- published: 16 Oct 2011
- views: 84164
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Philadelphia Orchestra, Ricardo Muti, conductor
For information and analysis of this work visit http://muswrite.blogspot.com/2011/09/franck-symphony-in-d-minor.html
For information and analyses of other works visit Musical Musings at: http://muswrite.blogspot.com/
César Franck Symphony in D Minor 1886/1888
Orchestre National de France conducted by Leonard Bernstein
I. Lento; Allegro ma non troppo
II. Allegretto 19:23
III. Finale: Allegro non troppo 30:50
- published: 31 Dec 2013
- views: 64140
Vladimir Viardo's breathtaking interpretation of César Franck's Prelude, Fugue and Variation Op.18. Originally written for organ, but transcribed for piano by Harold Bauer.
- published: 22 Oct 2011
- views: 94493
- Composer: César-Auguste-Jean-Guillaume-Hubert Franck (10 December 1822 -- 8 November 1890)
- Performers: Krystian Zimerman (piano), Kaja Danczowska (violin)
- Year of recording: 1981
Sonata in A major for Violin and Piano, written in 1886.
The 4 movements alternate between slow and fast:
00:00 - I. Allegretto ben moderato
06:24 - II. Allegro
15:01 - III. Ben moderato: Recitative-Fantasia
22:45 - IV. Allegretto poco mosso
This sonata is one of Franck's best known compositions, and considered one of the finest sonatas for violin and piano ever written. It is an amalgam of his rich native harmonic language with the Classical traditions he valued highly, held together in a cyclic framework. it was a wedding present for the 31-year-old violinist Eugène Ysaÿe. Twenty-eight years earlier, in 1858, Franck had promised a violin sonata for Cosima von Bülow. This never saw the light of day, but it has been speculated that whatever work Franck had done on that piece was put aside and eventually ended up in the sonata he wrote for Ysaÿe in 1886. Ysaÿe kept the Violin Sonata in his repertoire for the next 40 years of his life. His championing of the Sonata contributed to the public recognition of Franck as a major composer. This recognition was quite belated, as Franck would be dead within 4 years, and did not have his first unqualified public success until the last year of his life (19 April 1890, at the Salle Pleyel, where his String Quartet in D was premiered).
- I. Allegretto ben moderato, 9/8
This gentle and sweetly reflective rocking theme, introduced by the violin after a short introduction by the piano, is the thematic core of the entire work; Franck originally intended it as a slow movement, but Ysaÿe preferred a slightly quicker tempo, and convinced Franck to mark it Allegretto.
- II. Allegro
This turbulent movement is sometimes considered the real opening movement, with the Allegretto ben moderato serving as a long introduction.
- III. Ben moderato: Recitative-Fantasia
This is improvisatory in nature, and free in both structure and expression.
- IV. Allegretto poco mosso
The main melody is heard in canonic imitation between the instruments, and recurs in a rondo-like manner to a triumphant and soaring conclusion. James Harding described the movement as "a magnificent example of canonic writing, simple, majestic and irresistible in its ample, beautifully wrought proportions".
The Franck Violin Sonata regularly appears on concert programs and on recordings and is in the core repertoire of all major violinists. Jascha Heifetz played the Violin Sonata at his final recital in 1972.
- published: 03 Oct 2015
- views: 7524
César Franck (1822-1890)
Die Sieben Worte Christi am Kreuz, für Soli, Chor und Orchester
Les Sept dernières paroles du Christ en Croix /The Seven Words of Christ at the Cross
I Prolog: O vos omnes, qui transitis per viam 0:00
II 1. Pater, dimitte illis 4:49
III 2. Amen, dico tibi 10:28
IV 3. Mulier, ecce filius tuus 14:45
V 4. Deus meus, ut quid dereliquisti me ? 21:40
VI 5. Sitio! Dederunt ei vinum bibere cum felle mixtum 25:25
VII 6. Consummatum est. 32:10
VII 7. Pater, in manus tuas commendo spiritum meum 37:40
Edith Wiens, soprano
Raimundo Mettre, tenor
Thomas Pfeiffer, baritone
Ivo Ingram, bass
Philharmonie Schwäbisch Gmünd (Chor und Orchester)
Conducted by Hubert Beck
21. Nov 1979
_
texte & trad. en français: http://saintseverin.free.fr/stage7/Sept.htm
- published: 05 Oct 2014
- views: 22771
Vincent Dubois plays all César Franck works in concert Soissons Cathédrale.
- published: 17 Dec 2010
- views: 110496
00:00 Lento - Allegro
17:09 Allegretto
27:06 Allegro non troppo
New York Philharmonic Orchestra / Kurt Masur.
http://musicaelettere.blogspot.com
- published: 26 Sep 2013
- views: 27923
00:00 Molto moderato quasi lento
15:06 Lento, con molto sentimento
26:51 Allegro non troppo, ma con fuoco
Claudio Arrau, Piano
Robert Mann & Isidore Cohen, Violins
Raphael Hillyer, Viola
Claus Adam, Violoncello
Live recording at the Library of Congress, Washington DC.
December 19, 1963
- published: 10 Mar 2014
- views: 10648
- Composer: César-Auguste-Jean-Guillaume-Hubert Franck (10 December 1822 -- 8 November 1890)
- Orchestra: London Philharmonic Orchestra
- Conductor: Rafael Frühbeck de Burgos
- Soloist: Alicia de Larrocha
- Year of recording: 1972
Variations Symphoniques [Symphonic Variations], for Piano & Orchestra, M. 46, written in 1885.
00:00 - 01. Poco Allegro
01:48 - 02. L'istesso tempo
02:14 - 03. Poco più lento
03:18 - 04. Allegro
04:39 - 05. Allegretto
09:03 - 06. Molto più lento
12:37 - 07. Allegro non troppo
14:29 - 08. Un pochettino ritenuto
15:10 - 09. Tempo I
One of the glitterati of the French music scene, Louis Diémer (1843-1919) had taken the piano part in Franck's Victor Hugo-inspired Les Djinns, for piano and orchestra, on 15 March 1885; he earned for the composer a rare plaudit from the press: "interesting work... for the direct originality of its thought and the admirable polish of its style." The Ménestral's critic continued: "As I listened to the fine logic of these developments and the arresting effects of the blending of the piano with the orchestra, I was struck by the thought of how sad it is that the name of this eminent musician is so rarely seen on programs, too little honored at a time when he is one of the masters of our epoch, and will indubitably remain one."
This proved prophetic. Franck was delighted and credited his success to Diémer's brilliant playing -- sec, léger, and articulated with lightning precision -- which he promised to reward with "a little something." Good to his word, Franck dedicated his orchestration of the Variations Symphoniques to Diémer. He began work in the summer of 1885, and completed it on 12 December. In his ultimate, old master phase, Franck transformed everything he touched. The orchestral highlighting of pianistic virtuosity -- heard in such works of his youth as the Variations brillantes sur l'air du Pré aux clercs (1834) or the Variations brillantes sur le ronde favorite de Gustave III (1834-35) -- or the Lisztian heroics of the soloist locked in combat with the orchestra are left behind in the Variations Symphoniques in favor of the deft dovetailing of piano and orchestra. This use of the piano as a concertante instrument would be taken up by Vincent d'Indy in his Symphonie sur un chant montagnard française (1886) and in turn, be adopted as far afield as Ferruccio Busoni's massive five-movement Piano Concerto (1904).
The strings open with a menacing dotted figure in unison, answered by the piano with a plaintively drooping phrase whose dialogue gives way to a second theme introduced by pizzicato woodwinds and strings. An appasionato development leads shortly to six seamless variations on the second theme through which the piano decorates, comments, alludes, and accompanies, as the mood shifts from triumphant assertion to mystical absorption and languishing, muted sighs. A sudden trill in both hands, two octaves apart, prompts the orchestra to begin the extensive, rhapsodic finale in which the thematic material of the preceding is wrought to an incandescent apotheosis. Without doubt, the irresistible, surefire breeziness of this finish has insured the Variations Symphoniques first place in popularity among Franck's works.
Curiously, the première, at the annual orchestral concert of the Société Nationale de Musique, 1 May 1886, with Diémer at the piano, passed almost without mention. At the second performance, an all-Franck concert on 30 January of the following year -- again featuring Diémer -- the surefire misfired as the aging conductor, Jules Pasdeloup, miscued the orchestra's entrance.
The Symphonic Variations are dedicated "à Monsieur Louis Diémer".
- published: 03 Oct 2015
- views: 2514
César-Auguste-Jean-Guillaume-Hubert Franck (10 December 1822 – 8 November 1890) was a composer, pianist, organist, and music teacher who worked in Paris during his adult life.
He was born at Liège, in what is now Belgium (though at the time of his birth it was under the Netherlands' control). In that city he gave his first concerts in 1834. He studied privately in Paris from 1835, where his teachers included Anton Reicha. After a brief return to Belgium, and a disastrous reception to an early oratorio Ruth, he moved to Paris, where he married and embarked on a career as teacher and organist. He gained a reputation as a formidable improviser, and travelled widely in France to demonstrate new instruments built by Aristide Cavaillé-Coll.
In 1858 he became organist at Sainte-Clotilde, a position he retained for the rest of his life. He became professor at the Paris Conservatoire in 1872; he took French nationality, a requirement of the appointment. His pupils included Vincent d'Indy, Ernest Chausson, Louis Vierne, Charles Tournemire, Guillaume Lekeu, and Henri Duparc. After acquiring the professorship Franck wrote several pieces that have entered the standard classical repertoire, including symphonic, chamber, and keyboard works.
This page contains text from Wikipedia, the Free Encyclopedia -
http://en.wikipedia.org/wiki/César_Franck
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
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40:59Cesar Franck - Symphony in D Minor
Cesar Franck - Symphony in D MinorCesar Franck - Symphony in D Minor
Philadelphia Orchestra, Ricardo Muti, conductor For information and analysis of this work visit http://muswrite.blogspot.com/2011/09/franck-symphony-in-d-minor.html For information and analyses of other works visit Musical Musings at: http://muswrite.blogspot.com/ -
27:44César Franck-Violin Sonata in A Major (Complete)
César Franck-Violin Sonata in A Major (Complete) -
42:51César Franck Symphony D Minor Orchestre National de France, Leonard Bernstein
César Franck Symphony D Minor Orchestre National de France, Leonard BernsteinCésar Franck Symphony D Minor Orchestre National de France, Leonard Bernstein
César Franck Symphony in D Minor 1886/1888 Orchestre National de France conducted by Leonard Bernstein I. Lento; Allegro ma non troppo II. Allegretto 19:23 III. Finale: Allegro non troppo 30:50 -
10:49César Franck, Prelude, Fugue and Variation in B minor, Op.18
César Franck, Prelude, Fugue and Variation in B minor, Op.18César Franck, Prelude, Fugue and Variation in B minor, Op.18
Vladimir Viardo's breathtaking interpretation of César Franck's Prelude, Fugue and Variation Op.18. Originally written for organ, but transcribed for piano by Harold Bauer. -
29:02César Franck - Violin Sonata
César Franck - Violin SonataCésar Franck - Violin Sonata
- Composer: César-Auguste-Jean-Guillaume-Hubert Franck (10 December 1822 -- 8 November 1890) - Performers: Krystian Zimerman (piano), Kaja Danczowska (violin) - Year of recording: 1981 Sonata in A major for Violin and Piano, written in 1886. The 4 movements alternate between slow and fast: 00:00 - I. Allegretto ben moderato 06:24 - II. Allegro 15:01 - III. Ben moderato: Recitative-Fantasia 22:45 - IV. Allegretto poco mosso This sonata is one of Franck's best known compositions, and considered one of the finest sonatas for violin and piano ever written. It is an amalgam of his rich native harmonic language with the Classical traditions he valued highly, held together in a cyclic framework. it was a wedding present for the 31-year-old violinist Eugène Ysaÿe. Twenty-eight years earlier, in 1858, Franck had promised a violin sonata for Cosima von Bülow. This never saw the light of day, but it has been speculated that whatever work Franck had done on that piece was put aside and eventually ended up in the sonata he wrote for Ysaÿe in 1886. Ysaÿe kept the Violin Sonata in his repertoire for the next 40 years of his life. His championing of the Sonata contributed to the public recognition of Franck as a major composer. This recognition was quite belated, as Franck would be dead within 4 years, and did not have his first unqualified public success until the last year of his life (19 April 1890, at the Salle Pleyel, where his String Quartet in D was premiered). - I. Allegretto ben moderato, 9/8 This gentle and sweetly reflective rocking theme, introduced by the violin after a short introduction by the piano, is the thematic core of the entire work; Franck originally intended it as a slow movement, but Ysaÿe preferred a slightly quicker tempo, and convinced Franck to mark it Allegretto. - II. Allegro This turbulent movement is sometimes considered the real opening movement, with the Allegretto ben moderato serving as a long introduction. - III. Ben moderato: Recitative-Fantasia This is improvisatory in nature, and free in both structure and expression. - IV. Allegretto poco mosso The main melody is heard in canonic imitation between the instruments, and recurs in a rondo-like manner to a triumphant and soaring conclusion. James Harding described the movement as "a magnificent example of canonic writing, simple, majestic and irresistible in its ample, beautifully wrought proportions". The Franck Violin Sonata regularly appears on concert programs and on recordings and is in the core repertoire of all major violinists. Jascha Heifetz played the Violin Sonata at his final recital in 1972. -
41:16César Franck: Les Sept dernières paroles du Christ en Croix
César Franck: Les Sept dernières paroles du Christ en CroixCésar Franck: Les Sept dernières paroles du Christ en Croix
César Franck (1822-1890) Die Sieben Worte Christi am Kreuz, für Soli, Chor und Orchester Les Sept dernières paroles du Christ en Croix /The Seven Words of Christ at the Cross I Prolog: O vos omnes, qui transitis per viam 0:00 II 1. Pater, dimitte illis 4:49 III 2. Amen, dico tibi 10:28 IV 3. Mulier, ecce filius tuus 14:45 V 4. Deus meus, ut quid dereliquisti me ? 21:40 VI 5. Sitio! Dederunt ei vinum bibere cum felle mixtum 25:25 VII 6. Consummatum est. 32:10 VII 7. Pater, in manus tuas commendo spiritum meum 37:40 Edith Wiens, soprano Raimundo Mettre, tenor Thomas Pfeiffer, baritone Ivo Ingram, bass Philharmonie Schwäbisch Gmünd (Chor und Orchester) Conducted by Hubert Beck 21. Nov 1979 _ texte & trad. en français: http://saintseverin.free.fr/stage7/Sept.htm -
11:02César Franck Prélude, fugue et variation.
