-
Big Daddy Kane: NPR Music Tiny Desk Concert
Feb. 19, 2018 | Abby O'Neill -- One of the greatest to ever bless the mic, Big Daddy Kane treated Tiny Desk to an office block party in the true essence of hip-hop. He performed a short set of classics, including "Smooth Operator," "Ain't No Half Steppin'," "Raw" and a bonus freestyle. Through his warm, engaging and devilishly self-effacing style, the pioneer used an interlude between songs to address the intergenerational divisiveness defining rap today and the importance of fans of all ages supporting whatever they like, while "focusing on what's positive and keeping that in the spotlight."
Kane, aka Dark Gable, was a breakout member of the seminal Juice Crew in hip-hop's golden era during the latter part of the 1980s. He popularized quick-cadence flows and multisyllabic rhyme schemes b...
published: 26 Feb 2018
-
C-Mob - No Half Steppin
North Charleston, SC (2006)
published: 01 Jul 2015
-
No Half Stepping Rocking June 08
no half steezles @ various jams during june 08
published: 29 Mar 2009
-
A Minute of Medicine For Your Mind - Ain't No Half Steppin
A Minute of Medicine for Your Mind - A collection of short, motivational thoughts to help center you on your purpose and focus your energy toward success and fulfillment of your God-given purpose
published: 29 Mar 2014
-
Doug E. Fresh And The Get Fresh Crew - Keep Risin' To The Top
From 1988 Album: "The Worlds Greatest Entertainer"...(Click "show more" for artist info)...
Douglas E. Davis (born September 17, 1966), better known by the stage name Doug E. Fresh, is a Barbadian born American rapper, record producer, and beatboxer, also known as the Human Beat Box. The pioneer of 20th-century American beatboxing, Fresh is able to accurately imitate drum machines and various special effects using only his mouth, lips, gums, throat, tongue and a microphone.
Although he began his recording career as a solo artist as one of the last artists on Enjoy Records and one of the first on Vintertainment Records (the same New York-based label owned by Vincent Davis that would later make a name of Hip-Hop artist Joeski Love and bring R&B; "icon" Keith Sweat to ultimate fame), it was ...
published: 27 Sep 2017
-
Da Band - Chopped Up
[Intro (Chopper Talking)]
What's happenin'
this ya boy Chopper City, ya heard me
New Orleans
[1st Verse]
I'm from the dirty, but I stay so fresh, so clean
With all these throwbacks, you think I got a time machine
Kodak moment, everytime I hit scenes
Cuz I'm a young ??, I flip keys
Alicia aint, got, nothin' on me, I'm so shady
Tha benz is amazing, tha color is all gravy
Please believe, my squad be them DBE's
We ridin' in them drop tops, wit them DVD's
Spreewells on them alloys, daddy I'm so jiggy
I flow so sickly, I roll with P. Diddy
Fa-Shiggety!!!, tha thug shit just run in my kidney
Always on point aint no nigga gone put no steel to me
Feelin' me, every move I make
It replay, EA Sports style, especially on tha freeway
whodi so wild, I keep thangs that bark loud
move...
published: 12 Aug 2007
-
The White House Band - Ghost f Tupac - Prod. By David E Beats
While writing this song, I was at first only focused on making something the hip hop guys would drool over. Let's be honest, we'd all like to be accepted into a world or genre or clique with open arms right? But now this song has a whole new meaning to me. My friend and one of the people who helped me learn how to rap, Damien, has died in 2011 at the age of 19. I am 24. It saddens me that he will never have the opportunities that I've had, as he was a damn good rapper. So this song and the upcoming music video is #Dedicated2Damien long live his memory, and his talent.
LINKS + LYRICS BELOW -
http://thewhitehouseband.net
http://facebook.com/thewhitehouseband
@DavidEBeats on Twitter
CapCity Records
I AM PR Agency
Tupac :
God has cursed me, to see,
What life should be like,
If God ...
published: 26 Dec 2011
-
Stepping Stones to Success - Feat. Jason Butler
A Chewymedia Film
Twitter @JasonButler02 @chewyco
Bournemouth Velodrome - Brentford FC Training Ground ...
....
Dreaming of success doesn't mean success is just a DREAM
Success exists in REAL life. It's what MAKES life MEANINGFUL when challenges are TAKEN.
SUCCESS is an accomplishment of HARD WORK and can only be EARNED one step at a time.
NO ONE ever gets an easy ride to success.
But truly BELIEVE in success, and you're ALREADY half way there.
