90:02
NEA Opera Honors: Interview with Frank Corsaro
NEA Opera Honors: Interview with Frank Corsaro
Stage director and librettist Frank Corsaro talks about his career as an actor turned director and his long, rich association with the New York City Opera.
28:50
About the Arts: Maralin Niska, Frank Corsaro
About the Arts: Maralin Niska, Frank Corsaro
Interviewer: Barbaralee Diamonstein-Spielvogel Part of the Diamonstein-Spielvogel Video Archive in the Duke University Libraries: library.duke.edu
22:00
NEA Opera Honors: Stephen Wadsworth on Frank Corsaro
NEA Opera Honors: Stephen Wadsworth on Frank Corsaro
Opera and theater director Stephen Wadsworth talks about how Frank Corsaro revolutionized opera performance in his years at New York City Opera
14:16
NEA Opera Honors: Maurice Sendak on Frank Corsaro
NEA Opera Honors: Maurice Sendak on Frank Corsaro
Writer and illustrator Maurice Sendak talks about his collaborations with director and NEA Opera Honoree Frank Corsaro, including stagings of The Magic Flute and Where the Wild Things Are.
5:54
The Real Tales of Hoffmann - 1
The Real Tales of Hoffmann - 1
Placido Domingo, Frank Corsaro and Peter Hemmings discussing Les contes d'Hoffmann in the edition of Michael Kaye (now a co-edition of the opera with Jean-Christophe Keck published Schott Music in collaboration with Boosey and Hawkes and Bote&Bock). See also tinyurl.com tinyurl.com tinyurl.com
9:33
L'enfant et les sortilèges (1)
L'enfant et les sortilèges (1)
Opening scenes of the 1987 Glyndebourne production of Ravel's L'enfant et les sortilèges, designed by Maurice Sendak and directed by Frank Corsaro. The cast includes Cynthia Buchan (The Child), Fiona Kimm (His Mother; The Cat), Malcolm Walker (The Tom Cat), François Loup (The Armchair; A Tree), Hyacinth Nicholls (The Louis XV Chair), Malcolm Walker (The Grandfather Clock), Thierry Dran (The Tea Pot; The Little Old Man), Louise Winter (The Chinese Cup), Nan Christie (The Fire), Jady Pearl (A Shepherd), Carol Smith (A Shepherdess), and Harolyn Blackwell (The Princess). Simon Rattle conducts the London Philharmonic Orchestra.
5:54
L'enfant et les sortilèges (2)
L'enfant et les sortilèges (2)
From the the 1987 Glyndebourne production of Ravel's L'enfant et les sortilèges, designed by Maurice Sendak and directed by Frank Corsaro. The cast includes Cynthia Buchan (The Child), Fiona Kimm (His Mother; The Cat), Malcolm Walker (The Tom Cat), François Loup (The Armchair; A Tree), Hyacinth Nicholls (The Louis XV Chair), Malcolm Walker (The Grandfather Clock), Thierry Dran (The Tea Pot; The Little Old Man), Louise Winter (The Chinese Cup), Nan Christie (The Fire), Jady Pearl (A Shepherd), Carol Smith (A Shepherdess), and Harolyn Blackwell (The Princess). Simon Rattle conducts the London Philharmonic Orchestra.
9:59
L'enfant et les sortilèges (3)
L'enfant et les sortilèges (3)
From the the 1987 Glyndebourne production of Ravel's L'Enfant et les Sortileges, designed by Maurice Sendak and directed by Frank Corsaro. The cast includes Cynthia Buchan (The Child), Fiona Kimm (His Mother; The Cat), Malcolm Walker (The Tom Cat), François Loup (The Armchair; A Tree), Hyacinth Nicholls (The Louis XV Chair), Malcolm Walker (The Grandfather Clock), Thierry Dran (The Tea Pot; The Little Old Man), Louise Winter (The Chinese Cup), Nan Christie (The Fire), Jady Pearl (A Shepherd), Carol Smith (A Shepherdess), and Harolyn Blackwell (The Princess). Simon Rattle conducts the London Philharmonic Orchestra.
