- published: 07 Jul 2016
- views: 116
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The Brooklyn retrospective covers 17 years of the artist's career, but he has been making boomboxes for much longer; the New York creative warmly recalls trading his sister's boyfriend a copy of Led Zeppelin's Physical Graffiti for a stolen car stereo. If you're feeling adventurous, you can purchase a DIY zine from an ATM attached to Sach's Bodega that dates the beginning of his obsession to 1981: "I hooked my Sony Walkman up to a set of mini speakers and Velcroed them to a block of plywood. It was a clusterfuck of wires." The Bodega is a boombox too, of course.
The collection showcases Sachs' balance of obsessive attention to detail and an irreverent sense of humor: one speaker has a perfect recreation of the Chanel monogram alongside the word "Pussy" written in Sachs' signature scrawl; a Courvoisier bottle in Presidential Vampire Booth 's bar has been Wited-Out to read Corbusier.
HYPEBEAST caught up with the artist to discuss how he got into boomboxes, how music informs his creative process, and how he and Frank Gehry feel about imitators.
For up-to-date news and more:
http://HYPEBEAST.com
View more HYPEBEAST videos: http://YOUTUBE.com/user/HypebeastTV
Stay connected with us on your favorite social media platform:
http://FACEBOOK.com/hypebeast
http://TWITTER.com/hypebeast
http://TUMBLR.com/tagged/hypebeast
http://PINTEREST.com/hypebeast
http://INSTAGRAM.com/hypebeast
Artist Tom Sachs and drummer, DJ, and music producer Questlove chat sound systems, the intersections of art and science, and their mutual love of music from across the globe. Moderated by poet and activist Tom Healy and Rujeko Hockley, Assistant Curator of Contemporary Art.
This event took place at the Brooklyn Museum on Saturday, June 16, 2016.
- published: 21 Jun 2016
- views: 129
“How did these get here!?” I was shocked to see a pile of stickers on my gallery reception desk in the Spring of 1996 with the outrageously provocative phrase “Nuke the Swiss” printed above a red cross. “They were left there by that funny guy who comes in here all the time,” my staff explained. A few weeks later, I was there when the culprit walked in, smirking as he handed me a fresh stack of Nuke the Swiss stickers. His engaging manner somehow neutralized the egregious content of his free art. This was my first introduction to Tom Sachs, who twenty years later, still visits during his walks around the neighborhood, and who continues to perfect his fusion of radical conceptual performance, Modernist idealism, bricolage and provocation.
Tom and I have discussed presenting his work in my gallery since 1996, but it took twenty years to realize an exhibition. There were several false starts. In the late 1990s, Tom amused himself by setting up a contest between three art dealers who were keen to show his work, Angela Westwater, Mary Boone, and myself. He even published a zine about the “competition.” He decided that Mary Boone was the winner and rewarded her with a solo show. I opened my copy of The New York Times on September 30, 1999 to see the astonishing headline, “Art Dealer Arrested for Exhibition of Live Ammunition.” Tom had placed a vase full of live 9-millimeter cartridges on Mary Boone’s reception desk for visitors to take home as souvenirs. Mary was hauled off to jail for unlawful distribution of ammunition and resisting arrest. She was also charged with possession of unlawful weapons and possession of stolen property for another piece in the show, which featured homemade guns. I was lucky to have dodged a bullet. There was much more water under the bridge, but I will save those stories for my memoirs.
Last year Tom called to invite me for a tea ceremony. He had transformed a section of his wunderkammer studio into a subversion of a Japanese tea house, constructed with Con Edison excavation barriers and Blue Foam instead of rice paper and bamboo. I was deeply entranced in Tom’s remix of the tea ceremony when he stunned me by lifting the lid of a lacquer box that I assumed would contain an exquisite tea biscuit. Instead of a biscuit, it was perfectly measured line of cocaine. The ceremony was confounding, but the taste of the carefully sourced matcha was transporting.
Some months later Tom told me the good news that his entire tea house along with its extensive Japanese garden and his bronze bonsai tree (made from 3,500 casts of Q-tips, tampon cases, tooth brushes, and enema nozzles) would be the focus of a major exhibition at the Noguchi Museum. In addition, his Boom Box retrospective, which had been enthusiastically received in Austin, would be coming to the Brooklyn Museum. Tom suggested that maybe now was the time to present the gallery show that we had been discussing for twenty years.
- published: 27 May 2016
- views: 36
“How did these get here!?” I was shocked to see a pile of stickers on my gallery reception desk in the Spring of 1996 with the outrageously provocative phrase “Nuke the Swiss” printed above a red cross. “They were left there by that funny guy who comes in here all the time,” my staff explained. A few weeks later, I was there when the culprit walked in, smirking as he handed me a fresh stack of Nuke the Swiss stickers. His engaging manner somehow neutralized the egregious content of his free art. This was my first introduction to Tom Sachs, who twenty years later, still visits during his walks around the neighborhood, and who continues to perfect his fusion of radical conceptual performance, Modernist idealism, bricolage and provocation.
Tom and I have discussed presenting his work in my gallery since 1996, but it took twenty years to realize an exhibition. There were several false starts. In the late 1990s, Tom amused himself by setting up a contest between three art dealers who were keen to show his work, Angela Westwater, Mary Boone, and myself. He even published a zine about the “competition.” He decided that Mary Boone was the winner and rewarded her with a solo show. I opened my copy of The New York Times on September 30, 1999 to see the astonishing headline, “Art Dealer Arrested for Exhibition of Live Ammunition.” Tom had placed a vase full of live 9-millimeter cartridges on Mary Boone’s reception desk for visitors to take home as souvenirs. Mary was hauled off to jail for unlawful distribution of ammunition and resisting arrest. She was also charged with possession of unlawful weapons and possession of stolen property for another piece in the show, which featured homemade guns. I was lucky to have dodged a bullet. There was much more water under the bridge, but I will save those stories for my memoirs.
Last year Tom called to invite me for a tea ceremony. He had transformed a section of his wunderkammer studio into a subversion of a Japanese tea house, constructed with Con Edison excavation barriers and Blue Foam instead of rice paper and bamboo. I was deeply entranced in Tom’s remix of the tea ceremony when he stunned me by lifting the lid of a lacquer box that I assumed would contain an exquisite tea biscuit. Instead of a biscuit, it was perfectly measured line of cocaine. The ceremony was confounding, but the taste of the carefully sourced matcha was transporting.
Some months later Tom told me the good news that his entire tea house along with its extensive Japanese garden and his bronze bonsai tree (made from 3,500 casts of Q-tips, tampon cases, tooth brushes, and enema nozzles) would be the focus of a major exhibition at the Noguchi Museum. In addition, his Boom Box retrospective, which had been enthusiastically received in Austin, would be coming to the Brooklyn Museum. Tom suggested that maybe now was the time to present the gallery show that we had been discussing for twenty years.
