenn mein Schatz Hochzeit macht
- add to main playlist Play in Full Screen Lieder eines fahrenden Gesellen: 2. Ging heut' morgen über's Feld
- add to main playlist Play in Full Screen Lieder eines fahrenden Gesellen: 3. Ich hab' ein glühend Messer
- add to main playlist Play in Full Screen Lieder eines fahrenden Gesellen: 4. Die zwei blauen Augen
- add to main playlist Play in Full Screen La vita fugge e non s'arresta un'ora
- add to main playlist Play in Full Screen Quel rosigniuol che sì soave piagne
- add to main playlist Play in Full Screen Levommi il moi pensier in parte ov'era
- add to main playlist Play in Full Screen L'invitation au voyage
- add to main playlist Play in Full Screen La vague et la cloche
- add to main playlist Play in Full Screen Extase
- add to main playlist Play in Full Screen Phidylé
- add to main playlist Play in Full Screen Le manoir de Rosemonde
- add to main playlist Play in Full Screen Soupir
Symphony No. 7 (Staatskapelle Berlin feat. conductor: Daniel Barenboim)
Released 2006- add to main playlist Play in Full Screen Symphony No. 7: I. Langsam - Allegro con fuoco
- add to main playlist Play in Full Screen Symphony No. 7: II. Nachtmusik I. Allegro moderato
- add to main playlist Play in Full Screen Symphony No. 7: III. Scherzo. Schattenhaft
- add to main playlist Play in Full Screen Symphony No. 7: IV. Nachtmusik II. Andante amoroso
- add to main playlist Play in Full Screen Symphony No. 7: V. Rondo-Finale. Allegro ordinario - Allegro moderato, ma energico
Symphony No. 9 (BBC Symphony Orchestra feat. conductor: Bruno Maderna)
Released 2006- add to main playlist Play in Full Screen Symphony No. 9 in D major: I. Andante comodo
- add to main playlist Play in Full Screen Symphony No. 9 in D major: II. Im Tempo eines gemächlichen Ländlers - Etwas täppisch und sehr derb
- add to main playlist Play in Full Screen Symphony No. 9 in D major: III. Rondo-Burleske: Allegro assai - Sehr trotzig
- add to main playlist Play in Full Screen Symphony No. 9 in D major: IV. Adagio - Sehr langsam und noch zurückhaltend
Symphony No. 6 "Tragic" (Israel Philharmonic Orchestra feat. conductor: Zubin Mehta)
Released 2006- add to main playlist Play in Full Screen Symphony No. 6 in A minor: I. Allegro energico, ma non troppo
- add to main playlist Play in Full Screen Symphony No. 6 in A minor: II. Scherzo: Wuchtig
- add to main playlist Play in Full Screen Symphony No. 6 in A minor: III. Andante moderato
- add to main playlist Play in Full Screen Symphony No. 6 in A minor: IV. Finale: Sostento - Allegro moderato
Symphony No. 1 / Blumine
Released 2006- add to main playlist Play in Full Screen Symphony No. 1 in D major: I. Langsam. Schleppend. Wie ein Naturlaut.-Immer sehr gemählich
- add to main playlist Play in Full Screen Symphony No. 1 in D major: II. Kräftig bewegt, doch nicht zu schnell - Trio. Recht gemächlich
- add to main playlist Play in Full Screen Symphony No. 1 in D major: III. Feierlich und gemessen, ohne zu schleppen
- add to main playlist Play in Full Screen Symphony No. 1 in D major: IV. Stürmisch bewegt
- add to main playlist Play in Full Screen Blumine (Andante allegretto)
Complete Recordings on Deutsche Grammophon, Volume III: Symphonies 8-10 / Das Lied von der Erde
Released 2005- add to main playlist Play in Full Screen Symphony No. 8 in E-flat major "Symphony of a Thousand": Part II, I. Poco adagio
- add to main playlist Play in Full Screen Symphony No. 8 in E-flat major "Symphony of a Thousand": Part II, II. Più mosso. (Allegro moderato)
- add to main playlist Play in Full Screen Symphony No. 8 in E-flat major "Symphony of a Thousand": Part II, III. Wieder langsam "Waldung, sie schwankt heran"
- add to main playlist Play in Full Screen Symphony No. 8 in E-flat major "Symphony of a Thousand": Part II, IV. Moderato "Ewiger Wonnebrand"
- add to main playlist Play in Full Screen Symphony No. 8 in E-flat major "Symphony of a Thousand": Part II, V. Allegro - (Allegro appassionato) "Wie Felsenabgrund mir zu füßen"
- add to main playlist Play in Full Screen Symphony No. 8 in E-flat major "Symphony of a Thousand": Part II, VI. Allegro deciso. (Im Anfang noch nicht eilen) "Gerettet ist das edle Glied der Geisterwelt vom Bösen"
- add to main playlist Play in Full Screen Symphony No. 8 in E-flat major "Symphony of a Thousand": Part II, VII. Molto leggiero "Jene Rosen aus den Händen"
- add to main playlist Play in Full Screen Symphony No. 8 in E-flat major "Symphony of a Thousand": Part II, VIII. Schon etwas langsamer und immer noch mäßiger "Uns bleibt ein Erdenrest"
- add to main playlist Play in Full Screen Symphony No. 8 in E-flat major "Symphony of a Thousand": Part II, IX. Im Anfang (die ersten vier Takte) noch etwas gehalten "Ich spür' soeben, nebelnd um Felsenhöh"
- add to main playlist Play in Full Screen Symphony No. 8 in E-flat major "Symphony of a Thousand": Part II, X. Sempre l'istesso tempo "Höchste Herrscherin der Welt"
- add to main playlist Play in Full Screen Symphony No. 8 in E-flat major "Symphony of a Thousand": Part II, XI. "Äußerst langsam. Adagissimo "Dir, der Unberührbaren"
- add to main playlist Play in Full Screen Symphony No. 8 in E-flat major "Symphony of a Thousand": Part II, XII. Fließend "Bei der Liebe, die den Füßen"
- add to main playlist Play in Full Screen Symphony No. 8 in E-flat major "Symphony of a Thousand": Part II, XIII. Una poenitentium "Neige, neige, du Ohnegleiche"
- add to main playlist Play in Full Screen Symphony No. 8 in E-flat major "Symphony of a Thousand": Part II, XIV. Unmerklich frischer "Er überwächst uns schon"
- add to main playlist Play in Full Screen Symphony No. 8 in E-flat major "Symphony of a Thousand": Part II, XV. Sehr langsam. "Komm! hebe dich zu höhern Sphären"
- add to main playlist Play in Full Screen Symphony No. 8 in E-flat major "Symphony of a Thousand": Part II, XVI. Hymnenartig (Ungefähr im selben Zeitmaß weiter) "Blicket auf zum Retterblick, alle reuig Zarten"
- add to main playlist Play in Full Screen Symphony No. 8 in E-flat major "Symphony of a Thousand": Part II, XVII. Sehr langsam beginnend "Alles Vergängliche ist nur Gleichnis"
Complete Recordings on Deutsche Grammophon, Volume II: Symphonies 5-7 / Ruckert-Lieder / Kindertotenlieder
Released 2005- add to main playlist Play in Full Screen Symphony No. 7 E-moll: V. Rondo-Finale: Tempo I (Allegro ordinario)
- add to main playlist Play in Full Screen Rückert Lieder No. 1: Liebst du um Schönheit
- add to main playlist Play in Full Screen Rückert Lieder No. 3: Blicke mir nicht in die Lieder
- add to main playlist Play in Full Screen Rückert Lieder No. 2: Ich atmet' ein linden Duft
- add to main playlist Play in Full Screen Rückert Lieder No. 4: Um Mitternacht
- add to main playlist Play in Full Screen Rückert Lieder No. 5: Ich bin der Welt abhanden gekommen
Complete Recordings on Deutsche Grammophon, Volume I: Symphonies 1-4 / Lieder eines fahrenden Gesellen / Des Knaben Wunderhorn
Released 2005- add to main playlist Play in Full Screen Symphony, No. 1 in, D major "Titan": I. Langsam. Schleppend
- add to main playlist Play in Full Screen Symphony, No. 1 in, D major "Titan": II. Kräftig bewegt
- add to main playlist Play in Full Screen Symphony, No. 1 in, D major "Titan": III. Feierlich und gemessen, ohne zu schleppen
- add to main playlist Play in Full Screen Symphony, No. 1 in, D major "Titan": IV. Stürmisch bewegt
- add to main playlist Play in Full Screen Lieder eines fahrenden gesellen: I. "Wenn mein schatz hochzeit macht"
- add to main playlist Play in Full Screen Lieder eines fahrenden gesellen: II. "Ging heut morgen übers feld"
- add to main playlist Play in Full Screen Lieder eines fahrenden gesellen: III. "Ich hab' ein glühend messer"
- add to main playlist Play in Full Screen Lieder eines fahrenden gesellen: IV. "Die zwei blauen augen von meinem schatz"
Symphony No. 4 in G major (arr. Erwin Stein) / Lieder eines fahrenden Gesellen (arr. Arnold Schönberg) (Smithsonian Chamber Players feat. conductor: Kenneth Slowik)
Released 2003- add to main playlist Play in Full Screen Symphony No. 4 in G major: I. Bedächtig. Nicht eilen
- add to main playlist Play in Full Screen Symphony No. 4 in G major: II. In gemächlicher Bewegung. Ohne Hast
- add to main playlist Play in Full Screen Symphony No. 4 in G major: III. Ruhevoll
- add to main playlist Play in Full Screen Symphony No. 4 in G major: IV. Sehr behaglich
- add to main playlist Play in Full Screen Lieder eines fahrenden Gesellen: I. "Wenn mein Schatz Hochzeit macht"
- add to main playlist Play in Full Screen Lieder eines fahrenden Gesellen: II. "Ging heut' Morgen übers Feld"
- add to main playlist Play in Full Screen Lieder eines fahrenden Gesellen: III. "Ich hab' ein glühend Messer in meiner Brust"
- add to main playlist Play in Full Screen Lieder eines fahrenden Gesellen: IV. "Die zwei blauen Augen von meinem Schatz"
Symphony no. 3 in D minor / Kindertotenlieder
Released 2003- add to main playlist Play in Full Screen Symphony no. 3 in D minor: Part I: I. Kräftig, entschieden
- add to main playlist Play in Full Screen Symphony no. 3 in D minor: Part II: II. Tempo di menuetto. Sehr mässig
- add to main playlist Play in Full Screen Symphony no. 3 in D minor: Part II: III. Comodo. Scherzando. Ohne Hast
Kindertotenlieder / Lieder nach Texten von Friedrich Rückert / Lieder eines fahrenden Gesellen (Wiener Symphoniker feat. conductor: Eliahu Inbal, mezzo soprano: Doris Soffel)
Released 2002- add to main playlist Play in Full Screen Kindertotenlieder: "Nun will die Sonn' so hell aufgeh'n"
- add to main playlist Play in Full Screen Kindertotenlieder: "Nun seh' ich wohl, warum so dunkle Flammen"
- add to main playlist Play in Full Screen Kindertotenlieder: "Wenn dein Mütterlein"
- add to main playlist Play in Full Screen Kindertotenlieder: "Oft denk' ich, sie sind nur ausgegangen"
- add to main playlist Play in Full Screen Kindertotenlieder: "In diesem Wetter"
- add to main playlist Play in Full Screen Lieder eines fahrenden Gesellen: "Wenn mein Schatz Hochzeit macht"
- add to main playlist Play in Full Screen Lieder eines fahrenden Gesellen: "Ging heut' morgen übers Feld"
- add to main playlist Play in Full Screen Lieder eines fahrenden Gesellen: "Ich hab' ein glühend Messer"
- add to main playlist Play in Full Screen Lieder eines fahrenden Gesellen: "Die zwei blauen Augen von meinem Schatz"
- add to main playlist Play in Full Screen Wesendonk Lieder (Five Poems for Female Voice): "Der Engel"
- add to main playlist Play in Full Screen Wesendonk Lieder (Five Poems for Female Voice): "Stehe still"
- add to main playlist Play in Full Screen Wesendonk Lieder (Five Poems for Female Voice): "Im Treibhaus"
- add to main playlist Play in Full Screen Wesendonk Lieder (Five Poems for Female Voice): "Schmerzen"
- add to main playlist Play in Full Screen Wesendonk Lieder (Five Poems for Female Voice): "Träume"
- add to main playlist Play in Full Screen Lohengrin: Act I. "Einsam in trüben Tagen"
- add to main playlist Play in Full Screen Parsifal: Act II. "Ich sah das Kind an seiner Mutter Brust"
- add to main playlist Play in Full Screen Die Walküre: "Erster Aufzug" - "Du bist der Lenz"
Symphony No. 10 (Wheeler, 1966 version) (Polish National Radio Symphony Orchestra feat. conductor: Robert Olson)
Released 2002- add to main playlist Play in Full Screen Symphony No. 10 in F-sharp minor (Wheeler, 1966 version): I. Adagio
- add to main playlist Play in Full Screen Symphony No. 10 in F-sharp minor (Wheeler, 1966 version): II. First Scherzo
- add to main playlist Play in Full Screen Symphony No. 10 in F-sharp minor (Wheeler, 1966 version): III. Purgatorio oder Inferno
- add to main playlist Play in Full Screen Symphony No. 10 in F-sharp minor (Wheeler, 1966 version): IV. Second Scherzo
- add to main playlist Play in Full Screen Symphony No. 10 in F-sharp minor (Wheeler, 1966 version): V. Finale
Das Lied von der Erde (Bavarian Radio Symphony Orchestra feat. conductor: Rafael Kubelík, 1970)
Released 2002- add to main playlist Play in Full Screen Das Lied von der Erde: I. Allegro pesante "Das Trinklied vom jammer der Erde"
- add to main playlist Play in Full Screen Das Lied von der Erde: II. Etwas scheichend. Ermüdet "Der Einsame im Herbst"
- add to main playlist Play in Full Screen Das Lied von der Erde: III. Behaglich heiter "Von der Jugend"
- add to main playlist Play in Full Screen Das Lied von der Erde: IV. Comodo. Dolcissimo "Von der Schönheit"
- add to main playlist Play in Full Screen Das Lied von der Erde: V. Allegro. Keck, aber nicht zu schnell "Der Trunkene im Frühung"
- add to main playlist Play in Full Screen Das Lied von der Erde: VI. Schwer "Der Abschied"
The Symphonies: Symphony No. 8 in E flat major ''Symphony of a Thousand'' (Wiener Philharmoniker feat. conductor: Lorin Maazel)
Released 2002- add to main playlist Play in Full Screen Symphony No. 8 in E-flat major, "Symphony of a Thousand" Part I: I. Veni Creatur Spiritus!
- add to main playlist Play in Full Screen Symphony No. 8 in E-flat major, "Symphony of a Thousand" Part I: II. Imple superna gratia
- add to main playlist Play in Full Screen Symphony No. 8 in E-flat major, "Symphony of a Thousand" Part I: III. Infirma nostri corporis
- add to main playlist Play in Full Screen Symphony No. 8 in E-flat major, "Symphony of a Thousand" Part I: IV. Tempo I. (Allegra, etwas hastig)
- add to main playlist Play in Full Screen Symphony No. 8 in E-flat major, "Symphony of a Thousand" Part I: V. Infirma nostri corporis
- add to main playlist Play in Full Screen Symphony No. 8 in E-flat major, "Symphony of a Thousand" Part I: VI. Accende lumen sensibus
- add to main playlist Play in Full Screen Symphony No. 8 in E-flat major, "Symphony of a Thousand" Part I: VII. Qui Paraclitus diceris
- add to main playlist Play in Full Screen Symphony No. 8 in E-flat major, "Symphony of a Thousand" Part I: VIII. Gloria Patri Domino
Symphony No. 4
Released 2001- add to main playlist Play in Full Screen Symphony No. 4 in G major: I. Bedächtig. Nicht teilen
- add to main playlist Play in Full Screen Symphony No. 4 in G major: II. In gemächlicher Bewegung. Ohne Hast
- add to main playlist Play in Full Screen Symphony No. 4 in G major: III. Ruhevoll (Poco adagio)
- add to main playlist Play in Full Screen Symphony No. 4 in G major: IV. Sehr behaglich
Symphony No. 3 (Bavarian Radio Symphony Orchestra feat. conductor: Rafael Kubelík, 1967)
Released 2001Mahler: Symphony no. 4 / Berlioz: Overture Le Corsaire
Released 1999- add to main playlist Play in Full Screen Symphony no. 4 in G major: I. Bedächtig, nicht eilen
- add to main playlist Play in Full Screen Symphony no. 4 in G major: II. In gemächlicher Bewegung, ohne Hast
- add to main playlist Play in Full Screen Symphony no. 4 in G major: III. Ruhevoll, poco adagio
- add to main playlist Play in Full Screen Symphony no. 4 in G major: IV. Sehr behaglich
- add to main playlist Play in Full Screen Overture Le Corsaire
Symphony no. 3
Released 1999- add to main playlist Play in Full Screen Symphony no. 3 in D minor: Part I. I. Kräftig. Entschieden
- add to main playlist Play in Full Screen Symphony no. 3 in D minor: Part I. I. Tempo
- add to main playlist Play in Full Screen Symphony no. 3 in D minor: Part I. I. Zeit lassen - a tempo
- add to main playlist Play in Full Screen Symphony no. 3 in D minor: Part I. I. Immer dasselbe Tempo (Marsch). Nicht eilen
- add to main playlist Play in Full Screen Symphony no. 3 in D minor: Part I. I. Tempo primo. Wie zu anfang
- add to main playlist Play in Full Screen Symphony no. 3 in D minor: Part I. I. Tempo
- add to main playlist Play in Full Screen Symphony no. 3 in D minor: Part II. II. Tempo di Menuetto. Sehr mäßig
- add to main playlist Play in Full Screen Symphony no. 3 in D minor: Part II. III. Comodo. Scherzando. Ohne Hast
- add to main playlist Play in Full Screen Symphony no. 3 in D minor: Part II. III. Sehr gemächlich. Frei vorgetragen. (Wie die Weise eines Posthorns)
- add to main playlist Play in Full Screen Symphony no. 3 in D minor: Part II. III. Schnell und schmetternd wie eine Fanfare - Tempo I. Mit geheimnisvoller Hast
Lieder eines fahrenden Gesellen / Kindertotenlieder / Ruckert-Lieder
Released 1999- add to main playlist Play in Full Screen Kindertotenlieder: Nun will die Sonn' so hell aufgeh'n
- add to main playlist Play in Full Screen Kindertotenlieder: Nun seh' ich wohl, warum so dunkle Flammen
- add to main playlist Play in Full Screen Kindertotenlieder: Wenn dein Mutterlein
- add to main playlist Play in Full Screen Kindertotenlieder: Oft denk' ich, sie sind nur ausgegangen!
- add to main playlist Play in Full Screen Kindertotenlieder: In diesem Wetter
- add to main playlist Play in Full Screen Lieder eines fahrenden Gesellen: Wenn mein Schatz Hochzeit macht
- add to main playlist Play in Full Screen Lieder eines fahrenden Gesellen: Ging heut' morgens ubers Feld
- add to main playlist Play in Full Screen Lieder eines fahrenden Gesellen: Ich hab' ein gluhend Messer
- add to main playlist Play in Full Screen Lieder eines fahrenden Gesellen: Die zwei blauen Augen
- add to main playlist Play in Full Screen Ruckert-Lieder (excerpts): No. 1. Blicke mir nicht in die Lieder!
- add to main playlist Play in Full Screen Ruckert-Lieder (excerpts): No. 2. Ich atmet' einen linden Duft
- add to main playlist Play in Full Screen Ruckert-Lieder (excerpts): No. 3. Ich bin der Welt abhanden gekommen
- add to main playlist Play in Full Screen Ruckert-Lieder (excerpts): No. 4. Um Mitternacht
Kindertotenlieder / Rückert Lieder / Das Lied von der Erde
Released 1997- add to main playlist Play in Full Screen Kindertotenlieder: I. Nun will die Sonn’ so hell aufgeh’n
- add to main playlist Play in Full Screen Kindertotenlieder: II. Nun seh’ ich wohl, warum so dunkle Flammen
- add to main playlist Play in Full Screen Kindertotenlieder: III. Wenn dein Mütterlein
- add to main playlist Play in Full Screen Kindertotenlieder: IV. Oft denk’ ich, sie sind nur ausgegangen
- add to main playlist Play in Full Screen Kindertotenlieder: V. In diesem Wetter
- add to main playlist Play in Full Screen Lieder nach Texten von Friedrich Rückert: Blicke mir nicht in die Lieder
- add to main playlist Play in Full Screen Lieder nach Texten von Friedrich Rückert: Ich atmet’ einen linden Duft
- add to main playlist Play in Full Screen Lieder nach Texten von Friedrich Rückert: Liebst du um Schönheit
- add to main playlist Play in Full Screen Lieder nach Texten von Friedrich Rückert: Um Mitternacht
- add to main playlist Play in Full Screen Lieder nach Texten von Friedrich Rückert: Ich bin der Welt abhanden gekommen
- add to main playlist Play in Full Screen Das Lied von der Erde: II. Der Einsame im Herbst
Mahler: Kindertotenlieder / Lieder eines fahrenden Gesellen / Strauss: Notturno
Released 1997- add to main playlist Play in Full Screen Kindertotenlieder: I. Nun will die Sonn’ so hell aufgeh’n…
- add to main playlist Play in Full Screen Kindertotenlieder: II. Nun seh’ ich wohl, warum so dunkle Flammen…
- add to main playlist Play in Full Screen Kindertotenlieder: III. Wenn dein Mütterlein…
- add to main playlist Play in Full Screen Kindertotenlieder: IV. Oft denk’ ich, sie sind nur ausgegangen!
