- published: 08 Apr 2017
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Major is a military rank of commissioned officer, with corresponding ranks existing in many military forces. When used unhyphenated, in conjunction with no other indicators, the rank is just senior to that of an army captain and right below the rank of lieutenant colonel. It is considered the most junior of the field officer ranks.
Majors are typically assigned as specialized executive or operations officers for battalion-sized units of 300 to 1,200 soldiers. In some militaries, notably France and Ireland, the rank of major is referred to as commandant, while in others it is known as captain-major. It is also used in some police forces and other paramilitary rank structures, such as the New York State Police, New Jersey State Police and several others. As a police rank, Major roughly corresponds to the UK rank of Superintendent.
When used in hyphenated or combined fashion, the term can also imply seniority at other levels of rank, including general-major or major general, denoting a mid-level general officer, and sergeant major, denoting the most senior NCO of a military unit. The term Major can also be used with a hyphen to denote the leader of a military band such as in pipe-major or drum-major.
A string quartet is a musical ensemble of four string players – two violin players, a viola player and a cellist – or a piece written to be performed by such a group. The string quartet is one of the most prominent chamber ensembles in classical music, with most major composers, from the mid to late 18th century onwards, writing string quartets.
The string quartet was developed into its current form by the Austrian composer Joseph Haydn, with his works in the 1750s establishing the genre. Ever since Haydn's day the string quartet has been considered a prestigious form and represents one of the true tests of the composer's art. With four parts to play with, a composer working in anything like the classical key system has enough lines to fashion a full argument, but none to spare for padding. The closely related characters of the four instruments, moreover, while they cover in combination an ample compass of pitch, do not lend themselves to indulgence in purely colouristic effects. Thus, where the composer of symphonies commands the means for textural enrichment beyond the call of his harmonic discourse, and where the concerto medium offers the further resource of personal characterization and drama in the individual-pitted-against-the-mass vein, the writer of string quartets must perforce concentrate on the bare bones of musical logic. Thus, in many ways the string quartet is pre-eminently the dialectical form of instrumental music, the one most naturally suited to the activity of logical disputation and philosophical enquiry.
No. 6 is a nine-volume novel series written by Atsuko Asano and published by Kodansha between October 2003 and June 2011. A manga adaptation drawn by Hinoki Kino began serialization in the March 2011 issue of Kodansha's Aria magazine. An anime TV series adaptation by Bones began airing in Japan in July 2011.
The story takes place in the "ideal" and perfect city known as "No.6". Shion, a boy raised in the elite and privileged environment of his home, gives shelter to another boy, who only gives his name as "Rat" on the former's 12th birthday. What Shion soon discovers is how drastically life will change after meeting with the mysterious Rat, whom he had saved one unforgettable, stormy night.
A piano sonata is a sonata written for a solo piano. Piano sonatas are usually written in three or four movements, although some piano sonatas have been written with a single movement (Scarlatti, Scriabin, Medtner), two movements (Haydn), five (Brahms' Third Piano Sonata) or even more movements. The first movement is generally composed in sonata form.
In the Baroque era, the use of the term "sonata" generally referred to either the sonata da chiesa (church sonata) or sonata da camera (chamber sonata), both of which were sonatas for various instruments (usually one or more violins plus basso continuo). The keyboard sonata was relatively neglected by most composers.
The sonatas of Domenico Scarlatti (of which there are over 500) were the hallmark of the Baroque keyboard sonata, though they were for the most part unpublished during Scarlatti's lifetime. The majority of these sonatas are in one-movement binary form, both sections being in the same tempo and utilizing the same thematic material. These sonatas are prized for both their technical difficulty and their musical and formal ingenuity. The influence of Spanish folk music is evident in Scarlatti's sonatas.
