- published: 04 Oct 2012
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Little Saint Hugh of Lincoln (1246 – 27 August 1255) was an English boy whose death prompted a blood libel. Hugh is known as Little Saint Hugh to distinguish him from Saint Hugh of Lincoln, an adult saint. The style is often corrupted to Little Sir Hugh. Little Saint Hugh became one of the best known of the blood libel saints: generally children whose deaths were interpreted as sacrifices committed by Jews.
The nine-year-old Hugh disappeared on 31 July, and his body was discovered in a well on 29 August. A man called John of Lexington appears to have suggested that Jews were responsible. Hugh's friends apparently claimed that Copin (or Jopin), a local Jew, had imprisoned Hugh, during which time he tortured and eventually crucified him. It was said that the body had been thrown into the well after attempts to bury it failed, when the earth had expelled it. Copin was arrested and, under torture, confessed to killing the child. He later appears to have implicated the Jewish community as a whole. He was executed, and the story would have ended there were it not for a series of events that coincided with the child Hugh's disappearance.
1 (one; /ˈwʌn/ or UK /ˈwɒn/, also called unit, unity, and (multiplicative) identity), is a number, a numeral, and the name of the glyph representing that number. It represents a single entity, the unit of counting or measurement. For example, a line segment of unit length is a line segment of length 1.
One, sometimes referred to as unity, is the integer before two and after zero. One is the first non-zero number in the natural numbers as well as the first odd number in the natural numbers.
Any number multiplied by one is that number, as one is the identity for multiplication. As a result, one is its own factorial, its own square, its own cube, and so on. One is also the result of the empty product, as any number multiplied by one is itself. It is also the only natural number that is neither composite nor prime with respect to division, but instead considered a unit.
The glyph used today in the Western world to represent the number 1, a vertical line, often with a serif at the top and sometimes a short horizontal line at the bottom, traces its roots back to the Indians, who wrote 1 as a horizontal line, much like the Chinese character 一. The Gupta wrote it as a curved line, and the Nagari sometimes added a small circle on the left (rotated a quarter turn to the right, this 9-look-alike became the present day numeral 1 in the Gujarati and Punjabi scripts). The Nepali also rotated it to the right but kept the circle small. This eventually became the top serif in the modern numeral, but the occasional short horizontal line at the bottom probably originates from similarity with the Roman numeral I. In some countries, the little serif at the top is sometimes extended into a long upstroke, sometimes as long as the vertical line, which can lead to confusion with the glyph for seven in other countries. Where the 1 is written with a long upstroke, the number 7 has a horizontal stroke through the vertical line.
Number Two, No. 2, or similar may refer to:
Classical music is art music produced or rooted in the traditions of Western music, including both liturgical (religious) and secular music. While a similar term is also used to refer to the period from 1750-1820 (the Classical period), this article is about the broad span of time from roughly the 11th century to the present day, which includes the Classical period and various other periods. The central norms of this tradition became codified between 1550 and 1900, which is known as the common practice period. The major time divisions of classical music are as follows: the early music period, which includes the Medieval (500–1400) and the Renaissance (1400–1600) eras; the Common practice period, which includes the Baroque (1600–1750), Classical (1750–1820), and Romantic eras (1804–1910); and the 20th century (1901–2000) which includes the modern (1890–1930) that overlaps from the late 19th-century, the high modern (mid 20th-century), and contemporary or postmodern (1975–2015) eras.
Best or The Best may refer to:
Subscribe for more classical music: http://bit.ly/YouTubeHalidonMusic All the best classical music ever on one channel: Mozart, Bach, Beethoven, Chopin, Schubert, Wagner, Strauss, Vivaldi, Brahms and many more! ▶ BUY the full album from our store: http://bit.ly/VzxEKC SPECIAL OFFER € 2.99! ▶ BUY on iTunes: http://bit.ly/1lsmKQp ▶ BUY on Amazon: http://amzn.to/1voeBlL ▶ BUY on Google Play: http://bit.ly/1vM6KS8 Listen to the very best of classical music http://bit.ly/BestOfClassicalMusic Piano Music: All the best http://bit.ly/BestOfPianoMusic Follow us here: https://www.facebook.com/halidonmusic/ https://twitter.com/halidonmusic http://www.halidon.it/index.php More music here: https://play.spotify.com/user/halidon THE BEST OF CHOPIN TRACKLIST 1. Etude Opus 25 2. Nocturne Number 1 O...
