Karimpumannil Mathai George, popularly known as Dr. K. M. George, is an eminent Malayalam writer and educator. He was awarded Padma Shri in 1988^[1] and Padma Bhushan in 2001.^[2]

Selected books[link]

• Modern Indian Literature, an Anthology: Surveys and poems, Sāhitya Akādemī (1992) ISBN 978-81-7201-324-0
• Western Influence on Malayalam Language and Literature, Sahitya Akademi (1972) ISBN 978-81-260-0413-3
• Comparative Indian Literature, Kēraḷa Sāhitya Akkādami, (1984)
• A survey of Malayalam literature, Asia Pub. House (1968)
• A. R. Rajaraja Varma , Sahitya Akademi (1979)

References[link]

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Kmart

Type	Subsidiary Public
Industry	Retail
Founded	SS Kresge Corporation Detroit, Michigan, U.S (1899) renamed Kmart Corporation in 1977. Kmart chain (1962)
Founder(s)	Sebastian S. Kresge
Headquarters	Hoffman Estates, Illinois, U.S.
Number of locations	1,307 (2010)[1]
Area served	United States
Products	Clothing, linen, jewelry, housewares, tools, electronics, toys, restaurant
Revenue	US$ 15.593 billion (2010)[1]
Parent	Sears Holdings Corporation
Website	Kmart.com

Kmart, sometimes styled as "K-Mart," is a chain of discount stores headquartered in the United States. The chain acquired Sears in 2005, forming a new corporation under the name Sears Holdings Corporation. The company was founded in 1962 and is the third largest discount store chain in the world, behind Walmart and Target, with stores in the United States, Puerto Rico, the U.S. Virgin Islands, and Guam (which houses the world's largest Kmart).^[2] As of January 29, 2011, Kmart operated a total of 1,307 (6 closing by early 2011) Kmart stores across 49 states, Guam, Puerto Rico, and the U.S. Virgin Islands. This store count included 1,278 discount stores, averaging 93,000 sq ft (8,600 m²), and 29 Super Centers, averaging 169,000 sq ft (15,700 m²).^[3]

Kmart became known for its "Blue Light Specials." They occurred at surprise moments when a store worker would light up a mobile police light and offer a discount in a specific department of the store. At the height of Kmart's popularity, the phrase "attention Kmart shoppers" also entered into the American pop psyche, appearing in films and other media such as Troop Beverly Hills, Six Days Seven Nights, Beetlejuice, and Dawn of the Dead.

Kmart's world headquarters was located in Troy, Michigan, but since the merger with Sears has been relocated to Hoffman Estates, Illinois. Kmart also exists in Australia and New Zealand (see Kmart Australia), although it now has no relation to the American stores except in name, after U.S. equity in the Australian business was purchased in the late 1970s.

History[link]

The early-1900s (built 1914) headquarters of the S.S. Kresge Company, in downtown Detroit

Sebastian S. Kresge, the founder of the company that would become Kmart, met variety store pioneer Frank Woolworth while working as a traveling salesman and selling to all nineteen of Woolworth's stores at the time.^[4] In 1897 Kresge invested in two five and dime stores with his friend John McCrory; they were the first S.S. Kresge stores.^[5] By 1907 Kresge had bought out McCrory. He continued in this for two years, then in 1899 founded his company with Charles J. Wilson with an $8,000 investment in two five-and-ten-cent stores, one in downtown Detroit, Michigan (for which he traded ownership in McCrory's).

In 1912, Kresge incorporated the S.S. Kresge Corporation with eighty-five stores. The company was first listed on the New York Stock Exchange on May 23, 1918. During World War I, Kresge experimented with raising the limit on prices in his stores to $1. By 1924, Kresge was worth approximately $375,000,000 (in 1924 dollars; around $5,000,000,000 in 2009 dollars^[6]) and owned real estate of the approximate value of $100,000,000 (see Farid-Es-Sultaneh v. Commissioner, 160 F.2d 812 (2d Cir. 1947)). Early century growth remained brisk, with 257 stores in 1924 growing to 597 stores operating in 1929. Kresge retired as president in 1925. The Great Depression reduced profitability and resulted in store closings, with the number reduced to 682 in 1940. Post-war retailing saw many changes in shopping patterns with many customers moving out of the cities into the suburbs. The Kresge company followed them and closed and merged many urban stores so that by 1954 the total number of stores in the US had declined to 616.^{[citation needed]}

Under the leadership of executive Harry B. Cunningham, S.S. Kresge Corp. opened the first Kmart store on March 1, 1962, in Garden City, Michigan,^[7] just a few months before the first Wal-Mart opened. This store is still in operation to this day. A total of eighteen Kmart stores opened that year. Kmart Foods, a now defunct chain of Kmart supermarkets, opened in that same decade. Company founder Kresge died on October 18, 1966.^[8]

Around the time of the opening of the first Kmart, a number of the poorly performing S.S. Kresge stores were converted to a new "Jupiter Discount Stores" brand, which was conceived as a bare-bones, deep discount outfit. During the 1970s, Kmart put a number of competing retailers out of business. Kresge, Jupiter and Kmart stores had their main competition from other variety chains such as Zayre, Ames, Hill's and those operated by MMG-McCrory Stores (McCrory, McLellan, H.L. Green,J.J. Newberry, S.H. Kress, TG&Y, Silver's and eventually G.C. Murphy Co.). In 1977, S. S. Kresge Corporation changed its name to Kmart Corporation. In 1987, the Kmart Corporation sold its remaining Kresge and Jupiter stores in the United States to McCrory Stores, and the brands were almost entirely discontinued, although Canadian Kresge and Jupiter stores continued to operate until 1994.

Changes for Kmart[link]

Kmart's original logo used until 1990. This logo was also used by Kmart Australia from 1980 until 1991.

During the 1980s, the company's fortunes began to change; many of Kmart's stores were considered to be outdated and in decaying condition. In the late 1980s and into the 1990s, the corporate office shifted much of its focus from the Kmart stores to other companies it had acquired or created, such as The Sports Authority, Builders Square, and Waldenbooks.

In 1990, in an effort to change its image, Kmart introduced a new logo. They dropped the old-style italic "K" with a turquoise "mart" in favor of a red block letter K with the word "mart" written in script and contained inside the K. Kmart then began remodeling stores shortly thereafter, but most were not remodeled until the mid-1990s, and some have not been completely renovated to this day. This logo was replaced in 2004 with the current logo. In the early 1990s, Kmart also tried to reinvent itself by using the short-lived Today's Kmart name.

The company also began to offer exclusive merchandise by Martha Stewart, Kathy Ireland, Jaclyn Smith, and Thalía. Other recognizable brands included Sesame Street and Disney. Rosie O'Donnell and Penny Marshall were among the company's most recognized spokespersons.

Kmart Super Center and Big Kmart[link]

Big Kmart logo

Kmart Super Center (Super Kmart) opened a 147,000 sq ft (13,700 m²) location in 1991 in Medina, Ohio, featuring a full-service grocery store and general merchandise.^[9] However, this location was downsized in 2011 and was one of a number of Kmarts closed in early 2012.^[10] The second ground-up Kmart Super Center opened in Montrose, Ohio, featuring the chain's first full-scale video rental center and a carryout Chinese menu.^[11] This location has also closed. Most Kmart Super Centers range in size from 140,000 sq ft (13,000 m²) to 190,000 sq ft (18,000 m²). Current locations feature in-house bakeries, fresh meats and seafood, and a full delicatessen.^[12]

Big Kmart opened in Chicago, Illinois, on April 23, 1997. The format focuses on home fashions, children's apparel and consumables (Pantry).^[12] Most Kmart stores were remodeled to this format during the 1990s and most of them have been converted back to regular Kmart stores with the new logo introduction.

Blue Light Special and 1994 closures[link]

Kmart's red classic logo (1990–2004). It is in use at many older locations

The original Blue Light Special, first introduced in 1965,^[13] was retired in 1991.^[14] The company brought back the Blue Light Special in 2001, but again discontinued it in 2002. The concept was briefly revived in 2005, though Kmart at that time had no plans to use the concept long-term.^[15]

Blue Light Specials were revived again in 2009 on Saturdays, offering surprise hour-long sales on selected merchandise.^[13]

In 1994, Kmart closed 110 stores. Unlike its competitors Walmart and Target, it had failed to invest in computer technology to manage its supply chain. Furthermore, Kmart maintained a high dividend, which reduced the amount of money available for improving its stores. Many business analysts also faulted the corporation for failing to create a coherent brand image.

Bankruptcy[link]

This unreferenced section requires citations to ensure verifiability.

Kmart's lime green logo that was only used at five prototype locations.

On January 22, 2002, Kmart filed for Chapter 11 bankruptcy protection under the leadership of its then-chairman Chuck Conaway and president Mark Schwartz.^[16] Conaway, who had had success building up the CVS Corporation, had accepted an offer to take the helm at Kmart along with a loan of some $5 million. In a scandal similar to that involving Enron, Conaway and Schwartz were accused of misleading shareholders and other company officials about the company's financial crisis while making millions and allegedly spending the company's money on airplanes, houses, boats and other luxuries. At a conference for Kmart employees January 22, Conaway accepted "full blame" for the financial disaster. As Kmart emerged from bankruptcy, Conaway was forced to step down and was asked to pay back all the loans he had taken.