Become FOCUSED so no excuses become REASONS to quit.
Use MOTIVATION to keep you going and EVENTUALLY, training to succeed will BECOME a routine.
ROUTINE will then become a NATURAL HUNGER to succeed much GREATER than the FEAR of FAILURE.
Success will ALWAYS be waiting for you no matter HOW SLOW you decide to go or no matter HOW MANY TIMES yo...
published: 22 Jul 2013
19:03
Big Daddy Kane: NPR Music Tiny Desk Concert
Feb. 19, 2018 | Abby O'Neill -- One of the greatest to ever bless the mic, Big Daddy Kane treated Tiny Desk to an office block party in the true essence of hip-...
Feb. 19, 2018 | Abby O'Neill -- One of the greatest to ever bless the mic, Big Daddy Kane treated Tiny Desk to an office block party in the true essence of hip-hop. He performed a short set of classics, including "Smooth Operator," "Ain't No Half Steppin'," "Raw" and a bonus freestyle. Through his warm, engaging and devilishly self-effacing style, the pioneer used an interlude between songs to address the intergenerational divisiveness defining rap today and the importance of fans of all ages supporting whatever they like, while "focusing on what's positive and keeping that in the spotlight."
Kane, aka Dark Gable, was a breakout member of the seminal Juice Crew in hip-hop's golden era during the latter part of the 1980s. He popularized quick-cadence flows and multisyllabic rhyme schemes before passing the torch to early mentees like Jay-Z. Many a night during my adolescence was spent trying to memorize the baritone MC's lyrics. During those sessions, I could only feel sympathy for the subpar MCs who fell victim to the "Wrath of Kane."
The smooth operator, Big Daddy Kane, still emits that same palpable swag he did as a lyrical heartthrob during his heyday. He strides into the room and fully commands it with his presence. And now that hip-hop is the most popular genre, with its biggest stars wielding global influence, it's important to us here at Tiny Desk to continue to make room for the legends who laid the foundation before the whole world became hip. Long live the Kane.
SET LIST
• "Raw"
• "Smooth Operator"
• "Ain't No Half Steppin"
• "Freestyle"
MUSICIANS
Antonio Hardy, Matt Lambert, Benjamin Geis, Judson Nelson, John Williams
CREDITS
Producers: Abby O'Neill, Morgan Noelle Smith; Creative Director: Bob Boilen; Audio Engineer: Josh Rogosin; Videographers: Morgan Noelle Smith, Maia Stern, Alyse Young; Assistant Editor: Dani Lyman; Production Assistant: CJ Riculan; Photo: Claire Harbage/NPR.
https://wn.com/Big_Daddy_Kane_Npr_Music_Tiny_Desk_Concert
Feb. 19, 2018 | Abby O'Neill -- One of the greatest to ever bless the mic, Big Daddy Kane treated Tiny Desk to an office block party in the true essence of hip-hop. He performed a short set of classics, including "Smooth Operator," "Ain't No Half Steppin'," "Raw" and a bonus freestyle. Through his warm, engaging and devilishly self-effacing style, the pioneer used an interlude between songs to address the intergenerational divisiveness defining rap today and the importance of fans of all ages supporting whatever they like, while "focusing on what's positive and keeping that in the spotlight."
Kane, aka Dark Gable, was a breakout member of the seminal Juice Crew in hip-hop's golden era during the latter part of the 1980s. He popularized quick-cadence flows and multisyllabic rhyme schemes before passing the torch to early mentees like Jay-Z. Many a night during my adolescence was spent trying to memorize the baritone MC's lyrics. During those sessions, I could only feel sympathy for the subpar MCs who fell victim to the "Wrath of Kane."
The smooth operator, Big Daddy Kane, still emits that same palpable swag he did as a lyrical heartthrob during his heyday. He strides into the room and fully commands it with his presence. And now that hip-hop is the most popular genre, with its biggest stars wielding global influence, it's important to us here at Tiny Desk to continue to make room for the legends who laid the foundation before the whole world became hip. Long live the Kane.
SET LIST
• "Raw"
• "Smooth Operator"
• "Ain't No Half Steppin"
• "Freestyle"
MUSICIANS
Antonio Hardy, Matt Lambert, Benjamin Geis, Judson Nelson, John Williams
CREDITS
Producers: Abby O'Neill, Morgan Noelle Smith; Creative Director: Bob Boilen; Audio Engineer: Josh Rogosin; Videographers: Morgan Noelle Smith, Maia Stern, Alyse Young; Assistant Editor: Dani Lyman; Production Assistant: CJ Riculan; Photo: Claire Harbage/NPR.