César Franck Prélude, fugue et variation.César Franck Prélude, fugue et variation.
Vincent Dubois plays all César Franck works in concert Soissons Cathédrale. -
37:04Kurt Masur conducts Cesar Franck - Symphony in D minor
Kurt Masur conducts Cesar Franck - Symphony in D minorKurt Masur conducts Cesar Franck - Symphony in D minor
00:00 Lento - Allegro 17:09 Allegretto 27:06 Allegro non troppo New York Philharmonic Orchestra / Kurt Masur. http://musicaelettere.blogspot.com -
36:00Claudio Arrau & Julliard Quartet - Cesar Franck Piano Quintet in F Minor, FWV 7
Claudio Arrau & Julliard Quartet - Cesar Franck Piano Quintet in F Minor, FWV 7Claudio Arrau & Julliard Quartet - Cesar Franck Piano Quintet in F Minor, FWV 7
00:00 Molto moderato quasi lento 15:06 Lento, con molto sentimento 26:51 Allegro non troppo, ma con fuoco Claudio Arrau, Piano Robert Mann & Isidore Cohen, Violins Raphael Hillyer, Viola Claus Adam, Violoncello Live recording at the Library of Congress, Washington DC. December 19, 1963 -
17:04César Franck - Symphonic Variations
César Franck - Symphonic VariationsCésar Franck - Symphonic Variations
- Composer: César-Auguste-Jean-Guillaume-Hubert Franck (10 December 1822 -- 8 November 1890) - Orchestra: London Philharmonic Orchestra - Conductor: Rafael Frühbeck de Burgos - Soloist: Alicia de Larrocha - Year of recording: 1972 Variations Symphoniques [Symphonic Variations], for Piano & Orchestra, M. 46, written in 1885. 00:00 - 01. Poco Allegro 01:48 - 02. L'istesso tempo 02:14 - 03. Poco più lento 03:18 - 04. Allegro 04:39 - 05. Allegretto 09:03 - 06. Molto più lento 12:37 - 07. Allegro non troppo 14:29 - 08. Un pochettino ritenuto 15:10 - 09. Tempo I One of the glitterati of the French music scene, Louis Diémer (1843-1919) had taken the piano part in Franck's Victor Hugo-inspired Les Djinns, for piano and orchestra, on 15 March 1885; he earned for the composer a rare plaudit from the press: "interesting work... for the direct originality of its thought and the admirable polish of its style." The Ménestral's critic continued: "As I listened to the fine logic of these developments and the arresting effects of the blending of the piano with the orchestra, I was struck by the thought of how sad it is that the name of this eminent musician is so rarely seen on programs, too little honored at a time when he is one of the masters of our epoch, and will indubitably remain one." This proved prophetic. Franck was delighted and credited his success to Diémer's brilliant playing -- sec, léger, and articulated with lightning precision -- which he promised to reward with "a little something." Good to his word, Franck dedicated his orchestration of the Variations Symphoniques to Diémer. He began work in the summer of 1885, and completed it on 12 December. In his ultimate, old master phase, Franck transformed everything he touched. The orchestral highlighting of pianistic virtuosity -- heard in such works of his youth as the Variations brillantes sur l'air du Pré aux clercs (1834) or the Variations brillantes sur le ronde favorite de Gustave III (1834-35) -- or the Lisztian heroics of the soloist locked in combat with the orchestra are left behind in the Variations Symphoniques in favor of the deft dovetailing of piano and orchestra. This use of the piano as a concertante instrument would be taken up by Vincent d'Indy in his Symphonie sur un chant montagnard française (1886) and in turn, be adopted as far afield as Ferruccio Busoni's massive five-movement Piano Concerto (1904). The strings open with a menacing dotted figure in unison, answered by the piano with a plaintively drooping phrase whose dialogue gives way to a second theme introduced by pizzicato woodwinds and strings. An appasionato development leads shortly to six seamless variations on the second theme through which the piano decorates, comments, alludes, and accompanies, as the mood shifts from triumphant assertion to mystical absorption and languishing, muted sighs. A sudden trill in both hands, two octaves apart, prompts the orchestra to begin the extensive, rhapsodic finale in which the thematic material of the preceding is wrought to an incandescent apotheosis. Without doubt, the irresistible, surefire breeziness of this finish has insured the Variations Symphoniques first place in popularity among Franck's works. Curiously, the première, at the annual orchestral concert of the Société Nationale de Musique, 1 May 1886, with Diémer at the piano, passed almost without mention. At the second performance, an all-Franck concert on 30 January of the following year -- again featuring Diémer -- the surefire misfired as the aging conductor, Jules Pasdeloup, miscued the orchestra's entrance. The Symphonic Variations are dedicated "à Monsieur Louis Diémer".
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- Hans von Bülow
- Hector Berlioz
- Heinrich Heine
- Heinrich Marschner
- Heinrich von Kleist
- Henry Fuseli
- Ignaz Moscheles
- Jan Potocki
- Jan Václav Voříšek
- Jean Paul
- Johan Christian Dahl
- John Clare
- John Constable
- John Keats
- José de Espronceda
- José Zorrilla
- Juliusz Słowacki
- Karel Hynek Mácha
- Karl Bryullov
- Lord Byron
- Louis Niedermeyer
- Louis Vierne
- Louise Bertin
- Ludwig Feuerbach
- Ludwig Tieck
- Ludwig Uhland
- Ludwig van Beethoven
- Léo Delibes
- Marcel Dupré
- Mary Shelley
- Maurice Ravel
- Mikhail Glinka
- Mikhail Lermontov
- Nathaniel Hawthorne
- Niccolò Paganini
- Nikolay Karamzin
- Novalis
- Percy Bysshe Shelley
- Philipp Otto Runge
- Philipp Veit
- Pierre Petit
- Piotr Michałowski
- Ralph Waldo Emerson
- Richard Wagner
- Robert Burns
- Robert Schumann
- Samuel Palmer
- Sigismond Thalberg
- Stendhal
- Taras Shevchenko
- Théo Ysaÿe
- Théodore Dubois
- Théodore Géricault
- Théophile Gautier
- Ugo Foscolo
- Vasily Zhukovsky
- Victor Hugo
- Vincenzo Bellini
- Walter Scott
- Washington Irving
- Wikipedia Persondata
- Wilhelm Hauff
- William Blake
- William Wordsworth
- Yves Nat
- Zygmunt Krasiński
- Édouard Lalo
- Étienne Méhul
Franck, César Filmography
-
1982, role: composer
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Cesar Franck - Symphony in D Minor
Philadelphia Orchestra, Ricardo Muti, conductor For information and analysis of this work visit http://muswrite.blogspot.com/2011/09/franck-symphony-in-d-minor.html For information and analyses of other works visit Musical Musings at: http://muswrite.blogspot.com/ -
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César Franck Symphony D Minor Orchestre National de France, Leonard Bernstein
César Franck Symphony in D Minor 1886/1888 Orchestre National de France conducted by Leonard Bernstein I. Lento; Allegro ma non troppo II. Allegretto 19:23 III. Finale: Allegro non troppo 30:50 -
César Franck, Prelude, Fugue and Variation in B minor, Op.18
Vladimir Viardo's breathtaking interpretation of César Franck's Prelude, Fugue and Variation Op.18. Originally written for organ, but transcribed for piano by Harold Bauer. -
César Franck - Violin Sonata
- Composer: César-Auguste-Jean-Guillaume-Hubert Franck (10 December 1822 -- 8 November 1890) - Performers: Krystian Zimerman (piano), Kaja Danczowska (violin) - Year of recording: 1981 Sonata in A major for Violin and Piano, written in 1886. The 4 movements alternate between slow and fast: 00:00 - I. Allegretto ben moderato 06:24 - II. Allegro 15:01 - III. Ben moderato: Recitative-Fantasia 22:45 - IV. Allegretto poco mosso This sonata is one of Franck's best known compositions, and considered one of the finest sonatas for violin and piano ever written. It is an amalgam of his rich native harmonic language with the Classical traditions he valued highly, held together in a cyclic framework. it was a wedding present for the 31-year-old violinist Eugène Ysaÿe. Twenty-eight years earlier, in... -
César Franck: Les Sept dernières paroles du Christ en Croix
César Franck (1822-1890) Die Sieben Worte Christi am Kreuz, für Soli, Chor und Orchester Les Sept dernières paroles du Christ en Croix /The Seven Words of Christ at the Cross I Prolog: O vos omnes, qui transitis per viam 0:00 II 1. Pater, dimitte illis 4:49 III 2. Amen, dico tibi 10:28 IV 3. Mulier, ecce filius tuus 14:45 V 4. Deus meus, ut quid dereliquisti me ? 21:40 VI 5. Sitio! Dederunt ei vinum bibere cum felle mixtum 25:25 VII 6. Consummatum est. 32:10 VII 7. Pater, in manus tuas commendo spiritum meum 37:40 Edith Wiens, soprano Raimundo Mettre, tenor Thomas Pfeiffer, baritone Ivo Ingram, bass Philharmonie Schwäbisch Gmünd (Chor und Orchester) Conducted by Hubert Beck 21. Nov 1979 _ texte & trad. en français: http://saintseverin.free.fr/stage7/Sept.htm -
César Franck Prélude, fugue et variation.
Vincent Dubois plays all César Franck works in concert Soissons Cathédrale. -
Kurt Masur conducts Cesar Franck - Symphony in D minor
00:00 Lento - Allegro 17:09 Allegretto 27:06 Allegro non troppo New York Philharmonic Orchestra / Kurt Masur. http://musicaelettere.blogspot.com -
Claudio Arrau & Julliard Quartet - Cesar Franck Piano Quintet in F Minor, FWV 7
00:00 Molto moderato quasi lento 15:06 Lento, con molto sentimento 26:51 Allegro non troppo, ma con fuoco Claudio Arrau, Piano Robert Mann & Isidore Cohen, Violins Raphael Hillyer, Viola Claus Adam, Violoncello Live recording at the Library of Congress, Washington DC. December 19, 1963 -
César Franck - Symphonic Variations
- Composer: César-Auguste-Jean-Guillaume-Hubert Franck (10 December 1822 -- 8 November 1890) - Orchestra: London Philharmonic Orchestra - Conductor: Rafael Frühbeck de Burgos - Soloist: Alicia de Larrocha - Year of recording: 1972 Variations Symphoniques [Symphonic Variations], for Piano & Orchestra, M. 46, written in 1885. 00:00 - 01. Poco Allegro 01:48 - 02. L'istesso tempo 02:14 - 03. Poco più lento 03:18 - 04. Allegro 04:39 - 05. Allegretto 09:03 - 06. Molto più lento 12:37 - 07. Allegro non troppo 14:29 - 08. Un pochettino ritenuto 15:10 - 09. Tempo I One of the glitterati of the French music scene, Louis Diémer (1843-1919) had taken the piano part in Franck's Victor Hugo-inspired Les Djinns, for piano and orchestra, on 15 March 1885; he earned for the composer a rar...
Cesar Franck - Symphony in D Minor
- Order: Reorder
- Duration: 40:59
- Updated: 16 Oct 2011
- views: 84164
Philadelphia Orchestra, Ricardo Muti, conductor
For information and analysis of this work visit http://muswrite.blogspot.com/2011/09/franck-symphony-in-d-minor....
Philadelphia Orchestra, Ricardo Muti, conductor
For information and analysis of this work visit http://muswrite.blogspot.com/2011/09/franck-symphony-in-d-minor.html
For information and analyses of other works visit Musical Musings at: http://muswrite.blogspot.com/
wn.com/Cesar Franck Symphony In D Minor
Philadelphia Orchestra, Ricardo Muti, conductor
For information and analysis of this work visit http://muswrite.blogspot.com/2011/09/franck-symphony-in-d-minor.html
For information and analyses of other works visit Musical Musings at: http://muswrite.blogspot.com/
- published: 16 Oct 2011
- views: 84164
César Franck-Violin Sonata in A Major (Complete)
- Order: Reorder
- Duration: 27:44
- Updated: 16 Jun 2011
- views: 201087
César Franck Symphony D Minor Orchestre National de France, Leonard Bernstein
- Order: Reorder
- Duration: 42:51
- Updated: 31 Dec 2013
- views: 64140
César Franck Symphony in D Minor 1886/1888
Orchestre National de France conducted by Leonard Bernstein
I. Lento; Allegro ma non troppo
II. Allegretto 19:23
III....
César Franck Symphony in D Minor 1886/1888
Orchestre National de France conducted by Leonard Bernstein
I. Lento; Allegro ma non troppo
II. Allegretto 19:23
III. Finale: Allegro non troppo 30:50
wn.com/César Franck Symphony D Minor Orchestre National De France, Leonard Bernstein
César Franck Symphony in D Minor 1886/1888
Orchestre National de France conducted by Leonard Bernstein
I. Lento; Allegro ma non troppo
II. Allegretto 19:23
III. Finale: Allegro non troppo 30:50
- published: 31 Dec 2013
- views: 64140
César Franck, Prelude, Fugue and Variation in B minor, Op.18
- Order: Reorder
- Duration: 10:49
- Updated: 22 Oct 2011
- views: 94493
Vladimir Viardo's breathtaking interpretation of César Franck's Prelude, Fugue and Variation Op.18. Originally written for organ, but transcribed for piano by H...
Vladimir Viardo's breathtaking interpretation of César Franck's Prelude, Fugue and Variation Op.18. Originally written for organ, but transcribed for piano by Harold Bauer.
wn.com/César Franck, Prelude, Fugue And Variation In B Minor, Op.18
Vladimir Viardo's breathtaking interpretation of César Franck's Prelude, Fugue and Variation Op.18. Originally written for organ, but transcribed for piano by Harold Bauer.
- published: 22 Oct 2011
- views: 94493
César Franck - Violin Sonata
- Order: Reorder
- Duration: 29:02
- Updated: 03 Oct 2015
- views: 7524
- Composer: César-Auguste-Jean-Guillaume-Hubert Franck (10 December 1822 -- 8 November 1890)
- Performers: Krystian Zimerman (piano), Kaja Danczowska (violin)
-...
- Composer: César-Auguste-Jean-Guillaume-Hubert Franck (10 December 1822 -- 8 November 1890)
- Performers: Krystian Zimerman (piano), Kaja Danczowska (violin)
- Year of recording: 1981
Sonata in A major for Violin and Piano, written in 1886.