2:40
Joplin's Treemonisha (HGO1986): opening
Joplin's Treemonisha (HGO1986): opening
Scott Joplin's opera, Treemonisha. Houston Grand Opera 1986. If you enjoy this, please support the HGO at www.houstongrandopera.org Director: Frank Corsaro, Conductor: John DeMain CAST: Zodzedtrick = Obba Babatunde Treemonisha = Carmen Balthrop Monisha = Dolores Ivory Remus = Curtis Rayam Ned = Dorceal Duckens Andy = Kenn Hicks Lucy = Cora Johnson Parson Alltalk = Ray Jacobs Simon = Raymond Bazemore Cephus = Michael Grey Luddud = Cleveland Williams
9:59
L'enfant et les sortilèges (4)
L'enfant et les sortilèges (4)
From the the 1987 Glyndebourne production of Ravel's L'Enfant et les Sortileges, designed by Maurice Sendak and directed by Frank Corsaro. The cast includes Cynthia Buchan (The Child), Fiona Kimm (His Mother; The Cat), Malcolm Walker (The Tom Cat), François Loup (The Armchair; A Tree), Hyacinth Nicholls (The Louis XV Chair), Malcolm Walker (The Grandfather Clock), Thierry Dran (The Tea Pot; The Little Old Man), Louise Winter (The Chinese Cup), Nan Christie (The Fire), Jady Pearl (A Shepherd), Carol Smith (A Shepherdess), and Harolyn Blackwell (The Princess). Simon Rattle conducts the London Philharmonic Orchestra.
5:03
L'enfant et les sortilèges (5)
L'enfant et les sortilèges (5)
From the the 1987 Glyndebourne production of Ravel's L'Enfant et les Sortileges, designed by Maurice Sendak and directed by Frank Corsaro. The cast includes Cynthia Buchan (The Child), Fiona Kimm (His Mother; The Cat), Malcolm Walker (The Tom Cat), François Loup (The Armchair; A Tree), Hyacinth Nicholls (The Louis XV Chair), Malcolm Walker (The Grandfather Clock), Thierry Dran (The Tea Pot; The Little Old Man), Louise Winter (The Chinese Cup), Nan Christie (The Fire), Jady Pearl (A Shepherd), Carol Smith (A Shepherdess), and Harolyn Blackwell (The Princess). Simon Rattle conducts the London Philharmonic Orchestra.
5:56
L'enfant et les sortilèges (6)
L'enfant et les sortilèges (6)
Closing scene from the the 1987 Glyndebourne production of Ravel's L'Enfant et les Sortileges, designed by Maurice Sendak and directed by Frank Corsaro. The cast includes Cynthia Buchan (The Child), Fiona Kimm (His Mother; The Cat), Malcolm Walker (The Tom Cat), François Loup (The Armchair; A Tree), Hyacinth Nicholls (The Louis XV Chair), Malcolm Walker (The Grandfather Clock), Thierry Dran (The Tea Pot; The Little Old Man), Louise Winter (The Chinese Cup), Nan Christie (The Fire), Jady Pearl (A Shepherd), Carol Smith (A Shepherdess), and Harolyn Blackwell (The Princess). Simon Rattle conducts the London Philharmonic Orchestra.
10:34
Marilyn Horne: Handel - Rinaldo, 'Cara sposa, amante cara'
Marilyn Horne: Handel - Rinaldo, 'Cara sposa, amante cara'
Marilyn Horne (born January 16, 1934, Bradford, Pennsylvania) is an American mezzo-soprano opera singer. She specialized in roles requiring a large sound, beauty of tone, excellent breath support, and the ability to execute difficult coloratura passages. Horne made her debut at the Royal Opera House in October 1964 as Marie in Wozzeck. Her La Scala debut was as Jocasta in Stravinsky's opéra-oratorio Œdipus rex on March 13, 1969. Another of Horne's breakthroughs occurred that same year during a performance of Rossini's Le siège de Corinthe at La Scala, when Horne received a remarkable mid-act seven-minute ovation. Horne made her debut at the Metropolitan Opera in 1970 as Adalgisa in Bellini's Norma with Sutherland in the title role. She thereafter appeared regularly at the Met, opening the 1972/1973 season as Carmen. A great success there was in Meyerbeer's Le prophète, in John Dexter's production. In 1984, she sang the title role of Handel's opera seria Rinaldo (directed by Frank Corsaro), the first Handel opera ever performed at the Met. Ms. Horne has directed the acclaimed Voice Program at the Music Academy of the West in Santa Barbara, California, since 1997... en.wikipedia.org Lyrics & English Translation Beloved spouse, dearest heart, Where art thou? Woe! Return to him who weeps! O guilty spirits from thy Erebus beneath the furrows, My face one of complete contempt, I defy thee! Link to this wonderful artist's personal website: marilynhornefdn.org Please Enjoy! I don <b>...</b>
1:37
Duo miaule from L'enfant et les sortilèges by Ravel
Duo miaule from L'enfant et les sortilèges by Ravel
From the the 1987 Glyndebourne production of Ravel's L'Enfant et les Sortileges, designed by Maurice Sendak and directed by Frank Corsaro. Cynthia Buchan (The Child), Fiona Kimm (The Cat), Malcolm Walker (The Tom Cat), Simon Rattle conducts the London Philharmonic Orchestra.