- add to main playlist Play in Full Screen Kindertotenlieder: V. In diesem Wetter, in diesem Braus…
- add to main playlist Play in Full Screen Lieder eines fahrenden Gesellen: I. Wenn mein Schatz Hochzeit macht…
- add to main playlist Play in Full Screen Lieder eines fahrenden Gesellen: II. Ging heut’ Morgen über’s Feld…
- add to main playlist Play in Full Screen Lieder eines fahrenden Gesellen: III. Ich hab’ ein glühend Messer…
- add to main playlist Play in Full Screen Lieder eines fahrenden Gesellen: IV. Die zwei blauen Augen von meinem Schatz…
- add to main playlist Play in Full Screen Notturno, op. 44 no. 1
Mahler/Sinopoli: The Complete Recordings
Released 1997- add to main playlist Play in Full Screen Symphony No. 2 in C minor "Resurrection": II. Andante moderato. Sehr gemächlich
- add to main playlist Play in Full Screen Symphony No. 2 in C minor "Resurrection": III. Scherzo. In ruhig fliessender Bewegung
- add to main playlist Play in Full Screen Symphony No. 2 in C minor "Resurrection": IV. Urlicht. Sehr feierlich, aber schlicht "O Röschen rot!"
- add to main playlist Play in Full Screen Symphony No. 2 in C minor "Resurrection": Va. Im Tempo des Scherzos. Wild herausfahrend
- add to main playlist Play in Full Screen Symphony No. 2 in C minor "Resurrection": Vb. Wieder zurückhaltend. Langsam. Misterioso
Das Lied von der Erde (Staatskapelle Dresden feat. conductor: Giuseppe Sinopoli, alto: Iris Vermillion, tenor: Keith Lewis)
Released 1997- add to main playlist Play in Full Screen Das Lied von der Erde: I. Das Trinklied vom Jammer der Erde
- add to main playlist Play in Full Screen Das Lied von der Erde: II. Der Einsame im Herbst
- add to main playlist Play in Full Screen Das Lied von der Erde: III. Von der Jugend
- add to main playlist Play in Full Screen Das Lied von der Erde: IV. Von der Schönheit
- add to main playlist Play in Full Screen Das Lied von der Erde: V. Der Trunkene im Frühling
- add to main playlist Play in Full Screen Das Lied von der Erde: VI. Der Abschied
Symphonies 1 & 2
Released 1996- add to main playlist Play in Full Screen Symphony no. 1 in D major: I. Langsam, Schleppend
- add to main playlist Play in Full Screen Symphony no. 1 in D major: II. II Kraftig Bewegt, Doch Nich Zu Schnell
- add to main playlist Play in Full Screen Symphony no. 1 in D major: III. Feierlich Und Gemessen, Ohne Zu Schleppen - Sehr Einfach Und Schlicht Wie Eine Volksweise
- add to main playlist Play in Full Screen Symphony no. 1 in D major: IV. Sturmisch Bewegt
- add to main playlist Play in Full Screen Symphony no. 2 in C minor: I. Allegro Maestoso. Mit Durchaus Ernstem Und Feierlichem Ausdruck
Lieder aus Des Knaben Wunderhorn / Lieder eines fahrenden Gesellen (Wiener Symphoniker feat. conductor: Eliahu Inbal)
Released 1996- add to main playlist Play in Full Screen Des Knaben Wunderhorn: Des Schilwache Nachtlied
- add to main playlist Play in Full Screen Des Knaben Wunderhorn: Wer hat dies Liedlein erdacht
- add to main playlist Play in Full Screen Des Knaben Wunderhorn: Trost im Unglück
- add to main playlist Play in Full Screen Des Knaben Wunderhorn: Revelge
- add to main playlist Play in Full Screen Des Knaben Wunderhorn: Wo die schönen Trompeten blasen
- add to main playlist Play in Full Screen Des Knaben Wunderhorn: Das irdische Leben
- add to main playlist Play in Full Screen Des Knaben Wunderhorn: Lied des Verfolgten im Turm
- add to main playlist Play in Full Screen Des Knaben Wunderhorn: Der Tamboursg'sell
- add to main playlist Play in Full Screen Des Knaben Wunderhorn: Urlicht
- add to main playlist Play in Full Screen Des Knaben Wunderhorn: Des Antonius von Padua Fischpredigt
- add to main playlist Play in Full Screen Des Knaben Wunderhorn: Rheinlegendchen
- add to main playlist Play in Full Screen Des Knaben Wunderhorn: Verolene Muh
- add to main playlist Play in Full Screen Des Knaben Wunderhorn: Lob des hohen Verstandes.
- add to main playlist Play in Full Screen Lieder eines Fahrenden Gesellen: I. Wenn mein Schtz Hochzeit macht
- add to main playlist Play in Full Screen Lieder eines Fahrenden Gesellen: II. Ging heut'morgen über's Feld
- add to main playlist Play in Full Screen Lieder eines Fahrenden Gesellen: III. Ich hab'ein glühend Messer
- add to main playlist Play in Full Screen Lieder eines Fahrenden Gesellen: IV. Die zwei blauen Augen
Symphony no. 8
Released 1995- add to main playlist Play in Full Screen Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil I, Bar 1. "Veni, creator spiritus"
- add to main playlist Play in Full Screen Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil I, Bar 46. "Imple superna gratia"
- add to main playlist Play in Full Screen Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil I, Bar 122. "Infirma nostri corporis"
- add to main playlist Play in Full Screen Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil I, Bar 169. Tempo I. Allegro impetuoso
- add to main playlist Play in Full Screen Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil I, Bar 211. "Infirma nostri corporis"
- add to main playlist Play in Full Screen Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil I, Bar 258. "Accende lumen sensibus"
- add to main playlist Play in Full Screen Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil I, Bar 408. "Veni, creator spiritus"
- add to main playlist Play in Full Screen Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil I, Bar 488. "Gloria sit Patri Domino"
- add to main playlist Play in Full Screen Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil II, Bar 1. Poco adagio
- add to main playlist Play in Full Screen Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil II, Bar 97. Pìu mosso
- add to main playlist Play in Full Screen Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil II, Bar 167. Chor und Echo: "Waldung, sie schwankt heran"
- add to main playlist Play in Full Screen Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil II, Bar 219. "Ewiger Wonnenbrand" (Pater scstaticus)
- add to main playlist Play in Full Screen Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil II, Bar 261. "Wie Felsenabgrund mir zu Füssen" (Pater profundus)
- add to main playlist Play in Full Screen Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil II, Bar Bar 384/385. "Gerettet ist das edle Glied" (Chor der Engel) - "Hände verschlinget euch" (Chor seliger Knaben)
- add to main playlist Play in Full Screen Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil II, Bar 436. "Jene Rosen aus den Händen" (Chor der jüngeren Engel)
- add to main playlist Play in Full Screen Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil II, Bar 540. "Uns bleibt ein Erdenrest" (Chor vollendeteren Engel)
- add to main playlist Play in Full Screen Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil II, Bar 580. "Ich spür' soeben, nebelnd um Felsenhöhe'" (Die jüngeren Engel) - "Freudig empfangen frei" (Chor seliger Knaben) - "Hier ist die Aussicht frei" (Doctor Marianus)
- add to main playlist Play in Full Screen Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil II, Bar 639. "Höchste Herrscherin in der Welt" (Doctor Marianus)
- add to main playlist Play in Full Screen Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil II, Bar 780. "Dir, der Unberührbaren" (Chor I/II) - "Du schwebst zu Höhen" (Chor der Büsserinnen und Una poenitentium)
- add to main playlist Play in Full Screen Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil II, Bar 868. "Bei der Liebe, die den Füssen" (Magna Peccatrix) - "Bei dem Bronn, zu dem schon weiland" (Mulier Samaritana) - "Bei dem hochgeweihten Orte" (Maria Aegyptiaca)
- add to main playlist Play in Full Screen Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil II, Bar 1093. "Neige, neige" (Una poenitentium)
- add to main playlist Play in Full Screen Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil II, Bar 1138. "Er überwächst uns schon" (Selige Knaben) - "Vom edlen Geisterchor umgeben" (Una poenitentium)
- add to main playlist Play in Full Screen Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil II, Bar 1249. "Komm! hebe dich zu höhern Sphären" (Mater gloriosa) - "Blicket auf zum Retterblick alle reuig Zarten" (Doctor Marianus)
- add to main playlist Play in Full Screen Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil II, Bar 1449. Chorus mysticus: Alles Vergängliche ist nur ein Gleichnis
- add to main playlist Play in Full Screen [applause]
Symphony No. 2 "Resurrection" (Israel Philharmonic Orchestra feat. conductor: Zubin Mehta)
Released 1994- add to main playlist Play in Full Screen Sinfonie Nr. 2 in c-Moll : I. Allegro maestoso
- add to main playlist Play in Full Screen Sinfonie Nr. 2 in c-Moll : II. Andante moderato
- add to main playlist Play in Full Screen Sinfonie Nr. 2 in c-Moll : III. (Scherzo) In ruhig fließender Bewegung
- add to main playlist Play in Full Screen Sinfonie Nr. 2 in c-Moll : IV. Urlicht. Sehr feierlich, aber schlicht
- add to main playlist Play in Full Screen Sinfonie Nr. 2 in c-Moll : V. Im Tempo des Scherzo
Mahler Symphony No. 4, 8 Songs (Desi Halban, New York Philharmonic cond. Bruno Walter)
Released 1994- add to main playlist Play in Full Screen Symphony no. 4: I. Bedachtig. Nicht eilen
- add to main playlist Play in Full Screen Symphony no. 4: II. In gemachlicher Bewegung. Ohne Hast
- add to main playlist Play in Full Screen Symphony no. 4: III. Ruhevoll
- add to main playlist Play in Full Screen Symphony no. 4: IV. Sehr behaglich - Soprano Solo: »Wir genießen die himmlischen Freuden«
- add to main playlist Play in Full Screen Lieder und Gesänge aus der Jugendzeit: Erinnerung
- add to main playlist Play in Full Screen Lieder und Gesänge aus der Jugendzeit: Scheiden und Meiden
- add to main playlist Play in Full Screen Lieder und Gesänge aus der Jugendzeit: Nicht wiedersehen!
- add to main playlist Play in Full Screen Lieder und Gesänge aus der Jugendzeit: Ich ging mit Lust durch einen grünen Wald
- add to main playlist Play in Full Screen Lieder und Gesänge aus der Jugendzeit: Ablösung im Sommer
- add to main playlist Play in Full Screen Lieder und Gesänge aus der Jugendzeit: Hans und Grete
- add to main playlist Play in Full Screen Lieder und Gesänge aus der Jugendzeit: Frühlingsmorgen
- add to main playlist Play in Full Screen Lieder und Gesänge aus der Jugendzeit: Starke Einbildungskraft
Symphony no. 2 in C minor "Resurrection"
Released 1993- add to main playlist Play in Full Screen Symphony no. 2 in C Minor "Resurrection": III. In ruhig flieẞender Bewegung
- add to main playlist Play in Full Screen Symphony no. 2 in C Minor "Resurrection": IV. Sehr feierlich, aber schlicht
- add to main playlist Play in Full Screen Symphony no. 2 in C Minor "Resurrection": V. Im Tempo des Scherzo. Wild herausfahrend
Symphony no. 5
Released 1992- add to main playlist Play in Full Screen Symphony no. 5 in C-sharp minor: I. Trauermarsch. In gemessenem Schritt. Streng. Wie ein Kondukt, plötzlich schneller. Leidenschaftlich. Wild, a tempo
- add to main playlist Play in Full Screen Symphony no. 5 in C-sharp minor: II. Stürmisch bewegt. Mit größter Vehemenz
- add to main playlist Play in Full Screen Symphony no. 5 in C-sharp minor: III. Scherzo. Kräftig, nicht zu schnell
- add to main playlist Play in Full Screen Symphony no. 5 in C-sharp minor: IV. Adagietto. Sehr langsam
- add to main playlist Play in Full Screen Symphony no. 5 in C-sharp minor: V. Rondo-Finale. Allegro
Symphony No. 1 / Blumine
Released 1992- add to main playlist Play in Full Screen Symphony No. 1: I. Langsam. Schleppend
- add to main playlist Play in Full Screen Symphony No. 1: II. Kräftig bewegt
- add to main playlist Play in Full Screen Symphony No. 1: III. Feierlich und gemessen
- add to main playlist Play in Full Screen Symphony No. 1: IV. Stürmisch bewegt
- add to main playlist Play in Full Screen Blumine
Symphony No. 4 (Los Angeles Philharmonic feat. conductor: Esa-Pekka Salonen, Soprano: Barbara Hendricks)
Released 1992- add to main playlist Play in Full Screen Symphony no. 4: I. Bedächtig. Nicht eilen
- add to main playlist Play in Full Screen Symphony no. 4: II. In gemälicher Bewegung. Ohne Hast
- add to main playlist Play in Full Screen Symphony no. 4: III. Ruhevoll
- add to main playlist Play in Full Screen Symphony no. 4: IV. Sehr behaglich (Soprano Solo: “Wir genießen die himmlischen Freuden”; from Des Knaben Wunderhorn)
Symphonien 5, 9 & 10: Adagio
Released 1992- add to main playlist Play in Full Screen Symphony No. 5 in C-sharp minor: I. Trauermarsch
- add to main playlist Play in Full Screen Symphony No. 5 in C-sharp minor: II. Stürmisch bewegt, mit grösster Vehemenz
- add to main playlist Play in Full Screen Symphony No. 5 in C-sharp minor: III. Scherzo: Kräftig, nicht zu schnell
- add to main playlist Play in Full Screen Symphony No. 5 in C-sharp minor: IV. Adagietto: Sehr langsam
- add to main playlist Play in Full Screen Symphony No. 5 in C-sharp minor: V. Rondo-Finale: Allegro
Symphonie No. 5
Released 1991- add to main playlist Play in Full Screen Symphony No. 5: I. Trauermarsch
- add to main playlist Play in Full Screen Symphony No. 5: II. Stürmisch bewegt, mit größter Vehemenz
- add to main playlist Play in Full Screen Symphony No. 5: III. Scherzo. Kräftig, nicht zu schnell
- add to main playlist Play in Full Screen Symphony No. 5: IV. Adagietto. Sehr langsam
- add to main playlist Play in Full Screen Symphony No. 5: V. Rondo-Finale. Allegro
Symphony No. 5 in C-sharp minor (New York Philharmonic feat. conductor: Zubin Mehta)
Released 1991- add to main playlist Play in Full Screen Symphony No. 5 in C-sharp minor: I. Trauermarsch (In gemessenem Schritt. Streng. Wie ein Kondukt)
- add to main playlist Play in Full Screen Symphony No. 5 in C-sharp minor: II. Stürmisch bewegt, mit größter Vehemenz
- add to main playlist Play in Full Screen Symphony No. 5 in C-sharp minor: III. Scherzo (Kräftig, nicht zu schnell)
- add to main playlist Play in Full Screen Symphony No. 5 in C-sharp minor: IV. Adagietto (Sehr langsam)
- add to main playlist Play in Full Screen Symphony No. 5 in C-sharp minor: V. Rondo-Finale (Allegro)
Symphonie No. 1 (Chicago Symphony Orchestra feat. conductor: Klaus Tennstedt)
Released 1991- add to main playlist Play in Full Screen Symphonie No. 1 D-dur "Titan": I. Langsam. Schleppend - Im Anfang sehr gemächlich
- add to main playlist Play in Full Screen Symphonie No. 1 D-dur "Titan": II. Kräftig bewegt, doch nocht zu schnell
- add to main playlist Play in Full Screen Symphonie No. 1 D-dur "Titan": III. Feierlich und bemessen, ohne zu schleppen
- add to main playlist Play in Full Screen Symphonie No. 1 D-dur "Titan": IV. Stürmisch bewegt
Symphony No. 1 in D major (Philharmonia Orchestra feat. conductor: Giuseppe Sinopoli)
Released 1990- add to main playlist Play in Full Screen Symphony No. 1 in D major: I. Langsam. Schleppend - Im Anfang sehr gemächlich
- add to main playlist Play in Full Screen Symphony No. 1 in D major: II. Kräftig bewegt, doch nicht zu schnell
- add to main playlist Play in Full Screen Symphony No. 1 in D major: III. Feierlich und gemessen, ohne zu schleppen
- add to main playlist Play in Full Screen Symphony No. 1 in D major: IV. Stürmisch bewegt
Des Knaben Wunderhorn
Released 1989- add to main playlist Play in Full Screen Des Knaben Wunderhorn: I. Der Schildwache Nachtlied
- add to main playlist Play in Full Screen Des Knaben Wunderhorn: II. Wer hat dies Liedlein erdacht?
- add to main playlist Play in Full Screen Des Knaben Wunderhorn: III. Der Tamboursg'sell
- add to main playlist Play in Full Screen Des Knaben Wunderhorn: IV. Das irdische Leben
- add to main playlist Play in Full Screen Des Knaben Wunderhorn: V. Verlor'ne Müh'
- add to main playlist Play in Full Screen Des Knaben Wunderhorn: VI. Des Antonius von Padua Fischpredigt
- add to main playlist Play in Full Screen Des Knaben Wunderhorn: VII. Revelge
- add to main playlist Play in Full Screen Des Knaben Wunderhorn: VIII. Rheinlegendchen
- add to main playlist Play in Full Screen Des Knaben Wunderhorn: IX. Lob des hohen Verstandes
- add to main playlist Play in Full Screen Des Knaben Wunderhorn: X. Wo die schönen Trompeten blasen
- add to main playlist Play in Full Screen Des Knaben Wunderhorn: XI. Lied des Verfolgten im Turm
- add to main playlist Play in Full Screen Des Knaben Wunderhorn: XII. Trost im Unglück
- add to main playlist Play in Full Screen Des Knaben Wunderhorn: XIII. Urlicht
Symphony No. 4
Released 1989- add to main playlist Play in Full Screen Symphony No. 4 in G major: I. Bedächtig, nicht eilen
- add to main playlist Play in Full Screen Symphony No. 4 in G major: II. In gemächlicher Bewegung, ohne Hast
- add to main playlist Play in Full Screen Symphony No. 4 in G major: III. Ruhevoll, poco adagio
- add to main playlist Play in Full Screen Symphony No. 4 in G major: IV. Sehr behaglich
Symphonie no. 9
Released 1986- add to main playlist Play in Full Screen Symphonie No. 9 D-dur: Ia. Andante comodo
- add to main playlist Play in Full Screen Symphonie No. 9 D-dur: Ib. (Horneinsatz)
- add to main playlist Play in Full Screen Symphonie No. 9 D-dur: Ic. Bewegter
- add to main playlist Play in Full Screen Symphonie No. 9 D-dur: Id.
- add to main playlist Play in Full Screen Symphonie No. 9 D-dur: Ie. Wie von Anfang
- add to main playlist Play in Full Screen Symphonie No. 9 D-dur: If. Plötzlich bedeutend langsamer (Lento) und leise
- add to main playlist Play in Full Screen Symphonie No. 9 D-dur: IIa. Im Tempo eines gemächlichen Ländlers. Etwas täppisch und sehr derb
- add to main playlist Play in Full Screen Symphonie No. 9 D-dur: IIb. Poco più mosso subito (Tempo II.)
- add to main playlist Play in Full Screen Symphonie No. 9 D-dur: IIc. Tempo III.
- add to main playlist Play in Full Screen Symphonie No. 9 D-dur: IId. Tempo II.
- add to main playlist Play in Full Screen Symphonie No. 9 D-dur: IIe. Tempo I.
- add to main playlist Play in Full Screen Symphonie No. 9 D-dur: IIf. Tempo II.