The 4 movements alternate between slow and fast:
00:00 - I. Allegretto ben moderato
06:24 - II. Allegro
15:01 - III. Ben moderato: Recitative-Fantasia
22:45 - IV. Allegretto poco mosso
This sonata is one of Franck's best known compositions, and considered one of the finest sonatas for violin and piano ever written. It is an amalgam of his rich native harmonic language with the Classical traditions he valued highly, held together in a cyclic framework. it was a wedding present for the 31-year-old violinist Eugène Ysaÿe. Twenty-eight years earlier, in 1858, Franck had promised a violin sonata for Cosima von Bülow. This never saw the light of day, but it has been speculated that whatever work Franck had done on that piece was put aside and eventually ended up in the sonata he wrote for Ysaÿe in 1886. Ysaÿe kept the Violin Sonata in his repertoire for the next 40 years of his life. His championing of the Sonata contributed to the public recognition of Franck as a major composer. This recognition was quite belated, as Franck would be dead within 4 years, and did not have his first unqualified public success until the last year of his life (19 April 1890, at the Salle Pleyel, where his String Quartet in D was premiered).
- I. Allegretto ben moderato, 9/8
This gentle and sweetly reflective rocking theme, introduced by the violin after a short introduction by the piano, is the thematic core of the entire work; Franck originally intended it as a slow movement, but Ysaÿe preferred a slightly quicker tempo, and convinced Franck to mark it Allegretto.
- II. Allegro
This turbulent movement is sometimes considered the real opening movement, with the Allegretto ben moderato serving as a long introduction.
- III. Ben moderato: Recitative-Fantasia
This is improvisatory in nature, and free in both structure and expression.
- IV. Allegretto poco mosso
The main melody is heard in canonic imitation between the instruments, and recurs in a rondo-like manner to a triumphant and soaring conclusion. James Harding described the movement as "a magnificent example of canonic writing, simple, majestic and irresistible in its ample, beautifully wrought proportions".
The Franck Violin Sonata regularly appears on concert programs and on recordings and is in the core repertoire of all major violinists. Jascha Heifetz played the Violin Sonata at his final recital in 1972.
wn.com/César Franck Violin Sonata
- Composer: César-Auguste-Jean-Guillaume-Hubert Franck (10 December 1822 -- 8 November 1890)
- Performers: Krystian Zimerman (piano), Kaja Danczowska (violin)
- Year of recording: 1981
Sonata in A major for Violin and Piano, written in 1886.
The 4 movements alternate between slow and fast:
00:00 - I. Allegretto ben moderato
06:24 - II. Allegro
15:01 - III. Ben moderato: Recitative-Fantasia
22:45 - IV. Allegretto poco mosso
This sonata is one of Franck's best known compositions, and considered one of the finest sonatas for violin and piano ever written. It is an amalgam of his rich native harmonic language with the Classical traditions he valued highly, held together in a cyclic framework. it was a wedding present for the 31-year-old violinist Eugène Ysaÿe. Twenty-eight years earlier, in 1858, Franck had promised a violin sonata for Cosima von Bülow. This never saw the light of day, but it has been speculated that whatever work Franck had done on that piece was put aside and eventually ended up in the sonata he wrote for Ysaÿe in 1886. Ysaÿe kept the Violin Sonata in his repertoire for the next 40 years of his life. His championing of the Sonata contributed to the public recognition of Franck as a major composer. This recognition was quite belated, as Franck would be dead within 4 years, and did not have his first unqualified public success until the last year of his life (19 April 1890, at the Salle Pleyel, where his String Quartet in D was premiered).
- I. Allegretto ben moderato, 9/8
This gentle and sweetly reflective rocking theme, introduced by the violin after a short introduction by the piano, is the thematic core of the entire work; Franck originally intended it as a slow movement, but Ysaÿe preferred a slightly quicker tempo, and convinced Franck to mark it Allegretto.
- II. Allegro
This turbulent movement is sometimes considered the real opening movement, with the Allegretto ben moderato serving as a long introduction.
- III. Ben moderato: Recitative-Fantasia
This is improvisatory in nature, and free in both structure and expression.
- IV. Allegretto poco mosso
The main melody is heard in canonic imitation between the instruments, and recurs in a rondo-like manner to a triumphant and soaring conclusion. James Harding described the movement as "a magnificent example of canonic writing, simple, majestic and irresistible in its ample, beautifully wrought proportions".
The Franck Violin Sonata regularly appears on concert programs and on recordings and is in the core repertoire of all major violinists. Jascha Heifetz played the Violin Sonata at his final recital in 1972.
- published: 03 Oct 2015
- views: 7524
César Franck: Les Sept dernières paroles du Christ en Croix
- Order: Reorder
- Duration: 41:16
- Updated: 05 Oct 2014
- views: 22771
César Franck (1822-1890)
Die Sieben Worte Christi am Kreuz, für Soli, Chor und Orchester
Les Sept dernières paroles du Christ en Croix /The Seven Words of Chri...
César Franck (1822-1890)
Die Sieben Worte Christi am Kreuz, für Soli, Chor und Orchester
Les Sept dernières paroles du Christ en Croix /The Seven Words of Christ at the Cross
I Prolog: O vos omnes, qui transitis per viam 0:00
II 1. Pater, dimitte illis 4:49
III 2. Amen, dico tibi 10:28
IV 3. Mulier, ecce filius tuus 14:45
V 4. Deus meus, ut quid dereliquisti me ? 21:40
VI 5. Sitio! Dederunt ei vinum bibere cum felle mixtum 25:25
VII 6. Consummatum est. 32:10
VII 7. Pater, in manus tuas commendo spiritum meum 37:40
Edith Wiens, soprano
Raimundo Mettre, tenor
Thomas Pfeiffer, baritone
Ivo Ingram, bass
Philharmonie Schwäbisch Gmünd (Chor und Orchester)
Conducted by Hubert Beck
21. Nov 1979
_
texte & trad. en français: http://saintseverin.free.fr/stage7/Sept.htm
wn.com/César Franck Les Sept Dernières Paroles Du Christ En Croix
César Franck (1822-1890)
Die Sieben Worte Christi am Kreuz, für Soli, Chor und Orchester
Les Sept dernières paroles du Christ en Croix /The Seven Words of Christ at the Cross
I Prolog: O vos omnes, qui transitis per viam 0:00
II 1. Pater, dimitte illis 4:49
III 2. Amen, dico tibi 10:28
IV 3. Mulier, ecce filius tuus 14:45
V 4. Deus meus, ut quid dereliquisti me ? 21:40
VI 5. Sitio! Dederunt ei vinum bibere cum felle mixtum 25:25
VII 6. Consummatum est. 32:10
VII 7. Pater, in manus tuas commendo spiritum meum 37:40
Edith Wiens, soprano
Raimundo Mettre, tenor
Thomas Pfeiffer, baritone
Ivo Ingram, bass
Philharmonie Schwäbisch Gmünd (Chor und Orchester)
Conducted by Hubert Beck
21. Nov 1979
_
texte & trad. en français: http://saintseverin.free.fr/stage7/Sept.htm
- published: 05 Oct 2014
- views: 22771
César Franck Prélude, fugue et variation.
- Order: Reorder
- Duration: 11:02
- Updated: 17 Dec 2010
- views: 110496
Vincent Dubois plays all César Franck works in concert Soissons Cathédrale.
- published: 17 Dec 2010
- views: 110496
Kurt Masur conducts Cesar Franck - Symphony in D minor
- Order: Reorder
- Duration: 37:04
- Updated: 26 Sep 2013
- views: 27923
00:00 Lento - Allegro
17:09 Allegretto
27:06 Allegro non troppo
New York Philharmonic Orchestra / Kurt Masur.
http://musicaelettere.blogspot.com
00:00 Lento - Allegro
17:09 Allegretto
27:06 Allegro non troppo
New York Philharmonic Orchestra / Kurt Masur.
http://musicaelettere.blogspot.com
wn.com/Kurt Masur Conducts Cesar Franck Symphony In D Minor
00:00 Lento - Allegro
17:09 Allegretto
27:06 Allegro non troppo
New York Philharmonic Orchestra / Kurt Masur.
http://musicaelettere.blogspot.com
- published: 26 Sep 2013
- views: 27923
Claudio Arrau & Julliard Quartet - Cesar Franck Piano Quintet in F Minor, FWV 7
- Order: Reorder
- Duration: 36:00
- Updated: 10 Mar 2014
- views: 10648
00:00 Molto moderato quasi lento
15:06 Lento, con molto sentimento
26:51 Allegro non troppo, ma con fuoco
Claudio Arrau, Piano
Robert Mann & Isidore Cohen, Viol...
00:00 Molto moderato quasi lento
15:06 Lento, con molto sentimento
26:51 Allegro non troppo, ma con fuoco
Claudio Arrau, Piano
Robert Mann & Isidore Cohen, Violins
Raphael Hillyer, Viola
Claus Adam, Violoncello
Live recording at the Library of Congress, Washington DC.
December 19, 1963
wn.com/Claudio Arrau Julliard Quartet Cesar Franck Piano Quintet In F Minor, Fwv 7
00:00 Molto moderato quasi lento
15:06 Lento, con molto sentimento
26:51 Allegro non troppo, ma con fuoco
Claudio Arrau, Piano
Robert Mann & Isidore Cohen, Violins
Raphael Hillyer, Viola
Claus Adam, Violoncello
Live recording at the Library of Congress, Washington DC.
December 19, 1963
- published: 10 Mar 2014
- views: 10648
César Franck - Symphonic Variations
- Order: Reorder
- Duration: 17:04
- Updated: 03 Oct 2015
- views: 2514
- Composer: César-Auguste-Jean-Guillaume-Hubert Franck (10 December 1822 -- 8 November 1890)
- Orchestra: London Philharmonic Orchestra
- Conductor: Rafael Fr...
- Composer: César-Auguste-Jean-Guillaume-Hubert Franck (10 December 1822 -- 8 November 1890)
- Orchestra: London Philharmonic Orchestra
- Conductor: Rafael Frühbeck de Burgos
- Soloist: Alicia de Larrocha
- Year of recording: 1972
Variations Symphoniques [Symphonic Variations], for Piano & Orchestra, M. 46, written in 1885.
00:00 - 01. Poco Allegro
01:48 - 02. L'istesso tempo
02:14 - 03. Poco più lento
03:18 - 04. Allegro
04:39 - 05. Allegretto
09:03 - 06. Molto più lento
12:37 - 07. Allegro non troppo
14:29 - 08. Un pochettino ritenuto
15:10 - 09. Tempo I
One of the glitterati of the French music scene, Louis Diémer (1843-1919) had taken the piano part in Franck's Victor Hugo-inspired Les Djinns, for piano and orchestra, on 15 March 1885; he earned for the composer a rare plaudit from the press: "interesting work... for the direct originality of its thought and the admirable polish of its style." The Ménestral's critic continued: "As I listened to the fine logic of these developments and the arresting effects of the blending of the piano with the orchestra, I was struck by the thought of how sad it is that the name of this eminent musician is so rarely seen on programs, too little honored at a time when he is one of the masters of our epoch, and will indubitably remain one."
This proved prophetic. Franck was delighted and credited his success to Diémer's brilliant playing -- sec, léger, and articulated with lightning precision -- which he promised to reward with "a little something." Good to his word, Franck dedicated his orchestration of the Variations Symphoniques to Diémer. He began work in the summer of 1885, and completed it on 12 December. In his ultimate, old master phase, Franck transformed everything he touched. The orchestral highlighting of pianistic virtuosity -- heard in such works of his youth as the Variations brillantes sur l'air du Pré aux clercs (1834) or the Variations brillantes sur le ronde favorite de Gustave III (1834-35) -- or the Lisztian heroics of the soloist locked in combat with the orchestra are left behind in the Variations Symphoniques in favor of the deft dovetailing of piano and orchestra. This use of the piano as a concertante instrument would be taken up by Vincent d'Indy in his Symphonie sur un chant montagnard française (1886) and in turn, be adopted as far afield as Ferruccio Busoni's massive five-movement Piano Concerto (1904).
The strings open with a menacing dotted figure in unison, answered by the piano with a plaintively drooping phrase whose dialogue gives way to a second theme introduced by pizzicato woodwinds and strings. An appasionato development leads shortly to six seamless variations on the second theme through which the piano decorates, comments, alludes, and accompanies, as the mood shifts from triumphant assertion to mystical absorption and languishing, muted sighs. A sudden trill in both hands, two octaves apart, prompts the orchestra to begin the extensive, rhapsodic finale in which the thematic material of the preceding is wrought to an incandescent apotheosis. Without doubt, the irresistible, surefire breeziness of this finish has insured the Variations Symphoniques first place in popularity among Franck's works.
Curiously, the première, at the annual orchestral concert of the Société Nationale de Musique, 1 May 1886, with Diémer at the piano, passed almost without mention. At the second performance, an all-Franck concert on 30 January of the following year -- again featuring Diémer -- the surefire misfired as the aging conductor, Jules Pasdeloup, miscued the orchestra's entrance.
The Symphonic Variations are dedicated "à Monsieur Louis Diémer".
wn.com/César Franck Symphonic Variations
- Composer: César-Auguste-Jean-Guillaume-Hubert Franck (10 December 1822 -- 8 November 1890)
- Orchestra: London Philharmonic Orchestra
- Conductor: Rafael Frühbeck de Burgos
- Soloist: Alicia de Larrocha
- Year of recording: 1972
Variations Symphoniques [Symphonic Variations], for Piano & Orchestra, M. 46, written in 1885.
00:00 - 01. Poco Allegro
01:48 - 02. L'istesso tempo
02:14 - 03. Poco più lento
03:18 - 04. Allegro
04:39 - 05. Allegretto
09:03 - 06. Molto più lento
12:37 - 07. Allegro non troppo
14:29 - 08. Un pochettino ritenuto
15:10 - 09. Tempo I
One of the glitterati of the French music scene, Louis Diémer (1843-1919) had taken the piano part in Franck's Victor Hugo-inspired Les Djinns, for piano and orchestra, on 15 March 1885; he earned for the composer a rare plaudit from the press: "interesting work... for the direct originality of its thought and the admirable polish of its style." The Ménestral's critic continued: "As I listened to the fine logic of these developments and the arresting effects of the blending of the piano with the orchestra, I was struck by the thought of how sad it is that the name of this eminent musician is so rarely seen on programs, too little honored at a time when he is one of the masters of our epoch, and will indubitably remain one."