A gummy bear (German: Gummibär) is a small, fruit gum candy, similar to a jelly baby in some English-speaking countries. The candy is roughly 2 cm (0.8 in) long and shaped in the form of a bear. The gummy bear is one of many gummies, popular gelatin-based candies sold in a variety of shapes and colors.
The gummy bear originated in Germany, where it is popular under the name Gummibär (gum or gummy bear) or in the endearing form
Gummibärchen ([little] gum or gummy bear), gum arabic was the original base ingredient used to produce the gummy bears, hence the name gum or gummy. Hans Riegel, Sr., a confectioner from Bonn, started the Haribo company in 1920. In 1922, inspired by the trained bears seen at street festivities and markets in Europe through to the 19th century, he invented the Dancing Bear (Tanzbär), a small, affordable, fruit-flavored gum candy treat for children and adults alike, which was much larger in form than its later successor, the Gold-Bear (Goldbär). Even during Weimar Germany's hyperinflation period that wreaked havoc on the country, Haribo's fruit-gum Dancing Bear treats remained affordably priced for a mere 1 Pfennig, in pairs, at kiosks. The success of the Dancing Bear's successor would later become Haribo's world-famous Gold-Bears candy product in 1967.
gummy gummy bear Major 18
Beethoven piano sonata no. 18 op. 31 in E flat major (Full)
Sviatoslav Richter - Schubert - Piano Sonata No 18 in G major, D 894
KlaskyKlaskyKlaskyKlasky Gummy Bear Song Version in H Major 18
W. A. Mozart - KV 464 - String Quartet No. 18 in A major
KlaskyKlaskyKlaskyKlasky Gummy Bear Song Version in J Major 18
All G Major 18 Videos
Schubert: Piano Sonata No.18 in G Major, D.894 (Volodos)
Beethoven String Quartet No. 6 in B-flat Major, Op. 18, No. 6 - Amphion String Quartet (Live)
Chopin Nocturnes No.18 in E major op 62-2
Piano: Wilhelm Kempff The Piano Sonata No. 18 in E-flat major, Op. 31, No. 3, is a sonata for solo piano by Ludwig van Beethoven, the third and last of his Op. 31 piano sonatas. The work dates from 1802. A playful jocularity is maintained throughout the piece, earning it the occasional nickname of The Hunt, although like many of Beethoven's early works, the 'jocular' style can be heard as a facade, concealing profound ideas and depths of emotion. Be apart of my Facebook page! http://www.facebook.com/Blop888
Franz Schubert Piano Sonata No 18 in G major, D 894 Sviatoslav Richter, piano
The quartet is set in 4 movements: 1. Allegro (0:00) 2. Menuetto (10:00) 3. Andante (15:41) 4. Allegro (28:01) Composed in Vienna and dated January 10, 1785. Published in 1785 as Op. 10 No. 5 with a dedication to Joseph Haydn. http://en.wikipedia.org/wiki/String_Quartet_No._18_(Mozart) Performers: Mosaïques Quartet.
Credit to anyone who owns their content in this video
I created this video with the YouTube Video Editor (http://www.youtube.com/editor)
Schubert's most tranquil sonata, which is also one of his most important. Schumann famously regarded this as a perfect sonata. It's an anti-virtuoso work, where the difficulties are vast but almost purely interpretive: nearly all the music happens in shades and shadows, in the rests between notes. How do you make sense -- on a modern grand -- of those long moments of harmonic statis, of those repeated notes, repeated chords, repeated figurations and passages? Volodos plays this to perfection, handling the structural difficulty of some unorthodox modulations and the large-scale structure extremely well. He's most often cited as a Rachmaninoff interpreter, but the clarity and tenderness of his playing here proves that he's quite at home in highly introspective repertoire. He takes this sligh...
Beethoven String Quartet No. 6 in B-flat Major, Op. 18, No. 6 performed by the Amphion String Quartet (Live). Filmed live in The Jerome L. Greene Performance Space in New York for WQXR's Beethoven String Quartet Marathon on November 18, 2012.