After dismissing Conaway and Schwartz, Kmart closed more than 300 stores in the United States and laid off around 34,000 workers as part of the restructuring process. Kmart introduced five prototype stores with a new logo, layout, and lime green and gray color scheme, one in White Lake Township, Michigan, a quasi-rural community near Detroit, Michigan, and four in central Illinois: (Peoria, Pekin, Morton and Washington). The new layout was touted as having wider aisles and improved selection and lighting, and the city or town's name was featured under the new Kmart logo at the front entrance. However, Kmart could not afford a full-scale rollout. The lime green prototype was abandoned for the new Kmart "orange" concept that rolled out at nine test stores throughout the United States.

While the company was in bankruptcy, ESL Investments a hedge fund controlled by Edward Lampert purchased a significant amount of Kmart's outstanding debt. Lampert worked to accelerate the bankruptcy process, and on May 6, 2003 Kmart officially emerged from bankruptcy protection as Kmart Holdings Corporation. On June 10, 2003, it began trading on the NASDAQ with the ticker symbol KMRT with Lampert as chairman and ESL Investments controlling 53% of the new company.^[17] Lampert dismissed concerns that the smaller company would be at a disadvantage stating "The focus that a lot of people have in retail revolves around sales, but sales without profit do not allow a business to be successful in the long term."^[18] He began to improve the company's balance sheet by reducing inventory, cutting costs, and closing underperforming stores. By the fourth quarter of 2003, Kmart posted its first profitable quarter in 3 years, although it has since returned to an operating loss.

Merger with Sears[link]

On November 17, 2004, Kmart announced its intention to purchase Sears, Roebuck and Company. As a part of the merger, the Kmart Holdings Corporation would change its name to Sears Holdings Corporation. The new corporation announced that it would continue to operate stores under both the Sears and Kmart brands.^[19] Around this time, Kmart changed its logo from a red K with the script "mart" inside to a red block letter K with the chain's name in lowercase letters below it. Most Kmart stores now use this logo on their signage, with some only using the red K and the word "mart" due to space concerns. Kmart's headquarters were relocated to Hoffman Estates, Illinois, and the sprawling headquarters complex in Troy, Michigan, slated for demolition.^[20]

In 2005, the company began renovating some Kmart stores and converting them to the Sears Essentials format, only to change them later to Sears Grands.^[21]

Kmart after the Sears Merger[link]

Remodelled Kmart in Gaithersburg, MD.

Kmart started remodeling stores to the "Orange" prototype in 2006. The typical white and blue interior of the stores was changed to orange and brown, and shelf heights were lowered to create better sightlines. The remodeled stores contain an appliance department with Kenmore Appliances and most have hardware departments that sell Craftsman tools, which prior to the merger had been exclusive to Sears stores.^[22] Some auto centers left vacant by Penske after Kmart filed for bankruptcy have been converted to Sears Auto Centers.^[23] 280 stores as of 2009 have been remodeled to this new prototype. For most of these stores, Kmart retired the "Big Kmart" logo and replaced it with the current logo. In some of the larger stores the old logo is still in use.

In July 2009, Sears Holdings opened its first Sears-branded appliance store inside a Kmart.^[24] The 4,000 sq ft (370 m²) store-within-a-store opened inside the former garden department of a Birmingham, Alabama, Kmart. It is two-thirds the size of the appliance department in most Sears stores, but larger than the 2,500 sq ft (230 m²) appliance department in remodeled Kmart stores.

In October 2009, it was reported that Kmart and Martha Stewart Living Omnimedia failed to come to a new agreement. This came after Stewart made remarks on CNBC that her line at Kmart had deteriorated, particularly after the Sears merger.^[25]

In November 2009, Kmart reported its first year-over-year sales increase of 0.5% since 2005, and only the second such increase since 2001.^[26]

On December 27, 2011, after a poor showing from holiday shoppers, Sears Holdings announced that 100 to 120 of Sears/Kmart stores will be closing.^[27]

Store concepts[link]

This section needs additional citations for verification. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed. (January 2011)

Current store concepts[link]

The exterior of a typical Big Kmart in Ontario, Oregon.

• Kmart is a chain of discount stores that are usually free-standing or located in strip malls. They carry electronics, music, movies, bedding, hardware, sporting goods, clothing, toys, jewelry, office supplies, health and beauty products, home decor, and a limited selection of food items. Many stores also have a garden center, a Jackson Hewitt tax center, a pharmacy, and usually a K-Cafe or a deli serving Nathan's Hot Dogs and pizza. Kmart stores range from 80,000–110,000 sq ft (7,400–10,000 m²). Some of these stores were converted into Super Kmart, and most of them were converted into Big Kmart. Urban multilevel variants of a Kmart store are located in Middle Village, Queens, New York; Southbury, Connecticut; and Philadelphia, Pennsylvania. The world's largest Kmart store is located in Guam.

• Big Kmart is a chain of discount stores that carry everything a regular Kmart carries, but with an emphasis on home decor, children's clothing, and more food items such as meat and poultry, baked goods, frozen foods and an extended, but limited section of garden produce; however, they do not feature a bakery, a delicatessen, or fresh seafood. Big Kmart stores range from 84,000–120,000 sq ft (7,800–11,000 m²). Big Kmart stores also feature a garden center, a pharmacy, a branch of a local bank, a Jackson Hewitt tax center, an Olan Mills portrait studio, an arcade, a K-Cafe or Little Caesars Pizza station, and sometimes a Kmart express gas station. Since the merger with Sears, many stores have been rebranded as Kmart.

• Kmart Super Center is a chain of hypermarkets that carry everything a regular Kmart carries, but also have a full grocery section with meat and poultry, baked goods, a delicatessen, garden produce, and fresh seafood. Kmart Super Center stores range from 140,000–190,000 sq ft (13,000–18,000 m²). These stores are also known as Super Kmart. Super Center stores also feature a garden center, a video rental store, a branch of a local bank, an arcade, a portrait studio, a Jackson Hewitt tax center, a pharmacy, and usually a deli cafe or Little Caesars Pizza station. Several also include Kmart Express gas stations, and most had an auto center. 32 Kmart Super Centers are still open,^[28] most having been closed during the two rounds of closures in 2002 and 2003, and 20 had their groceries taken out, converting them into Big Kmart and Sears Grand locations.^[29] Some of the surviving Super Kmarts were those in regions without a strong Walmart presence, including Ohio and Michigan. A typical Super Center sells around 30 million dollars of merchandise during one fiscal year. In the late 1990's and early 2000's, urban multilevel variants were opened that included two-level, 195,000 sq ft (18,100 m²) locations and three-level, 200,000 sq ft (19,000 m²) locations; these carry everything a Kmart Supercenter carries, but do not have a Kmart Express gas station and an Auto Center like most Kmart Super Centers; they do feature a Bo Rics Hair Salon, a Fifth Third Bank branch, an expanded Jackson Hewitt Tax Center, escalators, elevators, vermaports, and parking garages, which many Super Kmarts stores do not have. Most of these locations were briefly remodeled and re-branded to Sears Grand in the late 2000s.

Super Kmart logo used in the early 1990s

Second Super Kmart Logo, modeled after the Big Kmart logo

• K-Café is an in-store restaurant that serves a fairly standard menu of hamburgers, hot dogs, fries and such other sandwiches as grilled cheese and Philly cheesesteaks. They also offer a full breakfast menu of baked goods, bagels and egg platters with bacon or sausage and such snacks as nachos, pretzels, popcorn and ice cream. In addition to the cafe's menu, hot food items can also be purchased at the deli and eaten in the Deli Cafe at Super Kmart Center stores.

• Kwash is an attached to store laundromat first launched in May 2010. Currently there is only one such prototype in a former auto bay located in Iowa City, Iowa. It features a separate entrance, laundromat attendants and free wi-fi along with a limited selection of laundry goods available for purchase.

Former concepts[link]

• American Fare was a chain of hypermarkets that first opened in January 1989. American Fare was a joint venture between Kmart (which owned 51 percent), and Birmingham, Alabama-based Bruno's Supermarkets. The first store opened near Atlanta, Georgia. American Fare’s 244,000 sq ft (22,700 m²) of retail space included 74,550 sq ft (6,926 m²) of groceries, 104,000 sq ft (9,700 m²) of general merchandise, and 35,000 sq ft (3,300 m²) of clothing (including apparel, footwear, and accessories). An area in the front of the store housed a music and video store, a food court, bank, hair salon, pharmacy and a card store. Charlotte, North Carolina, was home to the second American Fare, which opened in late 1989 with only 160,000 sq ft (15,000 m²) of retail space. A third and final store opened in Jackson, Mississippi. In June 1992, Bruno's announced that its partnership with the Kmart Corporation was being terminated, and that Kmart would assume ownership of the three stores. However, the stores were closed in the mid-1990s. The American Fare brand is used on some Kmart store brand consumable products.
• Builders Square was a home improvement superstore. In 1997, it was sold to Hechinger, which went out of business in 1999.
• Borders Books was a chain of book stores acquired by Kmart in 1992. In 1994, Borders merged with the Kmart chain Waldenbooks to form Borders-Walden Group, which was sold in 1995. In 2011, Borders filed for Chapter 11 bankruptcy in February and announced plans to liquidate in July after failing to find a buyer to keep the chain's remaining 399 stores in operation.
• Kmart Chef restaurants were a small chain of free-standing fast-food restaurants owned by Kmart, started in 1967 with the first location on the parking lot of a Kmart in Pontiac, Michigan. The "limited, high-turnover menu" (as Kmart founder S.S. Kresge put it) consisted of fast foods such as burgers, French fries, hot dogs, and soft drinks. The Kmart Chef chain folded in 1974 after peaking at eleven locations.^[30]
• Kmart Food Stores was a supermarket chain founded in 1962. Most Kmart Food locations were together with Kmart stores, often operated by a local grocery chain but always branded as Kmart Food. The chain was discontinued in the 1970s.
• OfficeMax is a chain selling office supplies and office furniture which was acquired in 1991, and sold in 1995.
• Office Square was a chain selling office supplies and office furniture which was a spin-off of Builders Square. In 1991, OfficeMax was acquired by Kmart and Office Square was merged into OfficeMax stores.
• Pace Membership Warehouse was Kmart's warehouse club brand, until the chain was purchased by Walmart. In 1993, Walmart converted most of the stores into its Sam's Club brand, and sold others to chains such as Bradlees.
• PayLess Drugs was a chain of drug stores acquired by Kmart until it was sold to TCH Corporation in 1994. The resulting entity, Thrifty PayLess was acquired by Rite Aid in 1996, which converted all of the PayLess and Thrifty stores into Rite Aid stores in 1999. The PayLess division also owned Bi-Mart, which was spun off along with sister stores such as Pay 'n Save.
• The Sports Authority is a chain of sporting goods stores which was acquired in 1990 and sold in 1995.
• Waldenbooks was a chain of primarily shopping mall-based book stores which was acquired in 1984. In 1994, Kmart chain Borders merged with Waldenbooks to form Borders-Walden Group, which was sold in 1995.