Serenity and dream... 1. 0:06 Op. 9, No. 1 in B flat minor. Larghetto 2. 5:53 Op. 9, No. 2 in E flat major. Andante 3. 10:29 Op. 9, No. 3 in B major. Allegretto 4. 17:09 Op. 15, No. 1 in F major. Andante cantabile 5. 22:07 Op. 15, No. 2 in F sharp major. Larghetto 6. 25:43 Op. 15, No. 3 in G minor. Lento 7. 30:53 Op. 27, No. 1 in C sharp minor. Larghetto 8. 36:32 Op. 27, No. 2 in D flat major. Lento sostenuto 9. 42:27 Op. 32, No. 1 in B major. Andante sostenuto 10. 47:27 Op. 32, No. 2 in A flat major. Lento 11. 53:01 Op. 37, No. 1 in G minor. Lento 12. 59:51 Op. 37, No. 2 in G major. Andante 13. 1:06:17 Op. 48, No. 1 in C minor. Lento 14. 1:12:25 Op. 48, No. 2 in F sharp minor. Andantino 15. 1:20:11 Op. 55, No. 1 in F minor. Andante 16. 1:25:36 Op. 55, No. 2 in E flat major. Lento sostenu...
Frederic Copin - Op. 17, No. 4 In A Minor- Lento Ma Non Troppo
DESCRIÇÃO: Imagine uma carta escolhida na mão do espectador virar sozinho ao contrário e depois ficar girando sem que o Mágico toque em nada! E ele vai ainda mais longe, pois faz a mesma coisa com duas cartas escolhidas! Assista ao vídeo e veja o efeito fantástico que parece coisa de outro mundo! Um efeito que não pode faltar no seu repertório. MATERIAL: DVD instrucional em inglês e material necessário para realizar o efeito.
Sen Baat
SOULTOINE - COPIN
Living life, money mean the world
Higher than a kite, I'm higher than a fly
Used to burn reggie, not the gang got my rights
Belt looking like I'm Babe Ruth, bet I won't strike
All-star gang George, that's when I'm blowing
Astral plane, damn right, shit puffing
Get this hoes open, ask some crazy questions
Tongue stroke it, smell it when it's open
Yeah, it's just something I love
Spinning vanilla dutches with different color buds
You can light it, smoke it, fill it, tone it
Roll this shit right and you can be roasting
Yeah, we still here rockin', this is DJ Smoky lot
Hey, I like this shit man, I like this shit, man
I like this shit
I'm a stoner like a hippie, I fell in love with trippy
In '99 but now I'm on a sour D sticky, got to happen
A new addition, I call it Ricky
I'mma tight the roller cone up and throw in a 50
With a little bit of leaf from a marijuana chief
Win a lot, get the paper, sex in between the sheets
I twist the top of the class, I made the honor roll
I won the heist, man, not the chronic bow
You know that medical smell soon as you pop the top
I'm on a space state, baby, captain Kirk got the spot
Capone hate it, baby,
I'm a big bamboo roll, this the bong
This was smoking in the hallway or spin in the yard
Rank in out in a robe, wait
I smoke till my eyes bloody red, hoe
Laid up, let the stress go
Yeah, Smoky right back at you motherfuckers with a big, fat joint
We gonna roll up behind the plain right now, we keeping lifted
Capone and young Haiti
Could these motherfuckers smoke like a motherfucker? Motherfucker
Hey yo pass my shit