The Fugs
| The Fugs | |
|---|---|
| Origin | New York City, United States |
| Genres | Freak folk, psychedelic rock, proto-punk, experimental rock |
| Years active | 1964–1969 1985–present |
| Labels | Folkways, ESP-Disk, Reprise, Transatlantic |
| Website | thefugs.com |
| Members | Ed Sanders Steve Taylor Coby Batty Scott Petito |
The Fugs are a band formed in New York City in late-1964[1] by poets Ed Sanders and Tuli Kupferberg, with Ken Weaver on drums. Soon afterward, they were joined by Peter Stampfel and Steve Weber of the Holy Modal Rounders. Kupferberg named the band from a euphemism for "fuck" used in Norman Mailer's novel, The Naked and the Dead.
Contents
Formation[edit]
The band's original core members, Ed Sanders, Tuli Kupferberg, and Ken Weaver, were joined at various times in the 1960s by a number of others, some of whom were noted session musicians or members of other bands. These included Weber and Stampfel,[2] bassist John Anderson, guitarist Vinny Leary, guitarist Peter Kearney, keyboardist Lee Crabtree, guitarist Jon Kalb, guitarist Stefan Grossman, singer/guitarist Jake Jacobs, guitarist Eric Gale, bassist Chuck Rainey, keyboardist Robert Banks, bassist Charles Larkey, guitarist Ken Pine, guitarist Danny Kortchmar, clarinetist Perry Robinson, bassist Bill Wolf and drummer Bob Mason.
For most of the last twenty-five years[when?], The Fugs have been composed of primary singer/songwriters Sanders and, until his death, Kupferberg; composer, songwriter, guitarist and long-time Allen Ginsberg-collaborator Steven Taylor; singer/songwriter and percussionist Coby Batty; and Scott Petito, a musician and music producer.
The band signed a record contract with ESP-Disk in 1965. The Fugs said that "our royalty rate was less than 3%, one of the lower percentages in the history of western civilization".[3] The owner of the label, Bernard Stollman, has frequently faced accusation of not paying royalties to artists.[4]
Career[edit]
A satirical and self-satirizing rock band with a political slant, they have performed at various war protests – against the Vietnam War and since the 1980s at events around other U.S. involved wars. The band's often frank and humorous lyrics about sex, drugs, and politics have caused a hostile reaction in some quarters, most notably the Federal Bureau of Investigation in the late 1960s. The group is referenced several times in the F.B.I. file on The Doors, where an excerpt mentions eleven songs from The Fugs First Album that are "vulgar and repulsive and are most suggestive."[5]
Their participation in the National Mobilization Committee to End the War in Vietnam's 1967 March on the Pentagon, at which they and others purportedly attempted to encircle and levitate the Pentagon, is chronicled in Norman Mailer's novel, The Armies of the Night.
One of their better-known songs is an adaptation of Matthew Arnold's poem "Dover Beach". Others were settings of William Blake's poems: "Ah! Sun-flower" and "How Sweet I Roam'd". Another, "Nothing", is a paraphrasing of the Yiddish folk song "Bulbes".
After pursuing individual projects over the years, in 1984 Sanders and Kupferberg decided to reform the band and stage a series of Fugs reunion concerts.[6] On Wednesday, August 15, 1988 at the Byrdcliff Barn in Woodstock, New York, the Fugs performed one of their first real reunion concerts. This incarnation of the Fugs included, at various times, guitarist and singer Steve Taylor who was also Allen Ginsberg's teaching assistant at the Naropa Institute, drummer and singer Coby Batty, bassist Mark Kramer, guitarist Vinny Leary (who had contributed to the first two original Fugs albums), and bassist/keyboardist Scott Petito. The re-formed Fugs performed concerts at numerous locations in the U.S. and Europe over the next several years.
In 1994 the band intended to perform a series of concerts in Woodstock, New York, (where Sanders had lived for many years) to commemorate the 1969 Woodstock Festival, which had actually occurred near the town of Bethel, some 50 miles away. They learned that a group of promoters were planning to stage Woodstock '94 that August near Saugerties, about 8 miles from Woodstock, and that this festival would be much more tightly controlled and commercialized than the original. Consequently, The Fugs decided to stage their own August 1994 concerts as "The Real Woodstock Festival", in an atmosphere more in keeping with the spirit of the 1969 festival. The basic Fugs roster of Sanders, Kupferberg, Taylor, Batty, and Petito performed in this series of concerts with additional vocal support from Amy Fradon and Leslie Ritter and also with appearances by Allen Ginsberg and Country Joe McDonald. In 2003, the group released The Fugs Final CD (Part 1) with positive feedback. In 2004, The Fugs began to record their last CD, Be Free: The Fugs Final CD (Part 2).