This proved prophetic. Franck was delighted and credited his success to Diémer's brilliant playing -- sec, léger, and articulated with lightning precision -- which he promised to reward with "a little something." Good to his word, Franck dedicated his orchestration of the Variations Symphoniques to Diémer. He began work in the summer of 1885, and completed it on 12 December. In his ultimate, old master phase, Franck transformed everything he touched. The orchestral highlighting of pianistic virtuosity -- heard in such works of his youth as the Variations brillantes sur l'air du Pré aux clercs (1834) or the Variations brillantes sur le ronde favorite de Gustave III (1834-35) -- or the Lisztian heroics of the soloist locked in combat with the orchestra are left behind in the Variations Symphoniques in favor of the deft dovetailing of piano and orchestra. This use of the piano as a concertante instrument would be taken up by Vincent d'Indy in his Symphonie sur un chant montagnard française (1886) and in turn, be adopted as far afield as Ferruccio Busoni's massive five-movement Piano Concerto (1904).
The strings open with a menacing dotted figure in unison, answered by the piano with a plaintively drooping phrase whose dialogue gives way to a second theme introduced by pizzicato woodwinds and strings. An appasionato development leads shortly to six seamless variations on the second theme through which the piano decorates, comments, alludes, and accompanies, as the mood shifts from triumphant assertion to mystical absorption and languishing, muted sighs. A sudden trill in both hands, two octaves apart, prompts the orchestra to begin the extensive, rhapsodic finale in which the thematic material of the preceding is wrought to an incandescent apotheosis. Without doubt, the irresistible, surefire breeziness of this finish has insured the Variations Symphoniques first place in popularity among Franck's works.
Curiously, the première, at the annual orchestral concert of the Société Nationale de Musique, 1 May 1886, with Diémer at the piano, passed almost without mention. At the second performance, an all-Franck concert on 30 January of the following year -- again featuring Diémer -- the surefire misfired as the aging conductor, Jules Pasdeloup, miscued the orchestra's entrance.
The Symphonic Variations are dedicated "à Monsieur Louis Diémer".
- published: 03 Oct 2015
- views: 2514
-
Pierre Fournier plays Franck - LIVE!
Pierre Fournier, the great French cellist, performs the Violin Sonata in A Major by César Franck. Naum Walter is the pianist in this live concert from the Grand Hall in Leningrad, 24 May 1961. Here is a link to him performing the "Variations on a Rococo Theme" by Tchaikovsky from the same concert: http://youtu.be/EBP51qkeC-4 -
Panis Angelicus - Cesar Franck - live 2014
Panis Angelicus di Cesar Franck eseguito in Copncerto magistralmente da un Quartetto d'Eccezione: Tenore: Spero Bongiolatti Oboe: Franco Tangari Violino: Rossella Pirotta Organo: Mauro Filippo Villa Verga -
Arturo Sacchetti plays César Franck "Final" Op. 20 Live Concert
5° Concerto Storico al Duomo di Monreale, 18/02/1989. Live Concert Organista: Arturo Sacchetti -
César Franck, sonata in A major (1.& 2. mov.) Božo Paradžik & Ulrich Rademacher (live, 1998)
Meanwhile little piece of history: our live performance from 1998, the same one which got released on our CD by EMI/Virgin Classics 2000 (in the moment of this recording definitely unplanned). Saved from meanwhile mouldering S-VHS video cassette. Here first two movements of Franck. Božo Paradžik, double bass Ulrich Rademacher, piano Live performance, 1st november 1998 Stuttgart (D), Funkstudio -
César Franck - Prélude Aria et Final - Luca Ciammarughi, piano (Live)
Luca Ciammarughi, piano Bösendorfer (Live). -
CÉSAR FRANCK ≈ Sonata pour Violon et Piano en La majeur, M. 8 (LIVE)
- César-Auguste-Jean-Guillaume-Hubert Franck (1822 - 1890) was a Composer, Pianist, Organist, and music teacher who worked in Paris during his adult life. http://fr.wikipedia.org/wiki/C%C3%A9sar_Franck Sonata pour Violon et Piano en La majeur, M. 8 (Sonata for violin & piano in A, M. 8, 1886) 1. Allegretto ben moderato 2. Allegro 3. Recitativo - Fantasia. Ben moderato - molto lento 4. Allegretto poco mosso Charlie Siem, Violon http://www.charliesiem.com/ Walter Delahunt, Piano http://www.walterdelahunt.com/ Live Recording In 1886 Franck composed the Violin Sonata as a wedding gift for the Belgian violinist Eugène Ysaÿe. This became a resounding success; Ysaÿe played it in Brussels, in Paris, and took it on tour, often with his brother Théo Ysaÿe at the piano. His last performance of ... -
César Franck - Prélude Op. 18 - Claudio Brizi & Carlo Palese - Live recording
César Franck - Prélude Op. 18 - Live recording Trapani, Amici della Musica, 14.11.2012 Claudio Brizi (Harmonium-Célesta Mustel, Paris, 1897) Carlo Palese (Grand Piano Erard, Paris, 1847) -
César Franck - Chorale No. 3 in A minor (Ernst-Erich Stender)
Ernst-Erich Stender - Large Organ St. Mary's - Lübeck (Germany) César Franck (1822-1890) - Choral Nr. 3 a-Moll (a minor) Live Recording: 25.04.2009 Subscribe now and never miss a video: http://bit.ly/1C1KlDZ Find the most beautiful pages of classical music on ClassicalExperience. Thousands of classical videos; Classical masterpieces remastered; Interviews & documentaries; All of the greats revisited by new artists on the rise." -
Cesar Franck's "Pièce Héroïque" played by Marcel Dupré
For high quality, add: &fmt;=18 Cesar Franck's "Pièce Héroïque" in h minor from Trois Pieces. My notes says Marcel Dupre, perhaps this is live? -
Arturo Sacchetti plays César Franck 'Choral n.3' pour Grand Orgue (Live Concert)
5° Concerto Storico al Duomo di Monreale, 18/02/1989. Live Concert Organista: Arturo Sacchetti
Pierre Fournier plays Franck - LIVE!
- Order: Reorder
- Duration: 25:23
- Updated: 09 Sep 2012
- views: 9384
Pierre Fournier, the great French cellist, performs the Violin Sonata in A Major by César Franck. Naum Walter is the pianist in this live concert from the Gran...
Pierre Fournier, the great French cellist, performs the Violin Sonata in A Major by César Franck. Naum Walter is the pianist in this live concert from the Grand Hall in Leningrad, 24 May 1961.
Here is a link to him performing the "Variations on a Rococo Theme" by Tchaikovsky from the same concert:
http://youtu.be/EBP51qkeC-4
wn.com/Pierre Fournier Plays Franck Live
Pierre Fournier, the great French cellist, performs the Violin Sonata in A Major by César Franck. Naum Walter is the pianist in this live concert from the Grand Hall in Leningrad, 24 May 1961.
Here is a link to him performing the "Variations on a Rococo Theme" by Tchaikovsky from the same concert:
http://youtu.be/EBP51qkeC-4
- published: 09 Sep 2012
- views: 9384
Panis Angelicus - Cesar Franck - live 2014
- Order: Reorder
- Duration: 4:05
- Updated: 01 Sep 2015
- views: 920
Panis Angelicus di Cesar Franck eseguito in Copncerto magistralmente da un Quartetto d'Eccezione:
Tenore: Spero Bongiolatti
Oboe: Franco Tangari
Violino: Rosse...
Panis Angelicus di Cesar Franck eseguito in Copncerto magistralmente da un Quartetto d'Eccezione:
Tenore: Spero Bongiolatti
Oboe: Franco Tangari
Violino: Rossella Pirotta
Organo: Mauro Filippo Villa Verga
wn.com/Panis Angelicus Cesar Franck Live 2014
Panis Angelicus di Cesar Franck eseguito in Copncerto magistralmente da un Quartetto d'Eccezione:
Tenore: Spero Bongiolatti
Oboe: Franco Tangari
Violino: Rossella Pirotta
Organo: Mauro Filippo Villa Verga
- published: 01 Sep 2015
- views: 920
Arturo Sacchetti plays César Franck "Final" Op. 20 Live Concert
- Order: Reorder
- Duration: 12:42
- Updated: 14 Mar 2013
- views: 2342
5° Concerto Storico al Duomo di Monreale, 18/02/1989. Live Concert
Organista: Arturo Sacchetti
- published: 14 Mar 2013
- views: 2342
César Franck, sonata in A major (1.& 2. mov.) Božo Paradžik & Ulrich Rademacher (live, 1998)
- Order: Reorder
- Duration: 14:19
- Updated: 24 Sep 2010
- views: 15852
Meanwhile little piece of history: our live performance from 1998, the same one which got released on our CD by EMI/Virgin Classics 2000 (in the moment of this ...
Meanwhile little piece of history: our live performance from 1998, the same one which got released on our CD by EMI/Virgin Classics 2000 (in the moment of this recording definitely unplanned). Saved from meanwhile mouldering S-VHS video cassette. Here first two movements of Franck.
Božo Paradžik, double bass
Ulrich Rademacher, piano
Live performance, 1st november 1998
Stuttgart (D), Funkstudio
wn.com/César Franck, Sonata In A Major (1. 2. Mov.) Božo Paradžik Ulrich Rademacher (Live, 1998)
Meanwhile little piece of history: our live performance from 1998, the same one which got released on our CD by EMI/Virgin Classics 2000 (in the moment of this recording definitely unplanned). Saved from meanwhile mouldering S-VHS video cassette. Here first two movements of Franck.
Božo Paradžik, double bass
Ulrich Rademacher, piano
Live performance, 1st november 1998
Stuttgart (D), Funkstudio
- published: 24 Sep 2010
- views: 15852
César Franck - Prélude Aria et Final - Luca Ciammarughi, piano (Live)
- Order: Reorder
- Duration: 21:14
- Updated: 04 Nov 2012
- views: 736
Luca Ciammarughi, piano Bösendorfer (Live).
Luca Ciammarughi, piano Bösendorfer (Live).
wn.com/César Franck Prélude Aria Et Final Luca Ciammarughi, Piano (Live)
CÉSAR FRANCK ≈ Sonata pour Violon et Piano en La majeur, M. 8 (LIVE)
- Order: Reorder
- Duration: 27:52
- Updated: 09 Mar 2015
- views: 872
-
César-Auguste-Jean-Guillaume-Hubert Franck (1822 - 1890) was a Composer, Pianist, Organist, and music teacher who worked in Paris during his adult life.
http:...
-
César-Auguste-Jean-Guillaume-Hubert Franck (1822 - 1890) was a Composer, Pianist, Organist, and music teacher who worked in Paris during his adult life.
http://fr.wikipedia.org/wiki/C%C3%A9sar_Franck
Sonata pour Violon et Piano en La majeur, M. 8
(Sonata for violin & piano in A, M. 8, 1886)
1. Allegretto ben moderato
2. Allegro
3. Recitativo - Fantasia. Ben moderato - molto lento
4. Allegretto poco mosso
Charlie Siem, Violon
http://www.charliesiem.com/
Walter Delahunt, Piano
http://www.walterdelahunt.com/
Live Recording
In 1886 Franck composed the Violin Sonata as a wedding gift for the Belgian violinist Eugène Ysaÿe. This became a resounding success; Ysaÿe played it in Brussels, in Paris, and took it on tour, often with his brother Théo Ysaÿe at the piano. His last performance of the piece occurred in Paris during 1926, with the pianist on that occasion being Yves Nat. Vallas, writing in the mid-twentieth century, says that the Sonata had "become Franck's most popular work, and, in France at least, the most generally accepted work in the whole repertoire of chamber music."(wikipedia)
Eugène Ysaÿe (1858 1931) was a Belgian violinist, composer and conductor. He was regarded as "The King of the Violin", or, as Nathan Milstein put it, the "tsar".
http://en.wikipedia.org/wiki/Eug%C3%A8ne_Ysa%C3%BFe
≈
wn.com/César Franck ≈ Sonata Pour Violon Et Piano En La Majeur, M. 8 (Live)
-
César-Auguste-Jean-Guillaume-Hubert Franck (1822 - 1890) was a Composer, Pianist, Organist, and music teacher who worked in Paris during his adult life.
http://fr.wikipedia.org/wiki/C%C3%A9sar_Franck
Sonata pour Violon et Piano en La majeur, M. 8
(Sonata for violin & piano in A, M. 8, 1886)
1. Allegretto ben moderato
2. Allegro
3. Recitativo - Fantasia. Ben moderato - molto lento
4. Allegretto poco mosso
Charlie Siem, Violon
http://www.charliesiem.com/
Walter Delahunt, Piano
http://www.walterdelahunt.com/
Live Recording
In 1886 Franck composed the Violin Sonata as a wedding gift for the Belgian violinist Eugène Ysaÿe. This became a resounding success; Ysaÿe played it in Brussels, in Paris, and took it on tour, often with his brother Théo Ysaÿe at the piano. His last performance of the piece occurred in Paris during 1926, with the pianist on that occasion being Yves Nat. Vallas, writing in the mid-twentieth century, says that the Sonata had "become Franck's most popular work, and, in France at least, the most generally accepted work in the whole repertoire of chamber music."(wikipedia)
Eugène Ysaÿe (1858 1931) was a Belgian violinist, composer and conductor. He was regarded as "The King of the Violin", or, as Nathan Milstein put it, the "tsar".
http://en.wikipedia.org/wiki/Eug%C3%A8ne_Ysa%C3%BFe
≈
- published: 09 Mar 2015
- views: 872
César Franck - Prélude Op. 18 - Claudio Brizi & Carlo Palese - Live recording
- Order: Reorder
- Duration: 3:43
- Updated: 06 Jun 2013
- views: 2571
César Franck - Prélude Op. 18 - Live recording
Trapani, Amici della Musica, 14.11.2012
Claudio Brizi (Harmonium-Célesta Mustel, Paris, 1897)
Carlo Palese (Grand...
César Franck - Prélude Op. 18 - Live recording
Trapani, Amici della Musica, 14.11.2012
Claudio Brizi (Harmonium-Célesta Mustel, Paris, 1897)
Carlo Palese (Grand Piano Erard, Paris, 1847)
wn.com/César Franck Prélude Op. 18 Claudio Brizi Carlo Palese Live Recording
César Franck - Prélude Op. 18 - Live recording
Trapani, Amici della Musica, 14.11.2012
Claudio Brizi (Harmonium-Célesta Mustel, Paris, 1897)
Carlo Palese (Grand Piano Erard, Paris, 1847)
- published: 06 Jun 2013
- views: 2571
César Franck - Chorale No. 3 in A minor (Ernst-Erich Stender)
- Order: Reorder
- Duration: 11:13
- Updated: 01 Apr 2015
- views: 975
Ernst-Erich Stender - Large Organ St. Mary's - Lübeck (Germany)
César Franck (1822-1890) - Choral Nr. 3 a-Moll (a minor)
Live Recording: 25.04.2009
Subscribe ...