Press release
- published: 27 May 2016
- views: 132
A SPACE PROGRAM in theaters 4/7/16
https://www.zeitgeistfilms.com/film/aspaceprogram
FULL INTERVIEW WITH TOM SACHS
https://www.youtube.com/watch?v=-yTbY1vRRRI
CONNECT WITH TOM SACHS
http://tomsachs.org
https://www.instagram.com/tomsachs
https://twitter.com/tom_sachs
https://www.facebook.com/teamsachs
http://www.imdb.com/name/nm3609799
CONNECT WITH FILM COURAGE
http://www.FilmCourage.com
http://twitter.com/#!/FilmCourage
https://www.facebook.com/filmcourage
http://filmcourage.tumblr.com
http://pinterest.com/filmcourage
LISTEN TO THE FILM COURAGE PODCAST
https://soundcloud.com/filmcourage-com
PROMOTE YOUR MOVIE, WEBSERIES, OR PRODUCT ON FILM COURAGE
http://filmcourage.com/services
SUPPORT FILM COURAGE
http://www.patreon.com/filmcourage
- published: 17 Apr 2016
- views: 1018
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2:41Tom Sachs Brings Boombox Culture Back to the Brooklyn Museum
Tom Sachs Brings Boombox Culture Back to the Brooklyn MuseumTom Sachs Brings Boombox Culture Back to the Brooklyn Museum
The Brooklyn retrospective covers 17 years of the artist's career, but he has been making boomboxes for much longer; the New York creative warmly recalls trading his sister's boyfriend a copy of Led Zeppelin's Physical Graffiti for a stolen car stereo. If you're feeling adventurous, you can purchase a DIY zine from an ATM attached to Sach's Bodega that dates the beginning of his obsession to 1981: "I hooked my Sony Walkman up to a set of mini speakers and Velcroed them to a block of plywood. It was a clusterfuck of wires." The Bodega is a boombox too, of course. The collection showcases Sachs' balance of obsessive attention to detail and an irreverent sense of humor: one speaker has a perfect recreation of the Chanel monogram alongside the word "Pussy" written in Sachs' signature scrawl; a Courvoisier bottle in Presidential Vampire Booth 's bar has been Wited-Out to read Corbusier. HYPEBEAST caught up with the artist to discuss how he got into boomboxes, how music informs his creative process, and how he and Frank Gehry feel about imitators. For up-to-date news and more: http://HYPEBEAST.com View more HYPEBEAST videos: http://YOUTUBE.com/user/HypebeastTV Stay connected with us on your favorite social media platform: http://FACEBOOK.com/hypebeast http://TWITTER.com/hypebeast http://TUMBLR.com/tagged/hypebeast http://PINTEREST.com/hypebeast http://INSTAGRAM.com/hypebeast -
87:31In Conversation: Tom Sachs and Questlove
In Conversation: Tom Sachs and QuestloveIn Conversation: Tom Sachs and Questlove
Artist Tom Sachs and drummer, DJ, and music producer Questlove chat sound systems, the intersections of art and science, and their mutual love of music from across the globe. Moderated by poet and activist Tom Healy and Rujeko Hockley, Assistant Curator of Contemporary Art. This event took place at the Brooklyn Museum on Saturday, June 16, 2016. -
0:26Al Diaz @ Tom Sachs "Boombox Retrospective" Brooklyn Museum
Al Diaz @ Tom Sachs "Boombox Retrospective" Brooklyn Museum -
0:20Tom Sachs - "Boombox Retrospective" @ Brooklyn Museum
Tom Sachs - "Boombox Retrospective" @ Brooklyn MuseumTom Sachs - "Boombox Retrospective" @ Brooklyn Museum
-
0:14Cool - Tom Sachs "Boombox Retrospective" @ Brooklyn Museum
Cool - Tom Sachs "Boombox Retrospective" @ Brooklyn MuseumCool - Tom Sachs "Boombox Retrospective" @ Brooklyn Museum
-
0:08Good Times -Tom Sachs "Boombox Retrospective" @ Brooklyn Museum
Good Times -Tom Sachs "Boombox Retrospective" @ Brooklyn MuseumGood Times -Tom Sachs "Boombox Retrospective" @ Brooklyn Museum
-
4:16Tom Sachs exhibit_sxsw2015
Tom Sachs exhibit_sxsw2015Tom Sachs exhibit_sxsw2015
-
2:13Tom Sachs: Nuggets at Jeffrey Deitch
Tom Sachs: Nuggets at Jeffrey DeitchTom Sachs: Nuggets at Jeffrey Deitch
“How did these get here!?” I was shocked to see a pile of stickers on my gallery reception desk in the Spring of 1996 with the outrageously provocative phrase “Nuke the Swiss” printed above a red cross. “They were left there by that funny guy who comes in here all the time,” my staff explained. A few weeks later, I was there when the culprit walked in, smirking as he handed me a fresh stack of Nuke the Swiss stickers. His engaging manner somehow neutralized the egregious content of his free art. This was my first introduction to Tom Sachs, who twenty years later, still visits during his walks around the neighborhood, and who continues to perfect his fusion of radical conceptual performance, Modernist idealism, bricolage and provocation. Tom and I have discussed presenting his work in my gallery since 1996, but it took twenty years to realize an exhibition. There were several false starts. In the late 1990s, Tom amused himself by setting up a contest between three art dealers who were keen to show his work, Angela Westwater, Mary Boone, and myself. He even published a zine about the “competition.” He decided that Mary Boone was the winner and rewarded her with a solo show. I opened my copy of The New York Times on September 30, 1999 to see the astonishing headline, “Art Dealer Arrested for Exhibition of Live Ammunition.” Tom had placed a vase full of live 9-millimeter cartridges on Mary Boone’s reception desk for visitors to take home as souvenirs. Mary was hauled off to jail for unlawful distribution of ammunition and resisting arrest. She was also charged with possession of unlawful weapons and possession of stolen property for another piece in the show, which featured homemade guns. I was lucky to have dodged a bullet. There was much more water under the bridge, but I will save those stories for my memoirs. Last year Tom called to invite me for a tea ceremony. He had transformed a section of his wunderkammer studio into a subversion of a Japanese tea house, constructed with Con Edison excavation barriers and Blue Foam instead of rice paper and bamboo. I was deeply entranced in Tom’s remix of the tea ceremony when he stunned me by lifting the lid of a lacquer box that I assumed would contain an exquisite tea biscuit. Instead of a biscuit, it was perfectly measured line of cocaine. The ceremony was confounding, but the taste of the carefully sourced matcha was transporting. Some months later Tom told me the good news that his entire tea house along with its extensive Japanese garden and his bronze bonsai tree (made from 3,500 casts of Q-tips, tampon cases, tooth brushes, and enema nozzles) would be the focus of a major exhibition at the Noguchi Museum. In addition, his Boom Box retrospective, which had been enthusiastically received in Austin, would be coming to the Brooklyn Museum. Tom suggested that maybe now was the time to present the gallery show that we had been discussing for twenty years. -
2:13Tom Sachs by Arte Fuse at Jeffrey Deitch
Tom Sachs by Arte Fuse at Jeffrey DeitchTom Sachs by Arte Fuse at Jeffrey Deitch
