Remember? is an American romantic comedy released on December 19, 1939, directed by Norman Z. McLeod and starring Robert Taylor, Greer Garson and Lew Ayres. It was rushed into production by MGM studio chief Louis B. Mayer to capitalize on the attention and publicity generated by Greer Garson in her first film appearance, Goodbye Mr. Chips, released seven months earlier.
Following an establishing shot of the New York City skyline, an elevator in a busy office building opens and happy-go-lucky Sky Ames (Lew Ayres) steps out. In a joyful mood, singing to himself, he takes out a ring, puts it on third finger of his left hand and goes to the door marked "Eaton, Eiton, Piper & Holland Advertising Agency". Inside, Miss Wilson (Sara Haden), secretary to his best friend, Jeff Holland (Robert Taylor) tells him that Jeff is in a meeting. Showing her the ring, Sky explains that during the first vacation he took without Jeff, he met "the most wonderful girl in the world".
In Jeff's office, Mr. McIntyre (George Barbier) the ill-tempered health-tonic tycoon is complaining to Jeff and his elderly deaf partner, Mr. Piper (Richard Carle) that after spending a million dollars per year on advertising, he has the right to anticipate better results and, "if you can't put over this health tonic, I'll take the account to another advertising firm that can". He leaves, telling Jeff that he expects to see him at the 3 o'clock board meeting, angrily adding "sharp". Spotting Sky, Jeff asks about his trip to Nassau and Sky invites him for lunch at the Colony, a luxury restaurant renowned for its elite patronage.
"Remember (Walking in the Sand)", also known as "Remember", is a song written by George "Shadow" Morton. It was originally recorded by the girl group The Shangri-Las, who had a top five hit with it in 1964. A cover by Aerosmith in 1980 was a minor hit. There have been many other versions of this song.
Morton was looking to break into the music business, and went to the Brill Building in New York City to see an old girlfriend, Ellie Greenwich, who had become a successful pop songwriter. Morton and Greenwich's writing partner, Jeff Barry, took a dislike to one another. Asked what he did for a living, Morton replied "I write songs", although he had never written one. When Barry asked him what kind, Morton retorted, "Hit songs!" Barry said he would love to hear one of Morton's tunes, and invited him to come back the following week with something.
Re:member is FLOW's ninth single. Its A-Side was used as the eighth opening theme song for Naruto. It reached #12 on the Oricon charts in its first week and charted for 8 weeks. *
Tilt was a French magazine which began publication in September 1982, focused on personal computer and console gaming. It was the first French magazine specifically devoted to video games. The headquarters of the magazine was in Paris.
The name of the magazine was a nod to the pinball term, where excessive nudging of a pinball machine would result in a "tilt" penalty, and the loss of a turn during gameplay. The final issue of Tilt was published January 1994.
Tilt is a U.S. TV series set against the backdrop of the (fictional) World Championship of Poker tournament in Las Vegas, and with the tagline "You're playing poker. They're playing you." The series first aired on January 13, 2005, and is the second original drama series from ESPN, following Playmakers. It was created by Brian Koppelman and David Levien, who co-wrote the poker-themed feature film Rounders.
The series title refers to being "on tilt", which is poker jargon for letting frustration or other emotional stress interfere with one's poker-playing judgment. While that term is applicable to any form of poker, only one form of the game—no-limit Texas hold'em—is featured in the series. This was presumably meant to capitalize on the growing popularity of no-limit hold'em in the mid-2000s (decade), which was due in part to ESPN's own coverage of the annual World Series of Poker (WSOP), the event upon which the "World Championship of Poker" depicted in Tilt is presumably based.
Tilt is the twelfth studio album by the American solo artist Scott Walker. It was released on 8 May 1995 and reached number 27 on the UK albums chart. No singles were released from the album. It was Walker's first studio album in eleven years.
Walker composed the songs for the album between 1991 and 1992 except "Manhattan", which was written in 1987, and the final song "Rosary", which was composed in 1993. The album was recorded at RAK Recording Studios and Townhouse Studios in the UK and its release had been expected as early as 1992 but was not completed until 1995. The album is the first installment of a "trilogy" that went on to include The Drift (2006) and Bish Bosch (2012).
The songs on the album have a decidedly bleak, forlorn and funereal mood; the lyrics are replete with arcane allusions and recondite wordplay and ellipses. Like Walker's previous effort, Climate of Hunter (1984), Tilt combines elements of industrial music with European avant-garde and experimental influences. The unusual literary, musical and performance qualities of Walker's songwriting and singing are reminiscent of the lieder and "art song" traditions — forms which long predate the era of recorded popular music and electronic media.