Ernst-Erich Stender - Large Organ St. Mary's - Lübeck (Germany)
César Franck (1822-1890) - Choral Nr. 3 a-Moll (a minor)
Live Recording: 25.04.2009
Subscribe now and never miss a video: http://bit.ly/1C1KlDZ
Find the most beautiful pages of classical music on ClassicalExperience. Thousands of classical videos; Classical masterpieces remastered; Interviews & documentaries; All of the greats revisited by new artists on the rise."
wn.com/César Franck Chorale No. 3 In A Minor (Ernst Erich Stender)
Ernst-Erich Stender - Large Organ St. Mary's - Lübeck (Germany)
César Franck (1822-1890) - Choral Nr. 3 a-Moll (a minor)
Live Recording: 25.04.2009
Subscribe now and never miss a video: http://bit.ly/1C1KlDZ
Find the most beautiful pages of classical music on ClassicalExperience. Thousands of classical videos; Classical masterpieces remastered; Interviews & documentaries; All of the greats revisited by new artists on the rise."
- published: 01 Apr 2015
- views: 975
Cesar Franck's "Pièce Héroïque" played by Marcel Dupré
- Order: Reorder
- Duration: 8:17
- Updated: 30 Dec 2008
- views: 90778
For high quality, add: &fmt;=18
Cesar Franck's "Pièce Héroïque" in h minor from Trois Pieces.
My notes says Marcel Dupre, perhaps this is live?
For high quality, add: &fmt;=18
Cesar Franck's "Pièce Héroïque" in h minor from Trois Pieces.
My notes says Marcel Dupre, perhaps this is live?
wn.com/Cesar Franck's Pièce Héroïque Played By Marcel Dupré
For high quality, add: &fmt;=18
Cesar Franck's "Pièce Héroïque" in h minor from Trois Pieces.
My notes says Marcel Dupre, perhaps this is live?
- published: 30 Dec 2008
- views: 90778
Arturo Sacchetti plays César Franck 'Choral n.3' pour Grand Orgue (Live Concert)
- Order: Reorder
- Duration: 12:24
- Updated: 02 Mar 2013
- views: 2099
5° Concerto Storico al Duomo di Monreale, 18/02/1989. Live Concert
Organista: Arturo Sacchetti
- published: 02 Mar 2013
- views: 2099
-
César Franck - Piano Quintet in F minor
- Composer: César-Auguste-Jean-Guillaume-Hubert Franck (10 December 1822 -- 8 November 1890) - Performers: The Schubert Ensemble (of London) - Year of recording: 2001 Piano Quintet in F minor, M. 7, written in 1878-1879. 00:00 - I. Molto moderato quasi lento 16:06 - II. Lento, con molto sentimento 26:38 - III. Allegro non troppo, ma con fuoco The Piano Quintet, one of the earliest masterpieces of Franck, marked his return to chamber music after more than 35 years. The work was dedicated to Saint-Saëns who, although he played the piano part in the premiere, so strongly disapproved of the musical language of the composer that he rejected the dedication. - The first movement opens with a dramatic introduction, Molto moderato quasi lento, by the bowed strings. The piano replies in ... -
CESAR FRANCK.- Sinfonía en re menor
CESAR FRANCK.- Sinfonía en re menor Lento Allegro non troppo Allegretto Allegro non troppo Orquesta Filarmónica Checa Director: Sir John Barbirolli La Sinfonía en re menor es la obra orquestal más famosa y la única sinfonía del compositor belga César Franck. La compuso entre 1886 y 1888 (concluida el 22 de agosto de 1888). Fue estrenada en el Conservatorio de París el 17 de febrero de 1889. Está dedicada a su discípulo, el compositor Henri Duparc. Historia y controversia La fama y reputación de César Franck se asienta sobre solas unas pocas obras, la mayor parte de ellas compuestas en los últimos años de su vida. De éstas, la Sinfonía en re menor fue una de las últimas, estrenada sólo un año antes de la muerte de compositor en 1890. El hecho de que Franck se decidirá finalmente a c... -
Maxim Vengerov and Khatia Buniatishvili - Frank Violin Sonata in a minor
Khatia Buniatishvili - piano Maxim Vengerov - violin
César Franck - Piano Quintet in F minor
- Order: Reorder
- Duration: 36:10
- Updated: 03 Oct 2015
- views: 2747
- Composer: César-Auguste-Jean-Guillaume-Hubert Franck (10 December 1822 -- 8 November 1890)
- Performers: The Schubert Ensemble (of London)
- Year of recordi...
- Composer: César-Auguste-Jean-Guillaume-Hubert Franck (10 December 1822 -- 8 November 1890)
- Performers: The Schubert Ensemble (of London)
- Year of recording: 2001
Piano Quintet in F minor, M. 7, written in 1878-1879.
00:00 - I. Molto moderato quasi lento
16:06 - II. Lento, con molto sentimento
26:38 - III. Allegro non troppo, ma con fuoco
The Piano Quintet, one of the earliest masterpieces of Franck, marked his return to chamber music after more than 35 years. The work was dedicated to Saint-Saëns who, although he played the piano part in the premiere, so strongly disapproved of the musical language of the composer that he rejected the dedication.
- The first movement opens with a dramatic introduction, Molto moderato quasi lento, by the bowed strings. The piano replies in a gentle manner. The strings restate their opening. The piano turns even more gentle. The dialogue continues along similar lines until the piano suddenly launches into the Allegro. The second subject is characterized by a wistful inflection to minor. The development reaches a stormy climax. A passage mirrors the introduction. The reprise is very intense, but it concludes fading away.
- The second movement, Lento, con molto sentimento, is also in sonata form. It opens with a motive with a falling figure on the first violin, with a background of repeated chords of the piano. The atmosphere gradually turns more tragic. Then, a gentle melody in the lower strings is accompanied by piano in the high register. In the central section, the piano brings back the second subject of the opening Allegro. The reprise is again highly dramatic.
- The finale, Allegro non troppo ma con fuoco, is characterized by a relentless rhythmic drive. It opens with a repeated soft motive in the strings from which the first subject emerges. The second subject begins with a piano theme accompanied by the strings. The agitation continues throughout. Near the ending, the second subject of the Allegro reappears. But the rhythmic urgency resumes and brings the work to an intense conclusion.
wn.com/César Franck Piano Quintet In F Minor
- Composer: César-Auguste-Jean-Guillaume-Hubert Franck (10 December 1822 -- 8 November 1890)
- Performers: The Schubert Ensemble (of London)
- Year of recording: 2001
Piano Quintet in F minor, M. 7, written in 1878-1879.
00:00 - I. Molto moderato quasi lento
16:06 - II. Lento, con molto sentimento
26:38 - III. Allegro non troppo, ma con fuoco
The Piano Quintet, one of the earliest masterpieces of Franck, marked his return to chamber music after more than 35 years. The work was dedicated to Saint-Saëns who, although he played the piano part in the premiere, so strongly disapproved of the musical language of the composer that he rejected the dedication.
- The first movement opens with a dramatic introduction, Molto moderato quasi lento, by the bowed strings. The piano replies in a gentle manner. The strings restate their opening. The piano turns even more gentle. The dialogue continues along similar lines until the piano suddenly launches into the Allegro. The second subject is characterized by a wistful inflection to minor. The development reaches a stormy climax. A passage mirrors the introduction. The reprise is very intense, but it concludes fading away.
- The second movement, Lento, con molto sentimento, is also in sonata form. It opens with a motive with a falling figure on the first violin, with a background of repeated chords of the piano. The atmosphere gradually turns more tragic. Then, a gentle melody in the lower strings is accompanied by piano in the high register. In the central section, the piano brings back the second subject of the opening Allegro. The reprise is again highly dramatic.
- The finale, Allegro non troppo ma con fuoco, is characterized by a relentless rhythmic drive. It opens with a repeated soft motive in the strings from which the first subject emerges. The second subject begins with a piano theme accompanied by the strings. The agitation continues throughout. Near the ending, the second subject of the Allegro reappears. But the rhythmic urgency resumes and brings the work to an intense conclusion.
- published: 03 Oct 2015
- views: 2747
CESAR FRANCK.- Sinfonía en re menor
- Order: Reorder
- Duration: 38:12
- Updated: 17 Jan 2013
- views: 14456
CESAR FRANCK.-
Sinfonía en re menor
Lento
Allegro non troppo
Allegretto
Allegro non troppo
Orquesta Filarmónica Checa
Director: Sir John Barbirolli
La Sin...
CESAR FRANCK.-
Sinfonía en re menor
Lento
Allegro non troppo
Allegretto
Allegro non troppo
Orquesta Filarmónica Checa
Director: Sir John Barbirolli
La Sinfonía en re menor es la obra orquestal más famosa y la única sinfonía del compositor belga César Franck. La compuso entre 1886 y 1888 (concluida el 22 de agosto de 1888). Fue estrenada en el Conservatorio de París el 17 de febrero de 1889. Está dedicada a su discípulo, el compositor Henri Duparc.
Historia y controversia
La fama y reputación de César Franck se asienta sobre solas unas pocas obras, la mayor parte de ellas compuestas en los últimos años de su vida. De éstas, la Sinfonía en re menor fue una de las últimas, estrenada sólo un año antes de la muerte de compositor en 1890. El hecho de que Franck se decidirá finalmente a componer una sinfonía es un hecho extraño, debido a la rareza de esta forma musical en la tradición francesa del Siglo XIX, que viera la sinfonía como un refugio exclusivo de la tradición alemana. Es posible que la génesis de este trabajo sigue el éxito popular de su obra influyente Variaciones sinfónicas para piano y orquesta, compuesta en el año 1885.
Además, el éxito de algunas obras de otros compositores franceses había conseguido ganar el favor del público hacia este género. La Sinfonía n.º 3, con órgano de Camille Saint-Saëns y (a pesar de ser una obra para piano y orquesta) la Symphonie sur un chant montagnard français de Vincent d'Indy, ambas compuestas en el año 1886 y calurosamente acogidas, habían ayudado a resucitar la sinfonía como pieza de concierto, una forma desparecida desde la Sinfonía fantástica de Hector Berlioz del año 1830. Una obra anterior, laSymphonie Espagnole (1875) de Édouard Lalo es en realidad un concierto para violín y orquesta. Sin embargo, estas dos obras intentaban distanciarse de la forma y sonido del sinfonismo romántico alemán (ejemplificado por las obras de Brahms y Richard Wagner) a través de la introducción de ciertas innovaciones dichas "francesas", incluyendo la integración del piano o, en el caso de Saint-Saëns, del órgano, y utilizando un estilo temático cíclico.
Como en las precedentes obras de Saint-Saëns y Berlioz, así que en sus propias obras anteriores, Franck también empleó una estructura cíclica en la composición de su sinfonía. De hecho, la 'Sinfonía en re menor' es el ejemplo más claro de la escritura sinfónica cíclica en la tradición musical romántica. Sin embargo, Franck utilizó una sonoridad típicamente germánica, evitando las innovaciones orquestales y el uso de elementos "nacionalistas," que Saint-Saëns y D'Indy habían usado. Entonces, la 'Sinfonía en re menor' de Franck puede ser considerada el punto de contacto entre dos diferentes tradiciones musicales: la forma cíclica francesa y la forma romántica alemana, con amplias influencias de Wagner y Liszt.
Debido en parte a esta fusión inesperada, la obra fue mal recibida en su estreno. Pero aún más importante, la recepción de la sinfonía de Franck fue muy afectada por el mundo politizado de la música francesa posterior a los enfrentamientos y división en el seno de la Société Nationale de Musique, que había sido fundada por Saint-Saëns en 1871 en reacción al sentimiento anti-alemán suscitado por la guerra franco-prusiana. El cisma de 1886 fue provocado por la decisión de la Société de aceptar música «extranjera» (principalmente de Alemania) y por el entusiasmo declarado hacia Wagner por algunos de los miembros más jóvenes, entre los que se encontraban D'Indy y el mismo Franck. Esta traición inaceptable a la música francesa llevó a algunos de los miembros más conservadores, encabezados por Saint-Saëns, a dimitir; entonces Franck asumió la presidencia de la Société. El ambiente resultante era venenoso. La controversia llegó hasta el Conservatorio de París e hizo muy difícil el estreno de la sinfonía de Franck. La partitura fue rechazada por el director Charles Lamoureux, y Franck tuvo que recurrir a la orquesta del conservatorio, que estaba obligada a interpretar obras nuevas de miembros de la facultad. Incluso así, los ensayos fueron decepcionantes y la reacción fue negativa.
wn.com/Cesar Franck. Sinfonía En Re Menor
CESAR FRANCK.-
Sinfonía en re menor
Lento
Allegro non troppo
Allegretto
Allegro non troppo
Orquesta Filarmónica Checa
Director: Sir John Barbirolli
La Sinfonía en re menor es la obra orquestal más famosa y la única sinfonía del compositor belga César Franck. La compuso entre 1886 y 1888 (concluida el 22 de agosto de 1888). Fue estrenada en el Conservatorio de París el 17 de febrero de 1889. Está dedicada a su discípulo, el compositor Henri Duparc.
Historia y controversia
La fama y reputación de César Franck se asienta sobre solas unas pocas obras, la mayor parte de ellas compuestas en los últimos años de su vida. De éstas, la Sinfonía en re menor fue una de las últimas, estrenada sólo un año antes de la muerte de compositor en 1890. El hecho de que Franck se decidirá finalmente a componer una sinfonía es un hecho extraño, debido a la rareza de esta forma musical en la tradición francesa del Siglo XIX, que viera la sinfonía como un refugio exclusivo de la tradición alemana. Es posible que la génesis de este trabajo sigue el éxito popular de su obra influyente Variaciones sinfónicas para piano y orquesta, compuesta en el año 1885.