- add to main playlist Play in Full Screen Symphonie No. 9 D-dur: IIg. Tempo I. subito
Quartet no. 14 in D minor / Der Tod und das Mädchen (Lied)
Released 1986- add to main playlist Play in Full Screen Der Tod und das Mädchen, D. 531
- add to main playlist Play in Full Screen Quartet in D minor, D. 810 "Der Tod und das Mädchen" : I. Allegro
- add to main playlist Play in Full Screen Quartet in D minor, D. 810 "Der Tod und das Mädchen" : II. Andante con moto
- add to main playlist Play in Full Screen Quartet in D minor, D. 810 "Der Tod und das Mädchen" : III. Scherzo (allegro molto)
- add to main playlist Play in Full Screen Quartet in D minor, D. 810 "Der Tod und das Mädchen" : IV. Presto
Symphony No. 1
Released 1985- add to main playlist Play in Full Screen Symphony No. 1 in D major I. Langsam Schleppend - Im Anfang sehr gemächlich
- add to main playlist Play in Full Screen Symphony No. 1 in D major II. Kräftig bewegt, doch nicht zu schell
- add to main playlist Play in Full Screen Symphony No. 1 in D major III. Feierlich und gemessen, ohne zu schleppen
- add to main playlist Play in Full Screen Symphony No. 1 in D major IV. Stürmisch bewegt
Symphony No. 5 & 10
Released 1985- add to main playlist Play in Full Screen Symphony No.5 - I: Trauermarsch (Im gemessenem Schritt - Streng - Wie ein Kondukt)
- add to main playlist Play in Full Screen Symphony No.5 - II: Stürmisch bewegt, mit grösster Vehemenz
- add to main playlist Play in Full Screen Symphony No.5 - III: Scherzo (Kräftig, nicht zu schnell)
Symphony No. 2 in C minor "Resurrection"
Released 1982- add to main playlist Play in Full Screen Symphony No. 2 in C minor "Resurrection": I. Allegro maestoso
- add to main playlist Play in Full Screen Symphony No. 2 in C minor "Resurrection": II. Andante moderato
- add to main playlist Play in Full Screen Symphony No. 2 in C minor "Resurrection": III. In ruhig fliessender Bewegung
Bernstein Century: Symphony no.1 "Titan" / Symphony no.10 (Adagio)
- add to main playlist Play in Full Screen Symphony No. 1 in D major "Titan": Ia. Langsam. Schleppend. Wie ein Naturlaut -
- add to main playlist Play in Full Screen Symphony No. 1 in D major "Titan": Ib. Immer sehr gemächlich -
- add to main playlist Play in Full Screen Symphony No. 1 in D major "Titan": Ic. Sehr Gemächlich -
- add to main playlist Play in Full Screen Symphony No. 1 in D major "Titan": Id. Vorwarts drängend
- add to main playlist Play in Full Screen Symphony No. 1 in D major "Titan": IIa. Kräftig bewegt -
- add to main playlist Play in Full Screen Symphony No. 1 in D major "Titan": IIb. Trio. Recht gemächlich -
- add to main playlist Play in Full Screen Symphony No. 1 in D major "Titan": IIc. Tempo primo
- add to main playlist Play in Full Screen Symphony No. 1 in D major "Titan": IIIa. Feierlich und gemessen, ohne zu schleppen -
- add to main playlist Play in Full Screen Symphony No. 1 in D major "Titan": IIIb. A tempo. Ziemlich langsam -
- add to main playlist Play in Full Screen Symphony No. 1 in D major "Titan": IIIc. Sehr einfach und schlicht wie eine Volksweise -
- add to main playlist Play in Full Screen Symphony No. 1 in D major "Titan": IIId. Wieder etwas bewegter, wie im Anfang
- add to main playlist Play in Full Screen Symphony No. 1 in D major "Titan": IVa. Stürmisch bewegt -
- add to main playlist Play in Full Screen Symphony No. 1 in D major "Titan": IVb. Sehr gesangvoll -
- add to main playlist Play in Full Screen Symphony No. 1 in D major "Titan": IVc. Wieder wie zu Anfang. Stürmisch bewegt -
- add to main playlist Play in Full Screen Symphony No. 1 in D major "Titan": IVd. Sehr langsam -
- add to main playlist Play in Full Screen Symphony No. 1 in D major "Titan": IVe. Wieder vorwärts drängend
- add to main playlist Play in Full Screen Adagio from Symphony No. 10: a. Andante -
- add to main playlist Play in Full Screen Adagio from Symphony No. 10: b. Andante come prima -
- add to main playlist Play in Full Screen Adagio from Symphony No. 10: c. A tempo (fließend) -
- add to main playlist Play in Full Screen Adagio from Symphony No. 10: d. Measure 104 -
- add to main playlist Play in Full Screen Adagio from Symphony No. 10: e. Measure 194 -
- add to main playlist Play in Full Screen Adagio from Symphony No. 10: f. A tempo
Symphony no. 7
- add to main playlist Play in Full Screen Symphony no. 7 in E minor: Ia. Langsam (Adagio)
- add to main playlist Play in Full Screen Symphony no. 7 in E minor: Ib. Nicht schleppen
- add to main playlist Play in Full Screen Symphony no. 7 in E minor: Ic. Allegro risoluto, ma non troppo
- add to main playlist Play in Full Screen Symphony no. 7 in E minor: Id. A tempo (sempre läistesso)
- add to main playlist Play in Full Screen Symphony no. 7 in E minor: Ie. Subito Allegro I. Ziemlich ruhig
- add to main playlist Play in Full Screen Symphony no. 7 in E minor: If. Adagio (Tempo der Einleitung)
- add to main playlist Play in Full Screen Symphony no. 7 in E minor: Ig. Maestoso. Allegro come prima
- add to main playlist Play in Full Screen Symphony no. 7 in E minor: IIa. Nachtmusik I. Allegro moderato
- add to main playlist Play in Full Screen Symphony no. 7 in E minor: IIb. Sempre l'istesso tempo. Nicht eilen, sehr gemächlich
- add to main playlist Play in Full Screen Symphony no. 7 in E minor: IIc. Tempo
- add to main playlist Play in Full Screen Symphony no. 7 in E minor: IIIa. Scherzo. Schattenhaft, fließend, aber nicht zu schnell
- add to main playlist Play in Full Screen Symphony no. 7 in E minor: IIIb. Trio
- add to main playlist Play in Full Screen Symphony no. 7 in E minor: IIIc. Wieder wie zu Anfang (nicht eilen)
- add to main playlist Play in Full Screen Symphony no. 7 in E minor: IVa. Nachtmusik II. Andante amoroso
- add to main playlist Play in Full Screen Symphony no. 7 in E minor: IVb. [Figure 197]
- add to main playlist Play in Full Screen Symphony no. 7 in E minor: Va. Rondo-Final. Tempo I (Allegro ordinario)
- add to main playlist Play in Full Screen Symphony no. 7 in E minor: Vb. Gemessen! Nicht schnell! Tempo II (Allegro moderato ma energico)
- add to main playlist Play in Full Screen Symphony no. 7 in E minor: Vc. Tempo I (Halbe wie die Viertel des Tempo I)
- add to main playlist Play in Full Screen Symphony no. 7 in E minor: Vd. Sempre l'istesso tempo
Symphony no. 1 "Titan" / Symphony no. 5
- add to main playlist Play in Full Screen Symphony no. 1 in D major "Titan": I. Langsam. Schleppend
- add to main playlist Play in Full Screen Symphony no. 1 in D major "Titan": II. Kräftig bewegt
- add to main playlist Play in Full Screen Symphony no. 1 in D major "Titan": III. Feierlich und gemessen, ohne zu schleppen
- add to main playlist Play in Full Screen Symphony no. 1 in D major "Titan": IV. Stürmisch bewegt
Symphony no. 9 in D major
- add to main playlist Play in Full Screen Symphony no. 9 in D major: I. Andante comodo
- add to main playlist Play in Full Screen Symphony no. 9 in D major: II. Im Tempo eines gemächlichen Ländlers (Etwas täppisch und sehr derb)
- add to main playlist Play in Full Screen Symphony no. 9 in D major: III. Rondo - Burlesque
- add to main playlist Play in Full Screen Symphony no. 9 in D major: IV. Adagio
Symphony No. 3 (Chicago Symphony Orchestra, conductor: Bernard Haitink, mezzo-soprano: Michelle DeYoung)
- add to main playlist Play in Full Screen Symphony No.3: II. Tempo di Menuetto. Sehr mässig
- add to main playlist Play in Full Screen Symphony No.3: III. Comodo. Scherzando. Ohne Hast
- add to main playlist Play in Full Screen Symphony No.3: IV. Sehr langsam. Misterioso
- add to main playlist Play in Full Screen Symphony No.3: V. Lustig im Tempo und keck im Ausdruck
- add to main playlist Play in Full Screen Symphony No.3: VI. Langsam. Ruhevoll. Empfunden
Symphony No. 5 (Radio Symphony Orchestra, Glasgow)
- add to main playlist Play in Full Screen Symphony No. 5 in C-sharp minor: I. Trauermarsch (In gemessenem Schritt, streng)
- add to main playlist Play in Full Screen Symphony No. 5 in C-sharp minor: II. Stürmisch bewegt, mit größter Vehemenz
- add to main playlist Play in Full Screen Symphony No. 5 in C-sharp minor: III. Scherzo (Kräftig, nicht zu schnell)
- add to main playlist Play in Full Screen Symphony No. 5 in C-sharp minor: IV. Adagietto (Sehr langsam)
- add to main playlist Play in Full Screen Symphony No. 5 in C-sharp minor: V. Rondo-Finale. Allegro
Born: 1860-07-07
Died: 1911-05-18
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Gustav Mahler - Symphony No. 1 - Bernstein · Vienna Philharmonic Orchestra
Gustav Mahler - Symphony No. 1 - Bernstein · Vienna Philharmonic Orchestra -
Mahler - Symphony No. 1 and Symphony No. 5
FOLLOW US ON SPOTIFY http://open.spotify.com/user/halidon PLAYLIST The Best of Classical Music http://open.spotify.com/user/halidon/playlist/5E4CbUOCiUXw2Fh8Foq51V visit our page on facebook ▶ http://on.fb.me/1bzVvBp Symphony No. 1 Titan - Symphony No. 5 Symphony No. 1 in D major Titan I. Langsam, schleppend (Slowly, dragging) Immer sehr gemächlich (very restrained throughout) II. Kräftig bewegt, doch nicht zu schnell (Moving strongly, but not too quickly), Recht gemächlich (restrained), a Trio 12:31 III. Feierlich und gemessen, ohne zu schleppen (Solemnly and measured, without dragging), Sehr einfach und schlicht wie eine Volksweise (very simple, like a folk-tune), and Wieder etwas bewegter, wie im Anfang (something stronger, as at the start) 19:24 IV. Stürmisch bewegt -- Energisch (... -
Gustav Mahler - Symphony No.9 in D-major - IV, Adagio. Sehr langsam und noch zurückhaltend
The Symphony No. 9 by Gustav Mahler was written between 1908 and 1909, and was the last symphony that he completed. The symphony is in four movements: 1. Andante comodo (D major); 2. Im Tempo eines gemächlichen Ländlers. Etwas täppisch und sehr derb (C major); 3. Rondo-Burleske: Allegro assai. Sehr trotzig (A minor); 4. Adagio. Sehr langsam und noch zurückhaltend (D-flat major). Although the symphony has the traditional number of movements, it is unusual in that the first and last are slow rather than fast. As is often the case with Mahler, one of the middle movements is a ländler. The first movement embraces a loose sonata form; the work opens with a hesitant, syncopated motif which is to return at the height of the movement's development as a sudden intrusion of "death in the midst of ... -
Gustav Mahler-Piano Quartet in A minor
Gustav Mahler's Piano Quartet in A minor For Piano and Strings Trio. Hope you Enjoy =] -
Gustav Mahler - Adagietto from Symphony no. 5
The Chicago Symphony Orchestra conducted by Daniel Barenboim. Gustav Mahler's Adagietto from his 5th Symphony in C sharp minor. -
Gustav Mahler: Symphony No. 2 "Resurrection" (Lucerne Festival Orchestra, Claudio Abbado)
Recorded live at the Lucerne Festival, Summer 2003 Culture and Convention Centre Lucerne, 21 August 2003 Eteri Gvazava - soprano Anna Larsson - mezzo-soprano Orfeón Donostiarra José Antonio Sainz Alfaro - chorus master Lucerne Festival Orchestra Claudio Abbado - conductor 1:18 I. Allegro maestoso (21:10) 22:26 II. Andante moderato (9:24) 32:18 III. [Scherzo] In ruhig fließender Bewegung (11:18) 43:48 IV. Urllicht. Sehr feierlich, aber schlicht (5:05) 48:42 V. Im Tempo des Scherzo. Wild herausfahrend - "Auferstehn" (37:25) Resurrection in Lucerne Lucerne Festival. 21 August 2003, 7.30 pm. The atmosphere in the large concert hall in the spectacular, steel and glass Culture and Convention Centre built on the shore of Lake Lucerne by the French star architect Jean Nouvel is electric. The e... -
Gustav Mahler - Symphony No. 1 "Titan" | Vienna Philharmonic, Leonard Bernstein [HD]
Gustav Mahler - Symphony No. 1 in D major "Titan", 1884-1888 | Vienna Philharmonic, Leonard Bernstein Movements: 00:42 I Langsam. Schieppend. Wie ein Naturlaut.Im Anfang sehr gemachlich 16:22 II Krafting bewet, doch nicht zu schnell - Trio. Recht gemachlich 25:07 III Feier und gemessen, ohne zu schleppen 35:38 IV Sturmisch bewegt Other Recordings: Symphony No. 1 "Titan" http://youtu.be/dP1Ndx2p14Q Symphony No. 5 http://youtu.be/Ipte0gDlSr4 Adagietto http://youtu.be/15WQNKhaCHY Symphony No. 10 "Adagio" http://youtu.be/vHyV8noUXC0 Mahler's First Symphony was originally conceived as a tone poem in two parts. Loosely based on Jean Paul's novel Titan, the structure was this: Part I: "From the Days of Youth," Music of Flowers, Fruit and Thorn - 1. Spring and No End; 2. Flowers; 3. In Full Sa... -
The Best of Mahler
The Best of Gustav Mahler (7 July 1860 – 18 May 1911) Georg Solti Chicago Symphony Orchestra As a composer, Mahler acted as a bridge between the 19th-century Austro-German tradition and the modernism of the early 20th century. While in his lifetime his status as a conductor was established beyond question, his own music gained wide popularity only after periods of relative neglect which included a ban on its performance in much of Europe during the Nazi era. After 1945 the music was discovered and championed by a new generation of listeners; Mahler then became a frequently performed and recorded composer, a position he has sustained into the 21st century. Born in humble circumstances, Mahler displayed his musical gifts at an early age. After graduating from the Vienna Conservatory in ... -
Gustav Mahler - Symphony No. 5 | Vienna Philharmonic, Leonard Bernstein [HD]
Gustav Mahler - Symphony No. 5 in C sharp minor, 1901-1902 | Vienna Philharmonic, Leonard Bernstein Part One 00:47 I Trauermarsch. In gemessenem Schritt. Streng. Wie ein Kondukt 13:25 II Stürmisch bewegt. Mit größter Vehemenz Part Two 27:00 III Scherzo. Kräftig, nicht zu schnell Part Three 45:14 IV Adagietto. Sehr langsam http://youtu.be/15WQNKhaCHY 57:29 V Rondo-Finale. Allegro Other Recordings: Symphony No. 1 "Titan" http://youtu.be/dP1Ndx2p14Q Symphony No. 5 http://youtu.be/Ipte0gDlSr4 Adagietto http://youtu.be/15WQNKhaCHY Symphony No. 10 "Adagio" http://youtu.be/vHyV8noUXC0 Mahler kept revising the orchestration of this work until his death. He conducted the first performance with the Gürzenich Orchestra in Cologne on October 18, 1904. It is scored for quadruple winds, six horn...
Gustav Mahler - Symphony No. 5
- Order: Reorder
- Duration: 77:40
- Updated: 25 Mar 2012
- views: 472942
Gustav Mahler - Symphony No. 1 - Bernstein · Vienna Philharmonic Orchestra
- Order: Reorder
- Duration: 55:22
- Updated: 28 Mar 2012
- views: 323193
Gustav Mahler - Symphony No. 1 - Bernstein · Vienna Philharmonic Orchestra
- published: 28 Mar 2012
- views: 323193
Mahler - Symphony No. 1 and Symphony No. 5
- Order: Reorder
- Duration: 118:48
- Updated: 21 Jun 2013
- views: 427984
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Symphony No. 1 Titan - Symphony No. 5
Symphony No. 1 in D major Titan
I. Langsam, schleppend (Slowly, dragging) Immer sehr gemächlich (very restrained throughout)
II. Kräftig bewegt, doch nicht zu schnell (Moving strongly, but not too quickly), Recht gemächlich (restrained), a Trio 12:31
III. Feierlich und gemessen, ohne zu schleppen (Solemnly and measured, without dragging), Sehr einfach und schlicht wie eine Volksweise (very simple, like a folk-tune), and Wieder etwas bewegter, wie im Anfang (something stronger, as at the start) 19:24
IV. Stürmisch bewegt -- Energisch (Stormily agitated -- Energetic) 29:40
Symphony No. 5
I. Trauermarsch (Funeral March) C# minor 48:18
II. Moving stormily, with the greatest vehemence (Stürmisch bewegt, mit größter Vehemenz) A minor 1:01:20
III. Scherzo. Kräftig, nicht zu schnell D major 1:15:41
IV. Adagietto. Sehr langsam F major 1:34:08
V. Rondo-Finale. Allegro - Allegro giocoso. Frisch D major 1:41:46
wn.com/Mahler Symphony No. 1 And Symphony No. 5
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Symphony No. 1 Titan - Symphony No. 5
Symphony No. 1 in D major Titan
I. Langsam, schleppend (Slowly, dragging) Immer sehr gemächlich (very restrained throughout)
II. Kräftig bewegt, doch nicht zu schnell (Moving strongly, but not too quickly), Recht gemächlich (restrained), a Trio 12:31
III. Feierlich und gemessen, ohne zu schleppen (Solemnly and measured, without dragging), Sehr einfach und schlicht wie eine Volksweise (very simple, like a folk-tune), and Wieder etwas bewegter, wie im Anfang (something stronger, as at the start) 19:24
IV. Stürmisch bewegt -- Energisch (Stormily agitated -- Energetic) 29:40
Symphony No. 5
I. Trauermarsch (Funeral March) C# minor 48:18
II. Moving stormily, with the greatest vehemence (Stürmisch bewegt, mit größter Vehemenz) A minor 1:01:20
III. Scherzo. Kräftig, nicht zu schnell D major 1:15:41
IV. Adagietto. Sehr langsam F major 1:34:08
V. Rondo-Finale. Allegro - Allegro giocoso. Frisch D major 1:41:46
- published: 21 Jun 2013
- views: 427984
Gustav Mahler - Symphony No.9 in D-major - IV, Adagio. Sehr langsam und noch zurückhaltend
- Order: Reorder
- Duration: 29:46
- Updated: 16 Aug 2011
- views: 381363
The Symphony No. 9 by Gustav Mahler was written between 1908 and 1909, and was the last symphony that he completed.
The symphony is in four movements:
1. Anda...
The Symphony No. 9 by Gustav Mahler was written between 1908 and 1909, and was the last symphony that he completed.
The symphony is in four movements:
1. Andante comodo (D major);
2. Im Tempo eines gemächlichen Ländlers. Etwas täppisch und sehr derb (C major);
3. Rondo-Burleske: Allegro assai. Sehr trotzig (A minor);
4. Adagio. Sehr langsam und noch zurückhaltend (D-flat major).
Although the symphony has the traditional number of movements, it is unusual in that the first and last are slow rather than fast. As is often the case with Mahler, one of the middle movements is a ländler.
The first movement embraces a loose sonata form; the work opens with a hesitant, syncopated motif which is to return at the height of the movement's development as a sudden intrusion of "death in the midst of life", announced by trombones and marked within the score "with the greatest force".
The second movement is a dance, a Ländler, but it has becomes distorted to the point that it no longer resembles a dance. The movement contains shades of the second movement of Mahler's Fourth Symphony, in the distortion of a traditional dance into a dance of death. For example, Mahler alters traditional chord sequences into near-unrecognizable variations, turning the rustic and mostly diatonic C major introductory Ländler into a vicious whole-tone waltz, saturated with accidentals and frantic rhythms. The third movement, in the form of a rondo, displays the final maturation of Mahler's contrapuntal skills. It opens with a dissonant theme in the trumpet which is treated in the form of a double fugue. The following five-note motif introduced by strings in unison recalls the second movement of his Fifth Symphony. The addition of Burleske to the title of the movement refers to the mixture of dissonance with Baroque counterpoint. Although the term "Burlesque" means "humorous", the actual "humor" of the movement is relatively small compared to the overall field of manic violence, considering only two small neo-classical sections that appear more like a flashback than playfulness. The final movement, marked "zurückhaltend", opens for strings only; But most importantly it incorporates a direct quote from the Rondo-Burleske's middle section. Here it becomes an elegy. After several impassioned climaxes the movement becomes increasingly fragmented and the coda ends quietly. On the closing pages, Mahler quotes in the first violins from his own Kindertotenlieder: "The day is fine on yonder heights".
Conductor: Leonard Bernstein & Concertgebouw Orchestra.
wn.com/Gustav Mahler Symphony No.9 In D Major Iv, Adagio. Sehr Langsam Und Noch Zurückhaltend
The Symphony No. 9 by Gustav Mahler was written between 1908 and 1909, and was the last symphony that he completed.
The symphony is in four movements:
1. Andante comodo (D major);
2. Im Tempo eines gemächlichen Ländlers. Etwas täppisch und sehr derb (C major);
3. Rondo-Burleske: Allegro assai. Sehr trotzig (A minor);
4. Adagio. Sehr langsam und noch zurückhaltend (D-flat major).
Although the symphony has the traditional number of movements, it is unusual in that the first and last are slow rather than fast. As is often the case with Mahler, one of the middle movements is a ländler.
The first movement embraces a loose sonata form; the work opens with a hesitant, syncopated motif which is to return at the height of the movement's development as a sudden intrusion of "death in the midst of life", announced by trombones and marked within the score "with the greatest force".
The second movement is a dance, a Ländler, but it has becomes distorted to the point that it no longer resembles a dance. The movement contains shades of the second movement of Mahler's Fourth Symphony, in the distortion of a traditional dance into a dance of death. For example, Mahler alters traditional chord sequences into near-unrecognizable variations, turning the rustic and mostly diatonic C major introductory Ländler into a vicious whole-tone waltz, saturated with accidentals and frantic rhythms. The third movement, in the form of a rondo, displays the final maturation of Mahler's contrapuntal skills. It opens with a dissonant theme in the trumpet which is treated in the form of a double fugue. The following five-note motif introduced by strings in unison recalls the second movement of his Fifth Symphony. The addition of Burleske to the title of the movement refers to the mixture of dissonance with Baroque counterpoint. Although the term "Burlesque" means "humorous", the actual "humor" of the movement is relatively small compared to the overall field of manic violence, considering only two small neo-classical sections that appear more like a flashback than playfulness. The final movement, marked "zurückhaltend", opens for strings only; But most importantly it incorporates a direct quote from the Rondo-Burleske's middle section. Here it becomes an elegy. After several impassioned climaxes the movement becomes increasingly fragmented and the coda ends quietly. On the closing pages, Mahler quotes in the first violins from his own Kindertotenlieder: "The day is fine on yonder heights".