“How did these get here!?” I was shocked to see a pile of stickers on my gallery reception desk in the Spring of 1996 with the outrageously provocative phrase “Nuke the Swiss” printed above a red cross. “They were left there by that funny guy who comes in here all the time,” my staff explained. A few weeks later, I was there when the culprit walked in, smirking as he handed me a fresh stack of Nuke the Swiss stickers. His engaging manner somehow neutralized the egregious content of his free art. This was my first introduction to Tom Sachs, who twenty years later, still visits during his walks around the neighborhood, and who continues to perfect his fusion of radical conceptual performance, Modernist idealism, bricolage and provocation. Tom and I have discussed presenting his work in my gallery since 1996, but it took twenty years to realize an exhibition. There were several false starts. In the late 1990s, Tom amused himself by setting up a contest between three art dealers who were keen to show his work, Angela Westwater, Mary Boone, and myself. He even published a zine about the “competition.” He decided that Mary Boone was the winner and rewarded her with a solo show. I opened my copy of The New York Times on September 30, 1999 to see the astonishing headline, “Art Dealer Arrested for Exhibition of Live Ammunition.” Tom had placed a vase full of live 9-millimeter cartridges on Mary Boone’s reception desk for visitors to take home as souvenirs. Mary was hauled off to jail for unlawful distribution of ammunition and resisting arrest. She was also charged with possession of unlawful weapons and possession of stolen property for another piece in the show, which featured homemade guns. I was lucky to have dodged a bullet. There was much more water under the bridge, but I will save those stories for my memoirs. Last year Tom called to invite me for a tea ceremony. He had transformed a section of his wunderkammer studio into a subversion of a Japanese tea house, constructed with Con Edison excavation barriers and Blue Foam instead of rice paper and bamboo. I was deeply entranced in Tom’s remix of the tea ceremony when he stunned me by lifting the lid of a lacquer box that I assumed would contain an exquisite tea biscuit. Instead of a biscuit, it was perfectly measured line of cocaine. The ceremony was confounding, but the taste of the carefully sourced matcha was transporting. Some months later Tom told me the good news that his entire tea house along with its extensive Japanese garden and his bronze bonsai tree (made from 3,500 casts of Q-tips, tampon cases, tooth brushes, and enema nozzles) would be the focus of a major exhibition at the Noguchi Museum. In addition, his Boom Box retrospective, which had been enthusiastically received in Austin, would be coming to the Brooklyn Museum. Tom suggested that maybe now was the time to present the gallery show that we had been discussing for twenty years. Press release -
1:08Camera Movement In Filmmaking Is Indulgence by Tom Sachs
Camera Movement In Filmmaking Is Indulgence by Tom SachsCamera Movement In Filmmaking Is Indulgence by Tom Sachs
A SPACE PROGRAM in theaters 4/7/16 https://www.zeitgeistfilms.com/film/aspaceprogram FULL INTERVIEW WITH TOM SACHS https://www.youtube.com/watch?v=-yTbY1vRRRI CONNECT WITH TOM SACHS http://tomsachs.org https://www.instagram.com/tomsachs https://twitter.com/tom_sachs https://www.facebook.com/teamsachs http://www.imdb.com/name/nm3609799 CONNECT WITH FILM COURAGE http://www.FilmCourage.com http://twitter.com/#!/FilmCourage https://www.facebook.com/filmcourage http://filmcourage.tumblr.com http://pinterest.com/filmcourage LISTEN TO THE FILM COURAGE PODCAST https://soundcloud.com/filmcourage-com PROMOTE YOUR MOVIE, WEBSERIES, OR PRODUCT ON FILM COURAGE http://filmcourage.com/services SUPPORT FILM COURAGE http://www.patreon.com/filmcourage
Sachs, Tom Filmography
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1994, role: producer
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1992, role: actor , character name: KGB Archivist
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1985, role: producer
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1983, role: producer
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1981, role: producer
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1980, role: miscellaneous crew
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1979, role: producer
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1976, role: producer
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1975, role: producer
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1975, role: producer
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1970, role: miscellaneous crew
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1967, role: producer
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1966, role: producer
Sachs, Tom Filmography
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2010, role: actor
Tom Sachs
ALBUMS
- Visionaire No. 53: Sound released: 2007
Visionaire No. 53: Sound
Released 2007- add to main playlist Play in Full Screen Supercali, Part 1
- add to main playlist Play in Full Screen The Dog Park Mix
- add to main playlist Play in Full Screen Polaroid Picture
- add to main playlist Play in Full Screen Ein Kleine Jazz Musik
- add to main playlist Play in Full Screen 0_1
- add to main playlist Play in Full Screen (Newborn) Empty Shell
- add to main playlist Play in Full Screen [untitled]
- add to main playlist Play in Full Screen Karesansui
- add to main playlist Play in Full Screen Off the Top of My Head
- add to main playlist Play in Full Screen Willow
- add to main playlist Play in Full Screen Human Rights
- add to main playlist Play in Full Screen Control Freak
- add to main playlist Play in Full Screen Lady From Abbey
- add to main playlist Play in Full Screen [untitled]
- add to main playlist Play in Full Screen I Don't Get Out of Bed for Less Than $10, 000 a Day
- add to main playlist Play in Full Screen [untitled]
- add to main playlist Play in Full Screen God With No Tear
- add to main playlist Play in Full Screen Excerpts From Andy Warhol's Interview With Ginger Rogers
- add to main playlist Play in Full Screen Holiwater: Blind Man's Bath
- add to main playlist Play in Full Screen Sonic Table
- add to main playlist Play in Full Screen The Sound of Broadway
- add to main playlist Play in Full Screen Beat Piece
-
Tom Sachs Brings Boombox Culture Back to the Brooklyn Museum
The Brooklyn retrospective covers 17 years of the artist's career, but he has been making boomboxes for much longer; the New York creative warmly recalls trading his sister's boyfriend a copy of Led Zeppelin's Physical Graffiti for a stolen car stereo. If you're feeling adventurous, you can purchase a DIY zine from an ATM attached to Sach's Bodega that dates the beginning of his obsession to 1981: "I hooked my Sony Walkman up to a set of mini speakers and Velcroed them to a block of plywood. It was a clusterfuck of wires." The Bodega is a boombox too, of course. The collection showcases Sachs' balance of obsessive attention to detail and an irreverent sense of humor: one speaker has a perfect recreation of the Chanel monogram alongside the word "Pussy" written in Sachs' signature scrawl; ... -