Además, el éxito de algunas obras de otros compositores franceses había conseguido ganar el favor del público hacia este género. La Sinfonía n.º 3, con órgano de Camille Saint-Saëns y (a pesar de ser una obra para piano y orquesta) la Symphonie sur un chant montagnard français de Vincent d'Indy, ambas compuestas en el año 1886 y calurosamente acogidas, habían ayudado a resucitar la sinfonía como pieza de concierto, una forma desparecida desde la Sinfonía fantástica de Hector Berlioz del año 1830. Una obra anterior, laSymphonie Espagnole (1875) de Édouard Lalo es en realidad un concierto para violín y orquesta. Sin embargo, estas dos obras intentaban distanciarse de la forma y sonido del sinfonismo romántico alemán (ejemplificado por las obras de Brahms y Richard Wagner) a través de la introducción de ciertas innovaciones dichas "francesas", incluyendo la integración del piano o, en el caso de Saint-Saëns, del órgano, y utilizando un estilo temático cíclico.
Como en las precedentes obras de Saint-Saëns y Berlioz, así que en sus propias obras anteriores, Franck también empleó una estructura cíclica en la composición de su sinfonía. De hecho, la 'Sinfonía en re menor' es el ejemplo más claro de la escritura sinfónica cíclica en la tradición musical romántica. Sin embargo, Franck utilizó una sonoridad típicamente germánica, evitando las innovaciones orquestales y el uso de elementos "nacionalistas," que Saint-Saëns y D'Indy habían usado. Entonces, la 'Sinfonía en re menor' de Franck puede ser considerada el punto de contacto entre dos diferentes tradiciones musicales: la forma cíclica francesa y la forma romántica alemana, con amplias influencias de Wagner y Liszt.
Debido en parte a esta fusión inesperada, la obra fue mal recibida en su estreno. Pero aún más importante, la recepción de la sinfonía de Franck fue muy afectada por el mundo politizado de la música francesa posterior a los enfrentamientos y división en el seno de la Société Nationale de Musique, que había sido fundada por Saint-Saëns en 1871 en reacción al sentimiento anti-alemán suscitado por la guerra franco-prusiana. El cisma de 1886 fue provocado por la decisión de la Société de aceptar música «extranjera» (principalmente de Alemania) y por el entusiasmo declarado hacia Wagner por algunos de los miembros más jóvenes, entre los que se encontraban D'Indy y el mismo Franck. Esta traición inaceptable a la música francesa llevó a algunos de los miembros más conservadores, encabezados por Saint-Saëns, a dimitir; entonces Franck asumió la presidencia de la Société. El ambiente resultante era venenoso. La controversia llegó hasta el Conservatorio de París e hizo muy difícil el estreno de la sinfonía de Franck. La partitura fue rechazada por el director Charles Lamoureux, y Franck tuvo que recurrir a la orquesta del conservatorio, que estaba obligada a interpretar obras nuevas de miembros de la facultad. Incluso así, los ensayos fueron decepcionantes y la reacción fue negativa.
- published: 17 Jan 2013
- views: 14456
Maxim Vengerov and Khatia Buniatishvili - Frank Violin Sonata in a minor
- Order: Reorder
- Duration: 27:53
- Updated: 06 Apr 2016
- views: 15
Khatia Buniatishvili - piano
Maxim Vengerov - violin
Khatia Buniatishvili - piano
Maxim Vengerov - violin
wn.com/Maxim Vengerov And Khatia Buniatishvili Frank Violin Sonata In A Minor
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Interview César Baldaccini pour http://www.artandsupercars.com
Le sculpteur César Baldaccini évoque son rapport à l'automobile à travers Bugatti et les compressions, pour www.artandsupercars.com -
Frank Herbert - Interview on TV
This is a TV interview that science-fiction author Frank Herbert gave during his last years. I don't know much more details on the actual date, and if anyone knows, please, tell me. -
Sunwook Kim - César Franck, Johannes Brahms
New on CD - Accentus Music March 2016 Release - Korean pianist Sunwook Kim came to international recognition when he won the prestigious “Leeds International Piano Competition” in 2006 aged just 18, becoming the competition’s youngest winner for 40 years, as well as its first Asian winner. Since then, he has established a reputation as one of the finest pianists of his generation, appearing as a concerto soloist in the subscription series of many of the world’s foremost orchestras and giving recitals in leading concert halls. In this second Accentus Music recording Sunwook Kim compares and contrasts César Franck’s Prélude, Choral et Fugue of 1884 and Johannes Brahms’s Third Piano Sonata in F minor op. 5 of 1853. In spite of the manifest differences in their musical language, there are cert... -
Saint-Sulpice organ, Daniel Roth plays Franck Pièce en mi bémol (19 August 2012)
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Franck Gastambide, Medi Sadoun et Jib Pochtier - On n’est pas couché 23 juin 2012 #ONPC
On n'est pas couché Franck Gastambide, Medi Sadoun et Jib Pochtier Film "Les Kaïra" réalisé par Franck Gastambide 23 juin 2012 Laurent Ruquier avec Natacha Polony et Audrey Pulvar France 2 #ONPC Toutes les informations sur les invités et leur actualité http://www.france2.fr/emissions/on-n-est-pas-couche Suivez @ONPCofficiel et réagissez en direct avec le hashtag #ONPC https://twitter.com/ONPCofficiel Continuez le débat sur Facebook https://www.facebook.com/onpcF2 -
La Boîte à Questions Camille Cottin et Franck Gastambide
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Pinchas Zukerman & Marc Neikrug: César Franck - Sonata in A major for Violin and Piano
Pinchas Zukerman and Marc Neikrug in Santa Fe performing César Franck - Sonata in A major for Violin and Piano (with statements by Pinchas Zukerman and Marc Neikrug) 0:52 I.Allegretto ben moderato 6:54 II. Allegro 15:19 III. Ben moderato: Recitative-Fantasia 22:49 IV. Allegretto poco mosso Watch the complete film: https://www.youtube.com/watch?v=H3vsFkhjnp0&list;=PLDOx7nx0z2hjw9ujomTtahOLpQRN8QzwK Pinchas Zukerman (born 16 July 1948) is an Israeli violinist, violist, and conductor. Born in Tel Aviv, to Yehuda and Miriam Lieberman Zukerman, Zukerman began his musical studies at age 4, on the recorder. His father then taught him clarinet, and he picked up the violin at age 8. Isaac Stern and Pablo Casals learned of Zukerman's violin talent during a 1962 visit to Israel. Zukerman subsequen... -
Pardonnez-moi - L'interview de Franck Dubosc
Pardonnez-moi : Darius Rochebin reçoit Franck Dubosc. Il est l'invité de Pardonnez-Moi ce dimanche 13 octobre, à l'occasion de son passage en Suisse. L'humoriste présente son nouveau spectacle, « À l'état sauvage ». Au cap de ses 50 ans, il évoque sa carrière, marquée par les succès populaires. Retrouvez toutes les vidéos de Pardonnez-moi sur : http://www.rts.ch/video/emissions/pardonnez-moi?rts_source=source_y
Interview César Baldaccini pour http://www.artandsupercars.com
- Order: Reorder
- Duration: 4:21
- Updated: 22 Feb 2015
- views: 231
Le sculpteur César Baldaccini évoque son rapport à l'automobile à travers Bugatti et les compressions, pour www.artandsupercars.com
Le sculpteur César Baldaccini évoque son rapport à l'automobile à travers Bugatti et les compressions, pour www.artandsupercars.com
wn.com/Interview CéSar Baldaccini Pour Http Www.Artandsupercars.Com
Le sculpteur César Baldaccini évoque son rapport à l'automobile à travers Bugatti et les compressions, pour www.artandsupercars.com
- published: 22 Feb 2015
- views: 231
Frank Herbert - Interview on TV
- Order: Reorder
- Duration: 1:25
- Updated: 13 Nov 2007
- views: 88842
This is a TV interview that science-fiction author Frank Herbert gave during his last years. I don't know much more details on the actual date, and if anyone kn...
This is a TV interview that science-fiction author Frank Herbert gave during his last years. I don't know much more details on the actual date, and if anyone knows, please, tell me.
wn.com/Frank Herbert Interview On Tv
This is a TV interview that science-fiction author Frank Herbert gave during his last years. I don't know much more details on the actual date, and if anyone knows, please, tell me.
- published: 13 Nov 2007
- views: 88842
Sunwook Kim - César Franck, Johannes Brahms
- Order: Reorder
- Duration: 3:15
- Updated: 11 Feb 2016
- views: 1203
New on CD - Accentus Music March 2016 Release - Korean pianist Sunwook Kim came to international recognition when he won the prestigious “Leeds International Pi...
New on CD - Accentus Music March 2016 Release - Korean pianist Sunwook Kim came to international recognition when he won the prestigious “Leeds International Piano Competition” in 2006 aged just 18, becoming the competition’s youngest winner for 40 years, as well as its first Asian winner. Since then, he has established a reputation as one of the finest pianists of his generation, appearing as a concerto soloist in the subscription series of many of the world’s foremost orchestras and giving recitals in leading concert halls.
In this second Accentus Music recording Sunwook Kim compares and contrasts César Franck’s Prélude, Choral et Fugue of 1884 and Johannes Brahms’s Third Piano Sonata in F minor op. 5 of 1853. In spite of the manifest differences in their musical language, there are certain points that the Belgian composer shares with his younger German colleague: both men were pianists, both venerated the musical forms of the past, especially Bachian polyphony, and both revered the spirit of Classicism. To these qualities may be added a love of proportion and a genius for organization and well-ordered architectural structures, which are also reflected by the works presented on this CD.
Sunwook Kim, piano
César Franck - Prélude, Choral et Fugue
Johannes Brahms - Piano Sonata No. 3
wn.com/Sunwook Kim César Franck, Johannes Brahms
New on CD - Accentus Music March 2016 Release - Korean pianist Sunwook Kim came to international recognition when he won the prestigious “Leeds International Piano Competition” in 2006 aged just 18, becoming the competition’s youngest winner for 40 years, as well as its first Asian winner. Since then, he has established a reputation as one of the finest pianists of his generation, appearing as a concerto soloist in the subscription series of many of the world’s foremost orchestras and giving recitals in leading concert halls.
In this second Accentus Music recording Sunwook Kim compares and contrasts César Franck’s Prélude, Choral et Fugue of 1884 and Johannes Brahms’s Third Piano Sonata in F minor op. 5 of 1853. In spite of the manifest differences in their musical language, there are certain points that the Belgian composer shares with his younger German colleague: both men were pianists, both venerated the musical forms of the past, especially Bachian polyphony, and both revered the spirit of Classicism. To these qualities may be added a love of proportion and a genius for organization and well-ordered architectural structures, which are also reflected by the works presented on this CD.
Sunwook Kim, piano
César Franck - Prélude, Choral et Fugue
Johannes Brahms - Piano Sonata No. 3
- published: 11 Feb 2016
- views: 1203
Saint-Sulpice organ, Daniel Roth plays Franck Pièce en mi bémol (19 August 2012)
- Order: Reorder
- Duration: 11:25
- Updated: 24 Jun 2015
- views: 14766
- published: 24 Jun 2015
- views: 14766
Interview de l'artiste Filip O Autoportrait artcars, Arman, César, Wolinski
- Order: Reorder
- Duration: 6:29
- Updated: 22 Mar 2015
- views: 80
Franck Gastambide, Medi Sadoun et Jib Pochtier - On n’est pas couché 23 juin 2012 #ONPC
- Order: Reorder
- Duration: 12:22
- Updated: 01 Jun 2015
- views: 3985
On n'est pas couché
Franck Gastambide, Medi Sadoun et Jib Pochtier
Film "Les Kaïra" réalisé par Franck Gastambide
23 juin 2012
Laurent Ruquier avec Natacha Polo...
On n'est pas couché
Franck Gastambide, Medi Sadoun et Jib Pochtier
Film "Les Kaïra" réalisé par Franck Gastambide
23 juin 2012
Laurent Ruquier avec Natacha Polony et Audrey Pulvar
France 2
#ONPC
Toutes les informations sur les invités et leur actualité
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Suivez @ONPCofficiel et réagissez en direct avec le hashtag #ONPC
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Continuez le débat sur Facebook
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wn.com/Franck Gastambide, Medi Sadoun Et Jib Pochtier On N’Est Pas Couché 23 Juin 2012 Onpc
On n'est pas couché
Franck Gastambide, Medi Sadoun et Jib Pochtier
Film "Les Kaïra" réalisé par Franck Gastambide
23 juin 2012
Laurent Ruquier avec Natacha Polony et Audrey Pulvar
France 2
#ONPC
Toutes les informations sur les invités et leur actualité
http://www.france2.fr/emissions/on-n-est-pas-couche
Suivez @ONPCofficiel et réagissez en direct avec le hashtag #ONPC
https://twitter.com/ONPCofficiel
Continuez le débat sur Facebook
https://www.facebook.com/onpcF2
- published: 01 Jun 2015
- views: 3985
La Boîte à Questions Camille Cottin et Franck Gastambide
- Order: Reorder
- Duration: 0:53
- Updated: 22 Feb 2015
- views: 206406
- published: 22 Feb 2015
- views: 206406
Pinchas Zukerman & Marc Neikrug: César Franck - Sonata in A major for Violin and Piano
- Order: Reorder
- Duration: 29:13
- Updated: 20 Jul 2015
- views: 9109
Pinchas Zukerman and Marc Neikrug in Santa Fe
performing
César Franck - Sonata in A major for Violin and Piano (with statements by Pinchas Zukerman and Marc Ne...
Pinchas Zukerman and Marc Neikrug in Santa Fe
performing
César Franck - Sonata in A major for Violin and Piano (with statements by Pinchas Zukerman and Marc Neikrug)
0:52 I.Allegretto ben moderato
6:54 II. Allegro
15:19 III. Ben moderato: Recitative-Fantasia
22:49 IV. Allegretto poco mosso
Watch the complete film: https://www.youtube.com/watch?v=H3vsFkhjnp0&list;=PLDOx7nx0z2hjw9ujomTtahOLpQRN8QzwK
Pinchas Zukerman (born 16 July 1948) is an Israeli violinist, violist, and conductor. Born in Tel Aviv, to Yehuda and Miriam Lieberman Zukerman, Zukerman began his musical studies at age 4, on the recorder. His father then taught him clarinet, and he picked up the violin at age 8. Isaac Stern and Pablo Casals learned of Zukerman's violin talent during a 1962 visit to Israel. Zukerman subsequently moved to the United States that year for study at the Juilliard School, under the tutelage of Stern and Ivan Galamian. He made his New York debut in 1963. In 1967, he shared the Leventritt Prize with the Korean violinist Kyung-wha Chung. His 1969 debut recordings of the concerti by Tchaikovsky (under the direction of Antal Dorati, with the London Symphony Orchestra) and Mendelssohn (with Leonard Bernstein and the New York Philharmonic) launched a successful recording career that continues to the present day and boasts over 110 releases.