Conductor: Leonard Bernstein & Concertgebouw Orchestra.
- published: 16 Aug 2011
- views: 381363
Gustav Mahler-Piano Quartet in A minor
- Order: Reorder
- Duration: 9:54
- Updated: 21 Mar 2010
- views: 675214
Gustav Mahler's Piano Quartet in A minor
For Piano and Strings Trio.
Hope you Enjoy =]
- published: 21 Mar 2010
- views: 675214
Gustav Mahler - Adagietto from Symphony no. 5
- Order: Reorder
- Duration: 9:46
- Updated: 24 Jan 2010
- views: 1264538
The Chicago Symphony Orchestra conducted by Daniel Barenboim. Gustav Mahler's Adagietto from his 5th Symphony in C sharp minor.
The Chicago Symphony Orchestra conducted by Daniel Barenboim. Gustav Mahler's Adagietto from his 5th Symphony in C sharp minor.
wn.com/Gustav Mahler Adagietto From Symphony No. 5
The Chicago Symphony Orchestra conducted by Daniel Barenboim. Gustav Mahler's Adagietto from his 5th Symphony in C sharp minor.
- published: 24 Jan 2010
- views: 1264538
Gustav Mahler: Symphony No. 2 "Resurrection" (Lucerne Festival Orchestra, Claudio Abbado)
- Order: Reorder
- Duration: 86:28
- Updated: 02 Feb 2015
- views: 482489
Recorded live at the Lucerne Festival, Summer 2003
Culture and Convention Centre Lucerne, 21 August 2003
Eteri Gvazava - soprano
Anna Larsson - mezzo-soprano
O...
Recorded live at the Lucerne Festival, Summer 2003
Culture and Convention Centre Lucerne, 21 August 2003
Eteri Gvazava - soprano
Anna Larsson - mezzo-soprano
Orfeón Donostiarra
José Antonio Sainz Alfaro - chorus master
Lucerne Festival Orchestra
Claudio Abbado - conductor
1:18 I. Allegro maestoso (21:10)
22:26 II. Andante moderato (9:24)
32:18 III. [Scherzo] In ruhig fließender Bewegung (11:18)
43:48 IV. Urllicht. Sehr feierlich, aber schlicht (5:05)
48:42 V. Im Tempo des Scherzo. Wild herausfahrend - "Auferstehn" (37:25)
Resurrection in Lucerne
Lucerne Festival. 21 August 2003, 7.30 pm. The atmosphere in the large concert hall in the spectacular, steel and glass Culture and Convention Centre built on the shore of Lake Lucerne by the French star architect Jean Nouvel is electric. The event was sold out months ago. Here and there a throat is softly cleared, people settle in their seats, their faces alert and expectant. At last, doors open and the members of the newly founded Lucerne Festival Orchestra come on to the platform. There are many very well-known faces: the clarinettist Sabine Meyer and Emmanuel Pahud, the fleet-fingered first flute from the Berliner Philharmoniker, Natalie Gutman among the cellists, members of the Hagen and Alban Berg Quartets among the rank and file of strings, and other players include Albrecht Mayer (oboe), Kolya Blacher (violin) and Wolfram Christ (viola).
Lucerne en fête
What kind of orchestra is this, formed of the most famous instrumentalists, the most celebrated chamber-music players, the most experienced soloists from the world's best orchestras? With Claudio Abbado to conduct it, chief conductor of the Berliner Philharmoniker up until the previous year, for whom the Lucerne Festival Orchestra is the realization of a wholly personal dream? One answer, at least, is obvious: lt is an orchestra of superlatives. "After this first appearance", the press agreed, "there can be no argument: orchestral cultivation of this calibre is scarcely to be heard anywhere else."
The Lucerne Festival has a long tradition of generating its own orchestras. The best remembered is probably the Swiss Festival Orchestra, which assembled "the best orchestral musicians of Switzerland" (to quote the Original memorandum of association) to give the concerts that formed the festival's backbone every year from 1943 to 1993. But the idea of an elite orchestra goes back further, to the summer of 1938. This was the year in which Arturo Toscanini dissociated himself from the Salzburg Festival for political reasons; a handpicked orchestra was formed for him to conduct in Lucerne (the members of the legendary Busch Quartet, banned frorn playing in Germany, sat at the first desks of the string section) and his "concert de gala" marked the moment when Lucerne was new-born as a festival city.
wn.com/Gustav Mahler Symphony No. 2 Resurrection (Lucerne Festival Orchestra, Claudio Abbado)
Recorded live at the Lucerne Festival, Summer 2003
Culture and Convention Centre Lucerne, 21 August 2003
Eteri Gvazava - soprano
Anna Larsson - mezzo-soprano
Orfeón Donostiarra
José Antonio Sainz Alfaro - chorus master
Lucerne Festival Orchestra
Claudio Abbado - conductor
1:18 I. Allegro maestoso (21:10)
22:26 II. Andante moderato (9:24)
32:18 III. [Scherzo] In ruhig fließender Bewegung (11:18)
43:48 IV. Urllicht. Sehr feierlich, aber schlicht (5:05)
48:42 V. Im Tempo des Scherzo. Wild herausfahrend - "Auferstehn" (37:25)
Resurrection in Lucerne
Lucerne Festival. 21 August 2003, 7.30 pm. The atmosphere in the large concert hall in the spectacular, steel and glass Culture and Convention Centre built on the shore of Lake Lucerne by the French star architect Jean Nouvel is electric. The event was sold out months ago. Here and there a throat is softly cleared, people settle in their seats, their faces alert and expectant. At last, doors open and the members of the newly founded Lucerne Festival Orchestra come on to the platform. There are many very well-known faces: the clarinettist Sabine Meyer and Emmanuel Pahud, the fleet-fingered first flute from the Berliner Philharmoniker, Natalie Gutman among the cellists, members of the Hagen and Alban Berg Quartets among the rank and file of strings, and other players include Albrecht Mayer (oboe), Kolya Blacher (violin) and Wolfram Christ (viola).
Lucerne en fête
What kind of orchestra is this, formed of the most famous instrumentalists, the most celebrated chamber-music players, the most experienced soloists from the world's best orchestras? With Claudio Abbado to conduct it, chief conductor of the Berliner Philharmoniker up until the previous year, for whom the Lucerne Festival Orchestra is the realization of a wholly personal dream? One answer, at least, is obvious: lt is an orchestra of superlatives. "After this first appearance", the press agreed, "there can be no argument: orchestral cultivation of this calibre is scarcely to be heard anywhere else."
The Lucerne Festival has a long tradition of generating its own orchestras. The best remembered is probably the Swiss Festival Orchestra, which assembled "the best orchestral musicians of Switzerland" (to quote the Original memorandum of association) to give the concerts that formed the festival's backbone every year from 1943 to 1993. But the idea of an elite orchestra goes back further, to the summer of 1938. This was the year in which Arturo Toscanini dissociated himself from the Salzburg Festival for political reasons; a handpicked orchestra was formed for him to conduct in Lucerne (the members of the legendary Busch Quartet, banned frorn playing in Germany, sat at the first desks of the string section) and his "concert de gala" marked the moment when Lucerne was new-born as a festival city.
- published: 02 Feb 2015
- views: 482489
Gustav Mahler - Symphony No. 1 "Titan" | Vienna Philharmonic, Leonard Bernstein [HD]
- Order: Reorder
- Duration: 55:22
- Updated: 13 Apr 2013
- views: 359476
Gustav Mahler - Symphony No. 1 in D major "Titan", 1884-1888 | Vienna Philharmonic, Leonard Bernstein
Movements:
00:42 I Langsam. Schieppend. Wie ein Naturlaut...
Gustav Mahler - Symphony No. 1 in D major "Titan", 1884-1888 | Vienna Philharmonic, Leonard Bernstein
Movements:
00:42 I Langsam. Schieppend. Wie ein Naturlaut.Im Anfang sehr gemachlich
16:22 II Krafting bewet, doch nicht zu schnell - Trio. Recht gemachlich
25:07 III Feier und gemessen, ohne zu schleppen
35:38 IV Sturmisch bewegt
Other Recordings:
Symphony No. 1 "Titan" http://youtu.be/dP1Ndx2p14Q
Symphony No. 5 http://youtu.be/Ipte0gDlSr4
Adagietto http://youtu.be/15WQNKhaCHY
Symphony No. 10 "Adagio" http://youtu.be/vHyV8noUXC0
Mahler's First Symphony was originally conceived as a tone poem in two parts. Loosely based on Jean Paul's novel Titan, the structure was this: Part I: "From the Days of Youth," Music of Flowers, Fruit and Thorn - 1. Spring and No End; 2. Flowers; 3. In Full Sail; Part II: "The Human Comedy" - 4. "Stranded!" Funeral March in the Style of Callot; 5. D'all Inferno al'Paradiso (From Hell to Heaven). These titles were accompanied by more extensive programs describing the metaphorical content of each movement. In Jean Paul's Titan we have a youth gifted with a burning artistic desire that the world has no use for, and who, finding no outlet or ability to adapt, gives way to despair and suicide. Mahler apparently saw himself in this figure, as he described this work as autobiographical in a very loose sense. On the other hand the music, some of which Mahler actually accumulated from various earlier works, contradicts this program in so many ways, especially in the triumphant conclusion, that Mahler later withdrew it. He eventually came to scorn the application of specific programs to his symphonies in general.
Beyond Mahler's suppression of the program, there were other changes made before the symphony achieved its final form: the orchestra was expanded and the original second movement, entitled "Blumine" (Flowers) was dropped. This movement, the only surviving piece from Mahler's incidental music to Scheffel's Der Trompeter von Säkkingen, although having thematic ties to the rest of the symphony, is stylistically different, being scored for a much smaller orchestra.
The primary source material for the remaining movements of the First Symphony is Mahler's Lieder eines Fahrenden Gesellen (Songs of a Wayfarer). The material of these songs, specifically the first and second, is not only quoted but also used as thematic material in the symphony, creating additional programmatic implications. Mahler's First Symphony is a stunning achievement for so young a composer, and despite its convoluted genesis is a fully mature, integrated and highly effective work.
The first movement, Langsam Schleppend (Slow and Dragging), opens with an introduction invoking nature, eventually with cuckoo calls and distant fanfares. The principal theme is from the song "Ging heut' morgens übers Feld" (I Went Out This Morning Through the Fields) and is developed in a standard sonata form. The second movement, Kräftig bewegt (Strongly moving), is a lusty and hearty Austrian Ländler replete with yodels and foot stomping. The slower and wistful Trio conjures feelings of nostalgia and longing. Based on a woodcut depicting animals carrying a hunter to his grave, the third-movement funeral march, Feierlich und gemessen (Solemnly and measured), is deeply ironic. Mahler uses the folk song "Frère Jacques" in a lugubrious minor, played by a muted double bass solo. The central Trio is an evocation of tawdry Viennese cabaret music.
Mahler's original program for the Stürmisch bewegt (Stormy) finale called the movement's dramatic opening "the sudden outburst of a wounded heart." After a long and violent beginning invoking the torments of hell, including a vehement march derived from the first movement, the music subsides into a yearning theme. After a return to the march, Mahler interrupts the mood with a transformative fanfare that eventually leads to a triumphant conclusion.
wn.com/Gustav Mahler Symphony No. 1 Titan | Vienna Philharmonic, Leonard Bernstein Hd
Gustav Mahler - Symphony No. 1 in D major "Titan", 1884-1888 | Vienna Philharmonic, Leonard Bernstein
Movements:
00:42 I Langsam. Schieppend. Wie ein Naturlaut.Im Anfang sehr gemachlich
16:22 II Krafting bewet, doch nicht zu schnell - Trio. Recht gemachlich
25:07 III Feier und gemessen, ohne zu schleppen
35:38 IV Sturmisch bewegt
Other Recordings:
Symphony No. 1 "Titan" http://youtu.be/dP1Ndx2p14Q
Symphony No. 5 http://youtu.be/Ipte0gDlSr4
Adagietto http://youtu.be/15WQNKhaCHY
Symphony No. 10 "Adagio" http://youtu.be/vHyV8noUXC0
Mahler's First Symphony was originally conceived as a tone poem in two parts. Loosely based on Jean Paul's novel Titan, the structure was this: Part I: "From the Days of Youth," Music of Flowers, Fruit and Thorn - 1. Spring and No End; 2. Flowers; 3. In Full Sail; Part II: "The Human Comedy" - 4. "Stranded!" Funeral March in the Style of Callot; 5. D'all Inferno al'Paradiso (From Hell to Heaven). These titles were accompanied by more extensive programs describing the metaphorical content of each movement. In Jean Paul's Titan we have a youth gifted with a burning artistic desire that the world has no use for, and who, finding no outlet or ability to adapt, gives way to despair and suicide. Mahler apparently saw himself in this figure, as he described this work as autobiographical in a very loose sense. On the other hand the music, some of which Mahler actually accumulated from various earlier works, contradicts this program in so many ways, especially in the triumphant conclusion, that Mahler later withdrew it. He eventually came to scorn the application of specific programs to his symphonies in general.
Beyond Mahler's suppression of the program, there were other changes made before the symphony achieved its final form: the orchestra was expanded and the original second movement, entitled "Blumine" (Flowers) was dropped. This movement, the only surviving piece from Mahler's incidental music to Scheffel's Der Trompeter von Säkkingen, although having thematic ties to the rest of the symphony, is stylistically different, being scored for a much smaller orchestra.
The primary source material for the remaining movements of the First Symphony is Mahler's Lieder eines Fahrenden Gesellen (Songs of a Wayfarer). The material of these songs, specifically the first and second, is not only quoted but also used as thematic material in the symphony, creating additional programmatic implications. Mahler's First Symphony is a stunning achievement for so young a composer, and despite its convoluted genesis is a fully mature, integrated and highly effective work.
The first movement, Langsam Schleppend (Slow and Dragging), opens with an introduction invoking nature, eventually with cuckoo calls and distant fanfares. The principal theme is from the song "Ging heut' morgens übers Feld" (I Went Out This Morning Through the Fields) and is developed in a standard sonata form. The second movement, Kräftig bewegt (Strongly moving), is a lusty and hearty Austrian Ländler replete with yodels and foot stomping. The slower and wistful Trio conjures feelings of nostalgia and longing. Based on a woodcut depicting animals carrying a hunter to his grave, the third-movement funeral march, Feierlich und gemessen (Solemnly and measured), is deeply ironic. Mahler uses the folk song "Frère Jacques" in a lugubrious minor, played by a muted double bass solo. The central Trio is an evocation of tawdry Viennese cabaret music.
Mahler's original program for the Stürmisch bewegt (Stormy) finale called the movement's dramatic opening "the sudden outburst of a wounded heart." After a long and violent beginning invoking the torments of hell, including a vehement march derived from the first movement, the music subsides into a yearning theme. After a return to the march, Mahler interrupts the mood with a transformative fanfare that eventually leads to a triumphant conclusion.
- published: 13 Apr 2013
- views: 359476
The Best of Mahler
- Order: Reorder
- Duration: 117:46
- Updated: 06 Nov 2014
- views: 78987
The Best of Gustav Mahler (7 July 1860 – 18 May 1911)
Georg Solti
Chicago Symphony Orchestra
As a composer, Mahler acted as a bridge between the 19th-centur...
The Best of Gustav Mahler (7 July 1860 – 18 May 1911)
Georg Solti
Chicago Symphony Orchestra
As a composer, Mahler acted as a bridge between the 19th-century Austro-German tradition and the modernism of the early 20th century. While in his lifetime his status as a conductor was established beyond question, his own music gained wide popularity only after periods of relative neglect which included a ban on its performance in much of Europe during the Nazi era. After 1945 the music was discovered and championed by a new generation of listeners; Mahler then became a frequently performed and recorded composer, a position he has sustained into the 21st century.
Born in humble circumstances, Mahler displayed his musical gifts at an early age. After graduating from the Vienna Conservatory in 1878, he held a succession of conducting posts of rising importance in the opera houses of Europe, culminating in his appointment in 1897 as director of the Vienna Court Opera (Hofoper). During his ten years in Vienna, Mahler—who had converted to Catholicism to secure the post—experienced regular opposition and hostility from the anti-Semitic press. Nevertheless, his innovative productions and insistence on the highest performance standards ensured his reputation as one of the greatest of opera conductors, particularly as an interpreter of the stage works of Wagner and Mozart. Late in his life he was briefly director of New York's Metropolitan Opera and the New York Philharmonic.
Mahler's œuvre is relatively small; for much of his life composing was necessarily a part-time activity while he earned his living as a conductor. Aside from early works such as a movement from a piano quartet composed when he was a student in Vienna, Mahler's works are designed for large orchestral forces, symphonic choruses and operatic soloists. Most of his twelve symphonic scores are very large-scale works, often employing vocal soloists and choruses in addition to augmented orchestral forces. These works were often controversial when first performed, and several were slow to receive critical and popular approval; exceptions included his Symphony No. 2, Symphony No. 3, and the triumphant premiere of his Eighth Symphony in 1910. Some of Mahler's immediate musical successors included the composers of the Second Viennese School, notably Arnold Schoenberg, Alban Berg and Anton Webern. Shostakovich and Benjamin Britten are among later 20th-century composers who admired and were influenced by Mahler. The International Gustav Mahler Institute was established in 1955, to honour the composer's life and work.
(0:00) Symphony No.1 in D major - II: Kraftig Bewegt, Doch Nicht Zu Schnell
(6:47) Symphony No.2 in C minor "Resurrection" 5d: Langsam. Misterioso
(13:27) Symphony No.2 in C minor "Resurrection" - 5e. "O glaube, mein Herz, o glaube"
(21:07) Symphony No.3 in D minor - IV: Sehr langsam.
(29:50) Symphony No.3 in D minor - V: Lustig im Tempo und keck im Ausdruck
(33:54) Symphony No.4 in G major - IV: Sehr behaglich "Wir genießen die himmlischen Freuden"
(42:49) Symphony No.5 in C sharp minor - I: Trauermarsch. In gemessenem Schritt. Streng. Wie ein Kondukt
(57:21) Symphony No.5 in C sharp minor - IV: Adagietto. Sehr langsam
(1:08:34) Symphony No.6 in A minor "Tragic" - II: Andante moderato
(1:22:31) Symphony No.7 in E minor - III: Scherzo. Schattenhaft - Trio
(1:32:24) Symphony No.8 in E flat major "Symphony of a Thousand" - Part 1. Hymnus "Veni creator spiritus" - Veni, creator spiritus
(1:36:14) Symphony No.8 in E flat major - Part 2: Final scene from Goethe's Faust - Alles Vergängliche
(1:42:58) Symphony No.9 in D major - 2a. Im Tempo eines gemächlichen Ländlers
(1:45:46) Symphony No.10 in F sharp minor - II: Scherzo I
wn.com/The Best Of Mahler
The Best of Gustav Mahler (7 July 1860 – 18 May 1911)
Georg Solti
Chicago Symphony Orchestra
As a composer, Mahler acted as a bridge between the 19th-century Austro-German tradition and the modernism of the early 20th century. While in his lifetime his status as a conductor was established beyond question, his own music gained wide popularity only after periods of relative neglect which included a ban on its performance in much of Europe during the Nazi era. After 1945 the music was discovered and championed by a new generation of listeners; Mahler then became a frequently performed and recorded composer, a position he has sustained into the 21st century.
Born in humble circumstances, Mahler displayed his musical gifts at an early age. After graduating from the Vienna Conservatory in 1878, he held a succession of conducting posts of rising importance in the opera houses of Europe, culminating in his appointment in 1897 as director of the Vienna Court Opera (Hofoper). During his ten years in Vienna, Mahler—who had converted to Catholicism to secure the post—experienced regular opposition and hostility from the anti-Semitic press. Nevertheless, his innovative productions and insistence on the highest performance standards ensured his reputation as one of the greatest of opera conductors, particularly as an interpreter of the stage works of Wagner and Mozart. Late in his life he was briefly director of New York's Metropolitan Opera and the New York Philharmonic.
Mahler's œuvre is relatively small; for much of his life composing was necessarily a part-time activity while he earned his living as a conductor. Aside from early works such as a movement from a piano quartet composed when he was a student in Vienna, Mahler's works are designed for large orchestral forces, symphonic choruses and operatic soloists. Most of his twelve symphonic scores are very large-scale works, often employing vocal soloists and choruses in addition to augmented orchestral forces. These works were often controversial when first performed, and several were slow to receive critical and popular approval; exceptions included his Symphony No. 2, Symphony No. 3, and the triumphant premiere of his Eighth Symphony in 1910. Some of Mahler's immediate musical successors included the composers of the Second Viennese School, notably Arnold Schoenberg, Alban Berg and Anton Webern. Shostakovich and Benjamin Britten are among later 20th-century composers who admired and were influenced by Mahler. The International Gustav Mahler Institute was established in 1955, to honour the composer's life and work.
(0:00) Symphony No.1 in D major - II: Kraftig Bewegt, Doch Nicht Zu Schnell
(6:47) Symphony No.2 in C minor "Resurrection" 5d: Langsam. Misterioso
(13:27) Symphony No.2 in C minor "Resurrection" - 5e. "O glaube, mein Herz, o glaube"
(21:07) Symphony No.3 in D minor - IV: Sehr langsam.
