Damage may refer to:
Make This Your Own is the third and final album by British alternative rock band The Cooper Temple Clause.
It reached #33 in the UK album charts, despite not having the major label backing afforded to the band's first two albums.
Damage is the eighth studio album by American alternative rock band Jimmy Eat World, released on June 11, 2013, on RCA Records. Described as "an attempt at making an adult breakup record", the album was produced by regular Queens of the Stone Age collaborator Alain Johannes, and was preceded by the singles "I Will Steal You Back" and "Damage".
Released to generally favorable reviews, Damage reached number 14 on the Billboard 200 and 38 on the UK Albums Chart.
Damage was recorded in October 2012 with producer Alain Johannes (formerly of the band Eleven, and regular Queens of the Stone Age collaborator). Unlike the band's previous two studio albums, Chase This Light (2007) and Invented (2010), which were both recorded at the band's rehearsal space in Arizona, the album was recorded at Johannes' home on both analog tape and Pro Tools. Regarding the recording process, vocalist and guitarist Jim Adkins stated: "We used tape for the first time in a long time, as well as computer. I hate saying more raw, but it's more raw and warm. We just set up all around Alain's house. There were instruments in his bedroom and drums in his living room. Just noise all day long. There was less an emphasis on it being clean and perfect. There's a lot of stuff that's more about the performance than it sounding pristine. And I think it feels better for what the songs are." Adkins elaborated: "It was inspiring to live in the making of the album for a month."
Deep or The Deep may refer to:
Deep is the third studio album from the jazz rock fusion trio Niacin, released in March 2000.
The album is heavily loaded with Billy Sheehan's powerful bass solos and features contributions from guest musicians Glenn Hughes on vocals and Steve Lukather on guitar.
Ten is the debut studio album by the American rock band Pearl Jam, released on August 27, 1991 through Epic Records. Following the disbanding of bassist Jeff Ament and guitarist Stone Gossard's previous group Mother Love Bone, the two recruited vocalist Eddie Vedder, guitarist Mike McCready, and drummer Dave Krusen to form Pearl Jam in 1990. Most of the songs began as instrumental jams, to which Vedder added lyrics about topics such as depression, homelessness, and abuse.
Ten was not an immediate success, but by late 1992 it had reached number two on the Billboard 200 chart. The album produced three hit singles: "Alive", "Even Flow", and "Jeremy". While Pearl Jam was accused of jumping on the grunge bandwagon at the time, Ten was instrumental in popularizing alternative rock in the mainstream. In February 2013, the album crossed the 10 million mark in sales and has been certified 13x platinum by the RIAA. It remains Pearl Jam's most commercially successful album.
Lightning was a wooden roller coaster that operated at Revere Beach in Revere, Massachusetts from 1927 until 1933. It was one of the infamous Giant Cyclone Safety Coasters which were constructed by noted roller coaster engineer Harry G. Traver in the mid-1920s (the rides were, in fact, anything but safe, and became known as the "terrifying triplets"). Lightning was the only Giant Cyclone Safety Coaster not to bear the "Cyclone" name, as a roller coaster named Cyclone already existed at Revere Beach when Lightning was constructed in 1927. The other two members of this group of coasters included the Crystal Beach Cyclone and the Palisades Park Cyclone (A fourth Traver roller coaster named Zip had a similar—but smaller—design and was installed at Oaks Amusement Park in Portland, Oregon).
Although the precise dimensions of Lightning are not reported, its common design heritage with the Crystal Beach Cyclone suggests that these coasters share many technical specifications, such as heights around 100 feet (30 m), many steeply-banked turns and a ground-level figure 8 track. In fact, there was no truly straight track apart from the station. Lightning's hybrid steel structure allowed for much more steeply banked curves than would have been possible in an ordinary wooden-framed roller coaster of the day. These steeply banked tracks often made quick transitions to steep banks in the opposite directions. These quick rolling transitions were one of the primary reasons for the violent nature of the Lightning.