Corporate[link]

Philanthropic contributions[link]

Kmart for Kids is the umbrella program for Kmart's philanthropic initiatives. The program helps children across the country live happier, healthier lives through the support of: March of Dimes, St. Jude Children's Research Hospital, and American Diabetes Association.^[31]

March of Dimes[link]

Kmart is March of Dimes' number 1 corporate sponsor, raising over $71 million for stronger, healthier babies.^[32][33]

On July 29, 2008, Don Germano, SVP/GM of Kmart stores, was elected to a five-year term on the national Board of Trustees of the March of Dimes Foundation.^[34]

St. Jude Children's Research Hospital[link]

Kmart for Kids supports St. Jude through its annual Thanks and Giving campaign: an opportunity for Kmart customers to give thanks for the healthy kids in their life, and give to those who are not. Kmart has been a partner of the campaign since 2006 and has raised more than $8 million for St. Jude to date.^[35]

American Diabetes Association[link]

In 2008, Kmart earned the "Outstanding Corporate Citizen" Award for its support of the American Diabetes Association's "Step Out: Walk to Fight Diabetes" program.^[36] The tribute honors Kmart for the most well-developed, proactive program in the areas of charity, community Development, Diversity, philanthropy, and associate development. In 2008 Kmart became a national sponsor of "Step Out: Walk to Fight Diabetes" and over the past two years, Kmart's customers and associates have raised approximately $1.5 million through its in-store campaigns.

Environmental record[link]

On May 9, 2007, Kmart was penalized $102,422 for violations of federal hazardous waste, clean water, emergency planning and preparation regulations at 17 distribution centers.^[37] Kmart corrected the violations by preparing and implementing spill prevention control and countermeasure plans, applying for appropriate storm water permits, complying with hazardous waste generator requirements, and submitting reports to state and local emergency planning and response organizations informing them of the presence of hazardous substances.^[38] The Environmental Protection Agency also accused Kmart of not maintaining adequate information and failing to act in accordance with hazardous waste storage and disposal requirements.^[39] For instance, the EPA reported having discovered improperly labeled oil storage drums at a location in Falls, Pennsylvania.^[39]

Out of concern for the environment, Kmart promoted battery recycling.^[40] Kmart even proposed spending about $80 million on full-page newspaper advertisements offering to recycle junk batteries for $2 each.^[41]

BlueLight internet service[link]

In 1999 Kmart began offering a dial-up internet service called BlueLight, which was eventually spun off as an independent company. BlueLight was initially free and supported by banner ads. BlueLight dropped the free service in February 2001 and was reacquired by Kmart in July 2001. In 2002 United Online, which also owns NetZero and Juno, bought the BlueLight service after Kmart filed for bankruptcy. In August 2006, Bluelight dropped the banners. As of August 2006, the service costs $14.95 a month and has around 165,000 subscribers.

Racing Sponsorships[link]

Kmart was a prominent sponsor in NASCAR and the now defunct CART series. They were a longtime sponsor of Newman/Haas Racing, owned by actor Paul Newman and former racer Carl Haas. Their CART drivers included Nigel Mansell and the father-son duo of Michael and Mario Andretti. Mansell and Michael Andretti won championships under Kmart sponsorship, in 1991 and 1993, respectively. The store also sponsored the NASCAR-sanctioned Kmart 400 at Michigan and North Carolina Speedway. Lake Speed garnered Kmart's first win in NASCAR in 1988 at the Darlington Raceway. Most recently, in NASCAR, the store sponsored Boris Said's #60 No Fear Ford Fusion in 2006.

Mascot and spokesperson[link]

In May 2007, Sears Holdings Corporation and Kmart named a new mascot and spokesperson for Kmart called Mr. Bluelight. Named after Kmart's well-known "Blue Light Specials", Mr. Bluelight is a talking cartoonish blue light bulb who gives customers ideas to help them make the most of their Kmart experience. Mr. Bluelight has appeared in several television commercials. Specials associated with Mr. Bluelight inside Kmart stores are advertised as "Blue Light Finds" (marked-down merchandise) and "Best of Blue" (higher-end products, often brand-name).

Canada, Europe and Australia stores[link]

Kmart was also once a major presence in Canada, with its first Kresge store opening in 1929. Kmart closed 5 Montreal stores and several other Quebec stores in 1983 due to the company restructuring. However, as a result of Kmart's ongoing financial difficulties, the Canadian division comprising 112 stores was sold to competitor Zellers of the Hudson's Bay Company in May 1998, after which the stores were either closed or converted to Hudson's Bay Company brands, mostly Zellers. A store in Saint-Laurent, Quebec (now Montreal) became a Canadian Tire instead because of the mall that used to house Kmart already having a Zellers.

Like Target stores, Kmart-branded stores in Australia belonged to Coles Myer before being acquired by Wesfarmers in 2007, which also holds the rights to the Kmart brand in New Zealand.

In 1992, Kmart purchased several communist-era department stores in Eastern Europe, including 13 in the former Czechoslovakia that were bought from the former Czechoslovak government. One of those stores was the old MAJ department store on Národní Třída in Prague. Many of these outlets were quite profitable, with the Bratislava location setting a single store sales record for the company. But Kmart's larger troubles in the United States caught up with its European operations later in the decade. In March 1996, The Kmart Corporation announced that it had agreed to sell the six Kmart stores in the Czech Republic and the seven in Slovakia to Tesco P.L.C. of Britain for about $117.5 million, to focus on its core operations in North America.

CEOs[link]

• Louis D'Ambrosio, former CEO of Avaya
• W. Bruce Johnson, Current President and Interim CEO of Sears Holdings Corporation^[42]
• Aylwin Lewis, Former President and CEO of Sears Holdings Corporation
• Bernard Fauber
• Charles Conaway
• Floyd Hall
• Harry Cunningham
• James Adamson
• Joseph Antonini
• Julian Day
• S. S. Kresge, Founder

See also[link]

	Detroit portal
	Companies portal

• Kmart Australia
• Sears Holdings Corporation

References[link]

This section needs additional citations for verification. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed. (February 2009)

• Original CNN Coverage

Bibliography[link]

• Turner, Marcia Layton (2003). Kmart's Ten Deadly Sins: How Incompetence Tainted an American Icon. Hoboken, New Jersey: John Wiley & Sons. ISBN 978-0-471-43593-8. http://www.wiley.com/WileyCDA/WileyTitle/productCd-0471435937.html. 

External links[link]

Wikimedia Commons has media related to: Kmart

• Kmart Official Website (Corporate)
• Kmart Official Website (Online Store)
• Kmart2go - Official mobile online store
• KmartDesign.com Microsite
• Super Kmart Official Website (Online Store)

This biographical article needs additional citations for verification. Please help by adding reliable sources. Contentious material about living persons that is unsourced or poorly sourced must be removed immediately, especially if potentially libelous or harmful. (November 2009)

Dr. John
Dr. John at the 2007 New Orleans Jazz & Heritage Festival
Background information
Birth name	Malcolm John Rebennack, Jr.
Also known as	Dr. John Creaux Mac Rebennack
Born	(1940-11-21) November 21, 1940 (age 71)
Origin	New Orleans, Louisiana, United States
Genres	Blues, rock, New Orleans rhythm and blues
Occupations	Vocalist, musician
Instruments	Vocals, piano, keyboards, guitar
Years active	1950s–present
Labels	Atco, Blue Note, Nonesuch, GRP, Trip, United Artists
Associated acts	John Mayall's Bluesbreakers, Ringo Starr & His All-Starr Band, Van Morrison, Dan Auerbach, Curious George (TV series), Eric Clapton, Bob Seger, Joe Walsh
Website	http://www.nitetripper.com/

Malcolm John "Mac" Rebennack, Jr. (born November 21, 1940), better known by the stage name Dr. John (also Dr. John Creaux, or Dr. John the Night Tripper), is an American singer-songwriter, pianist and guitarist, whose music combines blues, pop, jazz as well as zydeco, boogie woogie and rock and roll.^[1]

Active as a session musician since the late 1950s, he came to wider prominence in the early 1970s with a wildly theatrical stage show inspired by medicine shows, Mardi Gras costumes and voodoo ceremonies. Rebennack has recorded over 20 albums and in 1973 scored a top-20 hit with the jaunty funk-flavored "Right Place Wrong Time", still perhaps his best-known song.