In Conversation: Tom Sachs and Questlove
Artist Tom Sachs and drummer, DJ, and music producer Questlove chat sound systems, the intersections of art and science, and their mutual love of music from across the globe. Moderated by poet and activist Tom Healy and Rujeko Hockley, Assistant Curator of Contemporary Art. This event took place at the Brooklyn Museum on Saturday, June 16, 2016. -
-
Tom Sachs - "Boombox Retrospective" @ Brooklyn Museum
-
Cool - Tom Sachs "Boombox Retrospective" @ Brooklyn Museum
-
Good Times -Tom Sachs "Boombox Retrospective" @ Brooklyn Museum
-
Tom Sachs exhibit_sxsw2015
-
Tom Sachs: Nuggets at Jeffrey Deitch
“How did these get here!?” I was shocked to see a pile of stickers on my gallery reception desk in the Spring of 1996 with the outrageously provocative phrase “Nuke the Swiss” printed above a red cross. “They were left there by that funny guy who comes in here all the time,” my staff explained. A few weeks later, I was there when the culprit walked in, smirking as he handed me a fresh stack of Nuke the Swiss stickers. His engaging manner somehow neutralized the egregious content of his free art. This was my first introduction to Tom Sachs, who twenty years later, still visits during his walks around the neighborhood, and who continues to perfect his fusion of radical conceptual performance, Modernist idealism, bricolage and provocation. Tom and I have discussed presenting his work in my ga... -
Tom Sachs by Arte Fuse at Jeffrey Deitch
“How did these get here!?” I was shocked to see a pile of stickers on my gallery reception desk in the Spring of 1996 with the outrageously provocative phrase “Nuke the Swiss” printed above a red cross. “They were left there by that funny guy who comes in here all the time,” my staff explained. A few weeks later, I was there when the culprit walked in, smirking as he handed me a fresh stack of Nuke the Swiss stickers. His engaging manner somehow neutralized the egregious content of his free art. This was my first introduction to Tom Sachs, who twenty years later, still visits during his walks around the neighborhood, and who continues to perfect his fusion of radical conceptual performance, Modernist idealism, bricolage and provocation. Tom and I have discussed presenting his work in my ga... -
Camera Movement In Filmmaking Is Indulgence by Tom Sachs
A SPACE PROGRAM in theaters 4/7/16 https://www.zeitgeistfilms.com/film/aspaceprogram FULL INTERVIEW WITH TOM SACHS https://www.youtube.com/watch?v=-yTbY1vRRRI CONNECT WITH TOM SACHS http://tomsachs.org https://www.instagram.com/tomsachs https://twitter.com/tom_sachs https://www.facebook.com/teamsachs http://www.imdb.com/name/nm3609799 CONNECT WITH FILM COURAGE http://www.FilmCourage.com http://twitter.com/#!/FilmCourage https://www.facebook.com/filmcourage http://filmcourage.tumblr.com http://pinterest.com/filmcourage LISTEN TO THE FILM COURAGE PODCAST https://soundcloud.com/filmcourage-com PROMOTE YOUR MOVIE, WEBSERIES, OR PRODUCT ON FILM COURAGE http://filmcourage.com/services SUPPORT FILM COURAGE http://www.patreon.com/filmcourage
Tom Sachs Brings Boombox Culture Back to the Brooklyn Museum
- Order: Reorder
- Duration: 2:41
- Updated: 07 Jul 2016
- views: 116
The Brooklyn retrospective covers 17 years of the artist's career, but he has been making boomboxes for much longer; the New York creative warmly recalls tradin...
The Brooklyn retrospective covers 17 years of the artist's career, but he has been making boomboxes for much longer; the New York creative warmly recalls trading his sister's boyfriend a copy of Led Zeppelin's Physical Graffiti for a stolen car stereo. If you're feeling adventurous, you can purchase a DIY zine from an ATM attached to Sach's Bodega that dates the beginning of his obsession to 1981: "I hooked my Sony Walkman up to a set of mini speakers and Velcroed them to a block of plywood. It was a clusterfuck of wires." The Bodega is a boombox too, of course.
The collection showcases Sachs' balance of obsessive attention to detail and an irreverent sense of humor: one speaker has a perfect recreation of the Chanel monogram alongside the word "Pussy" written in Sachs' signature scrawl; a Courvoisier bottle in Presidential Vampire Booth 's bar has been Wited-Out to read Corbusier.
HYPEBEAST caught up with the artist to discuss how he got into boomboxes, how music informs his creative process, and how he and Frank Gehry feel about imitators.
For up-to-date news and more:
http://HYPEBEAST.com
View more HYPEBEAST videos: http://YOUTUBE.com/user/HypebeastTV
Stay connected with us on your favorite social media platform:
http://FACEBOOK.com/hypebeast
http://TWITTER.com/hypebeast
http://TUMBLR.com/tagged/hypebeast
http://PINTEREST.com/hypebeast
http://INSTAGRAM.com/hypebeast
wn.com/Tom Sachs Brings Boombox Culture Back To The Brooklyn Museum
The Brooklyn retrospective covers 17 years of the artist's career, but he has been making boomboxes for much longer; the New York creative warmly recalls trading his sister's boyfriend a copy of Led Zeppelin's Physical Graffiti for a stolen car stereo. If you're feeling adventurous, you can purchase a DIY zine from an ATM attached to Sach's Bodega that dates the beginning of his obsession to 1981: "I hooked my Sony Walkman up to a set of mini speakers and Velcroed them to a block of plywood. It was a clusterfuck of wires." The Bodega is a boombox too, of course.
The collection showcases Sachs' balance of obsessive attention to detail and an irreverent sense of humor: one speaker has a perfect recreation of the Chanel monogram alongside the word "Pussy" written in Sachs' signature scrawl; a Courvoisier bottle in Presidential Vampire Booth 's bar has been Wited-Out to read Corbusier.
HYPEBEAST caught up with the artist to discuss how he got into boomboxes, how music informs his creative process, and how he and Frank Gehry feel about imitators.
For up-to-date news and more:
http://HYPEBEAST.com
View more HYPEBEAST videos: http://YOUTUBE.com/user/HypebeastTV
Stay connected with us on your favorite social media platform:
http://FACEBOOK.com/hypebeast
http://TWITTER.com/hypebeast
http://TUMBLR.com/tagged/hypebeast
http://PINTEREST.com/hypebeast
http://INSTAGRAM.com/hypebeast
- published: 07 Jul 2016
- views: 116
In Conversation: Tom Sachs and Questlove
- Order: Reorder
- Duration: 87:31
- Updated: 21 Jun 2016
- views: 129
Artist Tom Sachs and drummer, DJ, and music producer Questlove chat sound systems, the intersections of art and science, and their mutual love of music from acr...