- published: 26 Feb 2018
- views: 4242831
8:09
No Half Stepping Rocking June 08
no half steezles @ various jams during june 08
no half steezles @ various jams during june 08
https://wn.com/No_Half_Stepping_Rocking_June_08
no half steezles @ various jams during june 08
- published: 29 Mar 2009
- views: 398
1:41
A Minute of Medicine For Your Mind - Ain't No Half Steppin
A Minute of Medicine for Your Mind - A collection of short, motivational thoughts to help center you on your purpose and focus your energy toward success and fu...
A Minute of Medicine for Your Mind - A collection of short, motivational thoughts to help center you on your purpose and focus your energy toward success and fulfillment of your God-given purpose
https://wn.com/A_Minute_Of_Medicine_For_Your_Mind_Ain't_No_Half_Steppin
A Minute of Medicine for Your Mind - A collection of short, motivational thoughts to help center you on your purpose and focus your energy toward success and fulfillment of your God-given purpose
- published: 29 Mar 2014
- views: 12
3:49
Doug E. Fresh And The Get Fresh Crew - Keep Risin' To The Top
From 1988 Album: "The Worlds Greatest Entertainer"...(Click "show more" for artist info)...
Douglas E. Davis (born September 17, 1966), better known by the sta...
From 1988 Album: "The Worlds Greatest Entertainer"...(Click "show more" for artist info)...
Douglas E. Davis (born September 17, 1966), better known by the stage name Doug E. Fresh, is a Barbadian born American rapper, record producer, and beatboxer, also known as the Human Beat Box. The pioneer of 20th-century American beatboxing, Fresh is able to accurately imitate drum machines and various special effects using only his mouth, lips, gums, throat, tongue and a microphone.
Although he began his recording career as a solo artist as one of the last artists on Enjoy Records and one of the first on Vintertainment Records (the same New York-based label owned by Vincent Davis that would later make a name of Hip-Hop artist Joeski Love and bring R&B; "icon" Keith Sweat to ultimate fame), it was when he and a new team of DJs known as the Get Fresh Crew (Barry Bee and Chill Will) along with a newcomer named MC Ricky D (who would later achieve fame as Slick Rick) came to fledgling New Jersey-based Hip-Hop label Danya/Reality Records the following year and recorded "The Show" (which borrowed the melody of the Inspector Gadget theme by Shuki Levy), and "La Di Da Di", a tune that was completely voiced by MC Ricky D and backed by Doug E's beat boxing for the entire duration of the song. It was when both of these songs were released on a single (particularly 12" single) that broke him (and Slick Rick) into stardom. Both "The Show" and "La-Di-Da-Di" are considered two of the all-time greatest early hip hop classics and, as such, make up one of the first and only Hip-Hop singles to have two hit songs on the same record.
"The Show" peaked at #7 in the UK Singles Chart in December 1985.
Doug E. Fresh was also interviewed in the 1986 cult documentary Big Fun In The Big Town. Unfortunately, Slick Rick would leave the group almost a year after the single was released leaving many wondering what happened to him until 1988 when he became a Def Jam artist and released his debut album, The Great Adventures of Slick Rick. Doug E. Fresh and the Get Fresh Crew soldiered on, now officially signed to Danya/Reality/Fantasy and releasing two albums from that period—Oh, My God! from 1986 (which includes the hit song "All The Way To Heaven") and The World's Greatest Entertainer from 1988—both of which are now long out of print and extremely rare. The main single from the album The World's Greatest Entertainer was "Keep Risin' To The Top" which was named after Keni Burke's then-obscure 1981 hit "Rising To The Top", which, thanks to being sampled in Doug E. Fresh's song, has become Keni's signature tune. Doug E.'s "Keep Risin' To The Top" also samples the main chorus phrase of Heatwave's 1976 classic "Ain't No Half Steppin'," which Big Daddy Kane also sampled that same year for his song of the same name.
In 1992, after a four-year hiatus, Doug E. Fresh joined with MC Hammer's label, Bust It Records and issued one album, Doin' What I Gotta Do, which (despite some minor acclaim for his single "Bustin' Out (On Funk)" which sampled the Rick James 1979 single "Bustin' Out") was a commercial failure.