(29:50) Symphony No.3 in D minor - V: Lustig im Tempo und keck im Ausdruck
(33:54) Symphony No.4 in G major - IV: Sehr behaglich "Wir genießen die himmlischen Freuden"
(42:49) Symphony No.5 in C sharp minor - I: Trauermarsch. In gemessenem Schritt. Streng. Wie ein Kondukt
(57:21) Symphony No.5 in C sharp minor - IV: Adagietto. Sehr langsam
(1:08:34) Symphony No.6 in A minor "Tragic" - II: Andante moderato
(1:22:31) Symphony No.7 in E minor - III: Scherzo. Schattenhaft - Trio
(1:32:24) Symphony No.8 in E flat major "Symphony of a Thousand" - Part 1. Hymnus "Veni creator spiritus" - Veni, creator spiritus
(1:36:14) Symphony No.8 in E flat major - Part 2: Final scene from Goethe's Faust - Alles Vergängliche
(1:42:58) Symphony No.9 in D major - 2a. Im Tempo eines gemächlichen Ländlers
(1:45:46) Symphony No.10 in F sharp minor - II: Scherzo I
- published: 06 Nov 2014
- views: 78987
Gustav Mahler - Symphony No. 5 | Vienna Philharmonic, Leonard Bernstein [HD]
- Order: Reorder
- Duration: 71:44
- Updated: 21 Nov 2014
- views: 77380
Gustav Mahler - Symphony No. 5 in C sharp minor, 1901-1902 | Vienna Philharmonic, Leonard Bernstein
Part One
00:47 I Trauermarsch. In gemessenem Schritt. Stren...
Gustav Mahler - Symphony No. 5 in C sharp minor, 1901-1902 | Vienna Philharmonic, Leonard Bernstein
Part One
00:47 I Trauermarsch. In gemessenem Schritt. Streng. Wie ein Kondukt
13:25 II Stürmisch bewegt. Mit größter Vehemenz
Part Two
27:00 III Scherzo. Kräftig, nicht zu schnell
Part Three
45:14 IV Adagietto. Sehr langsam http://youtu.be/15WQNKhaCHY
57:29 V Rondo-Finale. Allegro
Other Recordings:
Symphony No. 1 "Titan" http://youtu.be/dP1Ndx2p14Q
Symphony No. 5 http://youtu.be/Ipte0gDlSr4
Adagietto http://youtu.be/15WQNKhaCHY
Symphony No. 10 "Adagio" http://youtu.be/vHyV8noUXC0
Mahler kept revising the orchestration of this work until his death. He conducted the first performance with the Gürzenich Orchestra in Cologne on October 18, 1904. It is scored for quadruple winds, six horns, four trumpets, three trombones, tuba, tympani, three other drums, metal and wood percussion, harp, and string choir.
He'd begun the Fifth Symphony at Maiernegg in 1901 - writing the third, first and second movements in that order, after a death -obsessed song, "Der Tamboursg'sell," and the Kindertotenlieder cycle ("on the death of children"). After nearly bleeding to death the previous winter (from an intestinal hemorrhage), Mahler's symphonic orientation underwent a profound change. During his recovery he immersed himself in the complete works of Bach.
A new appreciation of counterpoint was born, but not yet a mastery of orchestral balances or effects - as subsequent events were to prove. Beginning with No. 5, he applied this new passion (which he called "intensive counterpoint") to five purely instrumental symphonies without Wunderhorn associations. Like the Resurrection Second and the first version of No. 1 (with the Blumine slow movement later abandoned) Mahler cast his Fifth Symphony in five movements that fall naturally into three parts.
The FIRST PART begins in C sharp minor with a funeral march, of measured tread and austere (Movement I). A sonata-form movement follows, marked "Stormily, with greatest vehemence" (Movement II), which shares themes as well as mood with the opening.
The SECOND PART (which Mahler composed first) is a scherzo: "Vigorously, not too fast" (Movement III) - the symphony's shortest large section, but its longest single movement. This emphatically joyous, albeit manic movement puts forward D major as the work's focal key. Although its form has remained a topic of debate since 1904, rondo and sonata-form elements are both present.
PART THREE begins with a seraphic Adagietto: "Very slowly" (Movement IV). This is indubitably related to the Rückert song Mahler composed in August 1901, "Ich bin der Welt abhanden gekommen" (I have become lost to the world...I live alone in my heaven, in my loving, in my song). A Rondo-Finale: "Allegro giocoso, lively" (Movement V) concludes the symphony, although Mahler devised a form far removed from classic models. While sectional, in truth episodic, this too has elements of sonata form. To weld its diverse components into a unity he wrote four "fugal episodes," with a D major chorale just before the final Allegro molto.
Mahler's search for a new vocabulary caused him no end of orchestration problems. Before his death in 1911 he had made several versions, the original of which was published in 1904. C.F. Peters failed, however, to emend either mistakes or revisions in the first pocket score, although they re-engraved orchestral parts (at Mahler's expense) to include his first set of corrections. Not even Erwin Ratz's "first critical edition" of 1964 was the last word. Revisions Mahler made just before his terminal illness didn't come to light until the "second critical edition," by Karl Heinz Füssl, published just around 1989.
wn.com/Gustav Mahler Symphony No. 5 | Vienna Philharmonic, Leonard Bernstein Hd
Gustav Mahler - Symphony No. 5 in C sharp minor, 1901-1902 | Vienna Philharmonic, Leonard Bernstein
Part One
00:47 I Trauermarsch. In gemessenem Schritt. Streng. Wie ein Kondukt
13:25 II Stürmisch bewegt. Mit größter Vehemenz
Part Two
27:00 III Scherzo. Kräftig, nicht zu schnell
Part Three
45:14 IV Adagietto. Sehr langsam http://youtu.be/15WQNKhaCHY
57:29 V Rondo-Finale. Allegro
Other Recordings:
Symphony No. 1 "Titan" http://youtu.be/dP1Ndx2p14Q
Symphony No. 5 http://youtu.be/Ipte0gDlSr4
Adagietto http://youtu.be/15WQNKhaCHY
Symphony No. 10 "Adagio" http://youtu.be/vHyV8noUXC0
Mahler kept revising the orchestration of this work until his death. He conducted the first performance with the Gürzenich Orchestra in Cologne on October 18, 1904. It is scored for quadruple winds, six horns, four trumpets, three trombones, tuba, tympani, three other drums, metal and wood percussion, harp, and string choir.
He'd begun the Fifth Symphony at Maiernegg in 1901 - writing the third, first and second movements in that order, after a death -obsessed song, "Der Tamboursg'sell," and the Kindertotenlieder cycle ("on the death of children"). After nearly bleeding to death the previous winter (from an intestinal hemorrhage), Mahler's symphonic orientation underwent a profound change. During his recovery he immersed himself in the complete works of Bach.
A new appreciation of counterpoint was born, but not yet a mastery of orchestral balances or effects - as subsequent events were to prove. Beginning with No. 5, he applied this new passion (which he called "intensive counterpoint") to five purely instrumental symphonies without Wunderhorn associations. Like the Resurrection Second and the first version of No. 1 (with the Blumine slow movement later abandoned) Mahler cast his Fifth Symphony in five movements that fall naturally into three parts.
The FIRST PART begins in C sharp minor with a funeral march, of measured tread and austere (Movement I). A sonata-form movement follows, marked "Stormily, with greatest vehemence" (Movement II), which shares themes as well as mood with the opening.
The SECOND PART (which Mahler composed first) is a scherzo: "Vigorously, not too fast" (Movement III) - the symphony's shortest large section, but its longest single movement. This emphatically joyous, albeit manic movement puts forward D major as the work's focal key. Although its form has remained a topic of debate since 1904, rondo and sonata-form elements are both present.
PART THREE begins with a seraphic Adagietto: "Very slowly" (Movement IV). This is indubitably related to the Rückert song Mahler composed in August 1901, "Ich bin der Welt abhanden gekommen" (I have become lost to the world...I live alone in my heaven, in my loving, in my song). A Rondo-Finale: "Allegro giocoso, lively" (Movement V) concludes the symphony, although Mahler devised a form far removed from classic models. While sectional, in truth episodic, this too has elements of sonata form. To weld its diverse components into a unity he wrote four "fugal episodes," with a D major chorale just before the final Allegro molto.
Mahler's search for a new vocabulary caused him no end of orchestration problems. Before his death in 1911 he had made several versions, the original of which was published in 1904. C.F. Peters failed, however, to emend either mistakes or revisions in the first pocket score, although they re-engraved orchestral parts (at Mahler's expense) to include his first set of corrections. Not even Erwin Ratz's "first critical edition" of 1964 was the last word. Revisions Mahler made just before his terminal illness didn't come to light until the "second critical edition," by Karl Heinz Füssl, published just around 1989.
- published: 21 Nov 2014
- views: 77380
-
Gustav Mahler: Symphony No. 3 (Lucerne Festival Orcherstra, Claudio Abbado)
Recorded live at the Lucerne Festival, 19 August 2007 KKL Luzern, 19 August 2007 Lucerne Festival Orchestra Women of the Arnold Schönberg Choir, Vienna Tölz Boys Choir Anna Larsson - contralto PART I / 0:50 I. Kräftig, Entschieden (34:06) PART II 34:00 II. Tempi di Menuetto. Sehr mäßig (8:20) 43:26 III. Comodo. Scherzando. Ohne Hast (16:25) 59:44 IV. Sehr langsam. Misterioso. Durchaus ppp (9:19) "O Mensch! Gib Acht!" Text by Nietzsche: Also sprach Zarathustra 1:09:14 V. Lustig im Tempo und keck im Ausdruck (4:24) "Es sungen drei Engel einen süßen Gesang" Text: Des Knaben Wunderhorn 1:13:37 VI. Langsam. Ruhevoll. Empfunden (23:41) *** "Blissful trust" Those who were able to be there in person are unlikely ever to forget the occasion. Whenever Claudia Abbado conducts Mahler, especiall... -
Gustav Mahler: Symphony No. 6 (Lucerne Festival Orcherstra, Claudio Abbado)
Recorded live at the Lucerne Festival, Summer 2006 Culture and Convention Centre Lucerne, 10. August 2006 Lucerne Festival Orchestra Claudio Abbado - conductor 0:45 I. Allegro energico, ma non troppo. Heftig, aber markig (22:52) 24:40 II. Andante moderato (14:58) 39:37 III. Scherzo. Wuchtig - (Trio) Altväterisch. Grazioso (13:03) 52:44 IV. Finale. Allegro moderato - Allegro energico (33:16) The Lucerne Festival each year opens with a concert given by the resident Lucerne Festival Orchestra. This is an élite ensemble founded by Claudia Abbado that is based on the Mahler Chamber Orchestra, to which are added internationally renowned soloists and chamber musicians. Marking the centenary of the symphony's première in 1906, Abbado leads a heart-felt rendition of Mahler's tragic and prophetic... -
Dudamel - Mahler 8 "Symphony of a Thousand" (Live From Caracas) - Part 1: Veni Creator Spiritus
*********************************************** NOTE FOR COPYRIGHT. ©2012 Los Angeles Philarmonic Association Artwork ©2012 Deutsche Grammophon GMBH, Berlin, © Nohely Oliveros / Fundamusical Simon Bolivar I do not own the copyright of this material, which belongs to DEUTSCHE GRAMMOPHON, LOS ANGELES PHILARMONIC, and SIMON BOLIVAR FOUNDATION. I do not absolutely get any economic profit by publishing this video, which is recorded from an original DVD that I have regularly bought. My only purpose is to share a magnificent performance which has been a great human event, before than a musical and artistic one. No copyright infringement is intended by publishing this video. If you are the copyright owner and you feel your copyright has been violated, please contact me and I will remove th... -
Gustav Mahler: Symphony No. 1 (Lucerne Festival Orchestra, Abbado)
Recorded live at the Lucerne Festival, Summer 2009 Concert Hall of the KKL Luzern, August 2009 Lucerne Festival Orchestra Claudio Abbado - conductor 0:30 I. Langsam, schleppend (16:38) 17:16 II. Kräftig bewegt, doch nicht zu schnell (7:32) 24:50 III. Feierlich und gemessen, ohne zu schleppen (11:29) 36:19 IV. Stürmisch bewegt (22:09) Whenever Claudio Abbado conducts the LUCERNE FESTIVAL ORCHESTRA, music lovers are in for a very special event. Such was the case in the summer of 2009, when the charismatic Italian conductor opened Lucerne's tradition-rich Festival with a concert featuring Mahler's First Symphony and Prokofiev's Third Piano Concerto. In 2003 Abbado, together with Artistic and Executive Director Michael Haefliger, founded the orchestra, which consists of internationally reno... -
Dudamel - Mahler 8 "Symphony of a Thousand" (Live From Caracas) - Part 2: FinalSceneGoethe's"Faust"
*********************************************** NOTE FOR COPYRIGHT. ©2012 Los Angeles Philarmonic Association Artwork ©2012 Deutsche Grammophon GMBH, Berlin, © Nohely Oliveros / Fundamusical Simon Bolivar I do not own the copyright of this material, which belongs to DEUTSCHE GRAMMOPHON, LOS ANGELES PHILARMONIC, and SIMON BOLIVAR FOUNDATION. I do not absolutely get any economic profit by publishing this video, which is recorded from an original DVD that I have regularly bought. My only purpose is to share a magnificent performance which has been a great human event, before than a musical and artistic one. No copyright infringement is intended by publishing this video. If you are the copyright owner and you feel your copyright has been violated, contact me and I will remove the vide... -
Gustav Mahler: Symphony No. 7 "Lied der Nacht" (Lucerne Festival Orchestra, Claudio Abbado)
Live recording from the Lucerne Festival, 2005 Lucerne Festival Orchestra Claudio Abbado - conductor 0:50 I. Langsam (Adagio) - Allegro risoluto, ma non troppo 20:42 II. Nachtmusik - I. Allegro moderato 35:58 III. Scherzo. Schattenhaft - Trio 44:42 IV. Nachtmusik - II. Andante amoroso 56:27 V. Ronod-Finale. Tempo I (Allegro ordinario) - Tempo II (Allegro moderato ma energico) Watch the full concert here: https://www.youtube.com/playlist?list=PLBjoEdEVMABKwqStiOuPzIWv6ELyyMY5z The Lucerne Festival Orchestra with Claudio Abbado as its conductor made triumphal headlines worldwide: from «the miracle of Lucerne» (Tagesspiegel) to «superbe et éphèmère» (Le Figaro). When Abbado and his newly founded Orchestra perform at the Lucerne Festival 2005, the whole musical world looks again to Lucern... -
Claudio Abbado - Mahler Symphony No. 6
An invisible thread runs between Claudio Abbado and the Second Symphony, "Resurrection" by Mahler. It is with this work that he made his debut with the London Symphony Orchestra and the Philharmonic Orchestra of Vienna in Salzburg at the age of thirty-two and it is this symphony he decides to conduct in August 2003 in Lucerne, with the new orchestra that he helped revive, the Lucerne Festival Orchestra. Track List: 1. Allegro energico, ma non troppo 0:00:44 2. Andante moderato 0:24:39 3. Scherzo 0:39:35 4. Finale (Allegro moderato) 0:52:40 -
Mahler: Symphony No. 5 / Gergiev · World Orchestra for Peace · BBC Proms 2010
Nuevamente, gran presentación del Maestro ruso Valery Gergiev junto a la Orquesta Mundial para la Paz interpretando la Sinfonía No. 5 de Gustav Mahler, en los Proms de la BBC 2010. Great feature of russian Maestro Valery Gergiev with the World Orchestra for Peace, conducting Mahler's 5th Symphony at BBC Proms 2010. http://www.bbc.co.uk/proms/archive/search/2010s/2010/agosto-05/14033 (C) BBC and ALL their respective owners. No personal work here. -
Ella Fitzgerald meets Gustav Mahler Live
Did Ella meet Gustav in Berlin ? Ella Fitzgerald sings Gershwin "Summertime" at a concert in Berlin/Germany Gustav Mahler Symphony No. 5 Adagietto Conductor Herbert von Karajan Berlin Philharmonic Orchestra the whole Mahler part is without Changes The first 4.16 minutes is Original without change of key ore time in both pieces. in the end Mahler hat to finish earlier, drop his conducting stick and run backstage to meet Ella and take her out, on a quiet day in October. idea an Mixing Peer Zinglersen
Gustav Mahler: Symphony No. 3 (Lucerne Festival Orcherstra, Claudio Abbado)
- Order: Reorder
- Duration: 101:41
- Updated: 10 Feb 2015
- views: 262221
Recorded live at the Lucerne Festival, 19 August 2007
KKL Luzern, 19 August 2007
Lucerne Festival Orchestra
Women of the Arnold Schönberg Choir, Vienna
Tölz Bo...
Recorded live at the Lucerne Festival, 19 August 2007
KKL Luzern, 19 August 2007
Lucerne Festival Orchestra
Women of the Arnold Schönberg Choir, Vienna
Tölz Boys Choir
Anna Larsson - contralto
PART I /
0:50 I. Kräftig, Entschieden (34:06)
PART II
34:00 II. Tempi di Menuetto. Sehr mäßig (8:20)
43:26 III. Comodo. Scherzando. Ohne Hast (16:25)
59:44 IV. Sehr langsam. Misterioso. Durchaus ppp (9:19)
"O Mensch! Gib Acht!"
Text by Nietzsche: Also sprach Zarathustra
1:09:14 V. Lustig im Tempo und keck im Ausdruck (4:24)
"Es sungen drei Engel einen süßen Gesang"
Text: Des Knaben Wunderhorn
1:13:37 VI. Langsam. Ruhevoll. Empfunden (23:41)
***
"Blissful trust"
Those who were able to be there in person are unlikely ever to forget the occasion. Whenever Claudia Abbado conducts Mahler, especially when he is at the head of his own Lucerne Festival Orchestra, the whole is more than just the sum of its parts thanks to a process that one is tempted to call magical. The present live recording of an acclaimed performance of Mahler's Third Symphony at Lucerne's Culture and Convention Centre on 19 August 2007 provides lasting proof of this and allows us to see that with Abbado ecstasy is never achieved at the expense of musical and rhetorical clarity: a powerful emotional charge is held in check by calm contemplation. Never for a moment does Abbado give undue emphasis to subjective mawkishness or an overtly theatrical sense of worldweariness: Abbado's Mahler is precisely calculated and at the same time intuitively felt.
The musicians of the Lucerne Festival Orchestra were meeting for the Orth time when they assembled in Lucerne in the summer of 2007. Among them were not only a number of distinguished soloists but also experienced principals from the world's foremost orchestras: the leaders were Kolja Blacher and Sebastian Breuninger, while the rank-and-file violin sec-tion behind them included players of the eminence of Mirijam Contzen and llya Gringolts. The cellos ware led by Jens Peter Maintz and Natalia Gutman sitting alongside Valentin Erben of the Alban Berg Quartett and Clemens Hagen, whose sister, Veronika, was a member of the viola section under Wolfram Christ and Diemut Poppen. The woodwind section in-cluded the flautist Jacques Zoon and the ciarinettist Sabine Meyer, while prominent among the brass was the trumpeter Reinhold Friedrich.
All the plavers are friendly with one another es weil as sharing a special affinity for chamber music, which famously makes the greatest demands in terms ofthe need to listen closely to one's colleagues. And it is here thatthis orchestra is unique, a uniqueness clear from the present performance. The large concert hell seerned literally to vibrate with psychic energy, and the intensity with which the musicians responded to even the tiniest fluctuations in the music reached the point where all the players seemed to surpass themselves. "The goal is clear and is shared by all the participants," wrote the critic ofthe Neue ZürcherZeitung; "it seems that in advancing towards this goal, the players achieve a high degree of individual responsibility, while the conductor encourages each and every one ofthem ... to realize his or her potential in orderto benefitthe collective— an example of successful leadership in a highly specialized context. As such, this is more or less the opposite of what people normally assume to be the job of a conductor. What we saw here was emphatically not self-promotion ata stroke butthe experience that something special arises only when people have space in which to develop."
Abbado first recorded Mahler's Third Symphony in 1980, following it up with a second recording in 1999, both of them demonstrating the conductor's particular affinity with the work. His unerring feel tor the narrative structures of this rich and varied score finds expression in an extraordinary sensitivity, aliowing hirn to respond with particular vividnessto a workthat deals with nothing lass than the origins ofthe universe. [...]
wn.com/Gustav Mahler Symphony No. 3 (Lucerne Festival Orcherstra, Claudio Abbado)
Recorded live at the Lucerne Festival, 19 August 2007
KKL Luzern, 19 August 2007
Lucerne Festival Orchestra
Women of the Arnold Schönberg Choir, Vienna
Tölz Boys Choir
Anna Larsson - contralto
PART I /
0:50 I. Kräftig, Entschieden (34:06)
PART II
34:00 II. Tempi di Menuetto. Sehr mäßig (8:20)
43:26 III. Comodo. Scherzando. Ohne Hast (16:25)
59:44 IV. Sehr langsam. Misterioso. Durchaus ppp (9:19)
"O Mensch! Gib Acht!"
Text by Nietzsche: Also sprach Zarathustra
1:09:14 V. Lustig im Tempo und keck im Ausdruck (4:24)
"Es sungen drei Engel einen süßen Gesang"
Text: Des Knaben Wunderhorn
1:13:37 VI. Langsam. Ruhevoll. Empfunden (23:41)
***
"Blissful trust"
Those who were able to be there in person are unlikely ever to forget the occasion. Whenever Claudia Abbado conducts Mahler, especially when he is at the head of his own Lucerne Festival Orchestra, the whole is more than just the sum of its parts thanks to a process that one is tempted to call magical. The present live recording of an acclaimed performance of Mahler's Third Symphony at Lucerne's Culture and Convention Centre on 19 August 2007 provides lasting proof of this and allows us to see that with Abbado ecstasy is never achieved at the expense of musical and rhetorical clarity: a powerful emotional charge is held in check by calm contemplation. Never for a moment does Abbado give undue emphasis to subjective mawkishness or an overtly theatrical sense of worldweariness: Abbado's Mahler is precisely calculated and at the same time intuitively felt.