Artist Tom Sachs and drummer, DJ, and music producer Questlove chat sound systems, the intersections of art and science, and their mutual love of music from across the globe. Moderated by poet and activist Tom Healy and Rujeko Hockley, Assistant Curator of Contemporary Art.
This event took place at the Brooklyn Museum on Saturday, June 16, 2016.
wn.com/In Conversation Tom Sachs And Questlove
Artist Tom Sachs and drummer, DJ, and music producer Questlove chat sound systems, the intersections of art and science, and their mutual love of music from across the globe. Moderated by poet and activist Tom Healy and Rujeko Hockley, Assistant Curator of Contemporary Art.
This event took place at the Brooklyn Museum on Saturday, June 16, 2016.
- published: 21 Jun 2016
- views: 129
Al Diaz @ Tom Sachs "Boombox Retrospective" Brooklyn Museum
- Order: Reorder
- Duration: 0:26
- Updated: 18 Jun 2016
- views: 34
Tom Sachs - "Boombox Retrospective" @ Brooklyn Museum
- Order: Reorder
- Duration: 0:20
- Updated: 17 Jun 2016
- views: 10
- published: 17 Jun 2016
- views: 10
Cool - Tom Sachs "Boombox Retrospective" @ Brooklyn Museum
- Order: Reorder
- Duration: 0:14
- Updated: 17 Jun 2016
- views: 14
- published: 17 Jun 2016
- views: 14
Good Times -Tom Sachs "Boombox Retrospective" @ Brooklyn Museum
- Order: Reorder
- Duration: 0:08
- Updated: 17 Jun 2016
- views: 16
- published: 17 Jun 2016
- views: 16
Tom Sachs exhibit_sxsw2015
- Order: Reorder
- Duration: 4:16
- Updated: 07 Jun 2016
- views: 11
- published: 07 Jun 2016
- views: 11
Tom Sachs: Nuggets at Jeffrey Deitch
- Order: Reorder
- Duration: 2:13
- Updated: 27 May 2016
- views: 36
“How did these get here!?” I was shocked to see a pile of stickers on my gallery reception desk in the Spring of 1996 with the outrageously provocative phrase “...
“How did these get here!?” I was shocked to see a pile of stickers on my gallery reception desk in the Spring of 1996 with the outrageously provocative phrase “Nuke the Swiss” printed above a red cross. “They were left there by that funny guy who comes in here all the time,” my staff explained. A few weeks later, I was there when the culprit walked in, smirking as he handed me a fresh stack of Nuke the Swiss stickers. His engaging manner somehow neutralized the egregious content of his free art. This was my first introduction to Tom Sachs, who twenty years later, still visits during his walks around the neighborhood, and who continues to perfect his fusion of radical conceptual performance, Modernist idealism, bricolage and provocation.
Tom and I have discussed presenting his work in my gallery since 1996, but it took twenty years to realize an exhibition. There were several false starts. In the late 1990s, Tom amused himself by setting up a contest between three art dealers who were keen to show his work, Angela Westwater, Mary Boone, and myself. He even published a zine about the “competition.” He decided that Mary Boone was the winner and rewarded her with a solo show. I opened my copy of The New York Times on September 30, 1999 to see the astonishing headline, “Art Dealer Arrested for Exhibition of Live Ammunition.” Tom had placed a vase full of live 9-millimeter cartridges on Mary Boone’s reception desk for visitors to take home as souvenirs. Mary was hauled off to jail for unlawful distribution of ammunition and resisting arrest. She was also charged with possession of unlawful weapons and possession of stolen property for another piece in the show, which featured homemade guns. I was lucky to have dodged a bullet. There was much more water under the bridge, but I will save those stories for my memoirs.
Last year Tom called to invite me for a tea ceremony. He had transformed a section of his wunderkammer studio into a subversion of a Japanese tea house, constructed with Con Edison excavation barriers and Blue Foam instead of rice paper and bamboo. I was deeply entranced in Tom’s remix of the tea ceremony when he stunned me by lifting the lid of a lacquer box that I assumed would contain an exquisite tea biscuit. Instead of a biscuit, it was perfectly measured line of cocaine. The ceremony was confounding, but the taste of the carefully sourced matcha was transporting.
Some months later Tom told me the good news that his entire tea house along with its extensive Japanese garden and his bronze bonsai tree (made from 3,500 casts of Q-tips, tampon cases, tooth brushes, and enema nozzles) would be the focus of a major exhibition at the Noguchi Museum. In addition, his Boom Box retrospective, which had been enthusiastically received in Austin, would be coming to the Brooklyn Museum. Tom suggested that maybe now was the time to present the gallery show that we had been discussing for twenty years.
wn.com/Tom Sachs Nuggets At Jeffrey Deitch
“How did these get here!?” I was shocked to see a pile of stickers on my gallery reception desk in the Spring of 1996 with the outrageously provocative phrase “Nuke the Swiss” printed above a red cross. “They were left there by that funny guy who comes in here all the time,” my staff explained. A few weeks later, I was there when the culprit walked in, smirking as he handed me a fresh stack of Nuke the Swiss stickers. His engaging manner somehow neutralized the egregious content of his free art. This was my first introduction to Tom Sachs, who twenty years later, still visits during his walks around the neighborhood, and who continues to perfect his fusion of radical conceptual performance, Modernist idealism, bricolage and provocation.
Tom and I have discussed presenting his work in my gallery since 1996, but it took twenty years to realize an exhibition. There were several false starts. In the late 1990s, Tom amused himself by setting up a contest between three art dealers who were keen to show his work, Angela Westwater, Mary Boone, and myself. He even published a zine about the “competition.” He decided that Mary Boone was the winner and rewarded her with a solo show. I opened my copy of The New York Times on September 30, 1999 to see the astonishing headline, “Art Dealer Arrested for Exhibition of Live Ammunition.” Tom had placed a vase full of live 9-millimeter cartridges on Mary Boone’s reception desk for visitors to take home as souvenirs. Mary was hauled off to jail for unlawful distribution of ammunition and resisting arrest. She was also charged with possession of unlawful weapons and possession of stolen property for another piece in the show, which featured homemade guns. I was lucky to have dodged a bullet. There was much more water under the bridge, but I will save those stories for my memoirs.
Last year Tom called to invite me for a tea ceremony. He had transformed a section of his wunderkammer studio into a subversion of a Japanese tea house, constructed with Con Edison excavation barriers and Blue Foam instead of rice paper and bamboo. I was deeply entranced in Tom’s remix of the tea ceremony when he stunned me by lifting the lid of a lacquer box that I assumed would contain an exquisite tea biscuit. Instead of a biscuit, it was perfectly measured line of cocaine. The ceremony was confounding, but the taste of the carefully sourced matcha was transporting.