In 2008 their song "CIA Man" is featured in the movie Burn After Reading by the Coen brothers. In 2009, Kupferberg suffered two strokes, the latter of which severely hindered his eyesight. He was under constant care, but was able to finish recording his tracks for Be Free in his New York City apartment. A benefit for Kupferberg was held in Brooklyn, New York, in February 2010, featuring all of the Fugs minus Kupferberg, as well as Lou Reed, Sonic Youth, Patti Smith Group guitarist Lenny Kaye, and others. Be Free: The Fugs Final CD (Part 2) was released on February 23, 2010. The album art featured a snail reading Allen Ginsberg's poem "Howl", and was designed by Ed Sanders. The album was produced by Steve Taylor and Ed Sanders.
Kupferberg died on July 12, 2010, in Manhattan, at the age of 86.[7] In 2008, in one of his last interviews, he told MOJO magazine, "Nobody who lived through the '50s thought the '60s could've existed. So there's always hope."[8]
The remaining Fugs from time to time seriously consider further performances.[9][10] On June 11, 2011, the four remaining Fugs performed at Queen Elizabeth Hall in London as part of the annual Meltdown Festival, curated that year by Ray Davies of The Kinks. Their set received a 4-star review in The Guardian.[11]
They performed at the Beachland Ballroom in Cleveland on Friday November 30, 2012 and the next night on December 1, 2012 at Chicago's City Winery.
Primary lineups[edit]
The Fugs went through a number of lineup changes. Below are those that lasted the longest. For instance, guitarist Stefan Grossman was with the band for only several weeks, so this lineup is not included.
1964 – February 1965
- Kendell Kardt – vocals
- Tuli Kupferberg – vocals
- Ed Sanders – vocals
- Ken Weaver – vocals, conga
- Steve Weber – guitar, vocals
- Peter Stampfel – fiddle, harmonica, vocals
Summer 1965
- Tuli Kupferberg – vocals, percussion
- Ed Sanders – vocals
- Ken Weaver – drums, vocals
- Steve Weber – guitar, vocals
- Vinny Leary – guitar, vocals
- John Anderson – bass, vocals
September – December 1965
- Tuli Kupferberg – vocals, percussion
- Ed Sanders – vocals
- Ken Weaver – drums, vocals
- Steve Weber – guitar, vocals
December 1965 – July 1966
- Tuli Kupferberg – vocals
- Ed Sanders – vocals
- Ken Weaver – drums, vocals
- Lee Crabtree – keyboards, percussion
- Vinny Leary – guitar, vocals
- John Anderson – bass, vocals
- Pete Kearney – guitar, vocals
July – October 1966
- Tuli Kupferberg – vocals
- Ed Sanders – vocals
- Ken Weaver – drums, vocals
- Lee Crabtree – keyboards, percussion
- Jon Kalb – lead guitar
- Vinny Leary – rhythm guitar, vocals
- John Anderson – bass, vocals
October 1966 – Spring 1967
- Tuli Kupferberg – vocals
- Ed Sanders – vocals
- Ken Weaver – drums, vocals
- Lee Crabtree – keyboards, percussion
- Jake Jacobs – guitar, vocals
- Chuck Rainey – bass
Summer 1967 – Summer 1968
- Tuli Kupferberg – vocals
- Ed Sanders – vocals
- Ken Weaver – drums, vocals
- Ken Pine – guitar, vocals
- Danny Kortchmar – guitar, violin
- Charles Larkey – bass
Winter 1968 – March 1969
- Tuli Kupferberg – vocals
- Ed Sanders – vocals
- Ken Weaver – drums, vocals
- Ken Pine – guitar, vocals
- Bill Wolf – bass, vocals
- Bob Mason – drums
1985–2010
- Tuli Kupferberg – vocals
- Ed Sanders – vocals
- Steve Taylor – vocals, guitar
- Coby Batty – drums, percussion, vocals
- Scott Petito – bass, keyboards
2010–present
- Ed Sanders – vocals
- Steve Taylor – vocals, guitar
- Coby Batty – drums, percussion, vocals
- Scott Petito – bass, keyboards
Discography[edit]
Studio Albums[edit]
| Year | Album | US Top 200 | Label |
|---|---|---|---|
| 1965 | The Village Fugs Sing Ballads of Contemporary Protest, Point of Views, and General Dissatisfaction | — | Broadside/Folkways |
| 1966 | The Fugs First Album* | 142 | ESP-Disk |
| The Fugs | 95 | ||
| 1967 | The Fugs Eat It [unreleased] | — | Atlantic |
| Virgin Fugs | — | ESP Disk | |
| 1968 | Tenderness Junction | — | Reprise |
| It Crawled Into My Hand, Honest | 167 | ||
| 1969 | The Belle of Avenue A | — | |
| 1985 | No More Slavery | — | New Rose |
| 1987 | Star Peace - A Musical Drama In Three Acts | — | |
| 2003 | The Fugs Final CD (Part 1) | — | Artemis |
| 2010 | Be Free: The Fugs Final CD (Part 2) | — | Fugs Records |
- - "The Fugs First Album" is a retitled reissue of the Broadside/Folkways LP.