The winner of five Grammy Awards, Rebennack was inducted into the Rock and Roll Hall of Fame by singer John Legend on Monday, March 14, 2011.^[2]

Early life and career[link]

Born in New Orleans, Louisiana, United States, Dr. John's Acadian ancestry traces back to the imperial territory of Alsace-Lorraine. He claims that his lineage took root in New Orleans sometime in the early 1800s. Growing up in the Third Ward, Dr. John found early musical inspiration in the minstrel tunes sung by his grandfather and a number of aunts, uncles, and cousins who played piano. He did not take music lessons before his teens, he only endured a short stint in choir before getting kicked out.^[3] His father, the owner of an appliance store and record shop, exposed him as a young boy to prominent jazz musicians like King Oliver and Louis Armstrong. Throughout his adolescence his father's connections enabled him access to the recording rooms of burgeoning rock artists such as Little Richard and Guitar Slim. From these exposures he advanced into clubs and onto the stage with varying local artists, most notably, Professor Longhair. ^[4]

Dr. John met Professor Longhair when he was about 13 or 14 years old, the start to a period in his life that would mark rapid growth as a musician and the beginnings of his entry into professional music. He describes his initial impression of Professor Longhair with note, not only of his musical prowess, but of his style: "I was also fascinated that he was sitting out there in a turtleneck shirt with a beautiful gold chain with a watch hangin’ on it, and an Army fatigue cap on his head. And I thought, Wow, I never seen nobody dressed like this guy. Just everything about the man was totally hip. And he had gloves on him, too, beautiful silk gloves. I’ll never forget this^[5]."

At age 16 he was hired by Johnny Vincent as a producer at Ace Records. There, he worked with artists like James Booker and Earl King, his musical experience expanding notably. He struggled through intermittent years of high school, eventually focusing entirely on music. Thereafter an entry into heavy narcotics use would fuel his desire to get out of New Orleans and move to California where his character, Dr. John, was born.^[6]

In late 1950s New Orleans, Dr. John originally concentrated on guitar and he gigged with local bands including Mac Rebennack and the Skyliners, (Paul Staele/Dennis "Bootsie" Cuquet, drums; Earl Stanley, bass; Charlie Miller, trumpet; Charlie Maduell, sax; Roland "Stone" LeBlanc, vocals), Frankie Ford and the Thunderbirds, and Jerry Byrne and the Loafers. He had a regional hit with a Bo Diddley-influenced instrumental called "Storm Warning" on Rex Records in 1959. During these days he was an A&R man producing, with Charlie Miller, monophonic singles on 45s for Johnny Vincent and Joe Corona for such local labels as ACE, RON, RIC and others. For these sessions he oversaw A&R and the rhythm section while Miller wrote the horn arrangements and headed up the horns. It was a productive team until Miller decided to move to New York and to study music formally.

Rebennack's career as a guitarist came to an end when his left ring finger was injured by a gunshot while he was defending singer/keyboardist Ronnie Barron, his bandmate, Jesuit High School classmate, and longtime friend. After the injury, Rebennack concentrated on bass guitar before making piano his main instrument; pianist Professor Longhair was an important influence on Rebennack's piano-playing style.

He moved to Los Angeles in 1963 where he became a "first call" session musician on the booming Los Angeles studio scene in the 1960s and 1970s, providing backing for Sonny & Cher (and some of the incidental music for Cher's first film, Chastity), and for Canned Heat on their albums Living the Blues (1968) Future Blues (1970), and Freak Out! for Frank Zappa and the Mothers of Invention (1966); along with many other acts.

HANDCUFFED[link]

Dr. John grew up with full exposure to the realities of New Orleans. Prostitutes, pimps, thieves and addicts all marked the same nightlife scene that contributed to his development as a musician.^[7] He was introduced to marijuana at a young age, among other drugs, ultimately gaining an addiction to heroin in his teen years. He recalls being "loaded" the first time while at high school, identifying the high he would chase for all of his life. Not so fondly, Dr. John looks back on the shortsighted moneymaking schemes he would devise through his teens and twenties, all to pay only for the next dose of heroin. He sold narcotics, ran a whorehouse, and even opened a business offering abortions (illegal at the time) during the 1950s. Drug-induced nightclub furies throughout Louisiana and into Florida would result in frequent shootouts and bouts with the police, and he picked up a list of arrests that finally led to prison time in Texas. His sentence ended in 1965 and he left for Los Angeles.

His characteristic, nameless genre of jazzy funk, emphasized with a flair of psychedelic rock, was a direct image of his drug habit throughout his hoodoo albums of the 1960s and up through the 1970s. He failed to heed the warnings of friends and paid no attention to his mother's concern; through the 1980s he continued his habit, failing to beat addiction after numerous stays at rehabilitation. Finally, after experiencing cardiac problems in New York, Dr. John exited his final rehabilitation stint, sober, in December, 1989. He went on to struggle with psychiatric problems through the 1990s, but, today, is sober and mentally stable with the help of medication.^[8]

TRYING TO ESCAPE THE HANDCUFFS (NO WAY)[link]

Dr. John was always fascinated with New Orleans voodoo, and in Los Angeles he developed the idea of the Dr. John persona for his old friend Ronnie Barron. He imagined it as an interesting stage show and an emblem to their New Orleans heritage. "Well, there was a guy the name of Dr. John, a hoodoo guy in New Orleans. He was competition to Marie Laveau. He was like her opposite. I actually got a clipping from the Times Picayune newspaper about how my great-great-great-grandpa Wayne was busted with this guy for runnin’ a voodoo operation in a whorehouse in 1860. I decided I would produce the record with this as a concept." Of course, he would assume the role of Dr. John himself, which he claims, came apprehensively.^[9]

He recalls reading about the original Doctor John in his youth, a purported Senegalese prince who came to New Orleans from Haiti, a medicinal and spiritual healer. The Doctor was a free man of color who lived on Bayou Road and claimed to have fifteen wives and over fifty children. He maintained a fascination with reptiles and kept an assortment of snakes and lizards, along with embalmed scorpions and animal and human skulls. His specialization was healing, and as such, in selling Gris-Gris, voodoo amulets that protected the wearer from harm. Gris Gris, would, of course, become of the name of Dr. John, the musician's famed debut album, his own form of "voodoo medicine."^[10]

1968-1971: HANDCUFFED AGAIN[link]

Beginning in the late 1960s, Rebennack gained fame as a solo artist after adopting the persona of "Dr. John, The Night Tripper". Dr. John's act combined New Orleans-style rhythm and blues with psychedelic rock and elaborate stage shows that bordered on voodoo religious ceremonies, including elaborate costumes and headdress (reflecting and presumably inspired by Screamin' Jay Hawkins's stage act). The name "Dr. John" came from a legendary Louisiana voodoo practitioner of the early 19th century.^[11] On the earliest Dr. John records, the artist billing was "Dr. John, The Night Tripper", while the songwriting credits billed him as "Dr. John Creaux". Within a few years the "Night Tripper" subtitle was dropped, and Rebennack resumed using his real name for writing and producing/arranging credits.

Gris-Gris, his 1968 debut album combining voodoo rhythms and chants with the New Orleans music tradition, was ranked 143rd on Rolling Stone's "The 500 Greatest Albums of All Time" list. Three more albums, 1969's Babylon, 1970's Remedies, and 1971's The Sun, Moon, And Herbs were released in the same vein of Gris-Gris, but none of them have enjoyed the popularity of his first album.

During early-to-mid-1969, Dr. John toured extensively, backed by supporting musicians Richard "Didymus" Washington (congas), Richard Crooks (drums), David Leonard Johnson (bass), Gary Carino (guitar), and singers Eleanor Barooshian, Jeanette Jacobs from The Cake, and Sherry Graddie. A second lineup formed later in the year for an extensive tour of the East Coast with Crooks and Johnson joined by Doug Hastings (guitar) and Don MacAllister (mandolin). Also in 1969, Dr. John contributed to the Music from Free Creek "supersession" project, playing on three tracks with Eric Clapton. Washington and Crooks also contributed to the project.

By the time The Sun, Moon, and Herbs was released, he had gained a notable cult following, including artists such as Eric Clapton and Mick Jagger, who both took part in the sessions for that album. This album would serve as a transition from his Night Tripper voodoo, psychedelic persona to one more closely associated with traditional New Orleans R&B and funk. His next album, Dr. John's Gumbo, proved to be a landmark recording which is one of his most popular to this day; with drummer Fred Staehle serving as the band's backbone.

[edit] 1972-1974: Gumbo, In the Right Place, and Desitively Bonnaroo

Along with Gris-Gris, Dr. John is perhaps best known for his recordings during 1972-1974. 1972's Dr. John's Gumbo, an album covering several New Orleans R&B standards with only one original, is considered a cornerstone in New Orleans music. In his 1994 autobiography, Under a Hoodoo Moon, Dr. John writes, "In 1972, I recorded Gumbo, an album that was both a tribute to and my interpretation of the music I had grown up with in New Orleans in the 1940s and 1950s. I tried to keep a lot of the little changes that were characteristic of New Orleans, while working my own funknology on piano and guitar." The lead single from the album, "Iko Iko", broke into the Billboard top 40 singles chart. In 2003, Dr. John's Gumbo was ranked number 402 on Rolling Stone magazine's list of the 500 greatest albums of all time. It also earned a place on Offbeat magazine's 1999 listing of the Top 100 Louisiana CDs.