Some months later Tom told me the good news that his entire tea house along with its extensive Japanese garden and his bronze bonsai tree (made from 3,500 casts of Q-tips, tampon cases, tooth brushes, and enema nozzles) would be the focus of a major exhibition at the Noguchi Museum. In addition, his Boom Box retrospective, which had been enthusiastically received in Austin, would be coming to the Brooklyn Museum. Tom suggested that maybe now was the time to present the gallery show that we had been discussing for twenty years.
- published: 27 May 2016
- views: 36
Tom Sachs by Arte Fuse at Jeffrey Deitch
- Order: Reorder
- Duration: 2:13
- Updated: 27 May 2016
- views: 132
“How did these get here!?” I was shocked to see a pile of stickers on my gallery reception desk in the Spring of 1996 with the outrageously provocative phrase “...
“How did these get here!?” I was shocked to see a pile of stickers on my gallery reception desk in the Spring of 1996 with the outrageously provocative phrase “Nuke the Swiss” printed above a red cross. “They were left there by that funny guy who comes in here all the time,” my staff explained. A few weeks later, I was there when the culprit walked in, smirking as he handed me a fresh stack of Nuke the Swiss stickers. His engaging manner somehow neutralized the egregious content of his free art. This was my first introduction to Tom Sachs, who twenty years later, still visits during his walks around the neighborhood, and who continues to perfect his fusion of radical conceptual performance, Modernist idealism, bricolage and provocation.
Tom and I have discussed presenting his work in my gallery since 1996, but it took twenty years to realize an exhibition. There were several false starts. In the late 1990s, Tom amused himself by setting up a contest between three art dealers who were keen to show his work, Angela Westwater, Mary Boone, and myself. He even published a zine about the “competition.” He decided that Mary Boone was the winner and rewarded her with a solo show. I opened my copy of The New York Times on September 30, 1999 to see the astonishing headline, “Art Dealer Arrested for Exhibition of Live Ammunition.” Tom had placed a vase full of live 9-millimeter cartridges on Mary Boone’s reception desk for visitors to take home as souvenirs. Mary was hauled off to jail for unlawful distribution of ammunition and resisting arrest. She was also charged with possession of unlawful weapons and possession of stolen property for another piece in the show, which featured homemade guns. I was lucky to have dodged a bullet. There was much more water under the bridge, but I will save those stories for my memoirs.
Last year Tom called to invite me for a tea ceremony. He had transformed a section of his wunderkammer studio into a subversion of a Japanese tea house, constructed with Con Edison excavation barriers and Blue Foam instead of rice paper and bamboo. I was deeply entranced in Tom’s remix of the tea ceremony when he stunned me by lifting the lid of a lacquer box that I assumed would contain an exquisite tea biscuit. Instead of a biscuit, it was perfectly measured line of cocaine. The ceremony was confounding, but the taste of the carefully sourced matcha was transporting.
Some months later Tom told me the good news that his entire tea house along with its extensive Japanese garden and his bronze bonsai tree (made from 3,500 casts of Q-tips, tampon cases, tooth brushes, and enema nozzles) would be the focus of a major exhibition at the Noguchi Museum. In addition, his Boom Box retrospective, which had been enthusiastically received in Austin, would be coming to the Brooklyn Museum. Tom suggested that maybe now was the time to present the gallery show that we had been discussing for twenty years.
Press release
wn.com/Tom Sachs By Arte Fuse At Jeffrey Deitch
“How did these get here!?” I was shocked to see a pile of stickers on my gallery reception desk in the Spring of 1996 with the outrageously provocative phrase “Nuke the Swiss” printed above a red cross. “They were left there by that funny guy who comes in here all the time,” my staff explained. A few weeks later, I was there when the culprit walked in, smirking as he handed me a fresh stack of Nuke the Swiss stickers. His engaging manner somehow neutralized the egregious content of his free art. This was my first introduction to Tom Sachs, who twenty years later, still visits during his walks around the neighborhood, and who continues to perfect his fusion of radical conceptual performance, Modernist idealism, bricolage and provocation.
Tom and I have discussed presenting his work in my gallery since 1996, but it took twenty years to realize an exhibition. There were several false starts. In the late 1990s, Tom amused himself by setting up a contest between three art dealers who were keen to show his work, Angela Westwater, Mary Boone, and myself. He even published a zine about the “competition.” He decided that Mary Boone was the winner and rewarded her with a solo show. I opened my copy of The New York Times on September 30, 1999 to see the astonishing headline, “Art Dealer Arrested for Exhibition of Live Ammunition.” Tom had placed a vase full of live 9-millimeter cartridges on Mary Boone’s reception desk for visitors to take home as souvenirs. Mary was hauled off to jail for unlawful distribution of ammunition and resisting arrest. She was also charged with possession of unlawful weapons and possession of stolen property for another piece in the show, which featured homemade guns. I was lucky to have dodged a bullet. There was much more water under the bridge, but I will save those stories for my memoirs.
Last year Tom called to invite me for a tea ceremony. He had transformed a section of his wunderkammer studio into a subversion of a Japanese tea house, constructed with Con Edison excavation barriers and Blue Foam instead of rice paper and bamboo. I was deeply entranced in Tom’s remix of the tea ceremony when he stunned me by lifting the lid of a lacquer box that I assumed would contain an exquisite tea biscuit. Instead of a biscuit, it was perfectly measured line of cocaine. The ceremony was confounding, but the taste of the carefully sourced matcha was transporting.
Some months later Tom told me the good news that his entire tea house along with its extensive Japanese garden and his bronze bonsai tree (made from 3,500 casts of Q-tips, tampon cases, tooth brushes, and enema nozzles) would be the focus of a major exhibition at the Noguchi Museum. In addition, his Boom Box retrospective, which had been enthusiastically received in Austin, would be coming to the Brooklyn Museum. Tom suggested that maybe now was the time to present the gallery show that we had been discussing for twenty years.
Press release
- published: 27 May 2016
- views: 132
Camera Movement In Filmmaking Is Indulgence by Tom Sachs
- Order: Reorder
- Duration: 1:08
- Updated: 17 Apr 2016
- views: 1018
A SPACE PROGRAM in theaters 4/7/16
https://www.zeitgeistfilms.com/film/aspaceprogram
FULL INTERVIEW WITH TOM SACHS
https://www.youtube.com/watch?v=-yTbY1vRRRI
...