63:00
Panel discussion with 2009 NEA Opera Honorees
Panel discussion with 2009 NEA Opera Honorees
Washington Post music critic Anne Midgette interviews the 2009 NEA Opera Honors recipients, exploring their careers, influences, and stories from their collective 270 years in the opera business. The honorees included mezzo-soprano Marilyn Horne, stage director/librettist Frank Corsaro, general director Lotfi Mansouri, and conductor Julius Rudel.
7:25
STEFKA EVSTATIEVA & VYACHESLAV POLOZOV -"Tosca"
STEFKA EVSTATIEVA & VYACHESLAV POLOZOV -"Tosca"
Giacomo Puccini " TOSCA " - Performer: Stefka Evstatieva, Vyacheslav Polozov, Cornelis Opthof, Phillip Skinner, Peter Strummer, Guillermo Silva-Marin, John Avey, Philip Pace, Robert Milne; Conductor: Richard Bradshaw; Directed by: Frank Corsaro Canadian Opera Company TO PURCHASE THE COMPLETE DVD, PLEASE VISIT www.amazon.com or DVD-SUBTITLES.COM
27:46
Juilliard Commencement 2010
Juilliard Commencement 2010
The graduating class of 2010 enjoyed a lively commencement address by playwright Tony Kushner on Friday, May 21, in Alice Tully Hall. Mr. Kushner, along with actor and Juilliard alumna Patti LuPone, dancer Mikhail Baryshnikov, opera and stage director and former faculty member Frank Corsaro, legendary singer Tony Bennett, musicologist and Mahler expert Henry-Louis de La Grange, and philanthropist and longtime Juilliard friend Glorya Kaufman, received an honorary doctorate that day.
6:27
Marilyn Horne: Rossini - Rossini - ll Barbieri di Siviglia, 'Una voce poco fa'
Marilyn Horne: Rossini - Rossini - ll Barbieri di Siviglia, 'Una voce poco fa'
Marilyn Horne (born January 16, 1934, Bradford, Pennsylvania) is an American mezzo-soprano opera singer. She specialized in roles requiring a large sound, beauty of tone, excellent breath support, and the ability to execute difficult coloratura passages. Horne made her debut at the Royal Opera House in October 1964 as Marie in Wozzeck. Her La Scala debut was as Jocasta in Stravinsky's opéra-oratorio Œdipus rex on March 13, 1969. Another of Horne's breakthroughs occurred that same year during a performance of Rossini's Le siège de Corinthe at La Scala, when Horne received a remarkable mid-act seven-minute ovation. Horne made her debut at the Metropolitan Opera in 1970 as Adalgisa in Bellini's Norma with Sutherland in the title role. She thereafter appeared regularly at the Met, opening the 1972/1973 season as Carmen. A great success there was in Meyerbeer's Le prophète, in John Dexter's production. In 1984, she sang the title role of Handel's opera seria Rinaldo (directed by Frank Corsaro), the first Handel opera ever performed at the Met. Ms. Horne has directed the acclaimed Voice Program at the Music Academy of the West in Santa Barbara, California, since 1997... en.wikipedia.org Lyrics & English Translation A voice has just Echoed here into my heart My heart is already wounded And it was Lindoro who shot. Yes, Lindoro will be mine I've swore it, I'll win. The tutor will refuse, I'll sharpen my mind Finally he'll accept, And happy I'll rest. Yes, Lindoro will be mine I <b>...</b>
4:51
Marilyn Horne: Bizet - Carmen, 'Près des remparts de Séville'
Marilyn Horne: Bizet - Carmen, 'Près des remparts de Séville'
Marilyn Horne (born January 16, 1934, Bradford, Pennsylvania) is an American mezzo-soprano opera singer. She specialized in roles requiring a large sound, beauty of tone, excellent breath support, and the ability to execute difficult coloratura passages. Horne made her debut at the Royal Opera House in October 1964 as Marie in Wozzeck. Her La Scala debut was as Jocasta in Stravinsky's opéra-oratorio Œdipus rex on March 13, 1969. Another of Horne's breakthroughs occurred that same year during a performance of Rossini's Le siège de Corinthe at La Scala, when Horne received a remarkable mid-act seven-minute ovation. Horne made her debut at the Metropolitan Opera in 1970 as Adalgisa in Bellini's Norma with Sutherland in the title role. She thereafter appeared regularly at the Met, opening the 1972/1973 season as Carmen. A great success there was in Meyerbeer's Le prophète, in John Dexter's production. In 1984, she sang the title role of Handel's opera seria Rinaldo (directed by Frank Corsaro), the first Handel opera ever performed at the Met. Ms. Horne has directed the acclaimed Voice Program at the Music Academy of the West in Santa Barbara, California, since 1997... en.wikipedia.org Lyrics & English Translation Near the ramparts of Seville At my friend Lillas Pastia's tavern, I will dance the seguidilla And drink Manzanilla. I'll go to Lillas Pastias! But,to be all alone is boring, And the real pleasures are for two, So to keep me company I'll bring my lover. My lover... I <b>...</b>