With Gumbo, Dr. John expanded his career beyond the psychedelic voodoo music and theatrics that had driven his career since he took on the Dr. John persona, although it has always remained an integral part of his music and identity. It wasn't until 1998's Anutha Zone that he would again concentrate on this aspect of his music wholly for a full album. "After we cut the new record", he wrote, "I decided I'd had enough of the mighty-coo-de-fiyo hoodoo show, so I dumped the Gris-Gris routine we had been touring with since 1967 and worked up a new act—a Mardi Gras revue featuring the New Orleans standards we had covered in Gumbo."

In early 1973 Thomas Jefferson Kaye produced an album featuring a collaboration with Dr. John, Mike Bloomfield and John Paul Hammond. This album, Triumvirate, was recorded in Columbia Studios, San Francisco, and Village Recorders, Los Angeles.

In 1973, with Allen Toussaint producing and The Meters backing, Dr. John released the seminal New Orleans funk album, In the Right Place. In the same way that Gris-Gris introduced the world to the voodoo-influenced side of his music, and in the manner that Dr. John's Gumbo began his career-long reputation as an esteemed interpreter of New Orleans standards, In the Right Place established Dr. John as one of the main ambassadors of New Orleans funk. In describing the album, Dr. John states, "The album had more of a straight-ahead dance feel than ones I had done in the past, although it was still anchored solid in R&B." It rose to #24 on the Billboard album charts, while the single "Right Place Wrong Time" landed at #9 on the Billboard Hot 100 singles chart. A second single, "Such a Night", peaked at #42. Still in heavy rotation on most classic rock stations, "Right Place Wrong Time" remains his single most recognized song. Artists such as Bob Dylan, Bette Midler, and Doug Sahm contributed single lines to the lyrics, which lists several instances of ironic bad luck and failure.

Dr. John attempted to capitalize on In the Right Place's successful formula, again collaborating with Allen Toussaint and The Meters for his next album, Desitively Bonnaroo, released in 1974. Although similar in feel to In the Right Place, it failed to catch hold in the mainstream like its predecessor. It would be his last pure funk album until 1994 with Television, although like his voodoo and traditional New Orleans R&B influences, funk has continued to heavily influence most of his work to the present day, especially in his concerts. While Dr. John stated in an interview during 1990s that he'd like to work with Toussaint again for a full album, this has yet to come to fruition.

In the mid-1970s Dr. John began an almost twenty-year-long collaboration with the R&R Hall of Fame/Songwriters Hall of Fame writer Doc Pomus to create songs for Dr. John's releases City Lights and Tango Palace and for B.B. King's Stuart Levine-produced There Must Be a Better World Somewhere, which won a Grammy for Best Ethnic or Traditional Recording in 1982. Dr. John also recorded "I'm On a Roll", the last song written with Pomus prior to Pomus' death in 1991, for the now out-of-print Rhino/Forward Records 1995 tribute to Pomus titled Til the Night Is Gone: A Tribute to Doc Pomus that also included covers of Pomus-penned songs by Bob Dylan, John Hiatt, Shawn Colvin, Brian Wilson, the Band, Los Lobos, Dion, Rosanne Cash, Solomon Burke and Lou Reed. According to Doc Pomus' daughter, Dr. John and her father were very close friends as well as writing partners; Dr. John delivered one of a number of eulogies and performed with singer Jimmy Scott at Pomus' funeral on March 17, 1991, in New York City.

On Thanksgiving Day 1976 he performed at the farewell concert for the Band, which was filmed and released as The Last Waltz. In 1979, he collaborated with the legendary Professor Longhair on Fess's (another nickname for Henry Byrd) last recording Crawfish Fiesta as a guitarist and co-producer. The album was awarded the first W.C. Handy Blues Album of the Year in 1980, and was released shortly after Longhair's death in January, 1980.

Later work[link]

Dr. John at the 2006 Jazz à Vienne festival, in Vienne, France.

By the mid-1970s, Rebennack began focusing on a blend of music that touched on blues, New Orleans R&B, Tin Pan Alley standards and more.

In 1975 Dr. John's manager, Richard Flanzer, hired legendary producer Bob Ezrin. Hollywood Be Thy Name was recorded live at Cherokee Studios in Los Angeles, California. The studio was transformed into a New Orleans nightclub for the sessions.

In 1981 and 1983 Dr. John recorded two solo piano albums for the Baltimore-based Clean Cuts label. In these two recordings Dr. John plays many of his own compositions in boogie-woogie.

He has also been a prominent session musician throughout his career, playing piano on the Rolling Stones' 1972 song "Let It Loose", as well as backing Carly Simon and James Taylor in their duet of "Mockingbird" in 1974 and Neil Diamond on 1976's Beautiful Noise. He also contributed the song "More and More" to Simon's Playing Possum album. He played on three songs on Maria Muldaur's 1973 solo debut album, including his composition "Three Dollar Bill". He sang on four songs and played piano on two songs on Muldaur's 1992 Louisiana Love Call. He was co-producer on Van Morrison's 1977 album A Period of Transition and also played keyboards and guitar. He contributed three songs as writer or co-writer ("Washer Woman", "The Ties That Bind", and "That's My Home") and also played guitar and keyboards on Levon Helm's 1977 release, Levon Helm and the RCO Allstars. He performed on the March 19, 1977 episode of NBC's Saturday Night Live. He played keyboards on the highly successful 1979 solo debut album by Rickie Lee Jones and has toured with Willy DeVille and contributed to his Return to Magenta (1978), Victory Mixture (1990), Backstreets of Desire (1992), and Big Easy Fantasy (1995) albums. His music has been featured in many films including "Such a Night" in Colors in 1988. In 1992 Dr. John released the album Goin' Back to New Orleans which included many classic songs from New Orleans and many great New Orleans based musicians like Aaron Neville, the Neville brothers, Al Hirt and Pete Fountain backed up Dr. John on this album. He performed as the first American artist at the Franco Follies festival in 1992.

Dr. John has also done vocals for Popeyes Chicken & Biscuits' "Luv dat chicken..." jingle, as well as the theme song ("My Opinionation") for the early-1990s television sitcom Blossom. A version of "Do You Know What It Means To Miss New Orleans" with Harry Connick, Jr. was released on Connick's album 20 and VHS Singin' & Swingin' in 1990. Dr. John's longtime confidant and personal manager, Paul Howrilla was responsible for moving Dr. John from Los Angeles, California to New York, New York and securing the "crossover" work, as well as modifying Dr. John's image from the 1970's to the 1990's. Paul Howrilla was the brains behind the scenes, as Dr. John would attest. They remain very close friends to the present day.

His movie credits include Martin Scorsese's documentary The Last Waltz (in which he joins the Band for a performance of his song "Such a Night"), the 1978 Beatles-inspired musical "Sgt. Pepper's Lonely Hearts Club Band", and Blues Brothers 2000 (in which he joins the fictional band the Louisiana Gator Boys to perform the songs "How Blue Can You Get" and "New Orleans"). His version of the Donovan song "Season of the Witch" was also featured in this movie and on the soundtrack.

He also wrote and performed the score for the film version of John Steinbeck's "Cannery Row" released in 1982. In 1993, his hit song "Right Place Wrong Time" was used extensively in the movie Dazed and Confused.

Dr. John has also been featured in several video and audio blues and New Orleans piano lessons published by Homespun Tapes. In addition to the instructional value, there is historical context about many other blues artists. Other documentary film scores include the New Orleans dialect film Yeah You Rite! (1985) and American Tongues in 1987.

Between July and September 1989 Dr. John toured in the first Ringo Starr & His All-Starr Band, alongside Levon Helm, Rick Danko, Nils Lofgren, Jim Keltner, Joe Walsh, Billy Preston and Clarence Clemons. The tour produced the 1990 live album Ringo Starr and His All-Starr Band.

Dr.John at the Liri Blues Festival, Italy.

In 1997, he appeared on the charity single version of Lou Reed's "Perfect Day". In the same year, he played piano on the Spiritualized song "Cop Shoot Cop...", from their critically acclaimed album Ladies and Gentlemen We Are Floating in Space. Frontman Jason Pierce, a fan of John's music, reciprocated by guesting on John's 1998 album Anutha Zone along with drummer Damon Reece and guitarist Thighpaulsandra.

He recorded the live album Trippin' Live with drummer Herman Ernest, David Barard, bass, Tommy Moran, guitar, trumpeter Charlie Miller, tenor Red Tyler, and baritone sax Ronnie Cuber.

In September 2005 he performed Fats Domino's "Walkin' to New Orleans", to close the Shelter from the Storm: A Concert for the Gulf Coast telethon. This was for the relief of Hurricane Katrina victims; following the devastation of his hometown of New Orleans.

In November 2005, he released a four-song EP, Sippiana Hericane, to benefit New Orleans Musicians Clinic, Salvation Army, and the Jazz Foundation of America. On February 5, 2006, he joined fellow New Orleans native Aaron Neville, Detroit resident Aretha Franklin and a 150-member choir for the national anthem at Super Bowl XL as part of a pre-game tribute to New Orleans. On February 8, 2006, he joined Allen Toussaint, Bonnie Raitt, The Edge, and Irma Thomas to perform "We Can Can" as the closing performance at the Grammy Awards of 2006.

On May 12, 2006, Dr. John recorded a live session at Abbey Road Studios for Live from Abbey Road. His performance was aired alongside those of LeAnn Rimes and Massive Attack on the Sundance Channel in the USA and Channel 4 in the UK.