In 1993, Doug E. Fresh found a new home at Island Records-affiliated label Gee Street. At the time, he managed only to release one single that contained three songs—"I-ight (Alright)," which was the main song; "Bounce"; and "Freaks". Although "I-ight" (which originated the now-famous club chant "Heyyyyyy, YO!... I-iiiiight?") was slated to become the first major hit for Doug in 5 years, it was almost immediately overshadowed by "Freaks", a Dancehall tune beat-boxed entirely by Doug E. and vocalized mainly by his protégé, a Brooklyn-born Jamaican teenage newcomer named Vicious. The song received major radio and club play, followed by video play when the video was finally produced a few months into 1994. The latter would soon ink a deal with Sony Music's Epic Records for three years, although he would only release one album, Destination Brooklyn.
In 1995, Slick Rick and Fresh reunited for a track on an album titled Play, which found Fresh back on his feet. The album received positive reviews; Bret Love wrote, "A welcome flashback to the days when guns, drugs, sex, and violence were not the genre's primary lyrical focus." Off the Play album also was a track title "Freak It Out" which featured Uncle Luke produced by platinum producer Frankie Cutlass and was also on the Don't Be a Menace to South Central While Drinking Your Juice in the Hood soundtrack, and was certified a Gold Album by RIAA.
On May 23, 2007, Fresh performed variations upon "The Show" with finalist Blake Lewis on the season-six finale of American Idol, the first ever hip-hop performance on the show.
https://wn.com/Doug_E._Fresh_And_The_Get_Fresh_Crew_Keep_Risin'_To_The_Top
From 1988 Album: "The Worlds Greatest Entertainer"...(Click "show more" for artist info)...
Douglas E. Davis (born September 17, 1966), better known by the stage name Doug E. Fresh, is a Barbadian born American rapper, record producer, and beatboxer, also known as the Human Beat Box. The pioneer of 20th-century American beatboxing, Fresh is able to accurately imitate drum machines and various special effects using only his mouth, lips, gums, throat, tongue and a microphone.
Although he began his recording career as a solo artist as one of the last artists on Enjoy Records and one of the first on Vintertainment Records (the same New York-based label owned by Vincent Davis that would later make a name of Hip-Hop artist Joeski Love and bring R&B; "icon" Keith Sweat to ultimate fame), it was when he and a new team of DJs known as the Get Fresh Crew (Barry Bee and Chill Will) along with a newcomer named MC Ricky D (who would later achieve fame as Slick Rick) came to fledgling New Jersey-based Hip-Hop label Danya/Reality Records the following year and recorded "The Show" (which borrowed the melody of the Inspector Gadget theme by Shuki Levy), and "La Di Da Di", a tune that was completely voiced by MC Ricky D and backed by Doug E's beat boxing for the entire duration of the song. It was when both of these songs were released on a single (particularly 12" single) that broke him (and Slick Rick) into stardom. Both "The Show" and "La-Di-Da-Di" are considered two of the all-time greatest early hip hop classics and, as such, make up one of the first and only Hip-Hop singles to have two hit songs on the same record.
"The Show" peaked at #7 in the UK Singles Chart in December 1985.
Doug E. Fresh was also interviewed in the 1986 cult documentary Big Fun In The Big Town. Unfortunately, Slick Rick would leave the group almost a year after the single was released leaving many wondering what happened to him until 1988 when he became a Def Jam artist and released his debut album, The Great Adventures of Slick Rick. Doug E. Fresh and the Get Fresh Crew soldiered on, now officially signed to Danya/Reality/Fantasy and releasing two albums from that period—Oh, My God! from 1986 (which includes the hit song "All The Way To Heaven") and The World's Greatest Entertainer from 1988—both of which are now long out of print and extremely rare. The main single from the album The World's Greatest Entertainer was "Keep Risin' To The Top" which was named after Keni Burke's then-obscure 1981 hit "Rising To The Top", which, thanks to being sampled in Doug E. Fresh's song, has become Keni's signature tune. Doug E.'s "Keep Risin' To The Top" also samples the main chorus phrase of Heatwave's 1976 classic "Ain't No Half Steppin'," which Big Daddy Kane also sampled that same year for his song of the same name.
In 1992, after a four-year hiatus, Doug E. Fresh joined with MC Hammer's label, Bust It Records and issued one album, Doin' What I Gotta Do, which (despite some minor acclaim for his single "Bustin' Out (On Funk)" which sampled the Rick James 1979 single "Bustin' Out") was a commercial failure.
