Piercing the 4th Wall: Getting Close With My Celebrity Sistahs" Dr. Dreher highlights how the autobiographical "I" of the black woman celebrity connects with the collective black literary community by narrating her journey of harrowing familial persecution and communal expulsion, mean poverty, embarrassing insecurity, betrayal, and the threat of violence in conjunction with racism and sexism. Her work maintains that the black celebrity autobiographical narrative coexists on the continuum of black written expression as it has been practiced throughout history by black women. The discussion of Mary Wilson's autobiography Dreamgirl: My Life as a Supreme (Motown's stellar girl group The Supremes), for example, can stand with Toni Morrison's Sula, Alice Walker's The Color Purple and Gloria Naylor's Women of Brewster Place. Wilson examines the dynamics of friendship between young women in the entertainment industry, specifically Motown, just as Morrison and Walker do via their stories about Nel and Sula and Shug Avery, Celie, and Sophia respectively in their own communities. The late Eartha Kitt joins Morrison and Zora Neale Hurston (Their Eyes Were Watching God)as well in her critique of intra-racial dynamics in the black family and community. An examination of Kitt's autobiographies brings to relief the practice of verbal, sexual, and physical abuse within the black community, just as Morrison does in The Bluest Eye, Sula, and Paradise. By talking about themselves in the <b>...</b>