Dr. John performing at Le Poisson Rouge, New York City, 2011.

On July 30, 2006, Dr. John performed a solo piano benefit for New Orleans composer and arranger Wardell Quezergue (King Floyd's "Groove Me") at a New Orleans Musicians Relief Fund benefit at the Black Orchid Theatre in Chicago.^[12] Special guest Mike Mills of R.E.M. was in attendance, along with an all-star funk band.

Dr. John performed the theme music to the Fox drama K-Ville. He also performed and co-produced the theme song for the PBS children's show Curious George.

In 2007, Dr. John accepted an invitation to contribute to Goin' Home: A Tribute to Fats Domino. He contributed his version of Domino's "Don't Leave Me This Way".

In January 2008, Mac Rebennack, Dr. John, was inducted into The Louisiana Music Hall of Fame. Later, in February, he performed at All-Star Saturday Night, part of the NBA All-Star Weekend hosted by New Orleans.

In the 2009 Disney film The Princess and the Frog, Dr. John sings the opening tune, "Down in New Orleans".

He reigned as King of the Krewe du Vieux for the 2010 New Orleans Mardi Gras season.

Dr. John played keyboards and had a major role in shaping Gregg Allman's 2011 album Low Country Blues which was produced by T-Bone Burnett.^[13]

In 2011 he collaborated with Hugh Laurie on the song "After You've Gone" on his album Let Them Talk.

In 2011 Dr. John, Allen Toussaint and The Meters performed Desitively Bonnaroo at the Bonnaroo Music & Arts Festival in Manchester, Tennessee as part of the festival's tenth year celebration. The name of the festival was inspired by the album.

In 2012, he released Locked Down, a collaboration with Dan Auerbach of The Black Keys, who produces and plays guitar.^[11] The album received very positive reviews for its raw, Afrobeat-influenced sound. The Los Angeles Times said it showed Dr. John "exiting a period of relative creative stagnation by creating something magical, the embodiment of everything he’s done but pushed in a clear new direction."^[14]

Cover versions[link]

Dr. John's song "I Walk On Gilded Splinters" was covered in 1969 by Marsha Hunt and produced by Tony Visconti; also in June 1969 by Cher on her 3614 Jackson Highway album, and was released as a single; and in July 1970 by Johnny Jenkins, whose supporting musicians included slide guitarist Duane Allman and drummers Butch Trucks and Jai Johanny Johanson; Allman also performed on Ton Ton Macoute, the album that contained it. Allman Brothers bass guitarist Berry Oakley also appeared on other tracks on the album). "I Walk on Gilded Splinters" was also covered in the 1970s by Humble Pie on their album Performance Rockin' the Fillmore, and is track 3 on Paul Weller's 1995 album Stanley Road. Widespread Panic and The Allman Brothers Band also perform this song regularly.

Discography[link]

As leader[link]

• Gris-Gris (1968) (Atco, SD 33-234)
• Babylon (1969)
• Remedies (1970) (Atco, SD 33-316)
• The Sun, Moon & Herbs (1971) (Atco, SD 33-362)
• Dr. John's Gumbo (1972)
• In the Right Place (1973) (Atco, SD 7018)
• Desitively Bonnaroo (1974) (Atco, SD 7043)
• Hollywood Be Thy Name (1975) (UA-LA552G)
• City Lights (1978)
• Tango Palace (1979) (Horizon, SP-740)
• Dr. John Plays Mac Rebennack Vol. 1 (1981)
• Dr. John Plays Mac Rebennack Vol. 2 (The Brightest Smile in Town) (1983)
• In a Sentimental Mood (1989)
• ZuZu Man (1989) (Trip Records TLP-9518)
• Bluesianna Triangle , w/ Art Blakey and David 'Fathead' Newman (1990) (Windham Hill)
• Goin' Back to New Orleans (1992)
• Television (1994)
• Afterglow (1995)
• Trippin' Live
• Anutha Zone (1998)
• Duke Elegant (1999) (Parlophone, 7243 5 23220 2 2)
• Creole Moon (2001)
• All By Hisself, Live At The Lonestar (2003) (Skinji Brim) recorded live Dec. 22 & 23, 1986
• N'Awlinz: Dis Dat or d'Udda (2004)
• Sippiana Hericane (2005)
• Mercernary (2006) (Blue Note 54541)
• The City That Care Forgot (2008)
• Tribal (2010)
• Locked Down (2012)

With Bluesiana Triangle[link]

• Bluesiana Triangle (Windham Hill, 1990)
• Bluesiana Triangle II (Windham Hill, 1991)

Other contributions[link]

• Levon Helm and the RCO Allstars, Levon Helm (Edsel, 1977).
• Ringo Starr and His All-Starr Band, Ringo Starr (EMI, 1990), Rykodisc RALP-10190 (CD: Rykodisc RCD-10190)
• Boogie to Heaven Gayle Wynters, featuring Dr. John and Roger Kellaway (VWC Records, 1995)^[15]
• Perfect Day BBC corporate film and charity release in 1997 - featuring, amongst others, Dr John ("Perfect Day")
• Jools Holland's Big Band Rhythm & Blues - "The Hand That Changed Its Mind" (Rhino, 2002)^[16]
• Goin' Home: A Tribute to Fats Domino (Vanguard, 2007)^[17]
• Let Them Talk (Warner Bros. Records, 2011)^[18]
• My Kind of Christmas, Christina Aguilera (RCA, 2000)^[19]
• Use Me, David Bromberg (Appleseed, 2011)^[20]

Dr. John in popular culture[link]

• Dr. John was featured in the third episode of the HBO series Treme, as well as three episodes of the second season, playing himself in all of them.^[21]
• Dr. John was the inspiration for Jim Henson's Muppets character, Dr. Teeth.^[22]

Recognition[link]

Grammy Awards[link]

• 1989 Best Jazz Vocal Performance, Duo Or Group - Makin' Whoopee
• 1992 Best Traditional Blues Album - Goin' Back To New Orleans
• 1996 Best Rock Instrumental Performance - SRV Shuffle
• 2000 Best Pop Collaboration With Vocals - Is You Is, Or Is You Ain't (My Baby)
• 2008 Best Contemporary Blues Album - City that Care Forgot

Rock and Roll Hall of Fame[link]

• 2011 Rock and Roll Hall of Fame Inductee ^[23]

References[link]

Further reading[link]

• Under a Hoodoo Moon: the Life of Dr. John the Night Tripper by Dr. John (Mac Rebennack) and Jack Rummel, New York: St. Martin's Press, 1994. ISBN 0-312-10567-3

External links[link]

Wikimedia Commons has media related to: Dr. John

• Official website
• Allmusic

His Grace Dr. Geevarghese Mar Osthathios (9 December 1918 – 16 February 2012) was a senior bishop of the Indian Orthodox Church.^[1] He was the metropolitan of the Niranam diocese from 1975-2007. He was a renowned theologian, orator and writer. ^[2]

Childhood and Education[link]

He was born on 9 December 1918 to Kochitty and Mariamma Kochitty of Munduvelil family in Mavelikara. He obtained his B.D from Leonard Theological College, Jabalpur, M.A from Drew University in America and his S.T.M from Union Seminary, Bangalore.

Priesthood[link]

He received the order of Korooyo (sub-deacon) from Metropolitan Augen Mar Timotheos on 9 August 1947 and his priesthood from His Holiness Baselios Geevarghese II, Catholicos on 10 May 1956. He was nominated to the post of Metropolitan by the Malankara Association which met at Niranam on 2 October 1974. Metropolitan Daniel Mar Philexinos ordained him as a Ramban at St. Mary's Cathedral Puthencavu. He was consecrated as a bishop by His Holiness Baselios Augen I, Catholicos of the East on 16 February 1975 at Niranam Valiya Palli. He was appointed as the Metropolitan of the Niranam Diocese on 1 April 1975.

Other Contributions[link]

He was the member of Faith and Order Commission of the World Council of Churches. He was a faculty member of the Orthodox Theological Seminary, Kottayam, President of the Mission Board of the Indian Orthodox Church and the Director of St. Paul's Mission Training Centre, Mavelikara. He is the founder of a good number of charitable programmes, mission centers and institutions which include Marriage Assistance Foundation, Sick Aid Foundation, Save A Heart Foundation, House Building Aid Fund, Mission Training Centre, M.G.D Ashram Balabhavan Karunagiri, St Pauls Asram Puthuppady, Haripad Mission Centre, Yacharam St.Gregorios Balagram, Bethanya Bhavan, St.George Balikagram Pune, etc.

Publications[link]

1. Theology of a Classless Society ISBN 978-0-7188-2415-0
2. Sharing God and a sharing world ISBN 81-7214-253-6
3. The sin of being rich in a poor world: Holy Trinity and social justice

References[link]

Mary Anne (alternatively Mary Ann or Marian) Evans (22 November 1819 – 22 December 1880), better known by her pen name George Eliot, was an English novelist, journalist and translator, and one of the leading writers of the Victorian era. She is the author of seven novels, including Adam Bede (1859), The Mill on the Floss (1860), Silas Marner (1861), Middlemarch (1871–72), and Daniel Deronda (1876), most of them set in provincial England and well known for their realism and psychological insight.

She used a male pen name, she said, to ensure her works would be taken seriously. Female authors were published under their own names during Eliot's life, but she wanted to escape the stereotype of women only writing lighthearted romances. An additional factor in her use of a pen name may have been a desire to shield her private life from public scrutiny and to prevent scandals attending her relationship with the married George Henry Lewes, with whom she lived for over 20 years.^[1]

Her 1872 work, Middlemarch, has been described as the greatest novel in the English language by Martin Amis^[2] and by Julian Barnes^[3].