A SPACE PROGRAM in theaters 4/7/16
https://www.zeitgeistfilms.com/film/aspaceprogram
FULL INTERVIEW WITH TOM SACHS
https://www.youtube.com/watch?v=-yTbY1vRRRI
CONNECT WITH TOM SACHS
http://tomsachs.org
https://www.instagram.com/tomsachs
https://twitter.com/tom_sachs
https://www.facebook.com/teamsachs
http://www.imdb.com/name/nm3609799
CONNECT WITH FILM COURAGE
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http://twitter.com/#!/FilmCourage
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LISTEN TO THE FILM COURAGE PODCAST
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SUPPORT FILM COURAGE
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wn.com/Camera Movement In Filmmaking Is Indulgence By Tom Sachs
A SPACE PROGRAM in theaters 4/7/16
https://www.zeitgeistfilms.com/film/aspaceprogram
FULL INTERVIEW WITH TOM SACHS
https://www.youtube.com/watch?v=-yTbY1vRRRI
CONNECT WITH TOM SACHS
http://tomsachs.org
https://www.instagram.com/tomsachs
https://twitter.com/tom_sachs
https://www.facebook.com/teamsachs
http://www.imdb.com/name/nm3609799
CONNECT WITH FILM COURAGE
http://www.FilmCourage.com
http://twitter.com/#!/FilmCourage
https://www.facebook.com/filmcourage
http://filmcourage.tumblr.com
http://pinterest.com/filmcourage
LISTEN TO THE FILM COURAGE PODCAST
https://soundcloud.com/filmcourage-com
PROMOTE YOUR MOVIE, WEBSERIES, OR PRODUCT ON FILM COURAGE
http://filmcourage.com/services
SUPPORT FILM COURAGE
http://www.patreon.com/filmcourage
- published: 17 Apr 2016
- views: 1018
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2:41
Tom Sachs Brings Boombox Culture Back to the Brooklyn Museum
The Brooklyn retrospective covers 17 years of the artist's career, but he has been making ...
published: 07 Jul 2016
Tom Sachs Brings Boombox Culture Back to the Brooklyn Museum
Tom Sachs Brings Boombox Culture Back to the Brooklyn Museum
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- published: 07 Jul 2016
- views: 116
87:31
In Conversation: Tom Sachs and Questlove
Artist Tom Sachs and drummer, DJ, and music producer Questlove chat sound systems, the int...
published: 21 Jun 2016
In Conversation: Tom Sachs and Questlove
In Conversation: Tom Sachs and Questlove
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- published: 21 Jun 2016
- views: 129
0:26
Al Diaz @ Tom Sachs "Boombox Retrospective" Brooklyn Museum
SAMO
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published: 18 Jun 2016
Al Diaz @ Tom Sachs "Boombox Retrospective" Brooklyn Museum
Al Diaz @ Tom Sachs "Boombox Retrospective" Brooklyn Museum
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- views: 34
0:20
Tom Sachs - "Boombox Retrospective" @ Brooklyn Museum
published: 17 Jun 2016
Tom Sachs - "Boombox Retrospective" @ Brooklyn Museum
Tom Sachs - "Boombox Retrospective" @ Brooklyn Museum
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0:14
Cool - Tom Sachs "Boombox Retrospective" @ Brooklyn Museum
published: 17 Jun 2016
Cool - Tom Sachs "Boombox Retrospective" @ Brooklyn Museum
Cool - Tom Sachs "Boombox Retrospective" @ Brooklyn Museum
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0:08
Good Times -Tom Sachs "Boombox Retrospective" @ Brooklyn Museum
published: 17 Jun 2016
Good Times -Tom Sachs "Boombox Retrospective" @ Brooklyn Museum
Good Times -Tom Sachs "Boombox Retrospective" @ Brooklyn Museum
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4:16
Tom Sachs exhibit_sxsw2015
published: 07 Jun 2016
Tom Sachs exhibit_sxsw2015
Tom Sachs exhibit_sxsw2015
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- published: 07 Jun 2016
- views: 11
2:13
Tom Sachs: Nuggets at Jeffrey Deitch
“How did these get here!?” I was shocked to see a pile of stickers on my gallery reception...
published: 27 May 2016
Tom Sachs: Nuggets at Jeffrey Deitch
Tom Sachs: Nuggets at Jeffrey Deitch
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- published: 27 May 2016
- views: 36
2:13
Tom Sachs by Arte Fuse at Jeffrey Deitch
“How did these get here!?” I was shocked to see a pile of stickers on my gallery reception...
published: 27 May 2016
Tom Sachs by Arte Fuse at Jeffrey Deitch
Tom Sachs by Arte Fuse at Jeffrey Deitch
- Report rights infringement
- published: 27 May 2016
- views: 132
1:08
Camera Movement In Filmmaking Is Indulgence by Tom Sachs
A SPACE PROGRAM in theaters 4/7/16
https://www.zeitgeistfilms.com/film/aspaceprogram
FULL...
published: 17 Apr 2016
Camera Movement In Filmmaking Is Indulgence by Tom Sachs
Camera Movement In Filmmaking Is Indulgence by Tom Sachs
- Report rights infringement
- published: 17 Apr 2016
- views: 1018
Tom Sachs Brings Boombox Culture Back to the Brook...
In Conversation: Tom Sachs and Questlove...
Al Diaz @ Tom Sachs "Boombox Retrospective" Brookl...
Tom Sachs - "Boombox Retrospective" @ Brooklyn Mus...
Cool - Tom Sachs "Boombox Retrospective" @ Brookly...
Good Times -Tom Sachs "Boombox Retrospective" @ Br...
Tom Sachs exhibit_sxsw2015...
Tom Sachs: Nuggets at Jeffrey Deitch...
Tom Sachs by Arte Fuse at Jeffrey Deitch...
Camera Movement In Filmmaking Is Indulgence by Tom...
photo: AP / Emrah Gurel
Live: Turkish army says it has taken power in the country
Edit France24 15 Jul 2016photo: AP / Photo
Turkish Military in Attempted Coup, Prime Minister Says
Edit Bloomberg 15 Jul 2016
Binali Yildirim told NTV television. "it is correct that there was an attempt." ... LEARN MORE. ....
photo: FEMA / Bill Koplitz
Newly Released Pages Say Saudis May Have Helped 9/11 Attackers
Edit WorldNews.com 15 Jul 2016
Saudi nationals connected to the government in Riyadh may have aided some of the Sept. 11 hijackers in the U.S ... intelligence officials who approved releasing the report, as families of some of the 3,000 victims of the attacks have long demanded, emphasized that they didn’t consider it accurate or reliable ... WN.com, Jim Berrie ....
photo: AP / Carolyn Kaster
Former Fox News Commentator Sentenced For False Claims Of CIA Ties
Edit WorldNews.com 15 Jul 2016
U.S ... District Court in Alexandria, Virginia, the U.S. Attorney's Office said in a statement.Dana Boente, U.S. Attorney for the Eastern District of Virginia, issued to the statement."Wayne Simmons is a fraud ... - Dana BoenteU.S. District Judge T.S....
photo: AP Photo/Christian Alminana
Nice Terrorist Attack: At Least 77 Dead, Police Kill Suspect
Edit WorldNews.com 15 Jul 2016
Bastille Day revelers were targeted in what is being called a terrorist attack by a truck carrying hand grenades and other weapons drove onto a sidewalk for more than a mile, killing 77 people before police were able to shoot and kill the driver according to The Associated Press. Some outlets have reported the suspect was a local in Nice who was originally from Tunisia ... I saw bodies flying like bowling pins along its route." ... ....