Zukerman launched his conducting career in 1970 with the English Chamber Orchestra, and served as director of London's South Bank Festival from 1971 to 1974. In the USA, Zukerman was music director of the Saint Paul Chamber Orchestra from 1980 to 1987. He later directed the summer festivals of the Dallas Symphony Orchestra (1991–1995) and the Baltimore Symphony Orchestra (1996–1999). In 1999, he became Music Director of Canada's National Arts Centre Orchestra (NACO) in Ottawa. In March 2012, the NAC Orchestra announced the scheduled conclusion of his music directorship in 2015.[5] He has served as Principal Guest Conductor of the Royal Philharmonic Orchestra since 2009.
Zukerman is on the faculty at the Manhattan School of Music and is the head and founder of the Zukerman Performance Program at the school. His former students have included Koh Gabriel Kameda, Julian Rachlin, and Guy Braunstein. In 1999 he founded the National Arts Centre Young Artists Programme, which counts young musicians such as Viviane Hagner, Jessica Linnebach, and Antal Szalai as alumni. In 2006 Zukerman began his involvement in the Rolex Artistic Mentorship programme.
Zukerman plays the "Dushkin" Guarnerius del Gesù violin of 1742. His honours include the King Solomon Award, the National Medal of Arts (presented by President Reagan in 1983), the Isaac Stern Award for Artistic Excellence, and an honorary doctorate from Brown University.
https://en.wikipedia.org/wiki/Pinchas_Zukerman
Marc Neikrug (born September 24, 1946) is a contemporary American pianist, conductor, and composer. He was born in New York City, the son of cellists George Neikrug and Olga Zundel. He is known for a Piano Concerto (1966), the theater piece Through Roses (1980), and the opera Los Alamos (1988). Among his notable recent compositions are the orchestral song cycle Healing Ceremony (2010), his Concerto for Orchestra (2012), and a Bassoon Concerto (2013).
https://en.wikipedia.org/wiki/Marc_Neikrug
wn.com/Pinchas Zukerman Marc Neikrug César Franck Sonata In A Major For Violin And Piano
Pinchas Zukerman and Marc Neikrug in Santa Fe
performing
César Franck - Sonata in A major for Violin and Piano (with statements by Pinchas Zukerman and Marc Neikrug)
0:52 I.Allegretto ben moderato
6:54 II. Allegro
15:19 III. Ben moderato: Recitative-Fantasia
22:49 IV. Allegretto poco mosso
Watch the complete film: https://www.youtube.com/watch?v=H3vsFkhjnp0&list;=PLDOx7nx0z2hjw9ujomTtahOLpQRN8QzwK
Pinchas Zukerman (born 16 July 1948) is an Israeli violinist, violist, and conductor. Born in Tel Aviv, to Yehuda and Miriam Lieberman Zukerman, Zukerman began his musical studies at age 4, on the recorder. His father then taught him clarinet, and he picked up the violin at age 8. Isaac Stern and Pablo Casals learned of Zukerman's violin talent during a 1962 visit to Israel. Zukerman subsequently moved to the United States that year for study at the Juilliard School, under the tutelage of Stern and Ivan Galamian. He made his New York debut in 1963. In 1967, he shared the Leventritt Prize with the Korean violinist Kyung-wha Chung. His 1969 debut recordings of the concerti by Tchaikovsky (under the direction of Antal Dorati, with the London Symphony Orchestra) and Mendelssohn (with Leonard Bernstein and the New York Philharmonic) launched a successful recording career that continues to the present day and boasts over 110 releases.
Zukerman launched his conducting career in 1970 with the English Chamber Orchestra, and served as director of London's South Bank Festival from 1971 to 1974. In the USA, Zukerman was music director of the Saint Paul Chamber Orchestra from 1980 to 1987. He later directed the summer festivals of the Dallas Symphony Orchestra (1991–1995) and the Baltimore Symphony Orchestra (1996–1999). In 1999, he became Music Director of Canada's National Arts Centre Orchestra (NACO) in Ottawa. In March 2012, the NAC Orchestra announced the scheduled conclusion of his music directorship in 2015.[5] He has served as Principal Guest Conductor of the Royal Philharmonic Orchestra since 2009.
Zukerman is on the faculty at the Manhattan School of Music and is the head and founder of the Zukerman Performance Program at the school. His former students have included Koh Gabriel Kameda, Julian Rachlin, and Guy Braunstein. In 1999 he founded the National Arts Centre Young Artists Programme, which counts young musicians such as Viviane Hagner, Jessica Linnebach, and Antal Szalai as alumni. In 2006 Zukerman began his involvement in the Rolex Artistic Mentorship programme.
Zukerman plays the "Dushkin" Guarnerius del Gesù violin of 1742. His honours include the King Solomon Award, the National Medal of Arts (presented by President Reagan in 1983), the Isaac Stern Award for Artistic Excellence, and an honorary doctorate from Brown University.
https://en.wikipedia.org/wiki/Pinchas_Zukerman
Marc Neikrug (born September 24, 1946) is a contemporary American pianist, conductor, and composer. He was born in New York City, the son of cellists George Neikrug and Olga Zundel. He is known for a Piano Concerto (1966), the theater piece Through Roses (1980), and the opera Los Alamos (1988). Among his notable recent compositions are the orchestral song cycle Healing Ceremony (2010), his Concerto for Orchestra (2012), and a Bassoon Concerto (2013).
https://en.wikipedia.org/wiki/Marc_Neikrug
- published: 20 Jul 2015
- views: 9109
Pardonnez-moi - L'interview de Franck Dubosc
- Order: Reorder
- Duration: 22:34
- Updated: 14 Oct 2013
- views: 17224
Pardonnez-moi : Darius Rochebin reçoit Franck Dubosc. Il est l'invité de Pardonnez-Moi ce dimanche 13 octobre, à l'occasion de son passage en Suisse. L'humorist...
Pardonnez-moi : Darius Rochebin reçoit Franck Dubosc. Il est l'invité de Pardonnez-Moi ce dimanche 13 octobre, à l'occasion de son passage en Suisse. L'humoriste présente son nouveau spectacle, « À l'état sauvage ». Au cap de ses 50 ans, il évoque sa carrière, marquée par les succès populaires.
Retrouvez toutes les vidéos de Pardonnez-moi sur : http://www.rts.ch/video/emissions/pardonnez-moi?rts_source=source_y
wn.com/Pardonnez Moi L'Interview De Franck Dubosc
Pardonnez-moi : Darius Rochebin reçoit Franck Dubosc. Il est l'invité de Pardonnez-Moi ce dimanche 13 octobre, à l'occasion de son passage en Suisse. L'humoriste présente son nouveau spectacle, « À l'état sauvage ». Au cap de ses 50 ans, il évoque sa carrière, marquée par les succès populaires.
Retrouvez toutes les vidéos de Pardonnez-moi sur : http://www.rts.ch/video/emissions/pardonnez-moi?rts_source=source_y
- published: 14 Oct 2013
- views: 17224
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40:59
Cesar Franck - Symphony in D Minor
Philadelphia Orchestra, Ricardo Muti, conductor
For information and analysis of this work ...
published: 16 Oct 2011
Cesar Franck - Symphony in D Minor
Cesar Franck - Symphony in D Minor
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- published: 16 Oct 2011
- views: 84164
27:44
César Franck-Violin Sonata in A Major (Complete)
Isaac stern: violin-Alexander Zakin: piano-1959
published: 16 Jun 2011
César Franck-Violin Sonata in A Major (Complete)
César Franck-Violin Sonata in A Major (Complete)
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- published: 16 Jun 2011
- views: 201087
42:51
César Franck Symphony D Minor Orchestre National de France, Leonard Bernstein
César Franck Symphony in D Minor 1886/1888
Orchestre National de France conducted by Leona...
published: 31 Dec 2013
César Franck Symphony D Minor Orchestre National de France, Leonard Bernstein
César Franck Symphony D Minor Orchestre National de France, Leonard Bernstein
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- published: 31 Dec 2013
- views: 64140
10:49
César Franck, Prelude, Fugue and Variation in B minor, Op.18
Vladimir Viardo's breathtaking interpretation of César Franck's Prelude, Fugue and Variati...
published: 22 Oct 2011
César Franck, Prelude, Fugue and Variation in B minor, Op.18
César Franck, Prelude, Fugue and Variation in B minor, Op.18
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- published: 22 Oct 2011
- views: 94493
29:02
César Franck - Violin Sonata
- Composer: César-Auguste-Jean-Guillaume-Hubert Franck (10 December 1822 -- 8 November 189...
published: 03 Oct 2015
César Franck - Violin Sonata
César Franck - Violin Sonata
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- published: 03 Oct 2015
- views: 7524
41:16
César Franck: Les Sept dernières paroles du Christ en Croix
César Franck (1822-1890)
Die Sieben Worte Christi am Kreuz, für Soli, Chor und Orchester
...
published: 05 Oct 2014
César Franck: Les Sept dernières paroles du Christ en Croix
César Franck: Les Sept dernières paroles du Christ en Croix
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- published: 05 Oct 2014
- views: 22771
11:02
César Franck Prélude, fugue et variation.
Vincent Dubois plays all César Franck works in concert Soissons Cathédrale.
published: 17 Dec 2010
César Franck Prélude, fugue et variation.
César Franck Prélude, fugue et variation.
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- published: 17 Dec 2010
- views: 110496
37:04
Kurt Masur conducts Cesar Franck - Symphony in D minor
00:00 Lento - Allegro
17:09 Allegretto
27:06 Allegro non troppo
New York Philharmonic Orc...
published: 26 Sep 2013
Kurt Masur conducts Cesar Franck - Symphony in D minor
Kurt Masur conducts Cesar Franck - Symphony in D minor
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- published: 26 Sep 2013
- views: 27923
36:00
Claudio Arrau & Julliard Quartet - Cesar Franck Piano Quintet in F Minor, FWV 7
00:00 Molto moderato quasi lento
15:06 Lento, con molto sentimento
26:51 Allegro non tropp...
published: 10 Mar 2014
Claudio Arrau & Julliard Quartet - Cesar Franck Piano Quintet in F Minor, FWV 7
Claudio Arrau & Julliard Quartet - Cesar Franck Piano Quintet in F Minor, FWV 7
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- published: 10 Mar 2014
- views: 10648
17:04
César Franck - Symphonic Variations
- Composer: César-Auguste-Jean-Guillaume-Hubert Franck (10 December 1822 -- 8 November 189...
published: 03 Oct 2015
César Franck - Symphonic Variations
César Franck - Symphonic Variations
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25:23
Pierre Fournier plays Franck - LIVE!
Pierre Fournier, the great French cellist, performs the Violin Sonata in A Major by César ...
published: 09 Sep 2012
Pierre Fournier plays Franck - LIVE!
Pierre Fournier plays Franck - LIVE!
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- published: 09 Sep 2012
- views: 9384
4:05
Panis Angelicus - Cesar Franck - live 2014
Panis Angelicus di Cesar Franck eseguito in Copncerto magistralmente da un Quartetto d'Ecc...
published: 01 Sep 2015
Panis Angelicus - Cesar Franck - live 2014
Panis Angelicus - Cesar Franck - live 2014
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- published: 01 Sep 2015
- views: 920
12:42
Arturo Sacchetti plays César Franck "Final" Op. 20 Live Concert
5° Concerto Storico al Duomo di Monreale, 18/02/1989. Live Concert
Organista: Arturo Sac...
published: 14 Mar 2013
Arturo Sacchetti plays César Franck "Final" Op. 20 Live Concert
Arturo Sacchetti plays César Franck "Final" Op. 20 Live Concert
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- published: 14 Mar 2013
- views: 2342
14:19
César Franck, sonata in A major (1.& 2. mov.) Božo Paradžik & Ulrich Rademacher (live, 1998)
Meanwhile little piece of history: our live performance from 1998, the same one which got ...
published: 24 Sep 2010
César Franck, sonata in A major (1.& 2. mov.) Božo Paradžik & Ulrich Rademacher (live, 1998)
César Franck, sonata in A major (1.& 2. mov.) Božo Paradžik & Ulrich Rademacher (live, 1998)
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- published: 24 Sep 2010
- views: 15852
21:14
César Franck - Prélude Aria et Final - Luca Ciammarughi, piano (Live)
Luca Ciammarughi, piano Bösendorfer (Live).
published: 04 Nov 2012
César Franck - Prélude Aria et Final - Luca Ciammarughi, piano (Live)
César Franck - Prélude Aria et Final - Luca Ciammarughi, piano (Live)
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- published: 04 Nov 2012
- views: 736
27:52
CÉSAR FRANCK ≈ Sonata pour Violon et Piano en La majeur, M. 8 (LIVE)
-
César-Auguste-Jean-Guillaume-Hubert Franck (1822 - 1890) was a Composer, Pianist, Organi...
published: 09 Mar 2015
CÉSAR FRANCK ≈ Sonata pour Violon et Piano en La majeur, M. 8 (LIVE)
CÉSAR FRANCK ≈ Sonata pour Violon et Piano en La majeur, M. 8 (LIVE)
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- published: 09 Mar 2015
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3:43
César Franck - Prélude Op. 18 - Claudio Brizi & Carlo Palese - Live recording
César Franck - Prélude Op. 18 - Live recording
Trapani, Amici della Musica, 14.11.2012
Cla...
published: 06 Jun 2013
César Franck - Prélude Op. 18 - Claudio Brizi & Carlo Palese - Live recording
César Franck - Prélude Op. 18 - Claudio Brizi & Carlo Palese - Live recording
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- published: 06 Jun 2013
- views: 2571
11:13
César Franck - Chorale No. 3 in A minor (Ernst-Erich Stender)
Ernst-Erich Stender - Large Organ St. Mary's - Lübeck (Germany)
César Franck (1822-1890) ...
published: 01 Apr 2015
César Franck - Chorale No. 3 in A minor (Ernst-Erich Stender)
César Franck - Chorale No. 3 in A minor (Ernst-Erich Stender)
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- published: 01 Apr 2015
- views: 975
8:17
Cesar Franck's "Pièce Héroïque" played by Marcel Dupré
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Cesar Franck's "Pièce Héroïque" in h minor from Trois Pie...
