- published: 13 Jun 2013
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The Descent from the Cross (Greek: Ἀποκαθήλωσις, Apokathelosis), or Deposition of Christ, is the scene, as depicted in art, from the Gospels' accounts of Joseph of Arimathea and Nicodemus taking Christ down from the cross after his crucifixion (John 19:38-42). In Byzantine art the topic became popular in the 9th century, and in the West from the 10th century. The Descent from the Cross is the 13th Station of the Cross.
Other figures not mentioned in the Gospels who are often included in depictions of this subject include St. John the Evangelist, who is sometimes depicted supporting a fainting Mary (as in the work below by Rogier van der Weyden), and Mary Magdalene. The Gospels mention an undefined number of women as watching the crucifixion, including the Three Marys, (Mary Salome being mentioned in Mark 15:40), and also that the Virgin Mary and Mary Magdalene saw the burial (Mark 15:47). These and further women and unnamed male helpers are often shown.
Even in early depictions the details and posing of the composition, and especially the position of Christ's body, are varied. The scene was usually included in medieval cycles of the Life or the Passion of Christ, between the Crucifixion and the Entombment of Christ. The Lamentation of Christ, or Pietà, showing the body of Christ held by Mary, may intervene between these two, and is common as an individual image, especially in sculpture. The Bearing of the body, showing Christ's body being carried to his tomb, and the Anointing of Christ's body, showing the body laid flat on the top of the tomb or a similarly-shaped "anointing-stone" are other scenes that may be shown. This last is especially important in Orthodox art, where it is shown on the Epitaphios.
The Descent is a 2005 British horror film written and directed by Neil Marshall. The film follows six women who, having entered an unmapped cave system, become trapped, and are hunted by subterranean flesh-eating humanoids.
Filming took place in the United Kingdom; exterior scenes were filmed at Ashridge Park, in Buckinghamshire, and interior scenes were filmed in sets built at Pinewood Studios near London. Filmmakers considered it too dangerous and time-consuming to shoot in an actual cave, and the cave featured in the film was built at the studio. The Descent opened commercially 8 July 2005 in the United Kingdom. It premiered in the 2006 Sundance Film Festival and opened commercially on 4 August 2006 in the United States.
Juno (Natalie Mendoza), Sarah (Shauna Macdonald) and Beth (Alex Reid) are whitewater rafting in Scotland. Sarah's husband Paul (Oliver Milburn) and their daughter Jessica (Molly Kayll) wave and cheer from the bank. On the drive back to their hotel, Paul is distracted, causing a collision. Paul and Jessica are killed, but Sarah survives.
Nothing's ever changed, you still turn away
You've washed your hands, you've made that all too clear
You just keep on living this lie
You refuse to see, you're denying me
The cross I bear but you don't seem to care
Even Judas knew he had lied
I keep wondering why
I'm still calling your name through my tears
Why have you waited to embrace me, my dear?
Cold is your silence, denying what is real
I'm still wondering why
I'm still calling your name, my dear
I'm sorry if you can't stand the naked truth
All you see is how you want it to be
So you keep on living your life
Release me from this cross after all these years
Oh, call my name and help me with this weight
Even though it comes far too late
I keep wondering why
I'm still calling your name through my tears
Why have you waited to embrace me, my dear?
Cold is your silence, denying what is real
I'm still wondering why I'm still calling your name
And I wonder, oh I wonder
In my heart I still hope you will open the door
You can purify it all, answer my call
Why? Why?
Why have you waited to embrace me, my dear?
Cold is your silence, denying what is real
I'm still wondering why I'm still calling your name
And I wonder, oh I wonder
In my heart, I still hope you will open the door