In 1993, Doug E. Fresh found a new home at Island Records-affiliated label Gee Street. At the time, he managed only to release one single that contained three songs—"I-ight (Alright)," which was the main song; "Bounce"; and "Freaks". Although "I-ight" (which originated the now-famous club chant "Heyyyyyy, YO!... I-iiiiight?") was slated to become the first major hit for Doug in 5 years, it was almost immediately overshadowed by "Freaks", a Dancehall tune beat-boxed entirely by Doug E. and vocalized mainly by his protégé, a Brooklyn-born Jamaican teenage newcomer named Vicious. The song received major radio and club play, followed by video play when the video was finally produced a few months into 1994. The latter would soon ink a deal with Sony Music's Epic Records for three years, although he would only release one album, Destination Brooklyn.
In 1995, Slick Rick and Fresh reunited for a track on an album titled Play, which found Fresh back on his feet. The album received positive reviews; Bret Love wrote, "A welcome flashback to the days when guns, drugs, sex, and violence were not the genre's primary lyrical focus." Off the Play album also was a track title "Freak It Out" which featured Uncle Luke produced by platinum producer Frankie Cutlass and was also on the Don't Be a Menace to South Central While Drinking Your Juice in the Hood soundtrack, and was certified a Gold Album by RIAA.
On May 23, 2007, Fresh performed variations upon "The Show" with finalist Blake Lewis on the season-six finale of American Idol, the first ever hip-hop performance on the show.
- published: 27 Sep 2017
- views: 55798
4:31
Da Band - Chopped Up
[Intro (Chopper Talking)]
What's happenin'
this ya boy Chopper City, ya heard me
New Orleans
[1st Verse]
I'm from the dirty, but I stay so fresh, so clea...
[Intro (Chopper Talking)]
What's happenin'
this ya boy Chopper City, ya heard me
New Orleans
[1st Verse]
I'm from the dirty, but I stay so fresh, so clean
With all these throwbacks, you think I got a time machine
Kodak moment, everytime I hit scenes
Cuz I'm a young ??, I flip keys
Alicia aint, got, nothin' on me, I'm so shady
Tha benz is amazing, tha color is all gravy
Please believe, my squad be them DBE's
We ridin' in them drop tops, wit them DVD's
Spreewells on them alloys, daddy I'm so jiggy
I flow so sickly, I roll with P. Diddy
Fa-Shiggety!!!, tha thug shit just run in my kidney
Always on point aint no nigga gone put no steel to me
Feelin' me, every move I make
It replay, EA Sports style, especially on tha freeway
whodi so wild, I keep thangs that bark loud
move the whole crowd, I suggest niggaz to roll out
Listen!
[Hook 2x]
[Chopped Up Lyrics on http://www.lyricsmania.com]
I'm a bad boy, get out my way, 'rilla
bust shots on the block, when I spray, 'rilla
ya get, chopped up, with the chopper
ya dog ass gone get done for it
ya betta run for it
[2nd Verse]
Tha bad boy's untamed guerrilla
I keeps it rilla' man ya gots to feel me
Worldwide connected from Ghanistan to Philly
What the dilly, I'm in tha milli' dropped 2-seater
With creepers strapped with nina's, fuckin' with senoritas
Jesus, I'm just off the meters
Believe, I still do got more stripes, and shelves than Adidas
Slang base-n-ball like Alex Rodriguez
Put ya foggles on, ya'll niggaz can't see me, like
I up, my level a notch to better
I can make a hit, a-capella
Ya can't, knock tha fella
I'm here now, I ain't going nowhere
Believe that, love it or not, the boy is here
The boy don't fear, shit, I been bad since birth, dog
Taught to blast, mash, get the cash, and murk off
Skkiirrt!!! fake niggaz catch down syndrax
call 9-1-index, these niggaz is jive
ya hoe, I'm all in that, she lovin' the guy
fa' sho', look at her now, the stomach taped with pies
Ya heard me!
[Hook 2x]
I'm a bad boy, get out my way, 'rilla
bust shots on the block, when I spray, 'rilla
ya get, chopped up, with the chopper
ya dog ass gone get done for it
ya betta run for it
[3rd Verse]
I'm that nigga, I got clout, like Big Guy, and ??
I'm that fly, with big guns, that splat guys
I shit pies, van diesel, triple X, I
And pull deadly stunts, just like I'm Left Eye
Ain't, no, half steppin' to test mines
If ya, want it then come and get, I'll make a name for ya
You gone get, what the fuck you came for, the chainsaw
(chainsaw rumble)sawed off ya ankles
play like it's slavery, and hang ya, daddy
I catch ya playin' me, its danger
Taught to rap, make it crack, snackle and pop
all out of type, thats the way I act on the block
Bout green, dope fiend supplier
Keep a beam of iron
In the jungle full of theives and lions
I am, focused man, the bad boy soldier
landed on the top, I thought I told ya man
Listen!