Live Albums[edit]
| Year | Album | Label |
|---|---|---|
| 1970 | Golden Filth (Live at The Fillmore East) | Reprise |
| 1984 | Refuse to Be Burnt Out | New Rose |
| Baskets of Love | Olufsen | |
| 1993 | Fugs Live in Woodstock | MUSIK/MUSIK |
| 1995 | The Real Woodstock Festival | Big Beat |
Compilation Albums[edit]
| Year | Album | Label | Notes |
|---|---|---|---|
| 1975 | Fugs 4, Rounders Score | ESP-Disk | Consists of recordings from first two albums plus two unreleased cuts from first album sessions. (Four unreleased tracks by The Holy Modal Rounders are included, and date from first album sessions as well.) |
| 1982 | The Fugs Greatest Hits Vol.1 | PVC | Compilation drawing from the first three albums. |
| 1990 | Songs From a Portable Forest | Gazell | Chronicles the 1980s reunion albums. |
| 1994 | Live From The 60s | Big Beat | This album is made up of recordings from assorted (unprofessionally recorded) tapes of various shows, and home demos. |
| 2001 | Electromagnetic Steamboat: The Reprise Recordings | Rhino Handmade | Includes the four Reprise albums in their entirety plus special promo edits, mono mix of Tenderness Junction (except for Aphrodite Mass) and tracks from the unreleased Atlantic LP (in censored, mono form.) |
| 2008 | Don't Stop! Don't Stop! | Big Beat | Repackaging of the first two albums with various outtakes, demos and live recordings. |
| 2010 | Tenderness Junction/It Crawled Into My Hand Honest | Floating World | Two-fer combining the first two Reprise albums. Unlike the Rhino Handmade set which used tapes, this release is sourced from vinyl. |
References[edit]
- ^ Thefugs.com
- ^ Furious.com
- ^ Fugs, The. "History of the Fugs". Retrieved 26 November 2013.
- ^ Weiss, Jason (2012). Always in Trouble: An Oral History of ESP-Disk', the Most Outrageous Record Label in America. Wesleyan. ISBN 9780819571595.
- ^ "The Doors Part 1 of 1". Federal Bureau of Investigation. Retrieved 19 January 2012.
- ^ Greg Kot, "The Fugs still riotous after all these years", Chicago Tribune, November 27, 2012 [1]
- ^ Thedeadrockstarsclub.com, accessed July 2010
- ^ Mojo magazine #203, October 2010, p. 34
- ^ TheFugs.com
- ^ Greg Kot, "The Fugs still riotous after all these years", Chicago Tribune, November 27, 2012 [2]
- ^ Guardian review of The Fugs
External links[edit]
- NYU's Fales Library and Special Collections Guide to the Fugs Archive
- Official Fugs Website
- Interviews with Sanders and Kupferberg
- Interview with Ken Weaver
- Fugs performance from the film Chappaqua
- Ed Sanders, in two segments of video recorded during a tour of Scandinavia in 1968
- Photo of The Fugs Performing NYC, 1967 by Michael Maggid
- Music guide bio
- http://www.facebook.com/TheFugs
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