Piano: Wilhelm Kempff The Piano Sonata No. 18 in E-flat major, Op. 31, No. 3, is a sonata for solo piano by Ludwig van Beethoven, the third and last of his Op. 31 piano sonatas. The work dates from 1802. A playful jocularity is maintained throughout the piece, earning it the occasional nickname of The Hunt, although like many of Beethoven's early works, the 'jocular' style can be heard as a facade, concealing profound ideas and depths of emotion. Be apart of my Facebook page! http://www.facebook.com/Blop888
Franz Schubert Piano Sonata No 18 in G major, D 894 Sviatoslav Richter, piano
The quartet is set in 4 movements: 1. Allegro (0:00) 2. Menuetto (10:00) 3. Andante (15:41) 4. Allegro (28:01) Composed in Vienna and dated January 10, 1785. Published in 1785 as Op. 10 No. 5 with a dedication to Joseph Haydn. http://en.wikipedia.org/wiki/String_Quartet_No._18_(Mozart) Performers: Mosaïques Quartet.
Credit to anyone who owns their content in this video
I created this video with the YouTube Video Editor (http://www.youtube.com/editor)
Schubert's most tranquil sonata, which is also one of his most important. Schumann famously regarded this as a perfect sonata. It's an anti-virtuoso work, where the difficulties are vast but almost purely interpretive: nearly all the music happens in shades and shadows, in the rests between notes. How do you make sense -- on a modern grand -- of those long moments of harmonic statis, of those repeated notes, repeated chords, repeated figurations and passages? Volodos plays this to perfection, handling the structural difficulty of some unorthodox modulations and the large-scale structure extremely well. He's most often cited as a Rachmaninoff interpreter, but the clarity and tenderness of his playing here proves that he's quite at home in highly introspective repertoire. He takes this sligh...
Beethoven String Quartet No. 6 in B-flat Major, Op. 18, No. 6 performed by the Amphion String Quartet (Live). Filmed live in The Jerome L. Greene Performance Space in New York for WQXR's Beethoven String Quartet Marathon on November 18, 2012.
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Piano: Wilhelm Kempff The Piano Sonata No. 18 in E-flat major, Op. 31, No. 3, is a sonata for solo piano by Ludwig van Beethoven, the third and last of his Op. 31 piano sonatas. The work dates from 1802. A playful jocularity is maintained throughout the piece, earning it the occasional nickname of The Hunt, although like many of Beethoven's early works, the 'jocular' style can be heard as a facade, concealing profound ideas and depths of emotion. Be apart of my Facebook page! http://www.facebook.com/Blop888
Franz Schubert Piano Sonata No 18 in G major, D 894 Sviatoslav Richter, piano
Playlist: Playlist: Playlist: Playlist: メジャー (Major ) S1 - S6 720p. Playlist: Playlist: Playlist: Playlist: Playlist: Playlist: Playlist: Playlist: メジャー (Major ) S1 - S6 720p. Playlist: Playlist: Playlist: Playlist: メジャー 1~154話 Major episodes HD. メジャー (Major ). Let's Play Subnautica! Thanks to you, this Hermit's Week With Subnautica gameplay series is now extended past the initial 7 days! Hopefully we'll get sea .
Schubert's most tranquil sonata, which is also one of his most important. Schumann famously regarded this as a perfect sonata. It's an anti-virtuoso work, where the difficulties are vast but almost purely interpretive: nearly all the music happens in shades and shadows, in the rests between notes. How do you make sense -- on a modern grand -- of those long moments of harmonic statis, of those repeated notes, repeated chords, repeated figurations and passages? Volodos plays this to perfection, handling the structural difficulty of some unorthodox modulations and the large-scale structure extremely well. He's most often cited as a Rachmaninoff interpreter, but the clarity and tenderness of his playing here proves that he's quite at home in highly introspective repertoire. He takes this sligh...