published: 30 Dec 2008
Cesar Franck's "Pièce Héroïque" played by Marcel Dupré
Cesar Franck's "Pièce Héroïque" played by Marcel Dupré
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- published: 30 Dec 2008
- views: 90778
12:24
Arturo Sacchetti plays César Franck 'Choral n.3' pour Grand Orgue (Live Concert)
5° Concerto Storico al Duomo di Monreale, 18/02/1989. Live Concert
Organista: Arturo Sacc...
published: 02 Mar 2013
Arturo Sacchetti plays César Franck 'Choral n.3' pour Grand Orgue (Live Concert)
Arturo Sacchetti plays César Franck 'Choral n.3' pour Grand Orgue (Live Concert)
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- published: 02 Mar 2013
- views: 2099
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36:10
César Franck - Piano Quintet in F minor
- Composer: César-Auguste-Jean-Guillaume-Hubert Franck (10 December 1822 -- 8 November 189...
published: 03 Oct 2015
César Franck - Piano Quintet in F minor
César Franck - Piano Quintet in F minor
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- published: 03 Oct 2015
- views: 2747
38:12
CESAR FRANCK.- Sinfonía en re menor
CESAR FRANCK.-
Sinfonía en re menor
Lento
Allegro non troppo
Allegretto
Allegro non tro...
published: 17 Jan 2013
CESAR FRANCK.- Sinfonía en re menor
CESAR FRANCK.- Sinfonía en re menor
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- published: 17 Jan 2013
- views: 14456
27:53
Maxim Vengerov and Khatia Buniatishvili - Frank Violin Sonata in a minor
Khatia Buniatishvili - piano
Maxim Vengerov - violin
published: 06 Apr 2016
Maxim Vengerov and Khatia Buniatishvili - Frank Violin Sonata in a minor
Maxim Vengerov and Khatia Buniatishvili - Frank Violin Sonata in a minor
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- published: 06 Apr 2016
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4:21
Interview César Baldaccini pour http://www.artandsupercars.com
Le sculpteur César Baldaccini évoque son rapport à l'automobile à travers Bugatti et les c...
published: 22 Feb 2015
Interview César Baldaccini pour http://www.artandsupercars.com
Interview César Baldaccini pour http://www.artandsupercars.com
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- published: 22 Feb 2015
- views: 231
1:25
Frank Herbert - Interview on TV
This is a TV interview that science-fiction author Frank Herbert gave during his last year...
published: 13 Nov 2007
Frank Herbert - Interview on TV
Frank Herbert - Interview on TV
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- published: 13 Nov 2007
- views: 88842
3:15
Sunwook Kim - César Franck, Johannes Brahms
New on CD - Accentus Music March 2016 Release - Korean pianist Sunwook Kim came to interna...
published: 11 Feb 2016
Sunwook Kim - César Franck, Johannes Brahms
Sunwook Kim - César Franck, Johannes Brahms
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- published: 11 Feb 2016
- views: 1203
11:25
Saint-Sulpice organ, Daniel Roth plays Franck Pièce en mi bémol (19 August 2012)
published: 24 Jun 2015
Saint-Sulpice organ, Daniel Roth plays Franck Pièce en mi bémol (19 August 2012)
Saint-Sulpice organ, Daniel Roth plays Franck Pièce en mi bémol (19 August 2012)
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- published: 24 Jun 2015
- views: 14766
6:29
Interview de l'artiste Filip O Autoportrait artcars, Arman, César, Wolinski
Interview de l'artiste Filip O Autoportrait artcars, Arman, César, Wolinski
published: 22 Mar 2015
Interview de l'artiste Filip O Autoportrait artcars, Arman, César, Wolinski
Interview de l'artiste Filip O Autoportrait artcars, Arman, César, Wolinski
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- published: 22 Mar 2015
- views: 80
12:22
Franck Gastambide, Medi Sadoun et Jib Pochtier - On n’est pas couché 23 juin 2012 #ONPC
On n'est pas couché
Franck Gastambide, Medi Sadoun et Jib Pochtier
Film "Les Kaïra" réalis...
published: 01 Jun 2015
Franck Gastambide, Medi Sadoun et Jib Pochtier - On n’est pas couché 23 juin 2012 #ONPC
Franck Gastambide, Medi Sadoun et Jib Pochtier - On n’est pas couché 23 juin 2012 #ONPC
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- published: 01 Jun 2015
- views: 3985
0:53
La Boîte à Questions Camille Cottin et Franck Gastambide
published: 22 Feb 2015
La Boîte à Questions Camille Cottin et Franck Gastambide
La Boîte à Questions Camille Cottin et Franck Gastambide
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- published: 22 Feb 2015
- views: 206406
29:13
Pinchas Zukerman & Marc Neikrug: César Franck - Sonata in A major for Violin and Piano
Pinchas Zukerman and Marc Neikrug in Santa Fe
performing
César Franck - Sonata in A major...
published: 20 Jul 2015
Pinchas Zukerman & Marc Neikrug: César Franck - Sonata in A major for Violin and Piano
Pinchas Zukerman & Marc Neikrug: César Franck - Sonata in A major for Violin and Piano
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- published: 20 Jul 2015
- views: 9109
22:34
Pardonnez-moi - L'interview de Franck Dubosc
Pardonnez-moi : Darius Rochebin reçoit Franck Dubosc. Il est l'invité de Pardonnez-Moi ce ...
published: 14 Oct 2013
Pardonnez-moi - L'interview de Franck Dubosc
Pardonnez-moi - L'interview de Franck Dubosc
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- published: 14 Oct 2013
- views: 17224
Interview César Baldaccini pour http://www.artand...
Frank Herbert - Interview on TV...
Sunwook Kim - César Franck, Johannes Brahms...
Saint-Sulpice organ, Daniel Roth plays Franck Pièc...
Interview de l'artiste Filip O Autoportrait artca...
Franck Gastambide, Medi Sadoun et Jib Pochtier - O...
La Boîte à Questions Camille Cottin et Franck Gast...
Pinchas Zukerman & Marc Neikrug: César Franck - So...
Pardonnez-moi - L'interview de Franck Dubosc...
photo: Creative Commons / Micha L. Rieser
Disney alligator attack: Four animals euthanised in search for missing boy
Edit The Independent 15 Jun 2016
A search for the child is continuing but has so far been unsuccessful. Read more ....
photo: AP / Gerald Herbert
Hair-Raising Lawsuit Becomes Latest Trump Issue Involving Gawker Media
Edit WorldNews.com 15 Jun 2016
Presumptive Republican presidential nominee Donald J. Trump has had his hands full with bad press lately, but a new lawsuit has driven the New York real estate mogul’s public appearance to new hair-raising levels, The New York Times reports.The lawsuit involves the company responsible for Trump’s hair and both Gawker Media and Hulk Hogan’s lawyers. In a letter sent last week to Gawker on behalf of a hair treatment clinic, Charles J....
photo: AP / Pablo Martinez Monsivais
What Mainstream Media Missed About Obama's Meeting With Sanders
Edit WorldNews.com 15 Jun 2016
Article by WN.com Correspondent Dallas DarlingPresident Barack Obama and the Democratic Establishment might want Vermont’s Sen. Bernie Sanders to drop out of the primary race but he can‘t, especially since he is wedded to the return of revolution ... What‘s more, if Clinton is nominated she will be the only candidate to have ever been indicted and under an FBI investigation ... Ironically Sanders is in a win-win situation....
photo: WN / Yolanda Leyba
How one woman responded to an unwanted penis photo
Edit BBC News 15 Jun 2016
A woman who received an unsolicited photo of genitalia responded by taking matters into her own hands ... ....
photo: Via YouTube
Orlando shooting: Omar Mateen's wife could be charged
Edit Al Jazeera 15 Jun 2016
Fast Facts. Wife of Orlando shooting gunman Omar Mateen could be charged in connection with the attack Reports say Noor Salman had some knowledge of husband's plans to carry out massacre Salman, Mateen's second wife, is a "person of interest", says a Senator Investigators believe Mateen was "self-radicalised" ... 'Angry, disturbed, unstable'. Mateen, 29, was a US citizen, born in New York ... 'I'm next, I'm dead,'" he said ... READ MORE ... OPINION ... ....
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Classical music: Soluna Festival presents organ recital, chamber music
Edit The Dallas Morning News 23 May 2016
The Dallas Symphony Orchestra’s Soluna Festival is interpreting the “legend” part of its myths-and-legends theme in both senses. great tales, but also legendary musicians. The latter aspect dominated two very different presentations Sunday ... (You can tell that Chausson was a protégé of César Franck, another legendary organist-composer.) Kerr played the piece as if he owned it, with unassuming authority and sensitivity ... ....
Franck: Piano Quintet, Debussy: String Quartet CD review – a game of two halves
Edit The Guardian 22 May 2016
3 / 5 stars. Takács Quartet, Marc-André Hamelin (piano). (Hyperion). @FionaMaddocks. Of all the music César Franck wrote, four works made his name ... ....
Bournemouth SO/Parry review – Yusuf's Cain fails to make a point
Edit The Guardian 16 May 2016
3 / 5 stars. St Andrew’s Hall, Norwich. Kemal Yusuf’s flamboyant orchestral gestures sounded drastically over-scored at the premiere of his cantata at the Norfolk and Norwich festival ... It’s a tradition the festival is attempting to revive ... Parry ended the concert with César Franck’s D minor Symphony. It had begun with what proved to be the highlight of the evening ... Box office ... ....
DSO PRESENTS SPECIAL YO-YO MA & KATHRYN STOTT RECITAL AT ORCHESTRA HALL (Detroit Symphony Orchestra)
Edit Public Technologies 11 May 2016
(Source ... Detroit (May 11, 2016) - Artistic partners for more than 30 years, renowned British pianist Kathryn Stott and superstar cellist Yo-Yo Mawill perform works by Shostakovich and Franck as well as music from their latest release 'The Arc of Life,' with works by Bach, Debussy and Schubert, in a recital presented by the Detroit Symphony Orchestra (DSO) ... Please note ... About Yo-Yo Ma ... César Franck Sonata in A Major for Violin and Piano*....
Free places for mom to go on Mother’s Day in Atlanta
Edit Atlanta Journal 04 May 2016
Mom has worked hard to raise us. Now it’s time to give her a little something back. Here are eight things to do on Mother’s Day that are free and one that’s considerably cheaper than usual.Here’s somebody a mom can appreciate ... This year, Emory welcomes clarinetist Jennifer Barlament, 1995 graduate and the new executive director of the Atlanta Symphony Orchestra, in a program of music by Claude Debussy and César Franck. 1.30 p.m ... RELATED ... ....
NSO presents Christopher Houlihan in his Kennedy Center Debut with recital on The Rubenstein Family Organ May 4, 2016 (John F Kennedy Center for the Performing Arts)
Edit Public Technologies 28 Apr 2016
(Source. John F Kennedy Center for the Performing Arts) 1c8c7716-e25e-4004-bc64-a0cc2978776a.pdf. Press Release FOR IMMEDIATE RELEASE.. April 26, 2016 NATIONAL SYMPHONY ORCHESTRA. Christoph Eschenbach, Music Director. Presents RUBENSTEIN FAMILY ORGAN RECITAL. Christopher Houlihan ... Playing music by Vierne, Franck, Alain, and Bach ... 5 in C major), César Franck's Choral No ... Bach Toccata, Adagio, and Fugue in C major, BWV 564 Franck Choral No....
Classical music: Olivier Latry brilliantly shows off multiple sounds of the Meyerson organ
Edit The Dallas Morning News 18 Apr 2016
Most of the time, the big C.B. Fisk organ in the Meyerson Symphony Center looms silently over the stage, like a gigantic décor accessory ... Latry’s storied brilliance and flair never failed him in the flashier music, but some of the music in more moderate tempos–the middle of the César Franck Prelude, Fugue and Variation and the Prelude and Sicilienne of the Duruflé Suite–felt a notch too slow and deliberate ... ....
Violinist Bettina Mussumeli brings freshness to familiar classics
Edit The Examiner 08 Mar 2016
The major work on the first half of the program was César Franck’s A major sonata, and the second half was devoted entirely to Johannes Brahms’ Opus 87 piano trio in C major ... Listening to Mussumeli play Franck, one feature that came to the foreground in that landscape of past listening experiences was her approach to dynamics and the interplay between dynamics and tempo....
Organist David Titterington brings a United States premiere to Davies
Edit The Examiner 07 Mar 2016
The major work on the second half of the program was César Franck’s Opus 17, which he called “Grand Pièce Symphonique.” This is a single continuous movement in the key of F-sharp minor, structured according to the plan of a four-movement symphony, complete with an Andantino serioso introducing the Allegro non troppo. Some of Franck’s shorter organ ......
Universal Music Group compiles organist Marcel Dupré’s Mercury recordings
Edit The Examiner 04 Mar 2016
The five volumes in the set cover music by Bach (two CDs), César Franck, and Dupré himself, sharing one of his two CDs with Olivier Messiaen This pretty much covers the full scope of composers represented in the entire collection ... More disappointing, however, are the Franck selections. Franck tended to be more interested in adventurous harmonic progressions....
Blomstedt, Barantschik and SF Symphony play Mozart
Edit The Examiner 02 Mar 2016
The program also includes Mozart’s Symphony No 35, Haffner and his Symphony No 41, Jupiter. Herbert Blomstedt has a long and distinguished career behind him ... Sunday afternoon sees the splendid combination of David Titterington - Head of Organ at the Royal Academy of Music - and the magnificent Ruffati organ at Davies Symphony Hall, in a recital which includes music by Carl Nielsen, Johannes Brahms and César Franck....
March will begin with an all-day marathon punctuated by an organ recital
Edit The Examiner 21 Feb 2016
The first Sunday in March will see the return of the Hot Air Music Festival to the San Francisco Conservatory of Music (SFCM) ... It began at 2 p.m. and ran almost non-stop through 10 p.m. Between 2 p.m ... Albans ... The major work on the program will be César Franck’s Opus 17 three-movement “Grande Pièce Symphonique,” the second of six pieces for solo organ that Franck published as a set (but with different opus numbers for each piece) in 1868 ... ....
Conducted by James Gaffigan, the New World Symphony delivers a memorable performance (John S and ...
Edit Public Technologies 08 Feb 2016
a piece by the great César Franck, nowadays an almost forgotten composer; one of Mozart's sublime piano concertos, a perfect tribute to his 260th birthday; and a magnificent Richard Strauss tone poem that is also one of the Bavarian composer's most popular, thanks to its use in Stanley Kubrick's '2001 ... In barely 15 minutes, Franck's 'The Accursed ......
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