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Taylor Swift Pregnancy Rumors Swirl As She Talks Kids With Tom Hiddleston
Edit Inquisitr 16 Jul 2016
Fans have been making up theories about Taylor Swift’s fast-paced relationship with Tom Hiddleston ... Taylor was seen kissing Tom on a beach in Rhode Island just two weeks after she split from DJ Calvin Harris ... Taylor’s fans have taken to social media to speculate whether or not she’s really pregnant with Tom’s baby, which is the reason why they are moving at a rapid pace....
Relationship with Taylor Swift not publicity stunt: Tom Hiddleston
Edit Indian Express 16 Jul 2016
Everything between Tom Hiddleston and Taylor Swift is real and not fake publicity. Thor star Tom Hiddleston has addressed rumours surrounding his whirlwind romance with Taylor Swift, saying their relationship is not a publicity stunt ... outing with Tom Hiddleston Tom Hiddleston wants woman like his mother....
Tom Hiddleston Talks ‘Thor: Ragnarok,’ Emmy Nomination And Taylor Swift
Edit Inquisitr 16 Jul 2016
Actor Tom Hiddleston is already on the Australian set of Thor ... Along with having the title of God of Mischief, Tom has another new title he can add to his resume ... Tom Hiddleston and Taylor Swift’s relationship has turned into an incredibly hot topic as of late, and Hiddleston himself finally touched on this as well ... Outside of that, Tom is remaining pretty silent on all other details regarding his new girlfriend....
Thor's got Loki's back? Chris Hemsworth assures HiddleSwift romance not publicity stunt
Edit DNA India 16 Jul 2016
--> Sat, 16 Jul 2016-09.22am , PTI ... Actor Chris Hemsworth says his co-star Tom Hiddleston is happy and relishing his time with girlfriend Taylor Swift ... "I have seen Tom around, he looks happy, mate ... Somebody finally spoke! Tom Hiddleston says relationship with Taylor Swift not a publicity stunt ... ....
Buckley: No silver linings in Tom Brady saga
Edit Boston Herald 16 Jul 2016
Please stop with the tripe about how Tom Brady “took a knee,” and how he should have “thrown a Hail Mary” on the “last play of the game.” ... Tom Brady vs. J ... Instead of saying, “Tom Brady had his suspension overturned by the Supreme Court so, gee, I guess he’s innocent after all,” they would have said, “He got off.” ... Deflategate is part of Tom Brady’s legacy ... Edgar ... ....
Panthers Alum Named Swimming Coach at SUNY New Paltz (Adelphi University)
Edit Public Technologies 16 Jul 2016
(Source. Adelphi University). Tom Eickelberg '11 was recently named head coach of the men's and women's swimming teams at SUNY New Paltz ... 'Tom seems to fit that mold of not limiting himself to doing things simply because other coaches have done it.'....
Jim Cramer's 'Mad Money' Recap: Watch for Earnings, Opportunities Next Week
Edit The Street 16 Jul 2016
Search Jim Cramer's "Mad Money" trading recommendations using our exclusive "Mad Money" Stock Screener. A version of this program last aired Dec. 30, 2015. Be prepared for opportunities, Jim Cramer told his Mad Money viewers Friday as he laid out his game plan for next week's trading ... Next, on Tuesday, it's Johnson & Johnson (JNJ) , along with UnitedHealth Group (UNH) , Goldman Sachs (GS) and Microsoft (MSFT) reporting ... ....
‘The Walking Dead’ Season 7 Teaser Reveals Negan Choosing His Next Victim (Photo)
Edit The Wrap 16 Jul 2016
While fans are going to have to wait until October for the next installment of “The Walking Dead,” it’s never too soon to get excited about the cult horror hit ... “Eeny, meeny, miny, moe ... Also Read ... AMC ... 'Walking Dead' Promotes Jeffrey Dean Morgan, Tom Payne to Series Regulars ... 'Walking Dead' Promotes Jeffrey Dean Morgan, Tom Payne to Series Regulars....
Perfect Week: S&P; Hits High for Fifth Day
Edit Voa News 16 Jul 2016
The Standard & Poor's 500 hit an all-time intraday high Friday, the fifth straight day of record highs for the index ... stocks helped to move the averages higher. U.S ... JPMorgan set a positive tone for bank earnings topping estimates ... Earnings are now in full swing as 88 companies from the S&P; 500 will deliver results, with major financials set to report, including Bank of America, Goldman Sachs, American Express and Morgan Stanley ... ....
Leeds Rhinos 18 Wigan Warriors 16 (Leeds Rhinos - Leeds CF&A; Co Ltd)
Edit Public Technologies 16 Jul 2016
Brad Singleton moved up to the front row whilst Jamie Jones-Buchanan started at loose forward and there was a welcome return of Brett Ferres on the bench whilst Tom Briscoe was back on the wing ... It was created by Matty Smith, who noticed that Tom Briscoe had come in field, and his kicked precisely into the path of Josh Charnley for the winger to score....
Service industry union, environmentalist team up to target Colorado in new 2016 election effort
Edit Denver Post 16 Jul 2016
The Service Employees International Union and Tom Steyer, founder of NextGen Climate, announced Friday that the two groups would spend a combined $10 million in the three states for voter registration and other get-out-the-vote efforts ahead of November’s election ... “Tom Steyer is a hypocritical California billionaire who seems yet again intent on ......
Pokemon GO Player Quits Job to Play the Game Full-Time
Edit Game Rant 16 Jul 2016
One Pokemon GO player recreates the classic in-game Pokemon trainer experience, quitting his job to travel the country and capture every Pokemon in the game ... Pokemon GO fan Tom Currie has quit his job in order to play Pokemon GO full-time for two months in New Zealand ... With any luck, Tom Currie is essentially taking an extended leave of absence and his job will still be waiting for him when he’s done ... Source. The Guardian. ....
Kris Jenner Sounds Off on Taylor Swift & Tom Hiddleston's Romance: ''She's Great and I ...
Edit E! Online 16 Jul 2016
Taylor Swift and Tom Hiddleston's whirlwind romance has Kris Jenner's stamp of approval!
During an interview with Australian radio station Kyle & Jackie O this morning, the ... ....
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