The musicians of the Lucerne Festival Orchestra were meeting for the Orth time when they assembled in Lucerne in the summer of 2007. Among them were not only a number of distinguished soloists but also experienced principals from the world's foremost orchestras: the leaders were Kolja Blacher and Sebastian Breuninger, while the rank-and-file violin sec-tion behind them included players of the eminence of Mirijam Contzen and llya Gringolts. The cellos ware led by Jens Peter Maintz and Natalia Gutman sitting alongside Valentin Erben of the Alban Berg Quartett and Clemens Hagen, whose sister, Veronika, was a member of the viola section under Wolfram Christ and Diemut Poppen. The woodwind section in-cluded the flautist Jacques Zoon and the ciarinettist Sabine Meyer, while prominent among the brass was the trumpeter Reinhold Friedrich.
All the plavers are friendly with one another es weil as sharing a special affinity for chamber music, which famously makes the greatest demands in terms ofthe need to listen closely to one's colleagues. And it is here thatthis orchestra is unique, a uniqueness clear from the present performance. The large concert hell seerned literally to vibrate with psychic energy, and the intensity with which the musicians responded to even the tiniest fluctuations in the music reached the point where all the players seemed to surpass themselves. "The goal is clear and is shared by all the participants," wrote the critic ofthe Neue ZürcherZeitung; "it seems that in advancing towards this goal, the players achieve a high degree of individual responsibility, while the conductor encourages each and every one ofthem ... to realize his or her potential in orderto benefitthe collective— an example of successful leadership in a highly specialized context. As such, this is more or less the opposite of what people normally assume to be the job of a conductor. What we saw here was emphatically not self-promotion ata stroke butthe experience that something special arises only when people have space in which to develop."
Abbado first recorded Mahler's Third Symphony in 1980, following it up with a second recording in 1999, both of them demonstrating the conductor's particular affinity with the work. His unerring feel tor the narrative structures of this rich and varied score finds expression in an extraordinary sensitivity, aliowing hirn to respond with particular vividnessto a workthat deals with nothing lass than the origins ofthe universe. [...]
- published: 10 Feb 2015
- views: 262221
Gustav Mahler: Symphony No. 6 (Lucerne Festival Orcherstra, Claudio Abbado)
- Order: Reorder
- Duration: 89:17
- Updated: 17 Mar 2015
- views: 128313
Recorded live at the Lucerne Festival, Summer 2006
Culture and Convention Centre Lucerne, 10. August 2006
Lucerne Festival Orchestra
Claudio Abbado - conductor...
Recorded live at the Lucerne Festival, Summer 2006
Culture and Convention Centre Lucerne, 10. August 2006
Lucerne Festival Orchestra
Claudio Abbado - conductor
0:45 I. Allegro energico, ma non troppo. Heftig, aber markig (22:52)
24:40 II. Andante moderato (14:58)
39:37 III. Scherzo. Wuchtig - (Trio) Altväterisch. Grazioso (13:03)
52:44 IV. Finale. Allegro moderato - Allegro energico (33:16)
The Lucerne Festival each year opens with a concert given by the resident Lucerne Festival Orchestra. This is an élite ensemble founded by Claudia Abbado that is based on the Mahler Chamber Orchestra, to which are added internationally renowned soloists and chamber musicians. Marking the centenary of the symphony's première in 1906, Abbado leads a heart-felt rendition of Mahler's tragic and prophetic Symphony No. 6; the performance was made all the more powerful because of Abbado's long association with Mahler's music.
wn.com/Gustav Mahler Symphony No. 6 (Lucerne Festival Orcherstra, Claudio Abbado)
Recorded live at the Lucerne Festival, Summer 2006
Culture and Convention Centre Lucerne, 10. August 2006
Lucerne Festival Orchestra
Claudio Abbado - conductor
0:45 I. Allegro energico, ma non troppo. Heftig, aber markig (22:52)
24:40 II. Andante moderato (14:58)
39:37 III. Scherzo. Wuchtig - (Trio) Altväterisch. Grazioso (13:03)
52:44 IV. Finale. Allegro moderato - Allegro energico (33:16)
The Lucerne Festival each year opens with a concert given by the resident Lucerne Festival Orchestra. This is an élite ensemble founded by Claudia Abbado that is based on the Mahler Chamber Orchestra, to which are added internationally renowned soloists and chamber musicians. Marking the centenary of the symphony's première in 1906, Abbado leads a heart-felt rendition of Mahler's tragic and prophetic Symphony No. 6; the performance was made all the more powerful because of Abbado's long association with Mahler's music.
- published: 17 Mar 2015
- views: 128313
Dudamel - Mahler 8 "Symphony of a Thousand" (Live From Caracas) - Part 1: Veni Creator Spiritus
- Order: Reorder
- Duration: 24:02
- Updated: 29 Apr 2013
- views: 143196
***********************************************
NOTE FOR COPYRIGHT.
©2012 Los Angeles Philarmonic Association Artwork
©2012 Deutsche Grammophon GMBH, Berlin, ...
***********************************************
NOTE FOR COPYRIGHT.
©2012 Los Angeles Philarmonic Association Artwork
©2012 Deutsche Grammophon GMBH, Berlin,
© Nohely Oliveros / Fundamusical Simon Bolivar
I do not own the copyright of this material, which belongs to DEUTSCHE GRAMMOPHON, LOS ANGELES PHILARMONIC, and SIMON BOLIVAR FOUNDATION.
I do not absolutely get any economic profit by publishing this video, which is recorded from an original DVD that I have regularly bought. My only purpose is to share a magnificent performance which has been a great human event, before than a musical and artistic one.
No copyright infringement is intended by publishing this video. If you are the copyright owner and you feel your copyright has been violated, please contact me and I will remove the video immediately, before using youtube's violations procedures.
If you like this video, buy the original DVD or BLUE RAY here
http://www.deutschegrammophon.com/en/cat/single?PRODUCT_NR=0734884
or here
http://www.amazon.it/s/?ie=UTF8&keywords;=mahler+8+dudamel&tag;=slhyin-21&index;=aps&hvadid;=17419174034&ref;=pd_sl_78id169n6t_b
and you will have a much better quality material and wonderful extras.
*************************************************
Gustav Mahler - SYMPHONY NO. 8 "Symphony of a thousand"
MANUELA UHL | JULIANNA DI GIACOMO | KIERA DUFFY soprano
ANNA LARSSON | CHARLOTTE HELLEKANT contralto
BURKHARD FRITZ tenor | BRIAN MULLIGAN baritone
ALEXANDER VINOGRADOV bass
Los Angeles Philarmonic | Simon Bolivar Symphony Orchestra of Venezuela
Coro Sinfonico Juvenil Simon Bolivar de Venezuela | Ninos cantores de Venezuela | Schola Cantorum de Venezuela | Schola Juvenil de Venezuela
GUSTAVO DUDAMEL conductor.
Seen in hundreds of theatres across the North and South America, this is the emotionally charged culmination of Gustavo Dudamel's 2012 Mahler Project in Los Angeles and Caracas: 1400 American and Venezuelan performers assembled for a once-in-a-generation event and one of the most ambitious live recordings ever made. "This was not just a grand performance, it was a communal one. The chorus, which included 400 children that sang from memory, was simply indescribable as the many became one" (Los Angeles Times).
wn.com/Dudamel Mahler 8 Symphony Of A Thousand (Live From Caracas) Part 1 Veni Creator Spiritus
***********************************************
NOTE FOR COPYRIGHT.
©2012 Los Angeles Philarmonic Association Artwork
©2012 Deutsche Grammophon GMBH, Berlin,
© Nohely Oliveros / Fundamusical Simon Bolivar
I do not own the copyright of this material, which belongs to DEUTSCHE GRAMMOPHON, LOS ANGELES PHILARMONIC, and SIMON BOLIVAR FOUNDATION.
I do not absolutely get any economic profit by publishing this video, which is recorded from an original DVD that I have regularly bought. My only purpose is to share a magnificent performance which has been a great human event, before than a musical and artistic one.
No copyright infringement is intended by publishing this video. If you are the copyright owner and you feel your copyright has been violated, please contact me and I will remove the video immediately, before using youtube's violations procedures.
If you like this video, buy the original DVD or BLUE RAY here
http://www.deutschegrammophon.com/en/cat/single?PRODUCT_NR=0734884
or here
http://www.amazon.it/s/?ie=UTF8&keywords;=mahler+8+dudamel&tag;=slhyin-21&index;=aps&hvadid;=17419174034&ref;=pd_sl_78id169n6t_b
and you will have a much better quality material and wonderful extras.
*************************************************
Gustav Mahler - SYMPHONY NO. 8 "Symphony of a thousand"
MANUELA UHL | JULIANNA DI GIACOMO | KIERA DUFFY soprano
ANNA LARSSON | CHARLOTTE HELLEKANT contralto
BURKHARD FRITZ tenor | BRIAN MULLIGAN baritone
ALEXANDER VINOGRADOV bass
Los Angeles Philarmonic | Simon Bolivar Symphony Orchestra of Venezuela
Coro Sinfonico Juvenil Simon Bolivar de Venezuela | Ninos cantores de Venezuela | Schola Cantorum de Venezuela | Schola Juvenil de Venezuela
GUSTAVO DUDAMEL conductor.
Seen in hundreds of theatres across the North and South America, this is the emotionally charged culmination of Gustavo Dudamel's 2012 Mahler Project in Los Angeles and Caracas: 1400 American and Venezuelan performers assembled for a once-in-a-generation event and one of the most ambitious live recordings ever made. "This was not just a grand performance, it was a communal one. The chorus, which included 400 children that sang from memory, was simply indescribable as the many became one" (Los Angeles Times).
- published: 29 Apr 2013
- views: 143196
Gustav Mahler: Symphony No. 1 (Lucerne Festival Orchestra, Abbado)
- Order: Reorder
- Duration: 62:14
- Updated: 14 Mar 2015
- views: 162357
Recorded live at the Lucerne Festival, Summer 2009
Concert Hall of the KKL Luzern, August 2009
Lucerne Festival Orchestra
Claudio Abbado - conductor
0:30 I. L...
Recorded live at the Lucerne Festival, Summer 2009
Concert Hall of the KKL Luzern, August 2009
Lucerne Festival Orchestra
Claudio Abbado - conductor
0:30 I. Langsam, schleppend (16:38)
17:16 II. Kräftig bewegt, doch nicht zu schnell (7:32)
24:50 III. Feierlich und gemessen, ohne zu schleppen (11:29)
36:19 IV. Stürmisch bewegt (22:09)
Whenever Claudio Abbado conducts the LUCERNE FESTIVAL ORCHESTRA, music lovers are in for a very special event. Such was the case in the summer of 2009, when the charismatic Italian conductor opened Lucerne's tradition-rich Festival with a concert featuring Mahler's First Symphony and Prokofiev's Third Piano Concerto. In 2003 Abbado, together with Artistic and Executive Director Michael Haefliger, founded the orchestra, which consists of internationally renowned soloists and chamber musicians - just as did its model, the elite body of musicians that Arturo Toscanini gathered around hirn at the Festival's founding in 1938. lt was with this first-class ensemble that Abbado offered a vividly inspired interpretation of the Mahler. In truth - as the audience's response demonstrated - it left nothing to be desired. The twenty-two-year-old Chinese Pianist Yuja Wang likewise earned enthusiastic applause for her account of the Prokofiev Concerto, which she played with character and nuanced expression.
The theme of nature served es the guiding thread for all the programming choices during the summer of 2009 - a theme with obvious relevance for the LUCERNE FESTIVAL, which is held amid one of the most beautitul landscapes of Europe: its concerts incIude unforgettable views of Lake Lucerne and Alpine panoramas. This theme, es it happens, has eminent musical significance es well: 'Like a sound of nature' is the direction Mahler inscribed at the very beginning of the First Symphony.
wn.com/Gustav Mahler Symphony No. 1 (Lucerne Festival Orchestra, Abbado)
Recorded live at the Lucerne Festival, Summer 2009
Concert Hall of the KKL Luzern, August 2009
Lucerne Festival Orchestra
Claudio Abbado - conductor
0:30 I. Langsam, schleppend (16:38)
17:16 II. Kräftig bewegt, doch nicht zu schnell (7:32)
24:50 III. Feierlich und gemessen, ohne zu schleppen (11:29)
36:19 IV. Stürmisch bewegt (22:09)
Whenever Claudio Abbado conducts the LUCERNE FESTIVAL ORCHESTRA, music lovers are in for a very special event. Such was the case in the summer of 2009, when the charismatic Italian conductor opened Lucerne's tradition-rich Festival with a concert featuring Mahler's First Symphony and Prokofiev's Third Piano Concerto. In 2003 Abbado, together with Artistic and Executive Director Michael Haefliger, founded the orchestra, which consists of internationally renowned soloists and chamber musicians - just as did its model, the elite body of musicians that Arturo Toscanini gathered around hirn at the Festival's founding in 1938. lt was with this first-class ensemble that Abbado offered a vividly inspired interpretation of the Mahler. In truth - as the audience's response demonstrated - it left nothing to be desired. The twenty-two-year-old Chinese Pianist Yuja Wang likewise earned enthusiastic applause for her account of the Prokofiev Concerto, which she played with character and nuanced expression.
The theme of nature served es the guiding thread for all the programming choices during the summer of 2009 - a theme with obvious relevance for the LUCERNE FESTIVAL, which is held amid one of the most beautitul landscapes of Europe: its concerts incIude unforgettable views of Lake Lucerne and Alpine panoramas. This theme, es it happens, has eminent musical significance es well: 'Like a sound of nature' is the direction Mahler inscribed at the very beginning of the First Symphony.
- published: 14 Mar 2015
- views: 162357
Dudamel - Mahler 8 "Symphony of a Thousand" (Live From Caracas) - Part 2: FinalSceneGoethe's"Faust"
- Order: Reorder
- Duration: 56:54
- Updated: 30 Apr 2013
- views: 196966
***********************************************
NOTE FOR COPYRIGHT.
©2012 Los Angeles Philarmonic Association Artwork
©2012 Deutsche Grammophon GMBH, Berlin,...
***********************************************
NOTE FOR COPYRIGHT.
©2012 Los Angeles Philarmonic Association Artwork
©2012 Deutsche Grammophon GMBH, Berlin,
© Nohely Oliveros / Fundamusical Simon Bolivar
I do not own the copyright of this material, which belongs to DEUTSCHE GRAMMOPHON, LOS ANGELES PHILARMONIC, and SIMON BOLIVAR FOUNDATION.
I do not absolutely get any economic profit by publishing this video, which is recorded from an original DVD that I have regularly bought. My only purpose is to share a magnificent performance which has been a great human event, before than a musical and artistic one.
No copyright infringement is intended by publishing this video. If you are the copyright owner and you feel your copyright has been violated, contact me and I will remove the video immediately, before using youtube's violations procedures.
If you like this video, buy the original DVD or BLUE RAY here
http://www.deutschegrammophon.com/en/...
or here
http://www.amazon.it/s/?ie=UTF8&k...;
and you will have a much better quality material and wonderful extras.
*************************************************
Gustav Mahler - SYMPHONY NO. 8 "Symphony of a thousand"
MANUELA UHL | JULIANNA DI GIACOMO | KIERA DUFFY soprano
ANNA LARSSON | CHARLOTTE HELLEKANT contralto
BURKHARD FRITZ tenor | BRIAN MULLIGAN baritone
ALEXANDER VINOGRADOV bass
Los Angeles Philarmonic | Simon Bolivar Symphony Orchestra of Venezuela
Coro Sinfonico Juvenil Simon Bolivar de Venezuela | Ninos cantores de Venezuela | Schola Cantorum de Venezuela | Schola Juvenil de Venezuela
GUSTAVO DUDAMEL conductor.
Seen in hundreds of theatres across the North and South America, this is the emotionally charged culmination of Gustavo Dudamel's 2012 Mahler Project in Los Angeles and Caracas: 1400 American and Venezuelan performers assembled for a once-in-a-generation event and one of the most ambitious live recordings ever made. "This was not just a grand performance, it was a communal one. The chorus, which included 400 children that sang from memory, was simply indescribable as the many became one" (Los Angeles Times).
wn.com/Dudamel Mahler 8 Symphony Of A Thousand (Live From Caracas) Part 2 Finalscenegoethe's Faust
***********************************************
NOTE FOR COPYRIGHT.
©2012 Los Angeles Philarmonic Association Artwork
©2012 Deutsche Grammophon GMBH, Berlin,
© Nohely Oliveros / Fundamusical Simon Bolivar
I do not own the copyright of this material, which belongs to DEUTSCHE GRAMMOPHON, LOS ANGELES PHILARMONIC, and SIMON BOLIVAR FOUNDATION.
I do not absolutely get any economic profit by publishing this video, which is recorded from an original DVD that I have regularly bought. My only purpose is to share a magnificent performance which has been a great human event, before than a musical and artistic one.
No copyright infringement is intended by publishing this video. If you are the copyright owner and you feel your copyright has been violated, contact me and I will remove the video immediately, before using youtube's violations procedures.
If you like this video, buy the original DVD or BLUE RAY here
http://www.deutschegrammophon.com/en/...
or here
http://www.amazon.it/s/?ie=UTF8&k...;
and you will have a much better quality material and wonderful extras.
*************************************************
Gustav Mahler - SYMPHONY NO. 8 "Symphony of a thousand"
MANUELA UHL | JULIANNA DI GIACOMO | KIERA DUFFY soprano
ANNA LARSSON | CHARLOTTE HELLEKANT contralto
BURKHARD FRITZ tenor | BRIAN MULLIGAN baritone
ALEXANDER VINOGRADOV bass
Los Angeles Philarmonic | Simon Bolivar Symphony Orchestra of Venezuela
Coro Sinfonico Juvenil Simon Bolivar de Venezuela | Ninos cantores de Venezuela | Schola Cantorum de Venezuela | Schola Juvenil de Venezuela
GUSTAVO DUDAMEL conductor.
Seen in hundreds of theatres across the North and South America, this is the emotionally charged culmination of Gustavo Dudamel's 2012 Mahler Project in Los Angeles and Caracas: 1400 American and Venezuelan performers assembled for a once-in-a-generation event and one of the most ambitious live recordings ever made. "This was not just a grand performance, it was a communal one. The chorus, which included 400 children that sang from memory, was simply indescribable as the many became one" (Los Angeles Times).
- published: 30 Apr 2013
- views: 196966
Gustav Mahler: Symphony No. 7 "Lied der Nacht" (Lucerne Festival Orchestra, Claudio Abbado)
- Order: Reorder
- Duration: 77:42
- Updated: 25 May 2015
- views: 26884
Live recording from the Lucerne Festival, 2005
Lucerne Festival Orchestra
Claudio Abbado - conductor
0:50 I. Langsam (Adagio) - Allegro risoluto, ma non trop...
Live recording from the Lucerne Festival, 2005
Lucerne Festival Orchestra
Claudio Abbado - conductor
0:50 I. Langsam (Adagio) - Allegro risoluto, ma non troppo
20:42 II. Nachtmusik - I. Allegro moderato
35:58 III. Scherzo. Schattenhaft - Trio
44:42 IV. Nachtmusik - II. Andante amoroso
56:27 V. Ronod-Finale. Tempo I (Allegro ordinario) - Tempo II (Allegro moderato ma energico)
Watch the full concert here: https://www.youtube.com/playlist?list=PLBjoEdEVMABKwqStiOuPzIWv6ELyyMY5z
The Lucerne Festival Orchestra with Claudio Abbado as its conductor made triumphal headlines worldwide: from «the miracle of Lucerne» (Tagesspiegel) to «superbe et éphèmère» (Le Figaro). When Abbado and his newly founded Orchestra perform at the Lucerne Festival 2005, the whole musical world looks again to Lucerne. The programme of this concert recording is exquisite: Alban Berg’s “Altenberg Lieder” with world star Renée Fleming is followed by a performance of Gustav Mahler’s Symphony No.7.
“I have rarely heard any soprano attach such colour and dynamic shape…” Die Welt
“Incomparably, a wonderful orchestra.” Neue Zürcher Zeitung
wn.com/Gustav Mahler Symphony No. 7 Lied Der Nacht (Lucerne Festival Orchestra, Claudio Abbado)
Live recording from the Lucerne Festival, 2005
Lucerne Festival Orchestra
Claudio Abbado - conductor
0:50 I. Langsam (Adagio) - Allegro risoluto, ma non troppo
20:42 II. Nachtmusik - I. Allegro moderato
35:58 III. Scherzo. Schattenhaft - Trio
44:42 IV. Nachtmusik - II. Andante amoroso
56:27 V. Ronod-Finale. Tempo I (Allegro ordinario) - Tempo II (Allegro moderato ma energico)
Watch the full concert here: https://www.youtube.com/playlist?list=PLBjoEdEVMABKwqStiOuPzIWv6ELyyMY5z
The Lucerne Festival Orchestra with Claudio Abbado as its conductor made triumphal headlines worldwide: from «the miracle of Lucerne» (Tagesspiegel) to «superbe et éphèmère» (Le Figaro). When Abbado and his newly founded Orchestra perform at the Lucerne Festival 2005, the whole musical world looks again to Lucerne. The programme of this concert recording is exquisite: Alban Berg’s “Altenberg Lieder” with world star Renée Fleming is followed by a performance of Gustav Mahler’s Symphony No.7.
“I have rarely heard any soprano attach such colour and dynamic shape…” Die Welt
“Incomparably, a wonderful orchestra.” Neue Zürcher Zeitung
- published: 25 May 2015
- views: 26884
Claudio Abbado - Mahler Symphony No. 6
- Order: Reorder
- Duration: 88:57
- Updated: 01 May 2013
- views: 528
An invisible thread runs between Claudio Abbado and the Second Symphony, "Resurrection" by Mahler. It is with this work that he made his debut with the London S...
