Watsky ft. Mal Devisa- Midnight Heart [x Infinity]

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• published: 09 Aug 2016
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Album Pre-order & Tour Tickets: http://georgewatsky.com/xInfinity Digital pre-order: http://radi.al/xInfinity http://facebook.com/gwatsky @gwatsky Mal Devisa https://www.facebook.com/MalDevisa/ Director, editor—Carlos López Estrada http://www.lopezestrada.com/ BEHIND THE SCENES: https://youtu.be/0mm0KEAQP6I Midnight Heart written by George Watsky, Anderson .Paak & Michael “Wax” Jones Produced by Anderson .Paak & Kush Mody Drums- Jøshua Dun Mixed by Andrew Oedel Mastered by Howie Weisenberg & Gentry Studer Video producer—Kimberly Stuckwisch Director of photography—Albert Salas Executive producers—Ian Blair & Kimberly Stuckwisch for DIKTATOR http://diktator.tv/ Executive producers—Corinna Martínez & Alonso Mejía Silva for Contenido Neto Producciones http://www.contenidoneto.net/ Choreographer & Referee—Jillian Meyers Red corner boxer— Matt Joseph Peacock Stunts—Juan Cruz García Production designer—Fernanda Guerrero Special FX—Jordan Allen Sound design—Michael O’Connor 1ST AD— Elena Fajardo Production manager— Hernán Mejía Silva Production coordinator— Karina Lozano Salazar 1st AC—Miguel Argumedo 2nd AC—Antonio Torres Video assist—Daniel Campos Garro Video assist assistant—Brayan Alexis Torres Calamateos Data managers—Edwin Esmeral & Karla Torrero Russo Producer’s assistant—Tim Ferrari PA’s—Avelino Lugo Martínez & Irving Riojas Runner—Ximena Delgado Locations manager—Ricardo Ramírez Locations assistant—Carlos Olvera Makeup artist—Sandra Miguelli Makeup assistant—Zelene Fernández Wardrobe design & stylist—Fernanda Vélez On-set assistant—Carmen Delfín Gaffer—Armando “Conejo” Herrera Staff—Israel Herrera, Karim Alarcón Ayala & Arturo Martínez Techno crane operators—Fernando Salazar, Ricardo Rojas & Ismael Díaz Generator op—Víctor Cañada Mercado Gear truck op—Agustín Rosales Gear truck assistant—Francisco Galán Dimmer op—Rubén Fuentes Lights op—Luis Bernal Dolly op—Fernando Castillo Truss rigger—Alberto Betanzos Lead man—Fernando Gómez Decorator—Alberto Guerrero Swing—Jorge Villafuerte Transportation services—Santiago Ayala Ramírez Drivers—Luis Enrique Morales & Carlos García Security—Omar Cuadra Catering by Sopa de Letras—Guadalupe De Luis Gonzalez, Yolanda Villeda, Concepción Maxtha, Antonio Maxtha & Samantha Jimenez BOXING RING and BOXING BOOTS BY CLETO REYES®-- Cleto Reyes Coordinator Jazmín Pelaes Poster designs—Carrie Smith Chorus Well I’ve made enemies along the ride I’m afraid I could never be satisfied But each way that I turn I face ahead Hook Straight through to your midnight heart Straight through to your midnight heart Now you know your soul is dark Straight through to your midnight heart Verse 1 you don’t know the name of like half of these folks and they’ll be sprinting for the exit the minute you’re broke a bunch of bobblehead muppets to laugh at your jokes wipe your ass and come and give your ego a stroke I had to break it to you— sorry buddy it was time you knew nothing you ever said was funny, man the punchline’s you one time for the palm trees and the sunshine two times for the two-timers being unkind confined to a small mind, but the fault’s mine I always keep on crawling back across the San Andreas faultline I keep on climbing underground to sweat out all my principles in darkness with you in this salt mine where we’re all blind, I should fall back, I know all signs say that I should halt but I golf clap for this false crap but from now on counterfeit suckers suck on my ball-sack, alright? I know you know it’s way too late now and your soul is dark Yeah motherfucker I see through you to your midnight heart Verse 2 it’s tough to care about stupid bullshit all of the time so I gotta say I’m glad that’s your job and not mine Everybody’s got a topic at the top of their mind A choice of how you wanna let your life be defined (is it honeys?) sleeping around is your taste? (Is it money?) are you the paper you chase? (Kinda funny) You said that I’ve been playing safe if you got the bravest voice say that to my face (is it your career?) pretty shitty to hear but I took a difficult look in the mirror, and I checked in the rearview objects are never what they appear the past tends to look crooked from here the mask— that I put on out of fear, the tracks that I didn’t put out the facts that I kept out of my ear the slack that I cut people who didn’t deserve it is tragically clear no no no not this year I’m not done changing yet. I’ll get these old knees checked I can’t bend over for someone I don’t respect