Life[link]

Early life and education[link]

Mary Anne Evans was the third child of Robert Evans (1773–1849) and Christiana Evans (née Pearson) (1788–1836), the daughter of a local farmer. Mary Anne's name was sometimes shortened to Marian.^[4] Her full siblings were Christiana, known as Chrissey (1814–59), Isaac (1816–1890), and twin brothers who survived a few days in March 1821. She also had a half-brother, Robert (1802–64), and half-sister, Fanny (1805–82), from her father's previous marriage to Harriet Poynton (?1780–1809). Robert Evans, of Welsh ancestry, was the manager of the Arbury Hall Estate for the Newdigate family in Warwickshire, and Mary Anne was born on the estate at South Farm. In early 1820 the family moved to a house named Griff, between Nuneaton and Bedworth.

The young Evans was obviously intelligent and a voracious reader. Because she was not considered physically beautiful, and thus not thought to have much chance of marriage, and because of her intelligence, her father invested in an education not often afforded women.^[5] From ages five to nine, she boarded with her sister Chrissey at Miss Latham's school in Attleborough, from ages nine to thirteen at Mrs. Wallington's school in Nuneaton, and from ages thirteen to sixteen at Miss Franklin's school in Coventry. At Mrs. Wallington's school, she was taught by the evangelical Maria Lewis—to whom her earliest surviving letters are addressed. In the religious atmosphere of the Miss Franklin's school, Evans was exposed to a quiet, disciplined belief opposed to evangelicalism.^[6]

After age sixteen, Eliot had little formal education.^[7] Thanks to her father's important role on the estate, she was allowed access to the library of Arbury Hall, which greatly aided her self-education and breadth of learning. Her classical education left its mark; Christopher Stray has observed that "George Eliot's novels draw heavily on Greek literature (only one of her books can be printed correctly without the use of a Greek typeface), and her themes are often influenced by Greek tragedy".^[8] Her frequent visits to the estate also allowed her to contrast the wealth in which the local landowner lived with the lives of the often much poorer people on the estate, and different lives lived in parallel would reappear in many of her works. The other important early influence in her life was religion. She was brought up within a narrow low church Anglican family, but at that time the Midlands was an area with a growing number of religious dissenters.

Move to Coventry[link]

In 1836 her mother died and Evans (then 16) returned home to act as housekeeper, but she continued correspondence with her tutor Maria Lewis. When she was 21, her brother Isaac married and took over the family home, so Evans and her father moved to Foleshill near Coventry. The closeness to Coventry society brought new influences, most notably those of Charles and Cara Bray. Charles Bray had become rich as a ribbon manufacturer and had used his wealth in building schools and other philanthropic causes. Evans, who had been struggling with religious doubts for some time, became intimate friends with the progressive, free-thinking Brays, whose home was a haven for people who held and debated radical views. The people whom the young woman met at the Brays' house included Robert Owen, Herbert Spencer, Harriet Martineau and Ralph Waldo Emerson. Through this society, Evans was introduced to more liberal theologies, and writers such as David Strauss and Ludwig Feuerbach, who cast doubt on the literal veracity of Biblical stories. In fact, her first major literary work was translating into English Strauss' Life of Jesus (1846), which she completed after it had been begun by another member of the Rosehill circle.

When Evans began to question her religious faith, her father threatened to throw her out, although that did not happen. Instead, she respectably attended church for years and continued to keep house for him until his death in 1849, when she was 30. Five days after her father's funeral, she travelled to Switzerland with the Brays. She decided to stay in Geneva alone, living first on the lake at Plongeon (near the present United Nations buildings) and then at the Rue de Chanoines (now the Rue de la Pelisserie) with François and Juliet d’Albert Durade on the second floor ("one feels in a downy nest high up in a good old tree"). Her stay is recorded by a plaque on the building. She read avidly and took long walks amongst a natural environment that inspired her greatly. François painted a portrait of her.^[9]

[edit] Move to London and editorship of the Westminster Review

On her return to England the following year (1850), she moved to London with the intent of becoming a writer and calling herself Marian Evans. She stayed at the house of John Chapman, the radical publisher whom she had met at Rosehill (near Coventry) and who had printed her translation. Chapman had recently bought the campaigning, left-wing journal The Westminster Review, and Evans became its assistant editor in 1851. Although Chapman was the named editor, it was Evans who did most of the work in running the journal, contributing many essays and reviews, from the January, 1852 number until the dissolution of her arrangement with Chapman in the first half of 1854.^[10]

Women writers were not uncommon at the time, but Evans's role at the head of a literary enterprise was. She was considered to have an ill-favoured appearance,^[11] and she formed a number of embarrassing, unreciprocated emotional attachments, including that to her employer, the married Chapman, and Herbert Spencer.

Relationship with George Lewes[link]

Portrait of George Eliot by Samuel Laurence circa 1860

The philosopher and critic George Henry Lewes met Evans in 1851, and by 1854 they had decided to live together. Lewes was married to Agnes Jervis, but they had agreed to have an open marriage, and in addition to the three children they had together, Agnes had also had four children by Thornton Leigh Hunt.^[12] Since Lewes was named on the birth certificates as the father of these children despite knowing this to be false, and was therefore considered complicit in adultery, he was not able to divorce Agnes. In July 1854, Lewes and Evans travelled to Weimar and Berlin together for the purpose of research. Before going to Germany, Evans continued her interest in theological work with a translation of Feuerbach's Essence of Christianity, and while abroad she wrote essays and worked on her translation of Baruch Spinoza's Ethics, which she completed in 1856, but which was not published in her life-time.^[13]

The trip to Germany also served as a honeymoon as Evans and Lewes now considered themselves married, with Evans calling herself Marian Evans Lewes, and referring to Lewes as her husband. It was not unusual for men and women in Victorian society to have affairs; Charles Bray, John Chapman, Friedrich Engels, and Wilkie Collins all had affairs, though more discreetly than Lewes and Evans. What was scandalous was their open admission of the relationship.

First publication[link]

While continuing to contribute pieces to the Westminster Review, Evans had resolved to become a novelist, and she set out a manifesto for herself in one of her last essays for the Review, "Silly Novels by Lady Novelists"^[14] (1856). The essay criticised the trivial and ridiculous plots of contemporary fiction by women. In other essays she praised the realism of novels written in Europe at the time, and an emphasis placed on realistic storytelling would become clear throughout her subsequent fiction. She also adopted a new nom-de-plume, the one for which she would become best known: George Eliot.

In 1858 (when she was 39) Amos Barton, the first of the Scenes of Clerical Life, was published in Blackwood's Magazine and, along with the other Scenes, was well received. Her first complete novel, published in 1859, was Adam Bede and was an instant success, but it prompted an intense interest in who this new author might be. Scenes of Clerical Life was widely believed to have been written by a country parson or perhaps the wife of a parson. With the release of the incredibly popular Adam Bede, speculation increased markedly, and there was even a pretender to the authorship, one Joseph Liggins. In the end, the real George Eliot stepped forward: Marian Evans Lewes admitted she was the author. The revelations about Eliot's private life surprised and shocked many of her admiring readers, but this apparently did not affect her popularity as a novelist. Eliot's relationship with Lewes afforded her the encouragement and stability she so badly needed to write fiction, and to ease her self-doubt, but it would be some time before they were accepted into polite society. Acceptance was finally confirmed in 1877, when they were introduced to Princess Louise, the daughter of Queen Victoria. The queen herself was an avid reader of all of George Eliot's novels, being so impressed with Adam Bede that she commissioned the artist Edward Henry Corbould to paint scenes from the book. ^[15]

After the popularity of Adam Bede, she continued to write popular novels for the next fifteen years. Within a year of completing Adam Bede, she finished The Mill on the Floss, inscribing the manuscript: "To my beloved husband, George Henry Lewes, I give this MS. of my third book, written in the sixth year of our life together, at Holly Lodge, South Field, Wandsworth, and finished 21 March 1860."

Her last novel was Daniel Deronda, published in 1876, whereafter she and Lewes moved to Witley, Surrey; but by this time Lewes's health was failing and he died two years later on 30 November 1878. Eliot spent the next two years editing Lewes's final work Life and Mind for publication, and she found solace with John Walter Cross, a Scottish commission agent ^[16] whose mother had recently died.

Marriage to John Cross and death[link]

Eliot's grave in Highgate Cemetery

On 16 May 1880 Eliot courted controversy once more by marrying a man twenty years younger than herself, and again changing her name, this time to Mary Anne Cross. The legal marriage at least pleased her brother Isaac, who had broken off relations with his sister when she had begun to live with Lewes, but now sent congratulations. John Cross inexplicably jumped or fell from their hotel balcony into the Grand Canal in Venice, Italy during their honeymoon. Cross survived and they returned to England. The couple moved to a new house in Chelsea but Eliot fell ill with a throat infection. This, coupled with the kidney disease she had been afflicted with for the previous few years, led to her death on 22 December 1880 at the age of 61.^[17]

Eliot was not buried in Westminster Abbey because of her denial of the Christian faith and her "irregular" though monogamous life with Lewes. She was interred in Highgate Cemetery (East), Highgate, London in the area reserved for religious dissenters or agnostics, next to George Henry Lewes; Karl Marx's memorial is nearby. In 1980, on the centenary of her death, a memorial stone was established for her in the Poets’ Corner.

