- published: 28 Aug 2014
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The Genesis creation narrative is the creation myth of both Judaism and Christianity. It is made up of two parts, roughly equivalent to the first two chapters of the Book of Genesis.
In the first part (Genesis 1:1-2:3) Elohim, the Hebrew generic word for God, creates the heaven and the earth in six days, starting with darkness and light on the first day, and ending with the creation of mankind on the sixth day. God then rests on, blesses and sanctifies the seventh day. In the second part (Genesis 2:4-2:24) God, now referred to by the personal name Yahweh, creates the first man from dust and breathes life into him. God then places him in the Garden of Eden and creates the first woman from his side as a companion.
A common hypothesis among modern scholars is that the first major comprehensive draft of the Pentateuch (the series of five books which begins with Genesis and ends with Deuteronomy) was composed in the late 7th or the 6th century BC (the Jahwist source) and that this was later expanded by other authors (the Priestly source) into a work very like the one we have today. The two sources can be identified in the creation narrative: Genesis 1:1-2:3 is Priestly and Genesis 2:4-2:24 is Jahwistic. Borrowing themes from Mesopotamian mythology, but adapting them to Israel's belief in one God, the combined narrative is a critique of the Mesopotamian theology of creation: Genesis affirms monotheism and denies polytheism.Robert Alter described the combined narrative as "compelling in its archetypal character, its adaptation of myth to monotheistic ends".
A creation myth is a symbolic narrative of how the world began and how people first came to inhabit it. While in popular usage the term myth often refers to false or fanciful stories, formally, it does not imply falsehood. Cultures generally regard their creation myths as true. In the society in which it is told, a creation myth is usually regarded as conveying profound truths, metaphorically, symbolically and sometimes in a historical or literal sense. They are commonly, although not always, considered cosmogonical myths—that is, they describe the ordering of the cosmos from a state of chaos or amorphousness.
Creation myths often share a number of features. They often are considered sacred accounts and can be found in nearly all known religious traditions. They are all stories with a plot and characters who are either deities, human-like figures, or animals, who often speak and transform easily. They are often set in a dim and nonspecific past that historian of religion Mircea Eliade termed in illo tempore ("at that time"). Creation myths address questions deeply meaningful to the society that shares them, revealing their central worldview and the framework for the self-identity of the culture and individual in a universal context.