4:21
Marilyn Horne: Handel - Rinaldo, ' Ogni indugio d'un amante'
Marilyn Horne: Handel - Rinaldo, ' Ogni indugio d'un amante'
Marilyn Horne (born January 16, 1934, Bradford, Pennsylvania) is an American mezzo-soprano opera singer. She specialized in roles requiring a large sound, beauty of tone, excellent breath support, and the ability to execute difficult coloratura passages. Horne made her debut at the Royal Opera House in October 1964 as Marie in Wozzeck. Her La Scala debut was as Jocasta in Stravinsky's opéra-oratorio Œdipus rex on March 13, 1969. Another of Horne's breakthroughs occurred that same year during a performance of Rossini's Le siège de Corinthe at La Scala, when Horne received a remarkable mid-act seven-minute ovation. Horne made her debut at the Metropolitan Opera in 1970 as Adalgisa in Bellini's Norma with Sutherland in the title role. She thereafter appeared regularly at the Met, opening the 1972/1973 season as Carmen. A great success there was in Meyerbeer's Le prophète, in John Dexter's production. In 1984, she sang the title role of Handel's opera seria Rinaldo (directed by Frank Corsaro), the first Handel opera ever performed at the Met. Ms. Horne has directed the acclaimed Voice Program at the Music Academy of the West in Santa Barbara, California, since 1997... en.wikipedia.org Lyrics & English Translation Any delay of a lover It is a bitter and ruthless punishment. Within my mind there constantly dwells the lash, Hope capriciously toyed with my fate, Bound and tied to my very soul. Link to this wonderful artist's personal website: marilynhornefdn.org Please Enjoy! I <b>...</b>
11:31
Dame Joan Sutherland & Marilyn Horne: An Interview (Part 1)
Dame Joan Sutherland & Marilyn Horne: An Interview (Part 1)
Dame Joan Alston Sutherland, OM, AC, DBE (7 November 1926 - 10 October 2010) was an Australian dramatic coloratura soprano noted for her contribution to the renaissance of the bel canto repertoire from the late 1950s through to the 1980s. One of the most remarkable female opera singers of the 20th century, she was dubbed La Stupenda by a La Fenice audience in 1960 after a performance of the title role in Handel's Alcina. She possessed a voice of beauty and power, combining extraordinary agility, accurate intonation, "supremely" pinpoint staccatos, a splendid trill and a tremendous upper register, although music critics often complained about the imprecision of her diction. Her friend Luciano Pavarotti once called Sutherland the "Voice of the Century"; Montserrat Caballé described the Australian's voice as being like "heaven"... en.wikipedia.org & Marilyn Horne (born January 16, 1934, Bradford, Pennsylvania) is an American mezzo-soprano opera singer. She specialized in roles requiring a large sound, beauty of tone, excellent breath support, and the ability to execute difficult coloratura passages. Horne made her debut at the Royal Opera House in October 1964 as Marie in Wozzeck. Her La Scala debut was as Jocasta in Stravinsky's opéra-oratorio Œdipus rex on March 13, 1969. Another of Horne's breakthroughs occurred that same year during a performance of Rossini's Le siège de Corinthe at La Scala, when Horne received a remarkable mid-act seven-minute ovation. Horne made her <b>...</b>
6:04
Marilyn Horne: Handel - Rodelinda, 'Scacciata dal suo nido'
Marilyn Horne: Handel - Rodelinda, 'Scacciata dal suo nido'
Marilyn Horne (born January 16, 1934, Bradford, Pennsylvania) is an American mezzo-soprano opera singer. She specialized in roles requiring a large sound, beauty of tone, excellent breath support, and the ability to execute difficult coloratura passages. Horne made her debut at the Royal Opera House in October 1964 as Marie in Wozzeck. Her La Scala debut was as Jocasta in Stravinsky's opéra-oratorio Œdipus rex on March 13, 1969. Another of Horne's breakthroughs occurred that same year during a performance of Rossini's Le siège de Corinthe at La Scala, when Horne received a remarkable mid-act seven-minute ovation. Horne made her debut at the Metropolitan Opera in 1970 as Adalgisa in Bellini's Norma with Sutherland in the title role. She thereafter appeared regularly at the Met, opening the 1972/1973 season as Carmen. A great success there was in Meyerbeer's Le prophète, in John Dexter's production. In 1984, she sang the title role of Handel's opera seria Rinaldo (directed by Frank Corsaro), the first Handel opera ever performed at the Met. Ms. Horne has directed the acclaimed Voice Program at the Music Academy of the West in Santa Barbara, California, since 1997... en.wikipedia.org Link to this wonderful artist's personal website: marilynhornefdn.org Please Enjoy! I send my kind and warm regards,