Several key buildings in her birthplace of Nuneaton are named after her or titles of her novels. For example The George Eliot School (Previously George Eliot Community School) and Middlemarch Junior School. In 1948, Nuneaton Emergency Hospital was named George Eliot Hospital in Eliot's honour.^[18] George Eliot Road, in Foleshill, Coventry was named in her honour. Nuneaton motor cycle manufacturer John Birch named his motor cycles after her.

A statue of Eliot is in Newdegate Street, Nuneaton, and Nuneaton Museum & Art Gallery has a display of material related to her.

Literary assessment[link]

Portrait by Frederick William Burton. 1864

Throughout her career, Eliot wrote with a politically astute pen. From Adam Bede to The Mill on the Floss and Silas Marner, Eliot presented the cases of social outsiders and small-town persecution. Felix Holt, the Radical and The Legend of Jubal were overtly political, and political crisis is at the heart of Middlemarch, in which she presents the stories of a number of denizens of a small English town on the eve of the Reform Bill of 1832; the novel is notable for its deep psychological insight and sophisticated character portraits. The roots of her realist philosophy can be found in her review of John Ruskin's Modern Painters in Westminster Review in 1856.

Readers in the Victorian era particularly praised her books for their depictions of rural society, for which she drew on her own early experiences, and she shared with Wordsworth the belief that there was much interest and importance in the mundane details of ordinary country lives. Eliot did not, however, confine herself to her bucolic roots. Romola, an historical novel set in late 15th century Florence and touching on the lives of several real persons such as the priest Girolamo Savonarola, displays her wider reading and interests. In The Spanish Gypsy, Eliot made a foray into verse, creating a work whose initial popularity has not endured.

The religious elements in her fiction also owe much to her upbringing, with the experiences of Maggie Tulliver from The Mill on the Floss sharing many similarities with the young Mary Anne Evans's own development. When Silas Marner is persuaded that his alienation from the church means also his alienation from society, the author's life is again mirrored with her refusal to attend church. She was at her most autobiographical in Looking Backwards, part of her final printed work Impressions of Theophrastus Such. By the time of Daniel Deronda, Eliot's sales were falling off, and she faded from public view to some degree. This was not helped by the biography written by her husband after her death, which portrayed a wonderful, almost saintly, woman totally at odds with the scandalous life people knew she had led. In the 20th century she was championed by a new breed of critics, most notably by Virginia Woolf, who called Middlemarch "one of the few English novels written for grown-up people".^[19] The various film and television adaptations of Eliot's books have re-introduced her to the wider reading public.

Works[link]

Novels[link]

• Adam Bede, 1859
• The Mill on the Floss, 1860
• Silas Marner, 1861
• Romola, 1863
• Felix Holt, the Radical, 1866
• Middlemarch, 1871–72
• Daniel Deronda, 1876

Poetry[link]

• The Spanish Gypsy (a dramatic poem), 1868
• Agatha, 1869
• Armgart, 1871
• Stradivarius, 1873
• The Legend of Jubal, 1874
• Arion, 1874
• A Minor Prophet, 1874
• A College Breakfast Party, 1879
• The Death of Moses, 1879
• From a London Drawing Room
• Count That Day Lost
• I Grant You Ample Leave

Other[link]

• Digital facsimile of manuscript "Quarry for Middlemarch", MS Lowell 13, Houghton Library, Harvard University
• Translation of "The Life of Jesus Critically Examined" Volume 2 by David Strauss, 1846
• Translation of "The Essence of Christianity" by Ludwig Feuerbach, 1854
• "Three Months in Weimar", 1855
• "Silly Novels by Lady Novelists", 1856
• "The Natural History of German Life", 1856
• Scenes of Clerical Life, 1857
  • The Sad Fortunes of the Rev. Amos Barton
  • Mr Gilfil's Love Story
  • Janet's Repentance
• The Lifted Veil, 1859
• Brother Jacob, 1864
• "The Influence of Rationalism", 1865
• Impressions of Theophrastus Such, 1879
• Review of John Ruskin's Modern Painters in Westminster Review April 1856.

Notes[link]

Further reading[link]

• Haight, Gordon S., George Eliot: A Biography, Oxford, Oxford University Press, 1968, ISBN 0-19-811666-7.
• Haight, Gordon S., ed., George Eliot: Letters, New Haven, Connecticut, Yale University Press, 1954, ISBN 0-300-01088-5.
• Uglow, Jennifer, George Eliot, London, Virago, 1987, ISBN 0-394-75359-3.
• Jenkins, Lucien, Collected Poems of George Eliot, London, Skoob Books Publishing, 1989, ISBN 1-871438-35-7
• Wahba, Magdi (1981). Centenary Essays on George Eliot. Cairo, Egypt: Cairo Studies in English. .

Context and background[link]

• Beer, Gillian, Darwin's Plots: Evolutionary Narrative in Darwin, George Eliot and Nineteenth-Century Fiction, London, Routledge & Kegan Paul, 1983, ISBN 0-521-78392-5.
• Beer, Gillian, George Eliot, Prentice Hall / Harvester Wheatsheaf, 1986, ISBN 0-7108-0511-X.
• Chapman, Raymond, The Sense of the Past in Victorian Literature, London, CroomHelm, 1986, ISBN 0-7099-3441-6.
• Cosslett, Tess, The 'Scientific Movement' and Victorian Literature, Brighton, Harvester, 1982, ISBN 0-312-70298-1.
• Gilbert, Sandra M., and Gubar, Susan, The Madwoman in the Attic: The Woman Writer and the Nineteenth-Century Literary Imagination, New Haven, Connecticut, Yale University Press, 1979, ISBN 0-300-08458-7.
• Hughes, Kathryn, George Eliot: The Last Victorian, New York, Farrar Straus Giroux, 1998, ISBN 0-374-16138-0.
• Edel, Leon (ed.) Henry James: Selected Letters, Belknap Press (1990) ISBN 0-674-38794-5
• Pinney, Thomas, ed., Essays of George Eliot, London, Routledge & Kegan Paul, 1963, ISBN 0-231-02619-6.
• Rignall, John, ed., 'Oxford Reader's Companion to George Eliot', Oxford University Press, 2000, ISBN 0-19-860099-2
• Rignall, John, ed., 'George Eliot and Europe', Scolar Press, 1997, ISBN 1-85928-334-9
• Shuttleworth, Sally, George Eliot and Nineteenth-Century Science: The Make-Believe of a Beginning, Cambridge, Cambridge University Press, 1984, ISBN 0-521-25786-7.
• Thompson, Andrew, 1998, 'George Eliot and Italy: Literary, Cultural and Political Influences from Dante to the Risorgimento', New York, St. Martin's Press, 1998, ISBN 0-312-17651-1.
• Uglow, Jenny, George Eliot, London, Virago Press, 1988, ISBN 0-86068-400-8.
• Willey, Basil, Nineteenth-Century Studies: Coleridge to Matthew Arnold, London, Chatto & Windus, 1964, ISBN 0-14-021709-6.
• Williams, Raymond, The Country and the City, London, Chatto & Windus, 1973, ISBN 0-19-519810-7.

Critical studies[link]

• Alley, Henry, "The Quest for Anonymity: The Novels of George Eliot", University of Delaware Press, 1997.
• Ashton, Rosemary, George Eliot, Oxford, Oxford University Press, 1983.
• Beaty, Jerome, Middlemarch from Notebook to Novel: A Study of George Eliot's Creative Method, Champaign, Illinois, University of Illinois, 1960.
• Carroll, Alicia, Dark Smiles: Race and Desire in George Eliot, Ohio University Press, 2003.
• Carroll, David, ed., George Eliot: The Critical Heritage, London, Routledge & Kegan Paul, 1971.
• Daiches, David, George Eliot: Middlemarch, London, Edward Arnold, 1963.
• Dentith, Simon, George Eliot, Brighton, Harvester, 1986.
• Garrett, Peter K., The Victorian Multiplot Novel: Studies in Dialogical Form, New Haven, Connecticut, Yale University Press, 1980.
• Graver, Suzanne, George Eliot and Community: A Study in Social Theory and Fictional Form, Berkeley, California, University of California Press, 1984.
• Harvey, W. J, The Art of George Eliot, London, Chatto & Windus, 1961.
• Kettle, Arnold. An Introduction to the English Novel, vol. I, London, Hutchinson, 1951.
• Leavis, F R The Great Tradition, London, Chatto & Windus, 1948.
• Neale, Catherine, Middlemarch: Penguin Critical Studies,London, Penguin, 1989
• Swinden, Patrick, eel., George Eliot: Middlemarch, London, Macmillan, 1972.

External links[link]

Wikisource has original works written by or about: George Eliot

Wikiquote has a collection of quotations related to: George Eliot

• George Eliot's Literary Works
• Poetry Foundation profile and poems
• Full biography: "Evans, Marian [George Eliot (1819–1880)", Oxford Dictionary of National Biography], Oxford University Press, 2008
• George Eliot at The Victorian Web
• Literary Encyclopedia biography
• Biography
• Works by George Eliot at Project Gutenberg
• The Life of George Eliot by John Morley at Project Gutenberg
• Athenaeum review of The Mill on the Floss by Geraldine Jewsbury, (7 April 1860)
• Archival material relating to George Eliot listed at the UK National Register of Archives
• George Eliot Collection at the Harry Ransom Center at the University of Texas at Austin
• Portraits of George Eliot (Mary Ann Cross, née Evans) at the National Portrait Gallery, London