An invisible thread runs between Claudio Abbado and the Second Symphony, "Resurrection" by Mahler. It is with this work that he made his debut with the London Symphony Orchestra and the Philharmonic Orchestra of Vienna in Salzburg at the age of thirty-two and it is this symphony he decides to conduct in August 2003 in Lucerne, with the new orchestra that he helped revive, the Lucerne Festival Orchestra.
Track List:
1. Allegro energico, ma non troppo 0:00:44
2. Andante moderato 0:24:39
3. Scherzo 0:39:35
4. Finale (Allegro moderato) 0:52:40
wn.com/Claudio Abbado Mahler Symphony No. 6
An invisible thread runs between Claudio Abbado and the Second Symphony, "Resurrection" by Mahler. It is with this work that he made his debut with the London Symphony Orchestra and the Philharmonic Orchestra of Vienna in Salzburg at the age of thirty-two and it is this symphony he decides to conduct in August 2003 in Lucerne, with the new orchestra that he helped revive, the Lucerne Festival Orchestra.
Track List:
1. Allegro energico, ma non troppo 0:00:44
2. Andante moderato 0:24:39
3. Scherzo 0:39:35
4. Finale (Allegro moderato) 0:52:40
- published: 01 May 2013
- views: 528
Mahler: Symphony No. 5 / Gergiev · World Orchestra for Peace · BBC Proms 2010
- Order: Reorder
- Duration: 70:14
- Updated: 25 Mar 2012
- views: 1548323
Nuevamente, gran presentación del Maestro ruso Valery Gergiev junto a la Orquesta Mundial para la Paz interpretando la Sinfonía No. 5 de Gustav Mahler, en los P...
Nuevamente, gran presentación del Maestro ruso Valery Gergiev junto a la Orquesta Mundial para la Paz interpretando la Sinfonía No. 5 de Gustav Mahler, en los Proms de la BBC 2010.
Great feature of russian Maestro Valery Gergiev with the World Orchestra for Peace, conducting Mahler's 5th Symphony at BBC Proms 2010.
http://www.bbc.co.uk/proms/archive/search/2010s/2010/agosto-05/14033
(C) BBC and ALL their respective owners. No personal work here.
wn.com/Mahler Symphony No. 5 Gergiev · World Orchestra For Peace · BBC Proms 2010
Nuevamente, gran presentación del Maestro ruso Valery Gergiev junto a la Orquesta Mundial para la Paz interpretando la Sinfonía No. 5 de Gustav Mahler, en los Proms de la BBC 2010.
Great feature of russian Maestro Valery Gergiev with the World Orchestra for Peace, conducting Mahler's 5th Symphony at BBC Proms 2010.
http://www.bbc.co.uk/proms/archive/search/2010s/2010/agosto-05/14033
(C) BBC and ALL their respective owners. No personal work here.
- published: 25 Mar 2012
- views: 1548323
Ella Fitzgerald meets Gustav Mahler Live
- Order: Reorder
- Duration: 7:06
- Updated: 02 Nov 2009
- views: 37294
Did Ella meet Gustav in Berlin ?
Ella Fitzgerald sings Gershwin "Summertime" at a concert in Berlin/Germany
Gustav Mahler
Symphony No. 5 Adagietto Conductor...
Did Ella meet Gustav in Berlin ?
Ella Fitzgerald sings Gershwin "Summertime" at a concert in Berlin/Germany
Gustav Mahler
Symphony No. 5 Adagietto Conductor Herbert von Karajan
Berlin Philharmonic Orchestra
the whole Mahler part is without Changes
The first 4.16 minutes is Original without change of key ore time in both pieces.
in the end Mahler hat to finish earlier, drop his conducting stick and run backstage to meet Ella and take her out, on a quiet day in October. idea an Mixing Peer Zinglersen
wn.com/Ella Fitzgerald Meets Gustav Mahler Live
Did Ella meet Gustav in Berlin ?
Ella Fitzgerald sings Gershwin "Summertime" at a concert in Berlin/Germany
Gustav Mahler
Symphony No. 5 Adagietto Conductor Herbert von Karajan
Berlin Philharmonic Orchestra
the whole Mahler part is without Changes
The first 4.16 minutes is Original without change of key ore time in both pieces.
in the end Mahler hat to finish earlier, drop his conducting stick and run backstage to meet Ella and take her out, on a quiet day in October. idea an Mixing Peer Zinglersen
- published: 02 Nov 2009
- views: 37294
-
Mahler: Symphony No. 3 / Bernstein · Vienna Philharmonic Orchestra
Great presentarion of the legendary american conductor Leonard Bernstein, the Vienna Philharmonic Orchestra, Christa Ludwig (contralto solo), the Viena State Opera Chorus and the Vienna Boys Choir playing the Symphony No. 3 of Gustav Mahler, at 1973. Gran presentación del legendario maestro norteamericano Leonard Bernstein, la Orquesta Flarmónica de Viena, Christa Ludwig (contralto solo), el Coro de la Ópera Estatal de Vienna y el Coro de Niños de Viena interpretando la Sinfonía No. 3 de Gustav Mahler, en 1973. 0:01:13 - 1. Kräftig entschieden 0:34:03 - 2. Tempo di Menuetto. Sehr mäßig 0:44:54 - 3. Commodo, Scherzando. Ohne Hast 1:02:14 - 4. Sehr langsam. Misterioso 1:12:46 - 5. Lustig im Tempo und keck im Ausdruck 1:16:56 - 6. Langsam, ruhevoll, empfunden (Thanks to user "Glypo3000" f...
Mahler: Symphony No. 3 / Bernstein · Vienna Philharmonic Orchestra
- Order: Reorder
- Duration: 105:37
- Updated: 08 Apr 2012
- views: 844665
Great presentarion of the legendary american conductor Leonard Bernstein, the Vienna Philharmonic Orchestra, Christa Ludwig (contralto solo), the Viena State Op...
Great presentarion of the legendary american conductor Leonard Bernstein, the Vienna Philharmonic Orchestra, Christa Ludwig (contralto solo), the Viena State Opera Chorus and the Vienna Boys Choir playing the Symphony No. 3 of Gustav Mahler, at 1973.
Gran presentación del legendario maestro norteamericano Leonard Bernstein, la Orquesta Flarmónica de Viena, Christa Ludwig (contralto solo), el Coro de la Ópera Estatal de Vienna y el Coro de Niños de Viena interpretando la Sinfonía No. 3 de Gustav Mahler, en 1973.
0:01:13 - 1. Kräftig entschieden
0:34:03 - 2. Tempo di Menuetto. Sehr mäßig
0:44:54 - 3. Commodo, Scherzando. Ohne Hast
1:02:14 - 4. Sehr langsam. Misterioso
1:12:46 - 5. Lustig im Tempo und keck im Ausdruck
1:16:56 - 6. Langsam, ruhevoll, empfunden
(Thanks to user "Glypo3000" for tempos at symphony)
(C) ALL their respective owners. No personal work here.
wn.com/Mahler Symphony No. 3 Bernstein · Vienna Philharmonic Orchestra
Great presentarion of the legendary american conductor Leonard Bernstein, the Vienna Philharmonic Orchestra, Christa Ludwig (contralto solo), the Viena State Opera Chorus and the Vienna Boys Choir playing the Symphony No. 3 of Gustav Mahler, at 1973.
Gran presentación del legendario maestro norteamericano Leonard Bernstein, la Orquesta Flarmónica de Viena, Christa Ludwig (contralto solo), el Coro de la Ópera Estatal de Vienna y el Coro de Niños de Viena interpretando la Sinfonía No. 3 de Gustav Mahler, en 1973.
0:01:13 - 1. Kräftig entschieden
0:34:03 - 2. Tempo di Menuetto. Sehr mäßig
0:44:54 - 3. Commodo, Scherzando. Ohne Hast
1:02:14 - 4. Sehr langsam. Misterioso
1:12:46 - 5. Lustig im Tempo und keck im Ausdruck
1:16:56 - 6. Langsam, ruhevoll, empfunden
(Thanks to user "Glypo3000" for tempos at symphony)
(C) ALL their respective owners. No personal work here.
- published: 08 Apr 2012
- views: 844665
-
Gustav Mahler: Interview Alma Mahler (1879-1964) about Gustav Mahler (1860-1911)
Gustav Mahler: http://www.gustav-mahler.eu Alma Mahler: http://www.gustav-mahler.eu/index.php/familie/111-generation-6/342-2-alma-maria-mahler-schindler-1879-1964 -
-
UE Mahler Interview with Gustavo Dudamel
Conductor Dudamel talks to Universal Edition about the first time he heard the music of Gustav Mahler and what it means to him today. This interview is included in our new book Gustav Mahler: The Conductors' Interviews Edited by Wolfgang Schaufler http://www.universaledition.com/mahlerinterviews -
UE Mahler Interview with Pierre Boulez
Composer and conductor Pierre Boulez talks to Universal Edition about his relationship to the music of Gustav Mahler. Interview: Wolfgang Schaufler This interview is included in our new book Gustav Mahler: The Conductors' Interviews Edited by Wolfgang Schaufler http://www.universaledition.com/mahle... -
UE Mahler Interview with Kent Nagano
Conductor Kent Nagano talks to Universal Edition about the music of Gustav Mahler. This interview is included in our new book Gustav Mahler: The Conductors' Interviews Edited by Wolfgang Schaufler http://www.universaledition.com/mahlerinterviews -
UE Mahler Interview with Simon Rattle
Conductor Sir Simon Rattle talks to Universal Edition about the music of Gustav Mahler. This interview is included in our new book Gustav Mahler: The Conductors' Interviews Edited by Wolfgang Schaufler http://www.universaledition.com/mahlerinterviews -
UE Mahler Interview with Michael Tilson Thomas
Conductor Michael Tilson Thomas talks to Universal Edition about the music of Gustav Mahler. This interview is included in our new book Gustav Mahler: The Conductors' Interviews Edited by Wolfgang Schaufler http://www.universaledition.com/mahlerinterviews -
Interview with John Neumeier : Gustav Mahler 's Third Symphony (Ballet de l'Opéra/Opéra de Paris)
GUSTAV MAHLER'S THIRD SYMPHONY Interview with John Neumeier, choreographer of Gustav Mahler's Third Symphony. Performed by the Ballet de L'Opéra from 09 April to 12 May 2013 at the Opéra Bastille (Opéra de Paris) The Opéra de Paris' YouTube channel : http://www.youtube.com/operadeparis Subscribe to the channel : http://www.youtube.com/subscription_c... The Opéra de Paris' website : http://www.operadeparis.fr/ Facebook page : https://www.facebook.com/operadeparis Twitter : https://twitter.com/operadeparis TROISIÈME SYMPHONIE DE GUSTAV MAHLER Entretien avec John Neumeier, chorégraphe de la Troisième Symphonie de Gustav Mahler. Interprétée par le Ballet de l'Opéra du 09 avril au 12 mai 2013 à l'Opéra Bastille Chaîne YouTube de l'Opéra de Paris : http://www.youtube.com/operadeparis Abo... -
UE Mahler Interview with Mariss Jansons
Conductor Mariss Jansons talks to Universal Edition about the music of Gustav Mahler. This interview is included in our new book Gustav Mahler: The Conductors' Interviews Edited by Wolfgang Schaufler http://www.universaledition.com/mahlerinterviews -
UE Mahler Interview with Christoph Eschenbach
Conductor Christoph Eschenbach talks to Universal Edition about his relationship to the music of Gustav Mahler. This interview is included in our new book Gustav Mahler: The Conductors' Interviews Edited by Wolfgang Schaufler http://www.universaledition.com/mahlerinterviews
Gustav Mahler: Interview Alma Mahler (1879-1964) about Gustav Mahler (1860-1911)
- Order: Reorder
- Duration: 2:32
- Updated: 02 Jan 2016
- views: 948
Gustav Mahler: http://www.gustav-mahler.eu
Alma Mahler: http://www.gustav-mahler.eu/index.php/familie/111-generation-6/342-2-alma-maria-mahler-schindler-1879-19...
Gustav Mahler: http://www.gustav-mahler.eu
Alma Mahler: http://www.gustav-mahler.eu/index.php/familie/111-generation-6/342-2-alma-maria-mahler-schindler-1879-1964
wn.com/Gustav Mahler Interview Alma Mahler (1879 1964) About Gustav Mahler (1860 1911)
Gustav Mahler: http://www.gustav-mahler.eu
Alma Mahler: http://www.gustav-mahler.eu/index.php/familie/111-generation-6/342-2-alma-maria-mahler-schindler-1879-1964
- published: 02 Jan 2016
- views: 948
Bruno Walter speaks about Gustav Mahler
- Order: Reorder
- Duration: 6:34
- Updated: 02 May 2011
- views: 21864
UE Mahler Interview with Gustavo Dudamel
- Order: Reorder
- Duration: 12:54
- Updated: 26 Mar 2011
- views: 8475
Conductor Dudamel talks to Universal Edition about the first time he heard the music of Gustav Mahler and what it means to him today.
This interview is include...
Conductor Dudamel talks to Universal Edition about the first time he heard the music of Gustav Mahler and what it means to him today.
This interview is included in our new book Gustav Mahler: The Conductors' Interviews
Edited by Wolfgang Schaufler
http://www.universaledition.com/mahlerinterviews
wn.com/Ue Mahler Interview With Gustavo Dudamel
Conductor Dudamel talks to Universal Edition about the first time he heard the music of Gustav Mahler and what it means to him today.
This interview is included in our new book Gustav Mahler: The Conductors' Interviews
Edited by Wolfgang Schaufler
http://www.universaledition.com/mahlerinterviews
- published: 26 Mar 2011
- views: 8475
UE Mahler Interview with Pierre Boulez
- Order: Reorder
- Duration: 9:53
- Updated: 25 Mar 2011
- views: 16525
Composer and conductor Pierre Boulez talks to Universal Edition about his relationship to the music of Gustav Mahler.
Interview: Wolfgang Schaufler
This inter...
Composer and conductor Pierre Boulez talks to Universal Edition about his relationship to the music of Gustav Mahler.
Interview: Wolfgang Schaufler
This interview is included in our new book Gustav Mahler: The Conductors' Interviews
Edited by Wolfgang Schaufler
http://www.universaledition.com/mahle...
wn.com/Ue Mahler Interview With Pierre Boulez
Composer and conductor Pierre Boulez talks to Universal Edition about his relationship to the music of Gustav Mahler.
Interview: Wolfgang Schaufler
This interview is included in our new book Gustav Mahler: The Conductors' Interviews
Edited by Wolfgang Schaufler
http://www.universaledition.com/mahle...
- published: 25 Mar 2011
- views: 16525
UE Mahler Interview with Kent Nagano
- Order: Reorder
- Duration: 11:47
- Updated: 07 May 2011
- views: 6047
Conductor Kent Nagano talks to Universal Edition about the music of Gustav Mahler.
This interview is included in our new book Gustav Mahler: The Conductors' In...
Conductor Kent Nagano talks to Universal Edition about the music of Gustav Mahler.
This interview is included in our new book Gustav Mahler: The Conductors' Interviews
Edited by Wolfgang Schaufler
http://www.universaledition.com/mahlerinterviews
wn.com/Ue Mahler Interview With Kent Nagano
Conductor Kent Nagano talks to Universal Edition about the music of Gustav Mahler.
This interview is included in our new book Gustav Mahler: The Conductors' Interviews
Edited by Wolfgang Schaufler
http://www.universaledition.com/mahlerinterviews
- published: 07 May 2011
- views: 6047
UE Mahler Interview with Simon Rattle
- Order: Reorder
- Duration: 12:38
- Updated: 08 May 2011
- views: 15435
Conductor Sir Simon Rattle talks to Universal Edition about the music of Gustav Mahler.
This interview is included in our new book Gustav Mahler: The Conductor...
Conductor Sir Simon Rattle talks to Universal Edition about the music of Gustav Mahler.
This interview is included in our new book Gustav Mahler: The Conductors' Interviews
Edited by Wolfgang Schaufler
http://www.universaledition.com/mahlerinterviews
wn.com/Ue Mahler Interview With Simon Rattle
Conductor Sir Simon Rattle talks to Universal Edition about the music of Gustav Mahler.
This interview is included in our new book Gustav Mahler: The Conductors' Interviews
Edited by Wolfgang Schaufler
http://www.universaledition.com/mahlerinterviews
- published: 08 May 2011
- views: 15435
UE Mahler Interview with Michael Tilson Thomas
- Order: Reorder
- Duration: 12:42
- Updated: 07 May 2011
- views: 12642
Conductor Michael Tilson Thomas talks to Universal Edition about the music of Gustav Mahler.
This interview is included in our new book Gustav Mahler: The Cond...
Conductor Michael Tilson Thomas talks to Universal Edition about the music of Gustav Mahler.
This interview is included in our new book Gustav Mahler: The Conductors' Interviews
Edited by Wolfgang Schaufler
http://www.universaledition.com/mahlerinterviews
wn.com/Ue Mahler Interview With Michael Tilson Thomas
Conductor Michael Tilson Thomas talks to Universal Edition about the music of Gustav Mahler.
This interview is included in our new book Gustav Mahler: The Conductors' Interviews
Edited by Wolfgang Schaufler
http://www.universaledition.com/mahlerinterviews
- published: 07 May 2011
- views: 12642
Interview with John Neumeier : Gustav Mahler 's Third Symphony (Ballet de l'Opéra/Opéra de Paris)
- Order: Reorder
- Duration: 8:52
- Updated: 16 Apr 2013
- views: 1454
GUSTAV MAHLER'S THIRD SYMPHONY
Interview with John Neumeier, choreographer of Gustav Mahler's Third Symphony.
Performed by the Ballet de L'Opéra from 09 April...
GUSTAV MAHLER'S THIRD SYMPHONY
Interview with John Neumeier, choreographer of Gustav Mahler's Third Symphony.
Performed by the Ballet de L'Opéra from 09 April to 12 May 2013 at the Opéra Bastille (Opéra de Paris)
The Opéra de Paris' YouTube channel :
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TROISIÈME SYMPHONIE DE GUSTAV MAHLER
Entretien avec John Neumeier, chorégraphe de la Troisième Symphonie de Gustav Mahler.
Interprétée par le Ballet de l'Opéra du 09 avril au 12 mai 2013 à l'Opéra Bastille
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wn.com/Interview With John Neumeier Gustav Mahler 's Third Symphony (Ballet De L'Opéra Opéra De Paris)
GUSTAV MAHLER'S THIRD SYMPHONY
Interview with John Neumeier, choreographer of Gustav Mahler's Third Symphony.
Performed by the Ballet de L'Opéra from 09 April to 12 May 2013 at the Opéra Bastille (Opéra de Paris)
The Opéra de Paris' YouTube channel :
http://www.youtube.com/operadeparis
Subscribe to the channel :
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The Opéra de Paris' website :
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https://twitter.com/operadeparis
TROISIÈME SYMPHONIE DE GUSTAV MAHLER
Entretien avec John Neumeier, chorégraphe de la Troisième Symphonie de Gustav Mahler.
Interprétée par le Ballet de l'Opéra du 09 avril au 12 mai 2013 à l'Opéra Bastille
Chaîne YouTube de l'Opéra de Paris :
http://www.youtube.com/operadeparis
Abonnez-vous à la chaîne de l'Opéra de paris :
http://www.youtube.com/subscription_c...
Site internet de l'Opéra de Paris :
http://www.operadeparis.fr
Page Facebook de l'Opéra de Paris :
https://www.facebook.com/operadeparis
Compte Twitter de l'Opéra de Paris:
https://twitter.com/operadeparis
- published: 16 Apr 2013
- views: 1454
UE Mahler Interview with Mariss Jansons
- Order: Reorder
- Duration: 13:06
- Updated: 07 May 2011
- views: 12613
Conductor Mariss Jansons talks to Universal Edition about the music of Gustav Mahler.
This interview is included in our new book Gustav Mahler: The Conductors'...
Conductor Mariss Jansons talks to Universal Edition about the music of Gustav Mahler.
This interview is included in our new book Gustav Mahler: The Conductors' Interviews
Edited by Wolfgang Schaufler
http://www.universaledition.com/mahlerinterviews
wn.com/Ue Mahler Interview With Mariss Jansons
Conductor Mariss Jansons talks to Universal Edition about the music of Gustav Mahler.
This interview is included in our new book Gustav Mahler: The Conductors' Interviews
Edited by Wolfgang Schaufler
http://www.universaledition.com/mahlerinterviews
- published: 07 May 2011
- views: 12613
UE Mahler Interview with Christoph Eschenbach
- Order: Reorder
- Duration: 12:06
- Updated: 26 Mar 2011
- views: 7286
Conductor Christoph Eschenbach talks to Universal Edition about his relationship to the music of Gustav Mahler.
This interview is included in our new book Gust...
Conductor Christoph Eschenbach talks to Universal Edition about his relationship to the music of Gustav Mahler.
This interview is included in our new book Gustav Mahler: The Conductors' Interviews
Edited by Wolfgang Schaufler
http://www.universaledition.com/mahlerinterviews
wn.com/Ue Mahler Interview With Christoph Eschenbach
Conductor Christoph Eschenbach talks to Universal Edition about his relationship to the music of Gustav Mahler.