[Hook 4x]
I'm a bad boy, get out my way, 'rilla
bust shots on the block, when I spray, 'rilla
ya get, chopped up, with the chopper
ya dog ass gone get done for it
ya betta run for it
[Chopper talking]
Huh bruh?, ya heard me
Bad Boy, ya heard me
For life man
This how I'm livin'
right out chea' man
New Orleans, to the day I die
3rd Ward, Uptown man
Ya dig, I'm a bad boy man
they can't stop me
Young City, ya heard me
Dofat, holla back!
https://wn.com/Da_Band_Chopped_Up
[Intro (Chopper Talking)]
What's happenin'
this ya boy Chopper City, ya heard me
New Orleans
[1st Verse]
I'm from the dirty, but I stay so fresh, so clean
With all these throwbacks, you think I got a time machine
Kodak moment, everytime I hit scenes
Cuz I'm a young ??, I flip keys
Alicia aint, got, nothin' on me, I'm so shady
Tha benz is amazing, tha color is all gravy
Please believe, my squad be them DBE's
We ridin' in them drop tops, wit them DVD's
Spreewells on them alloys, daddy I'm so jiggy
I flow so sickly, I roll with P. Diddy
Fa-Shiggety!!!, tha thug shit just run in my kidney
Always on point aint no nigga gone put no steel to me
Feelin' me, every move I make
It replay, EA Sports style, especially on tha freeway
whodi so wild, I keep thangs that bark loud
move the whole crowd, I suggest niggaz to roll out
Listen!
[Hook 2x]
[Chopped Up Lyrics on http://www.lyricsmania.com]
I'm a bad boy, get out my way, 'rilla
bust shots on the block, when I spray, 'rilla
ya get, chopped up, with the chopper
ya dog ass gone get done for it
ya betta run for it
[2nd Verse]
Tha bad boy's untamed guerrilla
I keeps it rilla' man ya gots to feel me
Worldwide connected from Ghanistan to Philly
What the dilly, I'm in tha milli' dropped 2-seater
With creepers strapped with nina's, fuckin' with senoritas
Jesus, I'm just off the meters
Believe, I still do got more stripes, and shelves than Adidas
Slang base-n-ball like Alex Rodriguez
Put ya foggles on, ya'll niggaz can't see me, like
I up, my level a notch to better
I can make a hit, a-capella
Ya can't, knock tha fella
I'm here now, I ain't going nowhere
Believe that, love it or not, the boy is here
The boy don't fear, shit, I been bad since birth, dog
Taught to blast, mash, get the cash, and murk off
Skkiirrt!!! fake niggaz catch down syndrax
call 9-1-index, these niggaz is jive
ya hoe, I'm all in that, she lovin' the guy
fa' sho', look at her now, the stomach taped with pies
Ya heard me!
[Hook 2x]
I'm a bad boy, get out my way, 'rilla
bust shots on the block, when I spray, 'rilla
ya get, chopped up, with the chopper
ya dog ass gone get done for it
ya betta run for it
[3rd Verse]
I'm that nigga, I got clout, like Big Guy, and ??
I'm that fly, with big guns, that splat guys
I shit pies, van diesel, triple X, I
And pull deadly stunts, just like I'm Left Eye
Ain't, no, half steppin' to test mines
If ya, want it then come and get, I'll make a name for ya
You gone get, what the fuck you came for, the chainsaw
(chainsaw rumble)sawed off ya ankles
play like it's slavery, and hang ya, daddy
I catch ya playin' me, its danger
Taught to rap, make it crack, snackle and pop
all out of type, thats the way I act on the block
Bout green, dope fiend supplier
Keep a beam of iron
In the jungle full of theives and lions
I am, focused man, the bad boy soldier
landed on the top, I thought I told ya man
Listen!
[Hook 4x]
I'm a bad boy, get out my way, 'rilla
bust shots on the block, when I spray, 'rilla
ya get, chopped up, with the chopper
ya dog ass gone get done for it
ya betta run for it
[Chopper talking]
Huh bruh?, ya heard me
Bad Boy, ya heard me
For life man
This how I'm livin'
right out chea' man
New Orleans, to the day I die
3rd Ward, Uptown man
Ya dig, I'm a bad boy man
they can't stop me
Young City, ya heard me
Dofat, holla back!
- published: 12 Aug 2007
- views: 100208
2:53
The White House Band - Ghost f Tupac - Prod. By David E Beats
While writing this song, I was at first only focused on making something the hip hop guys would drool over. Let's be honest, we'd all like to be accepted into a...
While writing this song, I was at first only focused on making something the hip hop guys would drool over. Let's be honest, we'd all like to be accepted into a world or genre or clique with open arms right? But now this song has a whole new meaning to me. My friend and one of the people who helped me learn how to rap, Damien, has died in 2011 at the age of 19. I am 24. It saddens me that he will never have the opportunities that I've had, as he was a damn good rapper. So this song and the upcoming music video is #Dedicated2Damien long live his memory, and his talent.
LINKS + LYRICS BELOW -
http://thewhitehouseband.net
http://facebook.com/thewhitehouseband
@DavidEBeats on Twitter
CapCity Records
I AM PR Agency
Tupac :
God has cursed me, to see,
What life should be like,
If God wanted me to be this person,
And be happy here,
He wouldn't let me feel so oppressed,
He wouldn't let me feel so trampled on,
I want when they see me,
They know that everyday when I'm breathing,
It's for us to go farther
I got to do more than just the average man would do,
I gotta set a mark that cant nobody touch,
And when I set that mark, I'mma make it
What the rap audience isnt ready for,
Is a real person,
You know what I want to say,
A real N-I-G-G-A
Verse :
When I make a song,
I'm always shooting for the fences,
I go to war against myself,
Frontline, trenches,
All my beats be #1's
Drumline, bitches,
So its just a matter of time
Before I get it,
Son,
been ambitious since I was semen,
But I'm from the hood,
Where doing good is treason,
And I'm from,
Where to pop you they dont need a reason,
Shit,
It's a miracle I'm still breathing,
All my contracts legit,
Nobody fucking me,
And on the music tip,
Aint nobody touching me,
And most of these rap niggas
Still got funny feet,
Half-stepping,
But aint no half-stepping me,
And its still fuck a blog
Till my dying day,
This city made me so cold
So aint no trying me,
Plus I'm so bold, and fortune favors me,
And its White House
Till I live out my expectancy
Chorus x2 :
This the realist shit I ever wrote,
Beats to the death of me,
White House till I'm Ghost
Tupac :
I wont just cuz yall want me to act white,
Just cuz all these other muthafuckas
Act white when they get their papers,
I'mma act very black,
I'mma buy a benz,
Cuz thats what niggas do,
You understand me?
I'mma smoke weed,
Cuz thats what niggas do,
I'mma pack a gat,
Cuz thats what niggas do,
You understand me?
I'mma get drunk,
Cuz thats what niggas do!
Theres no place that I wont go,
And I feel as though
If you got love and you putting out real shit,
You can do that,
If you kicking that shit from your heart,
You can go wherever your heart wants you to go
End
https://wn.com/The_White_House_Band_Ghost_F_Tupac_Prod._By_David_E_Beats
While writing this song, I was at first only focused on making something the hip hop guys would drool over. Let's be honest, we'd all like to be accepted into a world or genre or clique with open arms right? But now this song has a whole new meaning to me. My friend and one of the people who helped me learn how to rap, Damien, has died in 2011 at the age of 19. I am 24. It saddens me that he will never have the opportunities that I've had, as he was a damn good rapper. So this song and the upcoming music video is #Dedicated2Damien long live his memory, and his talent.
LINKS + LYRICS BELOW -
http://thewhitehouseband.net
http://facebook.com/thewhitehouseband
@DavidEBeats on Twitter
CapCity Records
I AM PR Agency
Tupac :
God has cursed me, to see,
What life should be like,
If God wanted me to be this person,
And be happy here,
He wouldn't let me feel so oppressed,
He wouldn't let me feel so trampled on,
I want when they see me,
They know that everyday when I'm breathing,
It's for us to go farther
I got to do more than just the average man would do,
I gotta set a mark that cant nobody touch,
And when I set that mark, I'mma make it
What the rap audience isnt ready for,
Is a real person,
You know what I want to say,
A real N-I-G-G-A
Verse :
When I make a song,
I'm always shooting for the fences,
I go to war against myself,
Frontline, trenches,
All my beats be #1's
Drumline, bitches,
So its just a matter of time
Before I get it,
Son,
been ambitious since I was semen,
But I'm from the hood,
Where doing good is treason,
And I'm from,
Where to pop you they dont need a reason,
Shit,
It's a miracle I'm still breathing,
All my contracts legit,
Nobody fucking me,
And on the music tip,
Aint nobody touching me,
And most of these rap niggas
Still got funny feet,
Half-stepping,
But aint no half-stepping me,
And its still fuck a blog
Till my dying day,
This city made me so cold
So aint no trying me,
Plus I'm so bold, and fortune favors me,
And its White House
Till I live out my expectancy
Chorus x2 :
This the realist shit I ever wrote,
Beats to the death of me,
White House till I'm Ghost
Tupac :
I wont just cuz yall want me to act white,
Just cuz all these other muthafuckas
Act white when they get their papers,
I'mma act very black,
I'mma buy a benz,
Cuz thats what niggas do,
You understand me?