This interview is included in our new book Gustav Mahler: The Conductors' Interviews
Edited by Wolfgang Schaufler
http://www.universaledition.com/mahlerinterviews
- published: 26 Mar 2011
- views: 7286
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77:40
Gustav Mahler - Symphony No. 5
Gustav Mahler - Symphony No. 5
published: 25 Mar 2012
Gustav Mahler - Symphony No. 5
Gustav Mahler - Symphony No. 5
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- published: 25 Mar 2012
- views: 472942
55:22
Gustav Mahler - Symphony No. 1 - Bernstein · Vienna Philharmonic Orchestra
Gustav Mahler - Symphony No. 1 - Bernstein · Vienna Philharmonic Orchestra
published: 28 Mar 2012
Gustav Mahler - Symphony No. 1 - Bernstein · Vienna Philharmonic Orchestra
Gustav Mahler - Symphony No. 1 - Bernstein · Vienna Philharmonic Orchestra
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- published: 28 Mar 2012
- views: 323193
118:48
Mahler - Symphony No. 1 and Symphony No. 5
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published: 21 Jun 2013
Mahler - Symphony No. 1 and Symphony No. 5
Mahler - Symphony No. 1 and Symphony No. 5
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- published: 21 Jun 2013
- views: 427984
29:46
Gustav Mahler - Symphony No.9 in D-major - IV, Adagio. Sehr langsam und noch zurückhaltend
The Symphony No. 9 by Gustav Mahler was written between 1908 and 1909, and was the last sy...
published: 16 Aug 2011
Gustav Mahler - Symphony No.9 in D-major - IV, Adagio. Sehr langsam und noch zurückhaltend
Gustav Mahler - Symphony No.9 in D-major - IV, Adagio. Sehr langsam und noch zurückhaltend
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- published: 16 Aug 2011
- views: 381363
9:54
Gustav Mahler-Piano Quartet in A minor
Gustav Mahler's Piano Quartet in A minor
For Piano and Strings Trio.
Hope you Enjoy =...
published: 21 Mar 2010
Gustav Mahler-Piano Quartet in A minor
Gustav Mahler-Piano Quartet in A minor
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- published: 21 Mar 2010
- views: 675214
9:46
Gustav Mahler - Adagietto from Symphony no. 5
The Chicago Symphony Orchestra conducted by Daniel Barenboim. Gustav Mahler's Adagietto fr...
published: 24 Jan 2010
Gustav Mahler - Adagietto from Symphony no. 5
Gustav Mahler - Adagietto from Symphony no. 5
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- published: 24 Jan 2010
- views: 1264538
86:28
Gustav Mahler: Symphony No. 2 "Resurrection" (Lucerne Festival Orchestra, Claudio Abbado)
Recorded live at the Lucerne Festival, Summer 2003
Culture and Convention Centre Lucerne, ...
published: 02 Feb 2015
Gustav Mahler: Symphony No. 2 "Resurrection" (Lucerne Festival Orchestra, Claudio Abbado)
Gustav Mahler: Symphony No. 2 "Resurrection" (Lucerne Festival Orchestra, Claudio Abbado)
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- published: 02 Feb 2015
- views: 482489
55:22
Gustav Mahler - Symphony No. 1 "Titan" | Vienna Philharmonic, Leonard Bernstein [HD]
Gustav Mahler - Symphony No. 1 in D major "Titan", 1884-1888 | Vienna Philharmonic, Leonar...
published: 13 Apr 2013
Gustav Mahler - Symphony No. 1 "Titan" | Vienna Philharmonic, Leonard Bernstein [HD]
Gustav Mahler - Symphony No. 1 "Titan" | Vienna Philharmonic, Leonard Bernstein [HD]
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- published: 13 Apr 2013
- views: 359476
117:46
The Best of Mahler
The Best of Gustav Mahler (7 July 1860 – 18 May 1911)
Georg Solti
Chicago Symphony Orche...
published: 06 Nov 2014
The Best of Mahler
The Best of Mahler
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- published: 06 Nov 2014
- views: 78987
71:44
Gustav Mahler - Symphony No. 5 | Vienna Philharmonic, Leonard Bernstein [HD]
Gustav Mahler - Symphony No. 5 in C sharp minor, 1901-1902 | Vienna Philharmonic, Leonard ...
published: 21 Nov 2014
Gustav Mahler - Symphony No. 5 | Vienna Philharmonic, Leonard Bernstein [HD]
Gustav Mahler - Symphony No. 5 | Vienna Philharmonic, Leonard Bernstein [HD]
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- published: 21 Nov 2014
- views: 77380
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101:41
Gustav Mahler: Symphony No. 3 (Lucerne Festival Orcherstra, Claudio Abbado)
Recorded live at the Lucerne Festival, 19 August 2007
KKL Luzern, 19 August 2007
Lucerne ...
published: 10 Feb 2015
Gustav Mahler: Symphony No. 3 (Lucerne Festival Orcherstra, Claudio Abbado)
Gustav Mahler: Symphony No. 3 (Lucerne Festival Orcherstra, Claudio Abbado)
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- published: 10 Feb 2015
- views: 262221
89:17
Gustav Mahler: Symphony No. 6 (Lucerne Festival Orcherstra, Claudio Abbado)
Recorded live at the Lucerne Festival, Summer 2006
Culture and Convention Centre Lucerne, ...
published: 17 Mar 2015
Gustav Mahler: Symphony No. 6 (Lucerne Festival Orcherstra, Claudio Abbado)
Gustav Mahler: Symphony No. 6 (Lucerne Festival Orcherstra, Claudio Abbado)
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- published: 17 Mar 2015
- views: 128313
24:02
Dudamel - Mahler 8 "Symphony of a Thousand" (Live From Caracas) - Part 1: Veni Creator Spiritus
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©2012 Los Angeles Phi...
published: 29 Apr 2013
Dudamel - Mahler 8 "Symphony of a Thousand" (Live From Caracas) - Part 1: Veni Creator Spiritus
Dudamel - Mahler 8 "Symphony of a Thousand" (Live From Caracas) - Part 1: Veni Creator Spiritus
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- published: 29 Apr 2013
- views: 143196
62:14
Gustav Mahler: Symphony No. 1 (Lucerne Festival Orchestra, Abbado)
Recorded live at the Lucerne Festival, Summer 2009
Concert Hall of the KKL Luzern, August ...
published: 14 Mar 2015
Gustav Mahler: Symphony No. 1 (Lucerne Festival Orchestra, Abbado)
Gustav Mahler: Symphony No. 1 (Lucerne Festival Orchestra, Abbado)
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- published: 14 Mar 2015
- views: 162357
56:54
Dudamel - Mahler 8 "Symphony of a Thousand" (Live From Caracas) - Part 2: FinalSceneGoethe's"Faust"
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NOTE FOR COPYRIGHT.
©2012 Los Angeles Ph...
published: 30 Apr 2013
Dudamel - Mahler 8 "Symphony of a Thousand" (Live From Caracas) - Part 2: FinalSceneGoethe's"Faust"
Dudamel - Mahler 8 "Symphony of a Thousand" (Live From Caracas) - Part 2: FinalSceneGoethe's"Faust"
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- published: 30 Apr 2013
- views: 196966
77:42
Gustav Mahler: Symphony No. 7 "Lied der Nacht" (Lucerne Festival Orchestra, Claudio Abbado)
Live recording from the Lucerne Festival, 2005
Lucerne Festival Orchestra
Claudio Abbado...
published: 25 May 2015
Gustav Mahler: Symphony No. 7 "Lied der Nacht" (Lucerne Festival Orchestra, Claudio Abbado)
Gustav Mahler: Symphony No. 7 "Lied der Nacht" (Lucerne Festival Orchestra, Claudio Abbado)
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- published: 25 May 2015
- views: 26884
88:57
Claudio Abbado - Mahler Symphony No. 6
An invisible thread runs between Claudio Abbado and the Second Symphony, "Resurrection" by...
published: 01 May 2013
Claudio Abbado - Mahler Symphony No. 6
Claudio Abbado - Mahler Symphony No. 6
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- published: 01 May 2013
- views: 528
70:14
Mahler: Symphony No. 5 / Gergiev · World Orchestra for Peace · BBC Proms 2010
Nuevamente, gran presentación del Maestro ruso Valery Gergiev junto a la Orquesta Mundial ...
published: 25 Mar 2012
Mahler: Symphony No. 5 / Gergiev · World Orchestra for Peace · BBC Proms 2010
Mahler: Symphony No. 5 / Gergiev · World Orchestra for Peace · BBC Proms 2010
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- published: 25 Mar 2012
- views: 1548323
7:06
Ella Fitzgerald meets Gustav Mahler Live
Did Ella meet Gustav in Berlin ?
Ella Fitzgerald sings Gershwin "Summertime" at a concert...
published: 02 Nov 2009
Ella Fitzgerald meets Gustav Mahler Live
Ella Fitzgerald meets Gustav Mahler Live
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- published: 02 Nov 2009
- views: 37294
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105:37
Mahler: Symphony No. 3 / Bernstein · Vienna Philharmonic Orchestra
Great presentarion of the legendary american conductor Leonard Bernstein, the Vienna Philh...
published: 08 Apr 2012
Mahler: Symphony No. 3 / Bernstein · Vienna Philharmonic Orchestra
Mahler: Symphony No. 3 / Bernstein · Vienna Philharmonic Orchestra
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2:32
Gustav Mahler: Interview Alma Mahler (1879-1964) about Gustav Mahler (1860-1911)
Gustav Mahler: http://www.gustav-mahler.eu
Alma Mahler: http://www.gustav-mahler.eu/index....
published: 02 Jan 2016
Gustav Mahler: Interview Alma Mahler (1879-1964) about Gustav Mahler (1860-1911)
Gustav Mahler: Interview Alma Mahler (1879-1964) about Gustav Mahler (1860-1911)
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- published: 02 Jan 2016
- views: 948
6:34
Bruno Walter speaks about Gustav Mahler
Bruno Walter speaks about Gustav Mahler (1950)
published: 02 May 2011
Bruno Walter speaks about Gustav Mahler
Bruno Walter speaks about Gustav Mahler
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- published: 02 May 2011
- views: 21864
12:54
UE Mahler Interview with Gustavo Dudamel
Conductor Dudamel talks to Universal Edition about the first time he heard the music of Gu...
published: 26 Mar 2011
UE Mahler Interview with Gustavo Dudamel
UE Mahler Interview with Gustavo Dudamel
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- published: 26 Mar 2011
- views: 8475
9:53
UE Mahler Interview with Pierre Boulez
Composer and conductor Pierre Boulez talks to Universal Edition about his relationship to ...
published: 25 Mar 2011
UE Mahler Interview with Pierre Boulez
UE Mahler Interview with Pierre Boulez
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- published: 25 Mar 2011
- views: 16525
11:47
UE Mahler Interview with Kent Nagano
Conductor Kent Nagano talks to Universal Edition about the music of Gustav Mahler.
This i...
published: 07 May 2011
UE Mahler Interview with Kent Nagano
UE Mahler Interview with Kent Nagano
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- published: 07 May 2011
- views: 6047
12:38
UE Mahler Interview with Simon Rattle
Conductor Sir Simon Rattle talks to Universal Edition about the music of Gustav Mahler.
T...
published: 08 May 2011
UE Mahler Interview with Simon Rattle
UE Mahler Interview with Simon Rattle
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- published: 08 May 2011
- views: 15435
12:42
UE Mahler Interview with Michael Tilson Thomas
Conductor Michael Tilson Thomas talks to Universal Edition about the music of Gustav Mahle...
published: 07 May 2011
UE Mahler Interview with Michael Tilson Thomas
UE Mahler Interview with Michael Tilson Thomas
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- published: 07 May 2011
- views: 12642
8:52
Interview with John Neumeier : Gustav Mahler 's Third Symphony (Ballet de l'Opéra/Opéra de Paris)
GUSTAV MAHLER'S THIRD SYMPHONY
Interview with John Neumeier, choreographer of Gustav Mahl...
published: 16 Apr 2013
Interview with John Neumeier : Gustav Mahler 's Third Symphony (Ballet de l'Opéra/Opéra de Paris)
Interview with John Neumeier : Gustav Mahler 's Third Symphony (Ballet de l'Opéra/Opéra de Paris)
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- published: 16 Apr 2013
- views: 1454
13:06
UE Mahler Interview with Mariss Jansons
Conductor Mariss Jansons talks to Universal Edition about the music of Gustav Mahler.
Thi...
published: 07 May 2011
UE Mahler Interview with Mariss Jansons
UE Mahler Interview with Mariss Jansons
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- published: 07 May 2011
- views: 12613
12:06
UE Mahler Interview with Christoph Eschenbach
Conductor Christoph Eschenbach talks to Universal Edition about his relationship to the mu...
published: 26 Mar 2011
UE Mahler Interview with Christoph Eschenbach
UE Mahler Interview with Christoph Eschenbach
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- published: 26 Mar 2011
- views: 7286
Gustav Mahler: Interview Alma Mahler (1879-1964) a...
Bruno Walter speaks about Gustav Mahler...
UE Mahler Interview with Gustavo Dudamel...
UE Mahler Interview with Pierre Boulez...
UE Mahler Interview with Kent Nagano...
UE Mahler Interview with Simon Rattle...
UE Mahler Interview with Michael Tilson Thomas...
Interview with John Neumeier : Gustav Mahler 's Th...
UE Mahler Interview with Mariss Jansons...
UE Mahler Interview with Christoph Eschenbach...
photo: AP / Emrah Gurel
Officials: Death Toll Rising As Suicide Bombers, Gunmen Attack Istanbul Airport
Edit WorldNews.com 28 Jun 2016
At least 10 people have been killed in a bomb attack on Ataturk airport in Istanbul, Turkey Tuesday evening, multiple media reports said Tuesday.Around 40 people were wounded in the blasts at the capital's main international airport, according to Turkish news broadcaster Haberturk ... Witnesses told CNN taxis were ferrying wounded to the hospital. A U.S....
photo: AP / Carolyn Kaster
After deaths of three toddlers, Ikea recalls millions of dressers
Edit The Charlotte Observer 28 Jun 2016
The three children, Theodore McGee, Camden Ellis and Curren Collas, were all close in age – between 22 months and 2 years old. All boys died within a span of two years. The cause, in each case, was the same. a tragic accident involving tipped-over Ikea furniture. Each death happened at home; each death came as its own unimaginable shock ... ....
photo: NASA/R. Hurt (SSC-Caltech), JPL-Caltech
[VIDEO]: Scientists Overjoyed With Discovery Of Moon Named MK2 Orbiting Makemake
Edit WorldNews.com 28 Jun 2016
Looking deep into space, scientists from a Southwest Research Institute-led team have discovered an elusive, dark moon orbiting Makemake, one of the so-called “big four” dwarf planets populating the Kuiper Belt region at the edge of our solar systems, Science Daily reported Tuesday. Makemake's moon proves there are still wild things waiting to be discovered, even in places people have already looked.” – Dr....
photo: AP / Amr Nabil, FILE
French Officials Repair 1st EgyptAir Black Box, Open Manslaughter Investigation
Edit WorldNews.com 28 Jun 2016
Egypt sent both boxes to France’s BEA air safety agency for repairs Monday ... She added French officials were “not at all” siding with the theory that the plane was crashed or downed on purpose.The investigation comes before the black box data has been pored over, something which may offer new clues in the case....
photo: AP / Mark Duncan
UK Teen's 'Robot Lawyer' Chatbot Successfully Fights Parking Tickets
Edit WorldNews.com 28 Jun 2016
An ingenious British teenager has programmed a chatbot that has successfully challenged 160,000 parking tickets since its launch last year, BBC News reported Tuesday.Creator Joshua Browder said about 250,000 people have used the free service so far.The bot, named Do Not Pay, currently works in the UK and New York in the U.S. It asks a series of questions to determine the validity of a penalty notice....
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Mahler closes Symphony season
Edit San Francisco Chronicle 27 Jun 2016
Gustav Mahler’s music has played a prominent role in the life of the San Francisco Symphony ever since Michael Tilson Thomas came on the scene. Even before Thomas was named music director, he was guiding the orchestra through the formal and emotional intricacies of these symphonies, and the complete recorded cycle will clearly stand as one of the chief pillars of his legacy with this organization ... ....
Schedule of The Cleveland Orchestra at Home in Hough Neighborhood Residency Announced (Cleveland Orchestra)
Edit Public Technologies 27 Jun 2016
(Source. Cleveland Orchestra). Focal point of Residency takes place August 6 - 11, 2016 with a variety of musical performances, and art-making activities ... Our concert will celebrate the history of this extraordinary community, with a particular focus on its civil rights legacy through performances of works by Aaron Copland, Charles Ives, and Gustav Mahler,' said Associate Conductor Brett Mitchell ... MAHLER Adagietto from Symphony No. 5....
Review: Grant Park Orchestra proves equal to rigors of Mahler's Sixth
Edit Orlando Sentinel 25 Jun 2016
The symphonies of Gustav Mahler have become so indispensable to the standard symphonic canon that we tend to forget how long it took several of them to win widespread acceptance. Of these, his Symphony No. 6 had perhaps the greatest resistance to overcome. It wasn't until 2002, in fact, that Carlos... ....
CSOs caps 125th anniversary with Bruckner’s glorious ‘Te Deum’
Edit Chicago Sun-Times 24 Jun 2016
With its performance of a program featuring two works by Anton Bruckner – the brief but glorious “Te Deum,” and the composer’s unfinished “Symphony No ... premieres by the orchestra. “Symphony No ... Recommended. When ... But no one would doubt that this is the work of a late Austro-German Romantic who was greatly admired by the younger Gustav Mahler, who described him as “half simpleton, half God.”....
Michael Tilson Thomas brings three centuries of German music to Davies
Edit The Examiner 24 Jun 2016
While his own comments about “Trauermarsch” said nothing about a narrative, his ability to take familiar funeral march tropes (such as those Gustav Mahler was so fond of exploring in his symphonies) and transform them into surreal distortions suggesting that his music was for a procession by deceased victims, rather than some officious ceremony laying soldiers or heads of state to rest ... ....
May 21: Iss. 20
Edit Topix 23 Jun 2016
The fifth movement of Gustav Mahler's Third Symphony clocks in at just a little over four minutes - less than 5 percent of the gargantuan score's 1 hour and 45 minutes - but during performances of the symphony by the Brooklyn Philharmonic at the Brooklyn Academy of Music this weekend, that movement is what all eyes and ears will be fixed on ... ....
Selfies on cell phones or self-portraits on canvas, it’s all about the id
Edit The Examiner 20 Jun 2016
Like everyone else, art critics can sometimes overreact and overstate their praise or put-downs – this writer, included ... By that sense of outrage, you’d think “Lovers” described some sexploitation mise en scene ... “Lovers” is not a great work, but it engages ... And what of Oscar Kokoschka making a public spectacle of his maniacal fixation on Alma Mahler, wife of composer Gustave Mahler, who left him pining ... Take a breath, Jonathan ... ....
Breaking news: Sasha Cooke will replace Susan Graham at David Gockley Gala
Edit The Examiner 16 Jun 2016
Graham will be replaced by mezzo Sasha Cooke, who will perform in two selections ... She will also sing the role of Octavian in the ravishing trio that serves as the dramatic climax of Richard Strauss’ opera Der Rosenkavalier ... She has also performed frequently with the San Francisco Symphony, most recently singing the mezzo songs from Gustav Mahler’s Das Lied von der Erde (the song of the earth) this past April ... to 6 p.m ... ....
The latest Handel and Haydn Society recording short-changes its second namesake
Edit The Examiner 16 Jun 2016
Last February the British CORO label released its latest recording of the Boston-based Handel and Haydn Society conducted by Harry Christophers ... The soloist is the ensemble’s Concertmaster, Aisslinn Nosky ... Christophers is one of those advocates ... His Wikipedia page cites a BBC interview in which he cited his earliest musical influences as Johannes Brahms, Gustav Mahler, Igor Stravinsky, the Rolling Stones, and Jethro Tull ... ....
Garrett + Moulton Productions will again collaborate with Jonathan Russell
Edit The Examiner 09 Jun 2016
Live music accompanied the performance, much of which was composed by Jonathan Russell, along with contributions by composer Marc Mellits, a performance by the avant-garde Finnish band Alamaailman Vasarat, and contralto Karen Clark singing Gustav Mahler’s Kindertotenlieder accompanied by an ensemble of seven musicians. The production was so well received that YBCA arranged for four encore performances in July of 2015 ... ....
Speech by High Representative/Vice-President Federica Mogherini at the Global Forum of AJC (Delegation of the European Union to Israel)
Edit Public Technologies 08 Jun 2016
(Source. Delegation of the European Union to Israel). Dear friends,. It is such an honour for me to join this Global Forum. When I think of the speakers in the past editions - from Yitzhak Rabin and Shimon Peres to so many US Presidents - I can only feel humbled, and grateful, for your invitation. I'm also particularly happy to be here with Susan and Claudia ... *** ... *** ... Our music would not be the same with no Gustav Mahler - or Amy Winehouse....
Speech by High Representative/Vice-President Federica Mogherini at the Global Forum of AJC (European Union)
Edit Public Technologies 07 Jun 2016
(Source. European Union). Dear friends,. It is such an honour for me to join this Global Forum. When I think of the speakers in the past editions - from Yitzhak Rabin and Shimon Peres to so many US Presidents - I can only feel humbled, and grateful, for your invitation. I'm also particularly happy to be here with Susan and Claudia ... It is a delicate moment for America ... Our music would not be the same with no Gustav Mahler - or Amy Winehouse....
Speech by High Representative/Vice-President Federica Mogherini at the Global Forum of AJC (European External Action Service)
Edit Public Technologies 07 Jun 2016
(Source. European External Action Service). Dear friends,. It is such an honour for me to join this Global Forum. When I think of the speakers in the past editions - from Yitzhak Rabin and Shimon Peres to so many US Presidents - I can only feel humbled, and grateful, for your invitation. I'm also particularly happy to be here with Susan and Claudia ... And they won ... *** ... Our music would not be the same with no Gustav Mahler - or Amy Winehouse....
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