I'mma smoke weed,
Cuz thats what niggas do,
I'mma pack a gat,
Cuz thats what niggas do,
You understand me?
I'mma get drunk,
Cuz thats what niggas do!
Theres no place that I wont go,
And I feel as though
If you got love and you putting out real shit,
You can do that,
If you kicking that shit from your heart,
You can go wherever your heart wants you to go
End
- published: 26 Dec 2011
- views: 21742
1:28
Stepping Stones to Success - Feat. Jason Butler
A Chewymedia Film
Twitter @JasonButler02 @chewyco
Bournemouth Velodrome - Brentford FC Training Ground ...
....
Dreaming of success doesn't mean success is jus...
A Chewymedia Film
Twitter @JasonButler02 @chewyco
Bournemouth Velodrome - Brentford FC Training Ground ...
....
Dreaming of success doesn't mean success is just a DREAM
Success exists in REAL life. It's what MAKES life MEANINGFUL when challenges are TAKEN.
SUCCESS is an accomplishment of HARD WORK and can only be EARNED one step at a time.
NO ONE ever gets an easy ride to success.
But truly BELIEVE in success, and you're ALREADY half way there.
Become FOCUSED so no excuses become REASONS to quit.
Use MOTIVATION to keep you going and EVENTUALLY, training to succeed will BECOME a routine.
ROUTINE will then become a NATURAL HUNGER to succeed much GREATER than the FEAR of FAILURE.
Success will ALWAYS be waiting for you no matter HOW SLOW you decide to go or no matter HOW MANY TIMES you FAIL.
Success is not a DREAM that will soon end and bring you to a WORLD without challenges or where NO RISKS are TAKEN.
Success is within reach BEHIND the blood the SWEAT and tears that is the unavoidable route to glory.
SUCCESS lies behind the OBSTRUCTIONS, the PAIN and the DISTRACTIONS before you.
But NO obstacle can stop you from REALISING your dreams... because OBSTACLES in life are just STEPPING STONES TO SUCCESS.
By Jason Butler
SPECIAL THANKS
Brentford Football Club
Adidas
Bournemouth Cycling Centre
British Cycling
https://wn.com/Stepping_Stones_To_Success_Feat._Jason_Butler
A Chewymedia Film
Twitter @JasonButler02 @chewyco
Bournemouth Velodrome - Brentford FC Training Ground ...
....
Dreaming of success doesn't mean success is just a DREAM
Success exists in REAL life. It's what MAKES life MEANINGFUL when challenges are TAKEN.
SUCCESS is an accomplishment of HARD WORK and can only be EARNED one step at a time.
NO ONE ever gets an easy ride to success.
But truly BELIEVE in success, and you're ALREADY half way there.
Become FOCUSED so no excuses become REASONS to quit.
Use MOTIVATION to keep you going and EVENTUALLY, training to succeed will BECOME a routine.
ROUTINE will then become a NATURAL HUNGER to succeed much GREATER than the FEAR of FAILURE.
Success will ALWAYS be waiting for you no matter HOW SLOW you decide to go or no matter HOW MANY TIMES you FAIL.
Success is not a DREAM that will soon end and bring you to a WORLD without challenges or where NO RISKS are TAKEN.
Success is within reach BEHIND the blood the SWEAT and tears that is the unavoidable route to glory.
SUCCESS lies behind the OBSTRUCTIONS, the PAIN and the DISTRACTIONS before you.
But NO obstacle can stop you from REALISING your dreams... because OBSTACLES in life are just STEPPING STONES TO SUCCESS.
By Jason Butler
SPECIAL THANKS
Brentford Football Club
Adidas
Bournemouth Cycling Centre
British Cycling
- published: 22 Jul 2013
- views: 528